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Color name
HEX #C1F47D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1F47D it is the complementary color #3E0B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1F47D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1F47D shade: #C6F478, #D7FF8B, #E8FF9E, #F9FFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1F47D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1F47D shade: #C1F47D, #B0E26A, #9FD057, #8EBE44 and #7DAC31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1F47D shade: #C0F47C, #E1F47C, #F4E67C, #F4C67C and #F4A67C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1F47D shade: #C0F47C, #A0F47C, #7FF47C, #7CF498 and #7CF4B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1F47D shade matches the following richer shades: #C0F47C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1F47D shade: #C0F47C, #BFE887, #BDDC93, #BBD19E and #BAC5AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1F47D shade: #F4E67C, #E2F47C, #C2F47C, #A2F47C and #82F47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1F47D shade: #9CED30, #AEF056, #C0F47C, #D2F7A2 and #E4FAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1F47D shade: #C1F47D, #7CF4C6 and #F47CF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1F47D shade: #C1F47D, #7CC2F4 and #F47CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1F47D shade: #C1F47D, #7CF4C6, #AE7CF4 and #F47CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1F47D shade: #C1F47D, #7CF4EA, #AE7CF4 and #F47C86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 49 / 4

HEX #C1F47D

RGB 193 244 125

HSL 85.71, 0.84%, 0.72%

LAB 90.56, -35.1, 51.72

 

Complementary color

CMYK 52 / 92 / 0 / 49

HEX #3E0B82

RGB 62 11 130

HSL 265.71, 0.84%, 0.28%

LAB 19.54, 47.4, -54.92

 

CMYK 19 / 0 / 51 / 4

HEX #C6F478

RGB 198 244 120

HSL 82.26, 0.85%, 0.71%

LAB 90.81, -33.79, 54.41

 

CMYK 16 / 0 / 45 / 0

HEX #D7FF8B

RGB 215 255 139

HSL 80.69, 1%, 0.77%

LAB 95.09, -30.67, 51.01

 

CMYK 9 / 0 / 38 / 0

HEX #E8FF9E

RGB 232 255 158

HSL 74.23, 1%, 0.81%

LAB 96.47, -22.31, 43.87

 

CMYK 2 / 0 / 31 / 0

HEX #F9FFB1

RGB 249 255 177

HSL 64.62, 1%, 0.85%

LAB 97.97, -13.78, 36.7

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 21 / 0 / 49 / 4

HEX #C1F47D

RGB 193 244 125

HSL 85.71, 0.84%, 0.72%

LAB 90.56, -35.1, 51.72

 

CMYK 22 / 0 / 53 / 11

HEX #B0E26A

RGB 176 226 106

HSL 85, 0.67%, 0.65%

LAB 84.31, -35.02, 52.81

 

CMYK 24 / 0 / 58 / 18

HEX #9FD057

RGB 159 208 87

HSL 84.3, 0.56%, 0.58%

LAB 77.98, -34.88, 53.81

 

CMYK 25 / 0 / 64 / 25

HEX #8EBE44

RGB 142 190 68

HSL 83.61, 0.48%, 0.51%

LAB 71.55, -34.65, 54.65

 

CMYK 27 / 0 / 72 / 33

HEX #7DAC31

RGB 125 172 49

HSL 82.93, 0.56%, 0.43%

LAB 65.03, -34.28, 55.14

 

CMYK 21 / 0 / 49 / 4

HEX #C0F47C

RGB 192 244 124

HSL 86, 0.85%, 0.72%

LAB 90.49, -35.57, 52.09

 

CMYK 8 / 0 / 49 / 4

HEX #E1F47C

RGB 225 244 124

HSL 69.5, 0.85%, 0.72%

LAB 92.65, -23.23, 55.19

 

CMYK 0 / 6 / 49 / 4

HEX #F4E67C

RGB 244 230 124

HSL 53, 0.85%, 0.72%

LAB 90.45, -8.94, 52.91

 

CMYK 0 / 19 / 49 / 4

HEX #F4C67C

RGB 244 198 124

HSL 37, 0.85%, 0.72%

LAB 82.42, 7.39, 43.06

 

CMYK 0 / 32 / 49 / 4

HEX #F4A67C

RGB 244 166 124

HSL 21, 0.85%, 0.72%

LAB 74.8, 24.22, 33.35

 

CMYK 21 / 0 / 49 / 4

HEX #C0F47C

RGB 192 244 124

HSL 86, 0.85%, 0.72%

LAB 90.49, -35.57, 52.09

 

CMYK 34 / 0 / 49 / 4

HEX #A0F47C

RGB 160 244 124

HSL 102, 0.85%, 0.72%

LAB 88.75, -46.57, 49.57

 

CMYK 48 / 0 / 49 / 4

HEX #7FF47C

RGB 127 244 124

HSL 118.5, 0.85%, 0.72%

LAB 87.32, -56.41, 47.5

 

CMYK 49 / 0 / 38 / 4

HEX #7CF498

RGB 124 244 152

HSL 134, 0.85%, 0.72%

LAB 87.61, -53.09, 34.19

 

CMYK 49 / 0 / 25 / 4

HEX #7CF4B8

RGB 124 244 184

HSL 150, 0.85%, 0.72%

LAB 88.18, -47.29, 18.69

 

CMYK 21 / 0 / 49 / 4

HEX #C0F47C

RGB 192 244 124

HSL 86, 0.85%, 0.72%

LAB 90.49, -35.57, 52.09

 

CMYK 21 / 0 / 49 / 4

HEX #C0F47C

RGB 192 244 124

HSL 86, 0.85%, 0.72%

LAB 90.49, -35.57, 52.09

 

