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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1FA4B it is the complementary color #3E05B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1FA4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1FA4B shade: #C6FA46, #D7FF59, #E8FF6C, #F9FF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1FA4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1FA4B shade: #C1FA4B, #B0E838, #9FD625, #8EC412 and #7DB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1FA4B shade: #C2FA4C, #F1FA4C, #FAD54C, #FAA64C and #FA774C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1FA4B shade: #C2FA4C, #93FA4C, #64FA4C, #4CFA63 and #4CFA93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1FA4B shade matches the following richer shades: #C2FA4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1FA4B shade: #C2FA4C, #BCEC5B, #B7DD6A, #B2CE79 and #ADBF87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1FA4B shade: #FAD54C, #F2FA4C, #C3FA4C, #95FA4C and #66FA4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1FA4B shade: #A2EE06, #B4F924, #C2FA4C, #CFFB74 and #DDFC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1FA4B shade: #C1FA4B, #4CFAA6 and #EC4CFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1FA4B shade: #C1FA4B, #4CC3FA and #FA4CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1FA4B shade: #C1FA4B, #4CFAA6, #834CFA and #FA4CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1FA4B shade: #C1FA4B, #4CFADA, #834CFA and #FA4C6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 70 / 2

HEX #C1FA4B

RGB 193 250 75

HSL 79.54, 0.95%, 0.64%

LAB 91.78, -41.83, 73.85

 

Complementary color

CMYK 66 / 97 / 0 / 29

HEX #3E05B4

RGB 62 5 180

HSL 259.54, 0.95%, 0.36%

LAB 25.04, 61.33, -76.54

 

CMYK 21 / 0 / 72 / 2

HEX #C6FA46

RGB 198 250 70

HSL 77.33, 0.95%, 0.63%

LAB 92.05, -40.23, 75.91

 

CMYK 16 / 0 / 65 / 0

HEX #D7FF59

RGB 215 255 89

HSL 74.46, 1%, 0.67%

LAB 94.61, -34.91, 72.06

 

CMYK 9 / 0 / 58 / 0

HEX #E8FF6C

RGB 232 255 108

HSL 69.39, 1%, 0.71%

LAB 95.9, -27.06, 66.15

 

CMYK 2 / 0 / 50 / 0

HEX #F9FF7F

RGB 249 255 127

HSL 62.81, 1%, 0.75%

LAB 97.31, -18.96, 59.77

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 23 / 0 / 70 / 2

HEX #C1FA4B

RGB 193 250 75

HSL 79.54, 0.95%, 0.64%

LAB 91.78, -41.83, 73.85

 

CMYK 24 / 0 / 76 / 9

HEX #B0E838

RGB 176 232 56

HSL 79.09, 0.79%, 0.56%

LAB 85.62, -41.3, 73.74

 

CMYK 26 / 0 / 83 / 16

HEX #9FD625

RGB 159 214 37

HSL 78.64, 0.71%, 0.49%

LAB 79.38, -40.62, 72.91

 

CMYK 28 / 0 / 91 / 23

HEX #8EC412

RGB 142 196 18

HSL 78.2, 0.83%, 0.42%

LAB 73.07, -39.74, 70.95

 

CMYK 30 / 0 / 100 / 30

HEX #7DB200

RGB 125 178 0

HSL 77.87, 1%, 0.35%

LAB 66.67, -38.67, 67.71

 

CMYK 22 / 0 / 70 / 2

HEX #C2FA4C

RGB 194 250 76

HSL 79.31, 0.95%, 0.64%

LAB 91.85, -41.4, 73.58

 

CMYK 4 / 0 / 70 / 2

HEX #F1FA4C

RGB 241 250 76

HSL 63.1, 0.95%, 0.64%

LAB 94.99, -23.11, 77.74

 

CMYK 0 / 15 / 70 / 2

HEX #FAD54C

RGB 250 213 76

HSL 47.24, 0.95%, 0.64%

LAB 86.22, -1.18, 69.31

 

CMYK 0 / 34 / 70 / 2

HEX #FAA64C

RGB 250 166 76

HSL 31.03, 0.95%, 0.64%

LAB 74.9, 23.24, 57.59

 

CMYK 0 / 52 / 70 / 2

HEX #FA774C

RGB 250 119 76

HSL 14.83, 0.95%, 0.64%

LAB 64.99, 47.19, 46.74

 

CMYK 22 / 0 / 70 / 2

HEX #C2FA4C

RGB 194 250 76

HSL 79.31, 0.95%, 0.64%

LAB 91.85, -41.4, 73.58

 

CMYK 41 / 0 / 70 / 2

HEX #93FA4C

RGB 147 250 76

HSL 95.52, 0.95%, 0.64%

LAB 89.44, -57.63, 70.37

 

CMYK 60 / 0 / 70 / 2

HEX #64FA4C

RGB 100 250 76

HSL 111.72, 0.95%, 0.64%

LAB 87.78, -70.31, 68.13

 

CMYK 70 / 0 / 60 / 2

HEX #4CFA63

RGB 76 250 99

HSL 127.93, 0.95%, 0.64%

LAB 87.39, -72.79, 58.47

 

CMYK 70 / 0 / 41 / 2

HEX #4CFA93

RGB 76 250 147

HSL 144.48, 0.95%, 0.64%

LAB 87.98, -66.03, 36.91

 

CMYK 22 / 0 / 70 / 2

HEX #C2FA4C

RGB 194 250 76

HSL 79.31, 0.95%, 0.64%

LAB 91.85, -41.4, 73.58

 

CMYK 22 / 0 / 70 / 2

HEX #C2FA4C

RGB 194 250 76

HSL 79.31, 0.95%, 0.64%

LAB 91.85, -41.4, 73.58

 

