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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1C866 it is the complementary color #3E3799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1C866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1C866 shade: #C6C861, #D7DA74, #E8EC87, #F9FE9A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1C866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1C866 shade: #C1C866, #B0B653, #9FA440, #8E922D and #7D801A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1C866 shade: #C1C865, #C8B465, #C89A65, #C87F65 and #C86565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1C866 shade: #C1C865, #A6C865, #8CC865, #71C865 and #65C874

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1C866 shade matches the following richer shades: #C1C865, #CFD954, #DEE943 and #ECFA33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1C866 shade: #C1C865, #B2B776, #A4A687, #959598 and #8784A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1C866 shade: #C89A65, #C8B465, #C1C865, #A7C865 and #8DC865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1C866 shade: #99A13A, #B4BD47, #C1C865, #CDD384 and #D9DDA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1C866 shade: #C1C866, #65C880 and #A765C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1C866 shade: #C1C866, #65C1C8 and #C865C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1C866 shade: #C1C866, #65C880, #6C65C8 and #C865AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1C866 shade: #C1C866, #65C89D, #6C65C8 and #C86590

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 49 / 22

HEX #C1C866

RGB 193 200 102

HSL 64.29, 0.47%, 0.59%

LAB 78.23, -16.34, 47.76

 

Complementary color

CMYK 59 / 64 / 0 / 40

HEX #3E3799

RGB 62 55 153

HSL 244.29, 0.47%, 0.41%

LAB 29.55, 32.4, -52.78

 

CMYK 1 / 0 / 52 / 22

HEX #C6C861

RGB 198 200 97

HSL 61.17, 0.48%, 0.58%

LAB 78.57, -14.76, 50.62

 

CMYK 1 / 0 / 47 / 15

HEX #D7DA74

RGB 215 218 116

HSL 61.76, 0.58%, 0.65%

LAB 84.92, -15.22, 49.49

 

CMYK 2 / 0 / 43 / 7

HEX #E8EC87

RGB 232 236 135

HSL 62.38, 0.73%, 0.73%

LAB 91.19, -15.6, 48.35

 

CMYK 2 / 0 / 39 / 0

HEX #F9FE9A

RGB 249 254 154

HSL 63, 0.98%, 0.8%

LAB 97.37, -15.92, 47.21

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 4 / 0 / 49 / 22

HEX #C1C866

RGB 193 200 102

HSL 64.29, 0.47%, 0.59%

LAB 78.23, -16.34, 47.76

 

CMYK 3 / 0 / 54 / 29

HEX #B0B653

RGB 176 182 83

HSL 63.64, 0.4%, 0.52%

LAB 71.77, -15.89, 48.87

 

CMYK 3 / 0 / 61 / 36

HEX #9FA440

RGB 159 164 64

HSL 63, 0.44%, 0.45%

LAB 65.19, -15.32, 49.85

 

CMYK 3 / 0 / 69 / 43

HEX #8E922D

RGB 142 146 45

HSL 62.38, 0.53%, 0.37%

LAB 58.51, -14.58, 50.53

 

CMYK 2 / 0 / 80 / 50

HEX #7D801A

RGB 125 128 26

HSL 61.76, 0.66%, 0.3%

LAB 51.69, -13.63, 50.5

 

CMYK 4 / 0 / 50 / 22

HEX #C1C865

RGB 193 200 101

HSL 64.24, 0.47%, 0.59%

LAB 78.22, -16.43, 48.22

 

CMYK 0 / 10 / 50 / 22

HEX #C8B465

RGB 200 180 101

HSL 47.88, 0.47%, 0.59%

LAB 73.46, -3.27, 42.62

 

CMYK 0 / 23 / 50 / 22

HEX #C89A65

RGB 200 154 101

HSL 32.12, 0.47%, 0.59%

LAB 66.77, 10.68, 34.31

 