CMYK 18 / 0 / 42 / 9

HEX #BFE887

RGB 191 232 135

HSL 85.36, 0.68%, 0.72%

LAB 87.26, -29.15, 42.81

 

CMYK 14 / 0 / 33 / 14

HEX #BDDC93

RGB 189 220 147

HSL 85.48, 0.51%, 0.72%

LAB 84.02, -22.6, 32.58

 

CMYK 11 / 0 / 24 / 18

HEX #BBD19E

RGB 187 209 158

HSL 85.88, 0.36%, 0.72%

LAB 81.09, -16.31, 22.91

 

CMYK 6 / 0 / 14 / 23

HEX #BAC5AA

RGB 186 197 170

HSL 84.44, 0.19%, 0.72%

LAB 78.04, -8.62, 12.27

 

CMYK 0 / 6 / 49 / 4

HEX #F4E67C

RGB 244 230 124

HSL 53, 0.85%, 0.72%

LAB 90.45, -8.94, 52.91

 

CMYK 7 / 0 / 49 / 4

HEX #E2F47C

RGB 226 244 124

HSL 69, 0.85%, 0.72%

LAB 92.72, -22.85, 55.3

 

CMYK 20 / 0 / 49 / 4

HEX #C2F47C

RGB 194 244 124

HSL 85, 0.85%, 0.72%

LAB 90.61, -34.85, 52.26

 

CMYK 34 / 0 / 49 / 4

HEX #A2F47C

RGB 162 244 124

HSL 101, 0.85%, 0.72%

LAB 88.85, -45.92, 49.71

 

CMYK 47 / 0 / 49 / 4

HEX #82F47C

RGB 130 244 124

HSL 117, 0.85%, 0.72%

LAB 87.44, -55.59, 47.66

 

CMYK 34 / 0 / 80 / 7

HEX #9CED30

RGB 156 237 48

HSL 85.71, 0.84%, 0.56%

LAB 85.93, -51.03, 75.9

 

CMYK 28 / 0 / 64 / 6

HEX #AEF056

RGB 174 240 86

HSL 85.71, 0.84%, 0.64%

LAB 87.96, -43.7, 65.47

 

CMYK 21 / 0 / 49 / 4

HEX #C0F47C

RGB 192 244 124

HSL 86, 0.85%, 0.72%

LAB 90.49, -35.57, 52.09

 

CMYK 15 / 0 / 34 / 3

HEX #D2F7A2

RGB 210 247 162

HSL 86.12, 0.84%, 0.8%

LAB 92.94, -26, 37.03

 

CMYK 9 / 0 / 20 / 2

HEX #E4FAC8

RGB 228 250 200

HSL 86.4, 0.83%, 0.88%

LAB 95.6, -15.7, 21.63

 

CMYK 21 / 0 / 49 / 4

HEX #C1F47D

RGB 193 244 125

HSL 85.71, 0.84%, 0.72%

LAB 90.56, -35.1, 51.72

 

CMYK 49 / 0 / 19 / 4

HEX #7CF4C6

RGB 124 244 198

HSL 157, 0.85%, 0.72%

LAB 88.48, -44.42, 11.86

 

CMYK 0 / 49 / 1 / 4

HEX #F47CF2

RGB 244 124 242

HSL 301, 0.85%, 0.72%

LAB 69.51, 61.62, -39.25

 

CMYK 21 / 0 / 49 / 4

HEX #C1F47D

RGB 193 244 125

HSL 85.71, 0.84%, 0.72%

LAB 90.56, -35.1, 51.72

 

CMYK 49 / 20 / 0 / 4

HEX #7CC2F4

RGB 124 194 244

HSL 205, 0.85%, 0.72%

LAB 75.7, -8.66, -31.53

 

CMYK 0 / 49 / 20 / 4

HEX #F47CC2

RGB 244 124 194

HSL 325, 0.85%, 0.72%

LAB 67.68, 54.06, -15.41

 

CMYK 21 / 0 / 49 / 4

HEX #C1F47D

RGB 193 244 125

HSL 85.71, 0.84%, 0.72%

LAB 90.56, -35.1, 51.72

 

CMYK 49 / 0 / 19 / 4

HEX #7CF4C6

RGB 124 244 198

HSL 157, 0.85%, 0.72%

LAB 88.48, -44.42, 11.86

 

CMYK 29 / 49 / 0 / 4

HEX #AE7CF4

RGB 174 124 244

HSL 265, 0.85%, 0.72%

LAB 61.61, 43.25, -53.34

 

CMYK 0 / 49 / 30 / 4

HEX #F47CAA

RGB 244 124 170

HSL 337, 0.85%, 0.72%

LAB 66.94, 50.85, -3

 

CMYK 21 / 0 / 49 / 4

HEX #C1F47D

RGB 193 244 125

HSL 85.71, 0.84%, 0.72%

LAB 90.56, -35.1, 51.72

 

CMYK 49 / 0 / 4 / 4

HEX #7CF4EA

RGB 124 244 234

HSL 175, 0.85%, 0.72%

LAB 89.36, -36.18, -5.61

 

CMYK 29 / 49 / 0 / 4

HEX #AE7CF4

RGB 174 124 244

HSL 265, 0.85%, 0.72%

LAB 61.61, 43.25, -53.34

 

CMYK 0 / 49 / 45 / 4

HEX #F47C86

RGB 244 124 134

HSL 355, 0.85%, 0.72%

LAB 66.04, 46.82, 16.09

 

Description

Color code: HEX #C1F47D | qconv.com Color code: HEX #C1F47D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 244 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 244 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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