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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1CFDF it is the complementary color #3E3020. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1CFDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1CFDF shade: #C6CFDA, #D7E1ED, #E8F3FF, #F9FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1CFDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1CFDF shade: #C1CFDF, #B0BDCC, #9FABB9, #8E99A6 and #7D8793

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1CFDF shade: #C2D0E0, #C2C8E0, #C5C2E0, #CCC2E0 and #D4C2E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1CFDF shade: #C2D0E0, #C2C8E0 and #C2C2E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1CFDF shade matches the following richer shades: #C2D0E0, #BBD0E7, #B4CFEF, #ACCFF6 and #A5CEFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1CFDF shade: #C2D0E0, #CAD1D8, #D1D1D1, #D9D2CA and #E0D2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1CFDF shade: #C2E0E0, #C2D8E0, #C2D0E0, #C2C8E0 and #C4C2E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1CFDF shade: #8CA6C4, #A7BBD2, #C2D0E0, #DEE5EE and #F9FAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1CFDF shade: #C1CFDF, #D8C2E0 and #DCE0C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1CFDF shade: #C1CFDF, #E0C2D0 and #D0E0C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1CFDF shade: #C1CFDF, #D8C2E0, #E0D2C2 and #CAE0C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1CFDF shade: #C1CFDF, #E0C2DF, #E0D2C2 and #C2E0C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 7 / 0 / 13

HEX #C1CFDF

RGB 193 207 223

HSL 212, 0.32%, 0.82%

LAB 82.53, -1.54, -9.53

 

Complementary color

CMYK 0 / 23 / 48 / 76

HEX #3E3020

RGB 62 48 32

HSL 32, 0.32%, 0.18%

LAB 20.99, 3.75, 12.66

 

CMYK 9 / 5 / 0 / 15

HEX #C6CFDA

RGB 198 207 218

HSL 213, 0.21%, 0.82%

LAB 82.75, -0.92, -6.5

 

CMYK 9 / 5 / 0 / 7

HEX #D7E1ED

RGB 215 225 237

HSL 212.73, 0.38%, 0.89%

LAB 89.12, -1.05, -7

 

CMYK 9 / 5 / 0 / 0

HEX #E8F3FF

RGB 232 243 255

HSL 211.3, 1%, 0.95%

LAB 95.36, -1.37, -7.02

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 7 / 0 / 13

HEX #C1CFDF

RGB 193 207 223

HSL 212, 0.32%, 0.82%

LAB 82.53, -1.54, -9.53

 

CMYK 14 / 7 / 0 / 20

HEX #B0BDCC

RGB 176 189 204

HSL 212.14, 0.22%, 0.75%

LAB 76.06, -1.42, -9.07

 

CMYK 14 / 8 / 0 / 27

HEX #9FABB9

RGB 159 171 185

HSL 212.31, 0.16%, 0.67%

LAB 69.47, -1.3, -8.61

 

CMYK 14 / 8 / 0 / 35

HEX #8E99A6

RGB 142 153 166

HSL 212.5, 0.12%, 0.6%

LAB 62.75, -1.17, -8.14

 

CMYK 15 / 8 / 0 / 42

HEX #7D8793

RGB 125 135 147

HSL 212.73, 0.09%, 0.53%

LAB 55.88, -1.05, -7.66

 

CMYK 13 / 7 / 0 / 12

HEX #C2D0E0

RGB 194 208 224

HSL 212, 0.33%, 0.82%

LAB 82.89, -1.54, -9.52

 

CMYK 13 / 11 / 0 / 12

HEX #C2C8E0

RGB 194 200 224

HSL 228, 0.33%, 0.82%

LAB 80.83, 2.7, -12.6

 

CMYK 12 / 13 / 0 / 12

HEX #C5C2E0

RGB 197 194 224

HSL 246, 0.33%, 0.82%

LAB 79.52, 6.87, -14.54

 

CMYK 9 / 13 / 0 / 12

HEX #CCC2E0

RGB 204 194 224

HSL 260, 0.33%, 0.82%

LAB 80.07, 9.15, -13.66

 

CMYK 5 / 13 / 0 / 12

HEX #D4C2E0

RGB 212 194 224

HSL 276, 0.33%, 0.82%

LAB 80.72, 11.79, -12.62

 

CMYK 13 / 7 / 0 / 12

HEX #C2D0E0

RGB 194 208 224

HSL 212, 0.33%, 0.82%

LAB 82.89, -1.54, -9.52

 

CMYK 13 / 11 / 0 / 12

HEX #C2C8E0

RGB 194 200 224

HSL 228, 0.33%, 0.82%

LAB 80.83, 2.7, -12.6

 

CMYK 13 / 13 / 0 / 12

HEX #C2C2E0

RGB 194 194 224

HSL 240, 0.33%, 0.82%

LAB 79.29, 5.91, -14.91

 

CMYK 13 / 7 / 0 / 12

HEX #C2D0E0

RGB 194 208 224

HSL 212, 0.33%, 0.82%

LAB 82.89, -1.54, -9.52

 

CMYK 19 / 10 / 0 / 9

HEX #BBD0E7

RGB 187 208 231

HSL 211.36, 0.48%, 0.82%

LAB 82.62, -2.27, -13.71

 

CMYK 25 / 13 / 0 / 6

HEX #B4CFEF

RGB 180 207 239

HSL 212.54, 0.65%, 0.82%

LAB 82.14, -2.08, -18.74

 

CMYK 30 / 16 / 0 / 4

HEX #ACCFF6

RGB 172 207 246

HSL 211.62, 0.8%, 0.82%

LAB 81.87, -2.77, -22.93

 