CMYK 0 / 37 / 50 / 22

HEX #C87F65

RGB 200 127 101

HSL 15.76, 0.47%, 0.59%

LAB 60.25, 25.44, 25.89

 

CMYK 0 / 50 / 50 / 22

HEX #C86565

RGB 200 101 101

HSL 0, 0.47%, 0.59%

LAB 54.58, 39.29, 18.32

 

CMYK 4 / 0 / 50 / 22

HEX #C1C865

RGB 193 200 101

HSL 64.24, 0.47%, 0.59%

LAB 78.22, -16.43, 48.22

 

CMYK 17 / 0 / 50 / 22

HEX #A6C865

RGB 166 200 101

HSL 80.61, 0.47%, 0.59%

LAB 76.29, -27.1, 45.44

 

CMYK 30 / 0 / 50 / 22

HEX #8CC865

RGB 140 200 101

HSL 96.36, 0.47%, 0.59%

LAB 74.71, -36.7, 43.17

 

CMYK 44 / 0 / 50 / 22

HEX #71C865

RGB 113 200 101

HSL 112.73, 0.47%, 0.59%

LAB 73.39, -45.57, 41.24

 

CMYK 50 / 0 / 42 / 22

HEX #65C874

RGB 101 200 116

HSL 129.09, 0.47%, 0.59%

LAB 73.11, -46.83, 33.27

 

CMYK 4 / 0 / 50 / 22

HEX #C1C865

RGB 193 200 101

HSL 64.24, 0.47%, 0.59%

LAB 78.22, -16.43, 48.22

 

CMYK 5 / 0 / 61 / 15

HEX #CFD954

RGB 207 217 84

HSL 64.51, 0.64%, 0.59%

LAB 83.72, -20.51, 62.37

 

CMYK 5 / 0 / 71 / 9

HEX #DEE943

RGB 222 233 67

HSL 63.98, 0.79%, 0.59%

LAB 89.02, -23.11, 74.54

 

CMYK 6 / 0 / 80 / 2

HEX #ECFA33

RGB 236 250 51

HSL 64.22, 0.95%, 0.59%

LAB 94.5, -26.11, 84.63

 

CMYK 4 / 0 / 50 / 22

HEX #C1C865

RGB 193 200 101

HSL 64.24, 0.47%, 0.59%

LAB 78.22, -16.43, 48.22

 

CMYK 3 / 0 / 36 / 28

HEX #B2B776

RGB 178 183 118

HSL 64.62, 0.31%, 0.59%

LAB 72.65, -11.98, 32.5

 

CMYK 1 / 0 / 19 / 35

HEX #A4A687

RGB 164 166 135

HSL 63.87, 0.15%, 0.59%

LAB 67.21, -6.12, 15.85

 

CMYK 2 / 2 / 0 / 40

HEX #959598

RGB 149 149 152

HSL 240, 0.01%, 0.59%

LAB 61.78, 0.59, -1.58

 

CMYK 20 / 22 / 0 / 34

HEX #8784A9

RGB 135 132 169

HSL 244.86, 0.18%, 0.59%

LAB 56.6, 9.13, -19.16

 

CMYK 0 / 23 / 50 / 22

HEX #C89A65

RGB 200 154 101

HSL 32.12, 0.47%, 0.59%

LAB 66.77, 10.68, 34.31

 

CMYK 0 / 10 / 50 / 22

HEX #C8B465

RGB 200 180 101

HSL 47.88, 0.47%, 0.59%

LAB 73.46, -3.27, 42.62

 

CMYK 4 / 0 / 50 / 22

HEX #C1C865

RGB 193 200 101

HSL 64.24, 0.47%, 0.59%

LAB 78.22, -16.43, 48.22

 

CMYK 17 / 0 / 50 / 22

HEX #A7C865

RGB 167 200 101

HSL 80, 0.47%, 0.59%

LAB 76.35, -26.72, 45.54

 

CMYK 30 / 0 / 50 / 22

HEX #8DC865

RGB 141 200 101

HSL 95.76, 0.47%, 0.59%

LAB 74.77, -36.35, 43.25

 

