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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1AD12 it is the complementary color #3E52ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1AD12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1AD12 shade: #C6AD0D, #D7BF20, #E8D133, #F9E346 and #FFF559

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1AD12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1AD12 shade: #C1AD12, #B09B00, #9F8900, #8E7700 and #7D6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1AD12 shade: #BFAB12, #BF7D12, #BF4E12, #BF1F12 and #BF1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1AD12 shade: #BFAB12, #A4BF12, #76BF12, #47BF12 and #18BF12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1AD12 shade matches the following richer shades: #BFAB12 and #D0B901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1AD12 shade: #BFAB12, #AE9E23, #9D9134, #8D8445 and #7C7755

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1AD12 shade: #BF4F12, #BF7D12, #BFAB12, #A5BF12 and #77BF12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1AD12 shade: #74680B, #9A8A0E, #BFAB12, #E5CD15 and #ECD837

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1AD12 shade: #C1AD12, #12BF20 and #6612BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1AD12 shade: #C1AD12, #12BFAB and #AB12BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1AD12 shade: #C1AD12, #12BF20, #1226BF and #BF12B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1AD12 shade: #C1AD12, #12BF54, #1226BF and #BF127D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 91 / 24

HEX #C1AD12

RGB 193 173 18

HSL 53.14, 0.83%, 0.41%

LAB 70.36, -7.03, 70.4

 

Complementary color

CMYK 74 / 65 / 0 / 7

HEX #3E52ED

RGB 62 82 237

HSL 233.14, 0.83%, 0.59%

LAB 43.02, 44.42, -79.9

 

CMYK 0 / 13 / 93 / 22

HEX #C6AD0D

RGB 198 173 13

HSL 51.89, 0.88%, 0.41%

LAB 70.82, -4.89, 71.71

 

CMYK 0 / 11 / 85 / 16

HEX #D7BF20

RGB 215 191 32

HSL 52.13, 0.74%, 0.48%

LAB 77.17, -6.44, 73.86

 

CMYK 0 / 10 / 78 / 9

HEX #E8D133

RGB 232 209 51

HSL 52.38, 0.8%, 0.55%

LAB 83.44, -7.77, 74.76

 

CMYK 0 / 9 / 72 / 2

HEX #F9E346

RGB 249 227 70

HSL 52.63, 0.94%, 0.63%

LAB 89.64, -8.92, 74.85

 

CMYK 0 / 4 / 65 / 0

HEX #FFF559

RGB 255 245 89

HSL 56.39, 1%, 0.67%

LAB 94.86, -14.38, 73.23

 

CMYK 0 / 10 / 91 / 24

HEX #C1AD12

RGB 193 173 18

HSL 53.14, 0.83%, 0.41%

LAB 70.36, -7.03, 70.4

 

CMYK 0 / 12 / 100 / 31

HEX #B09B00

RGB 176 155 0

HSL 52.84, 1%, 0.35%

LAB 63.9, -5.36, 67.37

 

CMYK 0 / 14 / 100 / 38

HEX #9F8900

RGB 159 137 0

HSL 51.7, 1%, 0.31%

LAB 57.33, -3.4, 61.94

 

CMYK 0 / 16 / 100 / 44

HEX #8E7700

RGB 142 119 0

HSL 50.28, 1%, 0.28%

LAB 50.62, -1.36, 56.39

 

CMYK 0 / 19 / 100 / 51

HEX #7D6500

RGB 125 101 0

HSL 48.48, 1%, 0.25%

LAB 43.75, 0.8, 50.72

 

CMYK 0 / 10 / 91 / 25

HEX #BFAB12

RGB 191 171 18

HSL 53.06, 0.83%, 0.41%

LAB 69.64, -6.86, 69.76

 

CMYK 0 / 35 / 91 / 25

HEX #BF7D12

RGB 191 125 18

HSL 37.11, 0.83%, 0.41%

LAB 57.83, 18.08, 60.68

 

