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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1F18F it is the complementary color #3E0E70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1F18F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1F18F shade: #C6F18A, #D7FF9D, #E8FFB0, #F9FFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1F18F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1F18F shade: #C1F18F, #B0DF7C, #9FCD69, #8EBB56 and #7DA943

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1F18F shade: #C0F18E, #DBF18E, #F1EC8E, #F1D18E and #F1B68E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1F18F shade: #C0F18E, #A5F18E, #8EF190, #8EF1AB and #8EF1C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1F18F shade matches the following richer shades: #C0F18E and #C0FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1F18F shade: #C0F18E, #C0E798, #C0DCA2, #C0D2AC and #BFC8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1F18F shade: #F1EC8E, #DBF18E, #C1F18E, #A6F18E and #8EF18F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1F18F shade: #98E844, #ACEC69, #C0F18E, #D5F6B2 and #E9FAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1F18F shade: #C1F18F, #8EF1D1 and #F18EE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1F18F shade: #C1F18F, #8EC1F1 and #F18EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1F18F shade: #C1F18F, #8EF1D1, #BE8EF1 and #F18EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1F18F shade: #C1F18F, #8EF1EF, #BE8EF1 and #F18E8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 41 / 5

HEX #C1F18F

RGB 193 241 143

HSL 89.39, 0.78%, 0.75%

LAB 89.97, -31.67, 42.36

 

Complementary color

CMYK 45 / 88 / 0 / 56

HEX #3E0E70

RGB 62 14 112

HSL 269.39, 0.78%, 0.25%

LAB 17.96, 41.84, -45.99

 

CMYK 18 / 0 / 43 / 5

HEX #C6F18A

RGB 198 241 138

HSL 85.05, 0.79%, 0.74%

LAB 90.21, -30.47, 45.16

 

CMYK 16 / 0 / 38 / 0

HEX #D7FF9D

RGB 215 255 157

HSL 84.49, 1%, 0.81%

LAB 95.33, -28.62, 42.67

 

CMYK 9 / 0 / 31 / 0

HEX #E8FFB0

RGB 232 255 176

HSL 77.47, 1%, 0.85%

LAB 96.74, -20.1, 35.35

 

CMYK 2 / 0 / 24 / 0

HEX #F9FFC3

RGB 249 255 195

HSL 66, 1%, 0.88%

LAB 98.27, -11.44, 28.09

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 20 / 0 / 41 / 5

HEX #C1F18F

RGB 193 241 143

HSL 89.39, 0.78%, 0.75%

LAB 89.97, -31.67, 42.36

 

CMYK 21 / 0 / 44 / 13

HEX #B0DF7C

RGB 176 223 124

HSL 88.48, 0.61%, 0.68%

LAB 83.68, -31.69, 43.5

 

CMYK 22 / 0 / 49 / 20

HEX #9FCD69

RGB 159 205 105

HSL 87.6, 0.5%, 0.61%

LAB 77.31, -31.69, 44.65

 

CMYK 24 / 0 / 54 / 27

HEX #8EBB56

RGB 142 187 86

HSL 86.73, 0.43%, 0.54%

LAB 70.85, -31.63, 45.78

 

CMYK 26 / 0 / 60 / 34

HEX #7DA943

RGB 125 169 67

HSL 85.88, 0.43%, 0.46%

LAB 64.28, -31.49, 46.81

 

CMYK 20 / 0 / 41 / 5

HEX #C0F18E

RGB 192 241 142

HSL 89.7, 0.78%, 0.75%

LAB 89.89, -32.15, 42.74

 

CMYK 9 / 0 / 41 / 5

HEX #DBF18E

RGB 219 241 142

HSL 73.33, 0.78%, 0.75%

LAB 91.65, -22.25, 45.33

 

CMYK 0 / 2 / 41 / 5

HEX #F1EC8E

RGB 241 236 142

HSL 56.97, 0.78%, 0.75%

LAB 91.97, -11.4, 46.09

 

