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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1F214 it is the complementary color #3E0DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1F214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1F214 shade: #C6F20F, #D7FF22, #E8FF35, #F9FF48 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1F214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1F214 shade: #C1F214, #B0E001, #9FCE00, #8EBC00 and #7DAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1F214 shade: #C1F312, #F3E712, #F3AB12, #F36E12 and #F33212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1F214 shade: #C1F312, #84F312, #48F312, #12F318 and #12F355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1F214 shade matches the following richer shades: #C1F312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1F214 shade: #C1F312, #B6DE26, #AACA3A, #9FB64E and #94A262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1F214 shade: #F3AB12, #F3E712, #C2F312, #86F312 and #4AF312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1F214 shade: #85A909, #A4D00B, #C1F312, #CBF539 and #D5F760

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1F214 shade: #C1F214, #12F36F and #C912F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1F214 shade: #C1F214, #12C2F3 and #F312C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1F214 shade: #C1F214, #12F36F, #4212F3 and #F31295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1F214 shade: #C1F214, #12F3B3, #4212F3 and #F31251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 92 / 5

HEX #C1F214

RGB 193 242 20

HSL 73.24, 0.9%, 0.51%

LAB 89.34, -40.28, 85

 

Complementary color

CMYK 74 / 94 / 0 / 8

HEX #3E0DEB

RGB 62 13 235

HSL 253.24, 0.9%, 0.49%

LAB 32.5, 73.34, -96.17

 

CMYK 18 / 0 / 94 / 5

HEX #C6F20F

RGB 198 242 15

HSL 71.63, 0.9%, 0.5%

LAB 89.65, -38.4, 85.92

 

CMYK 16 / 0 / 87 / 0

HEX #D7FF22

RGB 215 255 34

HSL 70.86, 1%, 0.57%

LAB 94.35, -37.22, 87.53

 

CMYK 9 / 0 / 79 / 0

HEX #E8FF35

RGB 232 255 53

HSL 66.83, 1%, 0.6%

LAB 95.55, -29.98, 84.93

 

CMYK 2 / 0 / 72 / 0

HEX #F9FF48

RGB 249 255 72

HSL 61.97, 1%, 0.64%

LAB 96.87, -22.44, 81.09

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 20 / 0 / 92 / 5

HEX #C1F214

RGB 193 242 20

HSL 73.24, 0.9%, 0.51%

LAB 89.34, -40.28, 85

 

CMYK 21 / 0 / 100 / 12

HEX #B0E001

RGB 176 224 1

HSL 72.91, 0.99%, 0.44%

LAB 83.2, -39.15, 81.55

 

CMYK 23 / 0 / 100 / 19

HEX #9FCE00

RGB 159 206 0

HSL 73.69, 1%, 0.4%

LAB 76.99, -37.82, 76.47

 

CMYK 24 / 0 / 100 / 26

HEX #8EBC00

RGB 142 188 0

HSL 74.68, 1%, 0.37%

LAB 70.68, -36.46, 71.21

 

CMYK 26 / 0 / 100 / 33

HEX #7DAA00

RGB 125 170 0

HSL 75.88, 1%, 0.33%

LAB 64.25, -35.08, 65.86

 

CMYK 21 / 0 / 93 / 5

HEX #C1F312

RGB 193 243 18

HSL 73.33, 0.9%, 0.51%

LAB 89.62, -40.75, 85.45

 

CMYK 0 / 5 / 93 / 5

HEX #F3E712

RGB 243 231 18

HSL 56.8, 0.9%, 0.51%

LAB 89.98, -14.82, 87.28

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 55 / 93 / 5

HEX #F36E12

RGB 243 110 18

HSL 24.53, 0.9%, 0.51%

LAB 61.87, 47.14, 66.88

 

CMYK 0 / 79 / 93 / 5

HEX #F33212

RGB 243 50 18

HSL 8.53, 0.9%, 0.51%

LAB 53.36, 70.05, 61.38

 

CMYK 21 / 0 / 93 / 5

HEX #C1F312

RGB 193 243 18

HSL 73.33, 0.9%, 0.51%

LAB 89.62, -40.75, 85.45

 

CMYK 46 / 0 / 93 / 5

HEX #84F312

RGB 132 243 18

HSL 89.6, 0.9%, 0.51%

LAB 86.53, -62.08, 81.68

 

CMYK 70 / 0 / 93 / 5

HEX #48F312

RGB 72 243 18

HSL 105.6, 0.9%, 0.51%

LAB 84.75, -76.47, 79.49

 

CMYK 93 / 0 / 90 / 5

HEX #12F318

RGB 18 243 24

HSL 121.6, 0.9%, 0.51%

LAB 84.12, -82.04, 77.91

 

CMYK 93 / 0 / 65 / 5

HEX #12F355

RGB 18 243 85

HSL 137.87, 0.9%, 0.51%

LAB 84.42, -78.14, 60.74

 

CMYK 21 / 0 / 93 / 5

HEX #C1F312

RGB 193 243 18

HSL 73.33, 0.9%, 0.51%

LAB 89.62, -40.75, 85.45

 

CMYK 21 / 0 / 93 / 5

HEX #C1F312

RGB 193 243 18

HSL 73.33, 0.9%, 0.51%

LAB 89.62, -40.75, 85.45

 