CMYK 0 / 59 / 91 / 25

HEX #BF4E12

RGB 191 78 18

HSL 20.81, 0.83%, 0.41%

LAB 47.71, 42.8, 53.09

 

CMYK 0 / 84 / 91 / 25

HEX #BF1F12

RGB 191 31 18

HSL 4.51, 0.83%, 0.41%

LAB 41.37, 60.09, 48.51

 

CMYK 0 / 91 / 91 / 25

HEX #BF1212

RGB 191 18 18

HSL 0, 0.83%, 0.41%

LAB 40.5, 62.6, 47.89

 

CMYK 0 / 10 / 91 / 25

HEX #BFAB12

RGB 191 171 18

HSL 53.06, 0.83%, 0.41%

LAB 69.64, -6.86, 69.76

 

CMYK 14 / 0 / 91 / 25

HEX #A4BF12

RGB 164 191 18

HSL 69.36, 0.83%, 0.41%

LAB 73.02, -28.61, 71.5

 

CMYK 38 / 0 / 91 / 25

HEX #76BF12

RGB 118 191 18

HSL 85.32, 0.83%, 0.41%

LAB 70.29, -46.47, 68.14

 

CMYK 63 / 0 / 91 / 25

HEX #47BF12

RGB 71 191 18

HSL 101.62, 0.83%, 0.41%

LAB 68.49, -60.31, 65.91

 

CMYK 87 / 0 / 91 / 25

HEX #18BF12

RGB 24 191 18

HSL 117.92, 0.83%, 0.41%

LAB 67.65, -67.61, 64.86

 

CMYK 0 / 10 / 91 / 25

HEX #BFAB12

RGB 191 171 18

HSL 53.06, 0.83%, 0.41%

LAB 69.64, -6.86, 69.76

 

CMYK 0 / 11 / 100 / 18

HEX #D0B901

RGB 208 185 1

HSL 53.33, 0.99%, 0.41%

LAB 74.89, -6.86, 76.48

 

CMYK 0 / 10 / 91 / 25

HEX #BFAB12

RGB 191 171 18

HSL 53.06, 0.83%, 0.41%

LAB 69.64, -6.86, 69.76

 

CMYK 0 / 9 / 80 / 32

HEX #AE9E23

RGB 174 158 35

HSL 53.09, 0.67%, 0.41%

LAB 64.62, -7.13, 60.88

 

CMYK 0 / 8 / 67 / 38

HEX #9D9134

RGB 157 145 52

HSL 53.14, 0.5%, 0.41%

LAB 59.59, -6.95, 49.11

 

CMYK 0 / 6 / 51 / 45

HEX #8D8445

RGB 141 132 69

HSL 52.5, 0.34%, 0.41%

LAB 54.65, -5.61, 34.95

 

CMYK 0 / 4 / 31 / 51

HEX #7C7755

RGB 124 119 85

HSL 52.31, 0.19%, 0.41%

LAB 49.66, -3.82, 19.43

 

CMYK 0 / 59 / 91 / 25

HEX #BF4F12

RGB 191 79 18

HSL 21.16, 0.83%, 0.41%

LAB 47.9, 42.33, 53.22

 

CMYK 0 / 35 / 91 / 25

HEX #BF7D12

RGB 191 125 18

HSL 37.11, 0.83%, 0.41%

LAB 57.83, 18.08, 60.68

 

CMYK 0 / 10 / 91 / 25

HEX #BFAB12

RGB 191 171 18

HSL 53.06, 0.83%, 0.41%

LAB 69.64, -6.86, 69.76

 

CMYK 14 / 0 / 91 / 25

HEX #A5BF12

RGB 165 191 18

HSL 69.02, 0.83%, 0.41%

LAB 73.09, -28.19, 71.58

 

CMYK 38 / 0 / 91 / 25

HEX #77BF12

RGB 119 191 18

HSL 84.97, 0.83%, 0.41%

LAB 70.33, -46.12, 68.2

 