CMYK 0 / 13 / 41 / 5

HEX #F1D18E

RGB 241 209 142

HSL 40.61, 0.78%, 0.75%

LAB 85.13, 2.26, 37.34

 

CMYK 0 / 24 / 41 / 5

HEX #F1B68E

RGB 241 182 142

HSL 24.24, 0.78%, 0.75%

LAB 78.53, 16.38, 28.65

 

CMYK 20 / 0 / 41 / 5

HEX #C0F18E

RGB 192 241 142

HSL 89.7, 0.78%, 0.75%

LAB 89.89, -32.15, 42.74

 

CMYK 32 / 0 / 41 / 5

HEX #A5F18E

RGB 165 241 142

HSL 106.06, 0.78%, 0.75%

LAB 88.38, -41.37, 40.5

 

CMYK 41 / 0 / 40 / 5

HEX #8EF190

RGB 142 241 144

HSL 121.21, 0.78%, 0.75%

LAB 87.33, -48.19, 37.94

 

CMYK 41 / 0 / 29 / 5

HEX #8EF1AB

RGB 142 241 171

HSL 137.58, 0.78%, 0.75%

LAB 87.78, -43.79, 24.92

 

CMYK 41 / 0 / 18 / 5

HEX #8EF1C6

RGB 142 241 198

HSL 153.94, 0.78%, 0.75%

LAB 88.32, -38.63, 11.74

 

CMYK 20 / 0 / 41 / 5

HEX #C0F18E

RGB 192 241 142

HSL 89.7, 0.78%, 0.75%

LAB 89.89, -32.15, 42.74

 

CMYK 24 / 0 / 48 / 2

HEX #C0FB83

RGB 192 251 131

HSL 89.5, 0.94%, 0.75%

LAB 92.5, -37.98, 51.27

 

CMYK 20 / 0 / 41 / 5

HEX #C0F18E

RGB 192 241 142

HSL 89.7, 0.78%, 0.75%

LAB 89.89, -32.15, 42.74

 

CMYK 17 / 0 / 34 / 9

HEX #C0E798

RGB 192 231 152

HSL 89.62, 0.62%, 0.75%

LAB 87.3, -26.15, 34.41

 

CMYK 13 / 0 / 26 / 14

HEX #C0DCA2

RGB 192 220 162

HSL 88.97, 0.45%, 0.75%

LAB 84.48, -19.38, 25.51

 

CMYK 9 / 0 / 18 / 18

HEX #C0D2AC

RGB 192 210 172

HSL 88.42, 0.3%, 0.75%

LAB 81.99, -12.82, 16.83

 

CMYK 5 / 0 / 9 / 22

HEX #BFC8B7

RGB 191 200 183

HSL 91.76, 0.13%, 0.75%

LAB 79.5, -6.18, 7.43

 

CMYK 0 / 2 / 41 / 5

HEX #F1EC8E

RGB 241 236 142

HSL 56.97, 0.78%, 0.75%

LAB 91.97, -11.4, 46.09

 

CMYK 9 / 0 / 41 / 5

HEX #DBF18E

RGB 219 241 142

HSL 73.33, 0.78%, 0.75%

LAB 91.65, -22.25, 45.33

 

CMYK 20 / 0 / 41 / 5

HEX #C1F18E

RGB 193 241 142

HSL 89.09, 0.78%, 0.75%

LAB 89.95, -31.79, 42.83

 

CMYK 31 / 0 / 41 / 5

HEX #A6F18E

RGB 166 241 142

HSL 105.45, 0.78%, 0.75%

LAB 88.43, -41.04, 40.58

 

CMYK 41 / 0 / 41 / 5

HEX #8EF18F

RGB 142 241 143

HSL 120.61, 0.78%, 0.75%

LAB 87.31, -48.33, 38.41

 

