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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1B92C it is the complementary color #3E46D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1B92C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1B92C shade: #C6B927, #D7CB3A, #E8DD4D, #F9EF60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1B92C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1B92C shade: #C1B92C, #B0A719, #9F9506, #8E8300 and #7D7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1B92C shade: #BFB72B, #BF8F2B, #BF682B, #BF402B and #BF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1B92C shade: #BFB72B, #9FBF2B, #77BF2B, #50BF2B and #2BBF2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1B92C shade matches the following richer shades: #BFB72B, #D2C818 and #E5D905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1B92C shade: #BFB72B, #ACA63E, #999551, #868464 and #737377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1B92C shade: #BF672B, #BF8E2B, #BFB52B, #A2BF2B and #7ABF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1B92C shade: #7C771C, #9E9724, #BFB72B, #D4CC40 and #DBD562

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1B92C shade: #C1B92C, #2BBF3F and #7A2BBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1B92C shade: #C1B92C, #2BBFB5 and #B52BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1B92C shade: #C1B92C, #2BBF3F, #2B35BF and #BF2BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1B92C shade: #C1B92C, #2BBF6B, #2B35BF and #BF2B7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 77 / 24

HEX #C1B92C

RGB 193 185 44

HSL 56.78, 0.63%, 0.46%

LAB 73.69, -12.52, 66.85

 

Complementary color

CMYK 71 / 67 / 0 / 17

HEX #3E46D3

RGB 62 70 211

HSL 236.78, 0.63%, 0.54%

LAB 38.03, 42.79, -73.26

 

CMYK 0 / 7 / 80 / 22

HEX #C6B927

RGB 198 185 39

HSL 55.09, 0.67%, 0.46%

LAB 74.09, -10.53, 68.86

 

CMYK 0 / 6 / 73 / 16

HEX #D7CB3A

RGB 215 203 58

HSL 55.41, 0.66%, 0.54%

LAB 80.44, -11.68, 69.2

 

CMYK 0 / 5 / 67 / 9

HEX #E8DD4D

RGB 232 221 77

HSL 55.74, 0.77%, 0.61%

LAB 86.7, -12.64, 68.9

 

CMYK 0 / 4 / 61 / 2

HEX #F9EF60

RGB 249 239 96

HSL 56.08, 0.93%, 0.68%

LAB 92.89, -13.47, 68.23

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 4 / 77 / 24

HEX #C1B92C

RGB 193 185 44

HSL 56.78, 0.63%, 0.46%

LAB 73.69, -12.52, 66.85

 

CMYK 0 / 5 / 86 / 31

HEX #B0A719

RGB 176 167 25

HSL 56.42, 0.75%, 0.39%

LAB 67.23, -11.28, 65.87

 

CMYK 0 / 6 / 96 / 38

HEX #9F9506

RGB 159 149 6

HSL 56.08, 0.93%, 0.32%

LAB 60.67, -9.8, 63.44

 

CMYK 0 / 8 / 100 / 44

HEX #8E8300

RGB 142 131 0

HSL 55.35, 1%, 0.28%

LAB 54.01, -8.02, 58.81

 

CMYK 0 / 10 / 100 / 51

HEX #7D7100

RGB 125 113 0

HSL 54.24, 1%, 0.25%

LAB 47.2, -6.08, 53.16

 

CMYK 0 / 4 / 77 / 25

HEX #BFB72B

RGB 191 183 43

HSL 56.76, 0.63%, 0.46%

LAB 72.97, -12.4, 66.45

 

CMYK 0 / 25 / 77 / 25

HEX #BF8F2B

RGB 191 143 43

HSL 40.54, 0.63%, 0.46%

LAB 62.42, 8.89, 56.74

 

CMYK 0 / 46 / 77 / 25

HEX #BF682B

RGB 191 104 43

HSL 24.73, 0.63%, 0.46%

LAB 53.11, 30.26, 47.77

 

CMYK 0 / 66 / 77 / 25

HEX #BF402B

RGB 191 64 43

HSL 8.51, 0.63%, 0.46%

LAB 45.52, 49.77, 40.07

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 0 / 4 / 77 / 25

HEX #BFB72B

RGB 191 183 43

HSL 56.76, 0.63%, 0.46%

LAB 72.97, -12.4, 66.45

 

CMYK 17 / 0 / 77 / 25

HEX #9FBF2B

RGB 159 191 43

HSL 72.97, 0.63%, 0.46%

LAB 72.76, -29.89, 65.36

 

CMYK 38 / 0 / 77 / 25

HEX #77BF2B

RGB 119 191 43

HSL 89.19, 0.63%, 0.46%

LAB 70.43, -45.17, 62.34

 

CMYK 58 / 0 / 77 / 25

HEX #50BF2B

RGB 80 191 43

HSL 105, 0.63%, 0.46%

LAB 68.85, -57.02, 60.29

 

CMYK 77 / 0 / 75 / 25

HEX #2BBF2F

RGB 43 191 47

HSL 121.62, 0.63%, 0.46%

LAB 68.01, -64.01, 57.85

 

CMYK 0 / 4 / 77 / 25

HEX #BFB72B

RGB 191 183 43

HSL 56.76, 0.63%, 0.46%

LAB 72.97, -12.4, 66.45

 

CMYK 0 / 5 / 89 / 18

HEX #D2C818

RGB 210 200 24

HSL 56.77, 0.79%, 0.46%

LAB 79.09, -13.35, 76.83

 

CMYK 0 / 5 / 98 / 10

HEX #E5D905

RGB 229 217 5

HSL 56.79, 0.96%, 0.46%

LAB 85.15, -13.95, 84.37

 

CMYK 0 / 4 / 77 / 25

HEX #BFB72B

RGB 191 183 43

HSL 56.76, 0.63%, 0.46%

LAB 72.97, -12.4, 66.45

 