CMYK 5 / 0 / 64 / 37

HEX #99A13A

RGB 153 161 58

HSL 64.66, 0.47%, 0.43%

LAB 63.81, -16.77, 50.85

 

CMYK 5 / 0 / 62 / 26

HEX #B4BD47

RGB 180 189 71

HSL 64.58, 0.47%, 0.51%

LAB 73.9, -18.66, 56.69

 

CMYK 4 / 0 / 50 / 22

HEX #C1C865

RGB 193 200 101

HSL 64.24, 0.47%, 0.59%

LAB 78.22, -16.43, 48.22

 

CMYK 3 / 0 / 37 / 17

HEX #CDD384

RGB 205 211 132

HSL 64.56, 0.47%, 0.67%

LAB 82.5, -13.99, 38.44

 

CMYK 2 / 0 / 27 / 13

HEX #D9DDA2

RGB 217 221 162

HSL 64.07, 0.46%, 0.75%

LAB 86.54, -10.71, 28.59

 

CMYK 4 / 0 / 49 / 22

HEX #C1C866

RGB 193 200 102

HSL 64.29, 0.47%, 0.59%

LAB 78.23, -16.34, 47.76

 

CMYK 50 / 0 / 36 / 22

HEX #65C880

RGB 101 200 128

HSL 136.36, 0.47%, 0.59%

LAB 73.31, -44.83, 27.32

 

CMYK 17 / 50 / 0 / 22

HEX #A765C8

RGB 167 101 200

HSL 280, 0.47%, 0.59%

LAB 53.7, 43.8, -41.2

 

CMYK 4 / 0 / 49 / 22

HEX #C1C866

RGB 193 200 102

HSL 64.29, 0.47%, 0.59%

LAB 78.23, -16.34, 47.76

 

CMYK 50 / 4 / 0 / 22

HEX #65C1C8

RGB 101 193 200

HSL 184.24, 0.47%, 0.59%

LAB 72.94, -25.46, -11.98

 

CMYK 0 / 50 / 4 / 22

HEX #C865C1

RGB 200 101 193

HSL 304.24, 0.47%, 0.59%

LAB 57.5, 51.86, -30.95

 

CMYK 4 / 0 / 49 / 22

HEX #C1C866

RGB 193 200 102

HSL 64.29, 0.47%, 0.59%

LAB 78.23, -16.34, 47.76

 

CMYK 50 / 0 / 36 / 22

HEX #65C880

RGB 101 200 128

HSL 136.36, 0.47%, 0.59%

LAB 73.31, -44.83, 27.32

 

CMYK 46 / 50 / 0 / 22

HEX #6C65C8

RGB 108 101 200

HSL 244.24, 0.47%, 0.59%

LAB 47.84, 28.37, -50.88

 

CMYK 0 / 50 / 14 / 22

HEX #C865AD

RGB 200 101 173

HSL 316.36, 0.47%, 0.59%

LAB 56.69, 48.51, -20.71

 

CMYK 4 / 0 / 49 / 22

HEX #C1C866

RGB 193 200 102

HSL 64.29, 0.47%, 0.59%

LAB 78.23, -16.34, 47.76

 

CMYK 50 / 0 / 22 / 22

HEX #65C89D

RGB 101 200 157

HSL 153.94, 0.47%, 0.59%

LAB 73.87, -39.17, 12.7

 

CMYK 46 / 50 / 0 / 22

HEX #6C65C8

RGB 108 101 200

HSL 244.24, 0.47%, 0.59%

LAB 47.84, 28.37, -50.88

 

CMYK 0 / 50 / 28 / 22

HEX #C86590

RGB 200 101 144

HSL 333.94, 0.47%, 0.59%

LAB 55.69, 44.22, -5.34

 

Description

Color code: HEX #C1C866 | qconv.com Color code: HEX #C1C866 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 200 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 200 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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