CMYK 20 / 0 / 61 / 7

HEX #BCEC5B

RGB 188 236 91

HSL 79.86, 0.79%, 0.64%

LAB 87.7, -36.41, 63.39

 

CMYK 17 / 0 / 52 / 13

HEX #B7DD6A

RGB 183 221 106

HSL 79.83, 0.63%, 0.64%

LAB 83.35, -30.09, 51.78

 

CMYK 14 / 0 / 41 / 19

HEX #B2CE79

RGB 178 206 121

HSL 79.76, 0.46%, 0.64%

LAB 79.03, -23.19, 39.16

 

CMYK 9 / 0 / 29 / 25

HEX #ADBF87

RGB 173 191 135

HSL 79.29, 0.3%, 0.64%

LAB 74.76, -15.77, 26.27

 

CMYK 0 / 15 / 70 / 2

HEX #FAD54C

RGB 250 213 76

HSL 47.24, 0.95%, 0.64%

LAB 86.22, -1.18, 69.31

 

CMYK 3 / 0 / 70 / 2

HEX #F2FA4C

RGB 242 250 76

HSL 62.76, 0.95%, 0.64%

LAB 95.06, -22.7, 77.84

 

CMYK 22 / 0 / 70 / 2

HEX #C3FA4C

RGB 195 250 76

HSL 78.97, 0.95%, 0.64%

LAB 91.91, -41.03, 73.66

 

CMYK 40 / 0 / 70 / 2

HEX #95FA4C

RGB 149 250 76

HSL 94.83, 0.95%, 0.64%

LAB 89.53, -57, 70.48

 

CMYK 59 / 0 / 70 / 2

HEX #66FA4C

RGB 102 250 76

HSL 111.03, 0.95%, 0.64%

LAB 87.83, -69.86, 68.21

 

CMYK 32 / 0 / 97 / 7

HEX #A2EE06

RGB 162 238 6

HSL 79.66, 0.95%, 0.48%

LAB 86.43, -50.34, 83.27

 

CMYK 28 / 0 / 86 / 2

HEX #B4F924

RGB 180 249 36

HSL 79.44, 0.95%, 0.56%

LAB 90.59, -47.85, 83.19

 

CMYK 22 / 0 / 70 / 2

HEX #C2FA4C

RGB 194 250 76

HSL 79.31, 0.95%, 0.64%

LAB 91.85, -41.4, 73.58

 

CMYK 18 / 0 / 54 / 2

HEX #CFFB74

RGB 207 251 116

HSL 79.56, 0.94%, 0.72%

LAB 93.24, -34.04, 59.22

 

CMYK 12 / 0 / 38 / 1

HEX #DDFC9C

RGB 221 252 156

HSL 79.38, 0.94%, 0.8%

LAB 94.9, -25.15, 42.68

 

CMYK 23 / 0 / 70 / 2

HEX #C1FA4B

RGB 193 250 75

HSL 79.54, 0.95%, 0.64%

LAB 91.78, -41.83, 73.85

 

CMYK 70 / 0 / 34 / 2

HEX #4CFAA6

RGB 76 250 166

HSL 151.03, 0.95%, 0.64%

LAB 88.29, -62.57, 27.82

 

CMYK 6 / 70 / 0 / 2

HEX #EC4CFA

RGB 236 76 250

HSL 295.17, 0.95%, 0.64%

LAB 61.57, 80.86, -56.25

 

CMYK 23 / 0 / 70 / 2

HEX #C1FA4B

RGB 193 250 75

HSL 79.54, 0.95%, 0.64%

LAB 91.78, -41.83, 73.85

 

CMYK 70 / 22 / 0 / 2

HEX #4CC3FA

RGB 76 195 250

HSL 198.97, 0.95%, 0.64%

LAB 74.49, -16.12, -36.76

 

CMYK 0 / 70 / 22 / 2

HEX #FA4CC3

RGB 250 76 195

HSL 318.97, 0.95%, 0.64%

LAB 61.16, 75.97, -25.83

 

CMYK 23 / 0 / 70 / 2

HEX #C1FA4B

RGB 193 250 75

HSL 79.54, 0.95%, 0.64%

LAB 91.78, -41.83, 73.85

 

CMYK 70 / 0 / 34 / 2

HEX #4CFAA6

RGB 76 250 166

HSL 151.03, 0.95%, 0.64%

LAB 88.29, -62.57, 27.82

 

CMYK 48 / 70 / 0 / 2

HEX #834CFA

RGB 131 76 250

HSL 258.97, 0.95%, 0.64%

LAB 48.13, 60.96, -78.62

 

CMYK 0 / 70 / 36 / 2

HEX #FA4CA0

RGB 250 76 160

HSL 331.03, 0.95%, 0.64%

LAB 59.92, 71.92, -7.56

 

CMYK 23 / 0 / 70 / 2

HEX #C1FA4B

RGB 193 250 75

HSL 79.54, 0.95%, 0.64%

LAB 91.78, -41.83, 73.85

 

CMYK 70 / 0 / 13 / 2

HEX #4CFADA

RGB 76 250 218

HSL 168.97, 0.95%, 0.64%

LAB 89.38, -51.07, 2.6

 

CMYK 48 / 70 / 0 / 2

HEX #834CFA

RGB 131 76 250

HSL 258.97, 0.95%, 0.64%

LAB 48.13, 60.96, -78.62

 

CMYK 0 / 70 / 57 / 2

HEX #FA4C6C

RGB 250 76 108

HSL 348.97, 0.95%, 0.64%

LAB 58.58, 67.41, 20.97

 

Description

Color code: HEX #C1FA4B | qconv.com Color code: HEX #C1FA4B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 250 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 250 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 70 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 70% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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