CMYK 0 / 3 / 64 / 33

HEX #ACA63E

RGB 172 166 62

HSL 56.73, 0.47%, 0.46%

LAB 66.82, -10.89, 52.79

 

CMYK 0 / 3 / 47 / 40

HEX #999551

RGB 153 149 81

HSL 56.67, 0.31%, 0.46%

LAB 60.66, -8.5, 36.23

 

CMYK 0 / 1 / 25 / 47

HEX #868464

RGB 134 132 100

HSL 56.47, 0.15%, 0.46%

LAB 54.54, -4.79, 17.6

 

CMYK 3 / 3 / 0 / 53

HEX #737377

RGB 115 115 119

HSL 240, 0.02%, 0.46%

LAB 48.56, 0.83, -2.21

 

CMYK 0 / 46 / 77 / 25

HEX #BF672B

RGB 191 103 43

HSL 24.32, 0.63%, 0.46%

LAB 52.9, 30.79, 47.56

 

CMYK 0 / 26 / 77 / 25

HEX #BF8E2B

RGB 191 142 43

HSL 40.14, 0.63%, 0.46%

LAB 62.17, 9.44, 56.5

 

CMYK 0 / 5 / 77 / 25

HEX #BFB52B

RGB 191 181 43

HSL 55.95, 0.63%, 0.46%

LAB 72.43, -11.38, 65.96

 

CMYK 15 / 0 / 77 / 25

HEX #A2BF2B

RGB 162 191 43

HSL 71.76, 0.63%, 0.46%

LAB 72.97, -28.67, 65.62

 

CMYK 36 / 0 / 77 / 25

HEX #7ABF2B

RGB 122 191 43

HSL 87.97, 0.63%, 0.46%

LAB 70.58, -44.11, 62.53

 

CMYK 0 / 4 / 77 / 51

HEX #7C771C

RGB 124 119 28

HSL 56.88, 0.63%, 0.3%

LAB 48.96, -9.09, 47.27

 

CMYK 0 / 4 / 77 / 38

HEX #9E9724

RGB 158 151 36

HSL 56.56, 0.63%, 0.38%

LAB 61.25, -10.54, 56.97

 

CMYK 0 / 4 / 77 / 25

HEX #BFB72B

RGB 191 183 43

HSL 56.76, 0.63%, 0.46%

LAB 72.97, -12.4, 66.45

 

CMYK 0 / 4 / 70 / 17

HEX #D4CC40

RGB 212 204 64

HSL 56.76, 0.63%, 0.54%

LAB 80.49, -13.17, 67.02

 

CMYK 0 / 3 / 55 / 14

HEX #DBD562

RGB 219 213 98

HSL 57.02, 0.63%, 0.62%

LAB 83.72, -12.64, 56.55

 

CMYK 0 / 4 / 77 / 24

HEX #C1B92C

RGB 193 185 44

HSL 56.78, 0.63%, 0.46%

LAB 73.69, -12.52, 66.85

 

CMYK 77 / 0 / 67 / 25

HEX #2BBF3F

RGB 43 191 63

HSL 128.11, 0.63%, 0.46%

LAB 68.12, -62.61, 51.94

 

CMYK 36 / 77 / 0 / 25

HEX #7A2BBF

RGB 122 43 191

HSL 272.03, 0.63%, 0.46%

LAB 37.16, 59.53, -62.83

 

CMYK 0 / 4 / 77 / 24

HEX #C1B92C

RGB 193 185 44

HSL 56.78, 0.63%, 0.46%

LAB 73.69, -12.52, 66.85

 

CMYK 77 / 0 / 5 / 25

HEX #2BBFB5

RGB 43 191 181

HSL 175.95, 0.63%, 0.46%

LAB 70.25, -39.22, -5.77

 

CMYK 5 / 77 / 0 / 25

HEX #B52BBF

RGB 181 43 191

HSL 295.95, 0.63%, 0.46%

LAB 46.06, 70.36, -48.02

 

CMYK 0 / 4 / 77 / 24

HEX #C1B92C

RGB 193 185 44

HSL 56.78, 0.63%, 0.46%

LAB 73.69, -12.52, 66.85

 

CMYK 77 / 0 / 67 / 25

HEX #2BBF3F

RGB 43 191 63

HSL 128.11, 0.63%, 0.46%

LAB 68.12, -62.61, 51.94

 

CMYK 77 / 72 / 0 / 25

HEX #2B35BF

RGB 43 53 191

HSL 235.95, 0.63%, 0.46%

LAB 31.4, 44.24, -72.57

 

CMYK 0 / 77 / 10 / 25

HEX #BF2BAB

RGB 191 43 171

HSL 308.11, 0.63%, 0.46%

LAB 46.64, 69.31, -35.25

 

CMYK 0 / 4 / 77 / 24

HEX #C1B92C

RGB 193 185 44

HSL 56.78, 0.63%, 0.46%

LAB 73.69, -12.52, 66.85

 

CMYK 77 / 0 / 44 / 25

HEX #2BBF6B

RGB 43 191 107

HSL 145.95, 0.63%, 0.46%

LAB 68.63, -56.5, 31.79

 

CMYK 77 / 72 / 0 / 25

HEX #2B35BF

RGB 43 53 191

HSL 235.95, 0.63%, 0.46%

LAB 31.4, 44.24, -72.57

 

CMYK 0 / 77 / 34 / 25

HEX #BF2B7F

RGB 191 43 127

HSL 325.95, 0.63%, 0.46%

LAB 44.71, 63.64, -11.73

 

Description

Color code: HEX #C1B92C | qconv.com Color code: HEX #C1B92C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 185 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 185 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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