CMYK 35 / 19 / 0 / 1

HEX #A5CEFD

RGB 165 206 253

HSL 212.05, 0.96%, 0.82%

LAB 81.42, -2.46, -27.37

 

CMYK 13 / 7 / 0 / 12

HEX #C2D0E0

RGB 194 208 224

HSL 212, 0.33%, 0.82%

LAB 82.89, -1.54, -9.52

 

CMYK 6 / 3 / 0 / 15

HEX #CAD1D8

RGB 202 209 216

HSL 210, 0.15%, 0.82%

LAB 83.5, -1.04, -4.29

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 0 / 3 / 7 / 15

HEX #D9D2CA

RGB 217 210 202

HSL 32, 0.16%, 0.82%

LAB 84.54, 1.02, 4.8

 

CMYK 0 / 6 / 13 / 12

HEX #E0D2C2

RGB 224 210 194

HSL 32, 0.33%, 0.82%

LAB 84.91, 2.19, 9.66

 

CMYK 13 / 0 / 0 / 12

HEX #C2E0E0

RGB 194 224 224

HSL 180, 0.33%, 0.82%

LAB 87.08, -9.83, -3.34

 

CMYK 13 / 4 / 0 / 12

HEX #C2D8E0

RGB 194 216 224

HSL 196, 0.33%, 0.82%

LAB 84.98, -5.71, -6.43

 

CMYK 13 / 7 / 0 / 12

HEX #C2D0E0

RGB 194 208 224

HSL 212, 0.33%, 0.82%

LAB 82.89, -1.54, -9.52

 

CMYK 13 / 11 / 0 / 12

HEX #C2C8E0

RGB 194 200 224

HSL 228, 0.33%, 0.82%

LAB 80.83, 2.7, -12.6

 

CMYK 13 / 13 / 0 / 12

HEX #C4C2E0

RGB 196 194 224

HSL 244, 0.33%, 0.82%

LAB 79.44, 6.55, -14.66

 

CMYK 29 / 15 / 0 / 23

HEX #8CA6C4

RGB 140 166 196

HSL 212.14, 0.32%, 0.66%

LAB 67.15, -2.04, -18.31

 

CMYK 20 / 11 / 0 / 18

HEX #A7BBD2

RGB 167 187 210

HSL 212.09, 0.32%, 0.74%

LAB 75.08, -1.92, -13.85

 

CMYK 13 / 7 / 0 / 12

HEX #C2D0E0

RGB 194 208 224

HSL 212, 0.33%, 0.82%

LAB 82.89, -1.54, -9.52

 

CMYK 7 / 4 / 0 / 7

HEX #DEE5EE

RGB 222 229 238

HSL 213.75, 0.32%, 0.9%

LAB 90.66, -0.65, -5.19

 

CMYK 1 / 1 / 0 / 1

HEX #F9FAFC

RGB 249 250 252

HSL 220, 0.33%, 0.98%

LAB 98.25, 0.03, -1.08

 

CMYK 13 / 7 / 0 / 13

HEX #C1CFDF

RGB 193 207 223

HSL 212, 0.32%, 0.82%

LAB 82.53, -1.54, -9.53

 

CMYK 4 / 13 / 0 / 12

HEX #D8C2E0

RGB 216 194 224

HSL 284, 0.33%, 0.82%

LAB 81.05, 13.12, -12.09

 

CMYK 2 / 0 / 13 / 12

HEX #DCE0C2

RGB 220 224 194

HSL 68, 0.33%, 0.82%

LAB 88.17, -6.46, 14.24

 

CMYK 13 / 7 / 0 / 13

HEX #C1CFDF

RGB 193 207 223

HSL 212, 0.32%, 0.82%

LAB 82.53, -1.54, -9.53

 

CMYK 0 / 13 / 7 / 12

HEX #E0C2D0

RGB 224 194 208

HSL 332, 0.33%, 0.82%

LAB 81.28, 12.94, -3.08

 

CMYK 7 / 0 / 13 / 12

HEX #D0E0C2

RGB 208 224 194

HSL 92, 0.33%, 0.82%

LAB 87.3, -10.68, 12.88

 

CMYK 13 / 7 / 0 / 13

HEX #C1CFDF

RGB 193 207 223

HSL 212, 0.32%, 0.82%

LAB 82.53, -1.54, -9.53

 

CMYK 4 / 13 / 0 / 12

HEX #D8C2E0

RGB 216 194 224

HSL 284, 0.33%, 0.82%

LAB 81.05, 13.12, -12.09

 

CMYK 0 / 6 / 13 / 12

HEX #E0D2C2

RGB 224 210 194

HSL 32, 0.33%, 0.82%

LAB 84.91, 2.19, 9.66

 

CMYK 10 / 0 / 13 / 12

HEX #CAE0C2

RGB 202 224 194

HSL 104, 0.33%, 0.82%

LAB 86.88, -12.75, 12.23

 

CMYK 13 / 7 / 0 / 13

HEX #C1CFDF

RGB 193 207 223

HSL 212, 0.32%, 0.82%

LAB 82.53, -1.54, -9.53

 

CMYK 0 / 13 / 0 / 12

HEX #E0C2DF

RGB 224 194 223

HSL 302, 0.33%, 0.82%

LAB 81.71, 15.61, -10.5

 

CMYK 0 / 6 / 13 / 12

HEX #E0D2C2

RGB 224 210 194

HSL 32, 0.33%, 0.82%

LAB 84.91, 2.19, 9.66

 

CMYK 13 / 0 / 13 / 12

HEX #C2E0C3

RGB 194 224 195

HSL 122, 0.33%, 0.82%

LAB 86.37, -15.3, 10.9

 

Description

Color code: HEX #C1CFDF | qconv.com Color code: HEX #C1CFDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 207 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 207 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 7 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 7% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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