CMYK 0 / 10 / 91 / 55

HEX #74680B

RGB 116 104 11

HSL 53.14, 0.83%, 0.25%

LAB 43.71, -5.06, 47.62

 

CMYK 0 / 10 / 91 / 40

HEX #9A8A0E

RGB 154 138 14

HSL 53.14, 0.83%, 0.33%

LAB 57.15, -6.03, 59.25

 

CMYK 0 / 10 / 91 / 25

HEX #BFAB12

RGB 191 171 18

HSL 53.06, 0.83%, 0.41%

LAB 69.64, -6.86, 69.76

 

CMYK 0 / 10 / 91 / 10

HEX #E5CD15

RGB 229 205 21

HSL 53.08, 0.83%, 0.49%

LAB 82.04, -7.76, 80.32

 

CMYK 0 / 8 / 77 / 7

HEX #ECD837

RGB 236 216 55

HSL 53.37, 0.83%, 0.57%

LAB 85.62, -9.47, 75.63

 

CMYK 0 / 10 / 91 / 24

HEX #C1AD12

RGB 193 173 18

HSL 53.14, 0.83%, 0.41%

LAB 70.36, -7.03, 70.4

 

CMYK 91 / 0 / 83 / 25

HEX #12BF20

RGB 18 191 32

HSL 124.86, 0.83%, 0.41%

LAB 67.65, -67.47, 61.89

 

CMYK 47 / 91 / 0 / 25

HEX #6612BF

RGB 102 18 191

HSL 269.13, 0.83%, 0.41%

LAB 31.85, 64.55, -71.64

 

CMYK 0 / 10 / 91 / 24

HEX #C1AD12

RGB 193 173 18

HSL 53.14, 0.83%, 0.41%

LAB 70.36, -7.03, 70.4

 

CMYK 91 / 0 / 10 / 25

HEX #12BFAB

RGB 18 191 171

HSL 173.06, 0.83%, 0.41%

LAB 69.7, -43.88, -1.13

 

CMYK 10 / 91 / 0 / 25

HEX #AB12BF

RGB 171 18 191

HSL 293.06, 0.83%, 0.41%

LAB 42.54, 73.97, -53.76

 

CMYK 0 / 10 / 91 / 24

HEX #C1AD12

RGB 193 173 18

HSL 53.14, 0.83%, 0.41%

LAB 70.36, -7.03, 70.4

 

CMYK 91 / 0 / 83 / 25

HEX #12BF20

RGB 18 191 32

HSL 124.86, 0.83%, 0.41%

LAB 67.65, -67.47, 61.89

 

CMYK 91 / 80 / 0 / 25

HEX #1226BF

RGB 18 38 191

HSL 233.06, 0.83%, 0.41%

LAB 27.51, 51.2, -79.04

 

CMYK 0 / 91 / 7 / 25

HEX #BF12B1

RGB 191 18 177

HSL 304.86, 0.83%, 0.41%

LAB 45.2, 75.28, -41.07

 

CMYK 0 / 10 / 91 / 24

HEX #C1AD12

RGB 193 173 18

HSL 53.14, 0.83%, 0.41%

LAB 70.36, -7.03, 70.4

 

CMYK 91 / 0 / 56 / 25

HEX #12BF54

RGB 18 191 84

HSL 142.89, 0.83%, 0.41%

LAB 68.04, -62.5, 42.42

 

CMYK 91 / 80 / 0 / 25

HEX #1226BF

RGB 18 38 191

HSL 233.06, 0.83%, 0.41%

LAB 27.51, 51.2, -79.04

 

CMYK 0 / 91 / 35 / 25

HEX #BF127D

RGB 191 18 125

HSL 322.89, 0.83%, 0.41%

LAB 42.75, 68.85, -13.47

 

Description

Color code: HEX #C1AD12 | qconv.com Color code: HEX #C1AD12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 173 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 173 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 91 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 91% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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