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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1B0CF it is the complementary color #3E4F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1B0CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1B0CF shade: #C6B0CA, #D7C2DD, #E8D4F0, #F9E6FF and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1B0CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1B0CF shade: #C1B0CF, #B09EBC, #9F8CA9, #8E7A96 and #7D6883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1B0CF shade: #C1B0CF, #C9B0CF, #CFB0CC, #CFB0C4 and #CFB0BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1B0CF shade: #C1B0CF, #B8B0CF and #B0B0CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1B0CF shade matches the following richer shades: #C1B0CF, #C2A6D9, #C39BE3, #C491ED and #C587F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1B0CF shade: #C1B0CF, #C0BAC4, #BFC5BA, #BECFB0 and #BDD9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1B0CF shade: #B0B0CF, #B8B0CF, #C0B0CF, #C8B0CF and #CFB0CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1B0CF shade: #987DAF, #AD96BF, #C1B0CF, #D5CADE and #E9E3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1B0CF shade: #C1B0CF, #CFB0B8 and #B0CFB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1B0CF shade: #C1B0CF, #CFC0B0 and #B0CFC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1B0CF shade: #C1B0CF, #CFB0B8, #BECFB0 and #B0CFC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1B0CF shade: #C1B0CF, #CFB1B0, #BECFB0 and #B0CECF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

Complementary color

CMYK 22 / 0 / 39 / 69

HEX #3E4F30

RGB 62 79 48

HSL 92.9, 0.24%, 0.25%

LAB 31.42, -13.16, 16.2

 

CMYK 2 / 13 / 0 / 21

HEX #C6B0CA

RGB 198 176 202

HSL 290.77, 0.2%, 0.74%

LAB 74.39, 12.58, -10.28

 

CMYK 3 / 12 / 0 / 13

HEX #D7C2DD

RGB 215 194 221

HSL 286.67, 0.28%, 0.81%

LAB 80.88, 12.21, -10.74

 

CMYK 3 / 12 / 0 / 6

HEX #E8D4F0

RGB 232 212 240

HSL 282.86, 0.48%, 0.89%

LAB 87.26, 11.87, -11.2

 

CMYK 2 / 10 / 0 / 0

HEX #F9E6FF

RGB 249 230 255

HSL 285.6, 1%, 0.95%

LAB 93.43, 10.82, -9.74

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 6 / 16 / 0 / 26

HEX #B09EBC

RGB 176 158 188

HSL 276, 0.18%, 0.68%

LAB 67.51, 12.24, -13.05

 

CMYK 6 / 17 / 0 / 34

HEX #9F8CA9

RGB 159 140 169

HSL 279.31, 0.14%, 0.61%

LAB 60.77, 12.65, -12.65

 

CMYK 5 / 19 / 0 / 41

HEX #8E7A96

RGB 142 122 150

HSL 282.86, 0.12%, 0.53%

LAB 53.89, 13.1, -12.24

 

CMYK 5 / 21 / 0 / 49

HEX #7D6883

RGB 125 104 131

HSL 286.67, 0.11%, 0.46%

LAB 46.84, 13.6, -11.82

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 3 / 15 / 0 / 19

HEX #C9B0CF

RGB 201 176 207

HSL 288.39, 0.24%, 0.75%

LAB 74.81, 14.55, -12.36

 

CMYK 0 / 15 / 1 / 19

HEX #CFB0CC

RGB 207 176 204

HSL 305.81, 0.24%, 0.75%

LAB 75.25, 16.03, -10.01

 

CMYK 0 / 15 / 5 / 19

HEX #CFB0C4

RGB 207 176 196

HSL 321.29, 0.24%, 0.75%

LAB 75.01, 14.58, -5.99

 

CMYK 0 / 15 / 10 / 19

HEX #CFB0BB

RGB 207 176 187

HSL 338.71, 0.24%, 0.75%

LAB 74.76, 13.01, -1.44

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 11 / 15 / 0 / 19

HEX #B8B0CF

RGB 184 176 207

HSL 255.48, 0.24%, 0.75%

LAB 73.38, 8.88, -14.65

 

CMYK 15 / 15 / 0 / 19

HEX #B0B0CF

RGB 176 176 207

HSL 240, 0.24%, 0.75%

LAB 72.75, 6.26, -15.66

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 11 / 24 / 0 / 15

HEX #C2A6D9

RGB 194 166 217

HSL 272.94, 0.4%, 0.75%

LAB 72.06, 19.72, -22.04

 

CMYK 14 / 32 / 0 / 11

HEX #C39BE3

RGB 195 155 227

HSL 273.33, 0.56%, 0.75%

LAB 69.89, 28.22, -30.85

 

CMYK 17 / 39 / 0 / 7

HEX #C491ED

RGB 196 145 237

HSL 273.26, 0.72%, 0.75%

LAB 68.09, 36.18, -39.12

 

