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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1D211 it is the complementary color #3E2DEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1D211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1D211 shade: #C6D20C, #D7E41F, #E8F632, #F9FF45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1D211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1D211 shade: #C1D211, #B0C000, #9FAE00, #8E9C00 and #7D8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1D211 shade: #C3D411, #D4B111, #D47C11, #D44811 and #D41311

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1D211 shade: #C3D411, #8FD411, #5AD411, #25D411 and #11D432

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1D211 shade matches the following richer shades: #C3D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1D211 shade: #C3D411, #B4C224, #A5AF36, #959D49 and #868A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1D211 shade: #D47D11, #D4B111, #C4D411, #90D411 and #5CD411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1D211 shade: #7D880B, #A0AE0E, #C3D411, #DBED22 and #E1F048

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1D211 shade: #C1D211, #11D448 and #9711D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1D211 shade: #C1D211, #11C4D4 and #D411C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1D211 shade: #C1D211, #11D448, #2111D4 and #D4119D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1D211 shade: #C1D211, #11D483, #2111D4 and #D41162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 92 / 18

HEX #C1D211

RGB 193 210 17

HSL 65.28, 0.85%, 0.45%

LAB 80.44, -25.6, 78.38

 

Complementary color

CMYK 74 / 81 / 0 / 7

HEX #3E2DEE

RGB 62 45 238

HSL 245.28, 0.85%, 0.55%

LAB 36.13, 64.34, -91.85

 

CMYK 6 / 0 / 94 / 18

HEX #C6D20C

RGB 198 210 12

HSL 63.64, 0.89%, 0.44%

LAB 80.81, -23.58, 79.4

 

CMYK 6 / 0 / 86 / 11

HEX #D7E41F

RGB 215 228 31

HSL 63.96, 0.78%, 0.51%

LAB 87.01, -24.82, 82.09

 

CMYK 6 / 0 / 80 / 4

HEX #E8F632

RGB 232 246 50

HSL 64.29, 0.92%, 0.58%

LAB 93.14, -25.88, 83.58

 

CMYK 2 / 0 / 73 / 0

HEX #F9FF45

RGB 249 255 69

HSL 61.94, 1%, 0.64%

LAB 96.86, -22.57, 82.03

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 8 / 0 / 92 / 18

HEX #C1D211

RGB 193 210 17

HSL 65.28, 0.85%, 0.45%

LAB 80.44, -25.6, 78.38

 

CMYK 8 / 0 / 100 / 25

HEX #B0C000

RGB 176 192 0

HSL 65, 1%, 0.38%

LAB 74.14, -24.28, 74.84

 

CMYK 9 / 0 / 100 / 32

HEX #9FAE00

RGB 159 174 0

HSL 65.17, 1%, 0.34%

LAB 67.76, -22.74, 69.53

 

CMYK 9 / 0 / 100 / 39

HEX #8E9C00

RGB 142 156 0

HSL 65.38, 1%, 0.31%

LAB 61.24, -21.18, 64.11

 

CMYK 9 / 0 / 100 / 46

HEX #7D8A00

RGB 125 138 0

HSL 65.65, 1%, 0.27%

LAB 54.59, -19.58, 58.57

 

CMYK 8 / 0 / 92 / 17

HEX #C3D411

RGB 195 212 17

HSL 65.23, 0.85%, 0.45%

LAB 81.14, -25.73, 78.99

 

CMYK 0 / 17 / 92 / 17

HEX #D4B111

RGB 212 177 17

HSL 49.23, 0.85%, 0.45%

LAB 73.21, -0.76, 73.52

 

CMYK 0 / 42 / 92 / 17

HEX #D47C11

RGB 212 124 17

HSL 32.92, 0.85%, 0.45%

LAB 60.3, 27.67, 63.94

 

CMYK 0 / 66 / 92 / 17

HEX #D44811

RGB 212 72 17

HSL 16.92, 0.85%, 0.45%

LAB 50.3, 53.02, 56.9

 

CMYK 0 / 91 / 92 / 17

HEX #D41311

RGB 212 19 17

HSL 0.62, 0.85%, 0.45%

LAB 44.95, 67.94, 53.38

 

CMYK 8 / 0 / 92 / 17

HEX #C3D411

RGB 195 212 17

HSL 65.23, 0.85%, 0.45%

LAB 81.14, -25.73, 78.99

 

CMYK 33 / 0 / 92 / 17

HEX #8FD411

RGB 143 212 17

HSL 81.23, 0.85%, 0.45%

LAB 77.86, -46.26, 74.99

 

CMYK 58 / 0 / 92 / 17

HEX #5AD411

RGB 90 212 17

HSL 97.54, 0.85%, 0.45%

LAB 75.64, -62.85, 72.26

 

CMYK 83 / 0 / 92 / 17

HEX #25D411

RGB 37 212 17

HSL 113.85, 0.85%, 0.45%

LAB 74.52, -72.37, 70.88

 

CMYK 92 / 0 / 76 / 17

HEX #11D432

RGB 17 212 50

HSL 130.15, 0.85%, 0.45%

LAB 74.47, -72.39, 63.14

 

CMYK 8 / 0 / 92 / 17

HEX #C3D411

RGB 195 212 17

HSL 65.23, 0.85%, 0.45%

LAB 81.14, -25.73, 78.99

 

CMYK 8 / 0 / 92 / 17

HEX #C3D411

RGB 195 212 17

HSL 65.23, 0.85%, 0.45%

LAB 81.14, -25.73, 78.99

 