CMYK 18 / 0 / 83 / 13

HEX #B6DE26

RGB 182 222 38

HSL 73.04, 0.74%, 0.51%

LAB 83.09, -35.21, 76.43

 

CMYK 16 / 0 / 71 / 21

HEX #AACA3A

RGB 170 202 58

HSL 73.33, 0.58%, 0.51%

LAB 76.74, -29.89, 64.43

 

CMYK 13 / 0 / 57 / 29

HEX #9FB64E

RGB 159 182 78

HSL 73.27, 0.42%, 0.51%

LAB 70.44, -23.3, 49.34

 

CMYK 9 / 0 / 40 / 36

HEX #94A262

RGB 148 162 98

HSL 73.13, 0.26%, 0.51%

LAB 64.18, -15.54, 31.63

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 5 / 93 / 5

HEX #F3E712

RGB 243 231 18

HSL 56.8, 0.9%, 0.51%

LAB 89.98, -14.82, 87.28

 

CMYK 20 / 0 / 93 / 5

HEX #C2F312

RGB 194 243 18

HSL 73.07, 0.9%, 0.51%

LAB 89.68, -40.36, 85.53

 

CMYK 45 / 0 / 93 / 5

HEX #86F312

RGB 134 243 18

HSL 89.07, 0.9%, 0.51%

LAB 86.61, -61.47, 81.78

 

CMYK 70 / 0 / 93 / 5

HEX #4AF312

RGB 74 243 18

HSL 105.07, 0.9%, 0.51%

LAB 84.79, -76.12, 79.54

 

CMYK 21 / 0 / 95 / 34

HEX #85A909

RGB 133 169 9

HSL 73.5, 0.9%, 0.35%

LAB 64.47, -31.22, 65.07

 

CMYK 21 / 0 / 95 / 18

HEX #A4D00B

RGB 164 208 11

HSL 73.4, 0.9%, 0.43%

LAB 77.89, -36.6, 76.23

 

CMYK 21 / 0 / 93 / 5

HEX #C1F312

RGB 193 243 18

HSL 73.33, 0.9%, 0.51%

LAB 89.62, -40.75, 85.45

 

CMYK 17 / 0 / 77 / 4

HEX #CBF539

RGB 203 245 57

HSL 73.4, 0.9%, 0.59%

LAB 90.92, -36.7, 78.96

 

CMYK 14 / 0 / 61 / 3

HEX #D5F760

RGB 213 247 96

HSL 73.51, 0.9%, 0.67%

LAB 92.36, -31.55, 66.88

 

CMYK 20 / 0 / 92 / 5

HEX #C1F214

RGB 193 242 20

HSL 73.24, 0.9%, 0.51%

LAB 89.34, -40.28, 85

 

CMYK 93 / 0 / 54 / 5

HEX #12F36F

RGB 18 243 111

HSL 144.8, 0.9%, 0.51%

LAB 84.68, -75, 49.81

 

CMYK 17 / 93 / 0 / 5

HEX #C912F3

RGB 201 18 243

HSL 288.8, 0.9%, 0.51%

LAB 51.06, 87.14, -69.53

 

CMYK 20 / 0 / 92 / 5

HEX #C1F214

RGB 193 242 20

HSL 73.24, 0.9%, 0.51%

LAB 89.34, -40.28, 85

 

CMYK 93 / 20 / 0 / 5

HEX #12C2F3

RGB 18 194 243

HSL 193.07, 0.9%, 0.51%

LAB 73.01, -22.85, -35.36

 

CMYK 0 / 93 / 20 / 5

HEX #F312C2

RGB 243 18 194

HSL 313.07, 0.9%, 0.51%

LAB 55.46, 87.12, -34.19

 

CMYK 20 / 0 / 92 / 5

HEX #C1F214

RGB 193 242 20

HSL 73.24, 0.9%, 0.51%

LAB 89.34, -40.28, 85

 

CMYK 93 / 0 / 54 / 5

HEX #12F36F

RGB 18 243 111

HSL 144.8, 0.9%, 0.51%

LAB 84.68, -75, 49.81

 

CMYK 73 / 93 / 0 / 5

HEX #4212F3

RGB 66 18 243

HSL 252.8, 0.9%, 0.51%

LAB 34.11, 74.5, -98.02

 

CMYK 0 / 93 / 39 / 5

HEX #F31295

RGB 243 18 149

HSL 325.07, 0.9%, 0.51%

LAB 53.66, 82.39, -10.57

 

CMYK 20 / 0 / 92 / 5

HEX #C1F214

RGB 193 242 20

HSL 73.24, 0.9%, 0.51%

LAB 89.34, -40.28, 85

 

CMYK 93 / 0 / 26 / 5

HEX #12F3B3

RGB 18 243 179

HSL 162.93, 0.9%, 0.51%

LAB 85.75, -62.52, 17.57

 

CMYK 73 / 93 / 0 / 5

HEX #4212F3

RGB 66 18 243

HSL 252.8, 0.9%, 0.51%

LAB 34.11, 74.5, -98.02

 

CMYK 0 / 93 / 67 / 5

HEX #F31251

RGB 243 18 81

HSL 343.2, 0.9%, 0.51%

LAB 51.93, 77.68, 28.03

 

Description

Color code: HEX #C1F214 | qconv.com Color code: HEX #C1F214 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 242 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 242 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 92 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 92% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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