CMYK 21 / 46 / 0 / 3

HEX #C587F8

RGB 197 135 248

HSL 272.92, 0.89%, 0.75%

LAB 66.5, 44.31, -47.64

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 2 / 5 / 0 / 23

HEX #C0BAC4

RGB 192 186 196

HSL 276, 0.08%, 0.75%

LAB 76.26, 3.96, -4.3

 

CMYK 3 / 0 / 6 / 23

HEX #BFC5BA

RGB 191 197 186

HSL 92.73, 0.09%, 0.75%

LAB 78.78, -4.08, 4.79

 

CMYK 8 / 0 / 15 / 19

HEX #BECFB0

RGB 190 207 176

HSL 92.9, 0.24%, 0.75%

LAB 81.13, -11.35, 13.48

 

CMYK 13 / 0 / 24 / 15

HEX #BDD9A5

RGB 189 217 165

HSL 92.31, 0.41%, 0.75%

LAB 83.53, -18.51, 22.6

 

CMYK 15 / 15 / 0 / 19

HEX #B0B0CF

RGB 176 176 207

HSL 240, 0.24%, 0.75%

LAB 72.75, 6.26, -15.66

 

CMYK 11 / 15 / 0 / 19

HEX #B8B0CF

RGB 184 176 207

HSL 255.48, 0.24%, 0.75%

LAB 73.38, 8.88, -14.65

 

CMYK 7 / 15 / 0 / 19

HEX #C0B0CF

RGB 192 176 207

HSL 270.97, 0.24%, 0.75%

LAB 74.04, 11.53, -13.6

 

CMYK 3 / 15 / 0 / 19

HEX #C8B0CF

RGB 200 176 207

HSL 286.45, 0.24%, 0.75%

LAB 74.72, 14.22, -12.5

 

CMYK 0 / 15 / 1 / 19

HEX #CFB0CD

RGB 207 176 205

HSL 303.87, 0.24%, 0.75%

LAB 75.28, 16.22, -10.51

 

CMYK 13 / 29 / 0 / 31

HEX #987DAF

RGB 152 125 175

HSL 272.4, 0.24%, 0.59%

LAB 56.52, 20.17, -22.6

 

CMYK 9 / 21 / 0 / 25

HEX #AD96BF

RGB 173 150 191

HSL 273.66, 0.24%, 0.67%

LAB 65.32, 16.32, -18.06

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 4 / 9 / 0 / 13

HEX #D5CADE

RGB 213 202 222

HSL 273, 0.23%, 0.83%

LAB 82.73, 7.47, -8.54

 

CMYK 2 / 5 / 0 / 7

HEX #E9E3EE

RGB 233 227 238

HSL 272.73, 0.24%, 0.91%

LAB 90.98, 4, -4.63

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 0 / 15 / 11 / 19

HEX #CFB0B8

RGB 207 176 184

HSL 344.52, 0.24%, 0.75%

LAB 74.68, 12.5, 0.08

 

CMYK 15 / 0 / 13 / 19

HEX #B0CFB4

RGB 176 207 180

HSL 127.74, 0.24%, 0.75%

LAB 80.26, -15.51, 9.99

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 0 / 7 / 15 / 19

HEX #CFC0B0

RGB 207 192 176

HSL 30.97, 0.24%, 0.75%

LAB 78.52, 2.62, 9.96

 

CMYK 15 / 0 / 7 / 19

HEX #B0CFC0

RGB 176 207 192

HSL 150.97, 0.24%, 0.75%

LAB 80.55, -13.26, 3.99

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 0 / 15 / 11 / 19

HEX #CFB0B8

RGB 207 176 184

HSL 344.52, 0.24%, 0.75%

LAB 74.68, 12.5, 0.08

 

CMYK 8 / 0 / 15 / 19

HEX #BECFB0

RGB 190 207 176

HSL 92.9, 0.24%, 0.75%

LAB 81.13, -11.35, 13.48

 

CMYK 15 / 0 / 4 / 19

HEX #B0CFC6

RGB 176 207 198

HSL 162.58, 0.24%, 0.75%

LAB 80.7, -12.09, 1

 

CMYK 7 / 15 / 0 / 19

HEX #C1B0CF

RGB 193 176 207

HSL 272.9, 0.24%, 0.75%

LAB 74.12, 11.86, -13.46

 

CMYK 0 / 14 / 15 / 19

HEX #CFB1B0

RGB 207 177 176

HSL 1.94, 0.24%, 0.75%

LAB 74.73, 10.65, 4.52

 

CMYK 8 / 0 / 15 / 19

HEX #BECFB0

RGB 190 207 176

HSL 92.9, 0.24%, 0.75%

LAB 81.13, -11.35, 13.48

 

CMYK 15 / 0 / 0 / 19

HEX #B0CECF

RGB 176 206 207

HSL 181.94, 0.24%, 0.75%

LAB 80.67, -9.75, -3.86

 

Description

Color code: HEX #C1B0CF | qconv.com Color code: HEX #C1B0CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 176 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 176 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 15 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 15% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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