CMYK 7 / 0 / 81 / 24

HEX #B4C224

RGB 180 194 36

HSL 65.32, 0.69%, 0.45%

LAB 75.09, -22.87, 69.96

 

CMYK 6 / 0 / 69 / 31

HEX #A5AF36

RGB 165 175 54

HSL 64.96, 0.53%, 0.45%

LAB 68.7, -19.01, 57.82

 

CMYK 5 / 0 / 54 / 38

HEX #959D49

RGB 149 157 73

HSL 65.71, 0.37%, 0.45%

LAB 62.49, -15.21, 42.38

 

CMYK 3 / 0 / 34 / 46

HEX #868A5B

RGB 134 138 91

HSL 65.11, 0.21%, 0.45%

LAB 56.09, -9.38, 24.73

 

CMYK 0 / 41 / 92 / 17

HEX #D47D11

RGB 212 125 17

HSL 33.23, 0.85%, 0.45%

LAB 60.52, 27.14, 64.1

 

CMYK 0 / 17 / 92 / 17

HEX #D4B111

RGB 212 177 17

HSL 49.23, 0.85%, 0.45%

LAB 73.21, -0.76, 73.52

 

CMYK 8 / 0 / 92 / 17

HEX #C4D411

RGB 196 212 17

HSL 64.92, 0.85%, 0.45%

LAB 81.22, -25.31, 79.08

 

CMYK 32 / 0 / 92 / 17

HEX #90D411

RGB 144 212 17

HSL 80.92, 0.85%, 0.45%

LAB 77.91, -45.9, 75.05

 

CMYK 57 / 0 / 92 / 17

HEX #5CD411

RGB 92 212 17

HSL 96.92, 0.85%, 0.45%

LAB 75.7, -62.34, 72.34

 

CMYK 8 / 0 / 92 / 47

HEX #7D880B

RGB 125 136 11

HSL 65.28, 0.85%, 0.29%

LAB 54.02, -18.33, 56.24

 

CMYK 8 / 0 / 92 / 32

HEX #A0AE0E

RGB 160 174 14

HSL 65.25, 0.85%, 0.37%

LAB 67.86, -22.11, 67.88

 

CMYK 8 / 0 / 92 / 17

HEX #C3D411

RGB 195 212 17

HSL 65.23, 0.85%, 0.45%

LAB 81.14, -25.73, 78.99

 

CMYK 8 / 0 / 86 / 7

HEX #DBED22

RGB 219 237 34

HSL 65.32, 0.85%, 0.53%

LAB 89.74, -27.37, 83.87

 

CMYK 6 / 0 / 70 / 6

HEX #E1F048

RGB 225 240 72

HSL 65.36, 0.85%, 0.61%

LAB 91.14, -24.99, 74.96

 

CMYK 8 / 0 / 92 / 18

HEX #C1D211

RGB 193 210 17

HSL 65.28, 0.85%, 0.45%

LAB 80.44, -25.6, 78.38

 

CMYK 92 / 0 / 66 / 17

HEX #11D448

RGB 17 212 72

HSL 136.92, 0.85%, 0.45%

LAB 74.62, -70.48, 55.25

 

CMYK 29 / 92 / 0 / 17

HEX #9711D4

RGB 151 17 212

HSL 281.23, 0.85%, 0.45%

LAB 40.79, 74.92, -68.96

 

CMYK 8 / 0 / 92 / 18

HEX #C1D211

RGB 193 210 17

HSL 65.28, 0.85%, 0.45%

LAB 80.44, -25.6, 78.38

 

CMYK 92 / 8 / 0 / 17

HEX #11C4D4

RGB 17 196 212

HSL 184.92, 0.85%, 0.45%

LAB 72.46, -34, -19.41

 

CMYK 0 / 92 / 8 / 17

HEX #D411C4

RGB 212 17 196

HSL 304.92, 0.85%, 0.45%

LAB 49.96, 81.82, -44.4

 

CMYK 8 / 0 / 92 / 18

HEX #C1D211

RGB 193 210 17

HSL 65.28, 0.85%, 0.45%

LAB 80.44, -25.6, 78.38

 

CMYK 92 / 0 / 66 / 17

HEX #11D448

RGB 17 212 72

HSL 136.92, 0.85%, 0.45%

LAB 74.62, -70.48, 55.25

 

CMYK 84 / 92 / 0 / 17

HEX #2111D4

RGB 33 17 212

HSL 244.92, 0.85%, 0.45%

LAB 28.05, 65.8, -90.41

 

CMYK 0 / 92 / 26 / 17

HEX #D4119D

RGB 212 17 157

HSL 316.92, 0.85%, 0.45%

LAB 48.05, 76.9, -24.44

 

CMYK 8 / 0 / 92 / 18

HEX #C1D211

RGB 193 210 17

HSL 65.28, 0.85%, 0.45%

LAB 80.44, -25.6, 78.38

 

CMYK 92 / 0 / 38 / 17

HEX #11D483

RGB 17 212 131

HSL 155.08, 0.85%, 0.45%

LAB 75.35, -61.59, 28.19

 

CMYK 84 / 92 / 0 / 17

HEX #2111D4

RGB 33 17 212

HSL 244.92, 0.85%, 0.45%

LAB 28.05, 65.8, -90.41

 

CMYK 0 / 92 / 54 / 17

HEX #D41162

RGB 212 17 98

HSL 335.08, 0.85%, 0.45%

LAB 46.02, 71.44, 8.57

 

Description

Color code: HEX #C1D211 | qconv.com Color code: HEX #C1D211 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 210 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 210 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 92 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 92% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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