CMYK 34 / 0 / 71 / 9

HEX #98E844

RGB 152 232 68

HSL 89.27, 0.78%, 0.59%

LAB 84.38, -49.3, 68.16

 

CMYK 27 / 0 / 56 / 7

HEX #ACEC69

RGB 172 236 105

HSL 89.31, 0.78%, 0.67%

LAB 86.89, -41.05, 56.21

 

CMYK 20 / 0 / 41 / 5

HEX #C0F18E

RGB 192 241 142

HSL 89.7, 0.78%, 0.75%

LAB 89.89, -32.15, 42.74

 

CMYK 13 / 0 / 28 / 4

HEX #D5F6B2

RGB 213 246 178

HSL 89.12, 0.79%, 0.83%

LAB 93.13, -22.27, 29.28

 

CMYK 7 / 0 / 14 / 2

HEX #E9FAD7

RGB 233 250 215

HSL 89.14, 0.78%, 0.91%

LAB 96.25, -11.62, 14.91

 

CMYK 20 / 0 / 41 / 5

HEX #C1F18F

RGB 193 241 143

HSL 89.39, 0.78%, 0.75%

LAB 89.97, -31.67, 42.36

 

CMYK 41 / 0 / 13 / 5

HEX #8EF1D1

RGB 142 241 209

HSL 160.61, 0.78%, 0.75%

LAB 88.57, -36.33, 6.37

 

CMYK 0 / 41 / 3 / 5

HEX #F18EE9

RGB 241 142 233

HSL 304.85, 0.78%, 0.75%

LAB 72.18, 50.38, -30.2

 

CMYK 20 / 0 / 41 / 5

HEX #C1F18F

RGB 193 241 143

HSL 89.39, 0.78%, 0.75%

LAB 89.97, -31.67, 42.36

 

CMYK 41 / 20 / 0 / 5

HEX #8EC1F1

RGB 142 193 241

HSL 209.09, 0.78%, 0.75%

LAB 76.22, -4.63, -29.04

 

CMYK 0 / 41 / 20 / 5

HEX #F18EC1

RGB 241 142 193

HSL 329.09, 0.78%, 0.75%

LAB 70.8, 43.96, -10.21

 

CMYK 20 / 0 / 41 / 5

HEX #C1F18F

RGB 193 241 143

HSL 89.39, 0.78%, 0.75%

LAB 89.97, -31.67, 42.36

 

CMYK 41 / 0 / 13 / 5

HEX #8EF1D1

RGB 142 241 209

HSL 160.61, 0.78%, 0.75%

LAB 88.57, -36.33, 6.37

 

CMYK 21 / 41 / 0 / 5

HEX #BE8EF1

RGB 190 142 241

HSL 269.09, 0.78%, 0.75%

LAB 67.01, 36.99, -43.05

 

CMYK 0 / 41 / 28 / 5

HEX #F18EAD

RGB 241 142 173

HSL 341.21, 0.78%, 0.75%

LAB 70.22, 41.17, 0.08

 

CMYK 20 / 0 / 41 / 5

HEX #C1F18F

RGB 193 241 143

HSL 89.39, 0.78%, 0.75%

LAB 89.97, -31.67, 42.36

 

CMYK 41 / 0 / 1 / 5

HEX #8EF1EF

RGB 142 241 239

HSL 178.79, 0.78%, 0.75%

LAB 89.34, -29.5, -8.17

 

CMYK 21 / 41 / 0 / 5

HEX #BE8EF1

RGB 190 142 241

HSL 269.09, 0.78%, 0.75%

LAB 67.01, 36.99, -43.05

 

CMYK 0 / 41 / 41 / 5

HEX #F18E8F

RGB 241 142 143

HSL 359.39, 0.78%, 0.75%

LAB 69.49, 37.56, 15.78

 

Description

Color code: HEX #C1F18F | qconv.com Color code: HEX #C1F18F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 241 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 241 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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