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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19B2D it is the complementary color #3E64D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19B2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19B2D shade: #C69B28, #D7AD3B, #E8BF4E, #F9D161 and #FFE374

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19B2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19B2D shade: #C19B2D, #B0891A, #9F7707, #8E6500 and #7D5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19B2D shade: #C29C2E, #C2742E, #C24C2E and #C22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19B2D shade: #C29C2E, #C0C22E, #98C22E, #70C22E and #48C22E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19B2D shade matches the following richer shades: #C29C2E, #D6A51A and #E9AF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19B2D shade: #C29C2E, #AF9341, #9B8954, #888068 and #75767B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19B2D shade: #C24B2E, #C2732E, #C29B2E, #C2C22E and #9BC22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19B2D shade: #7F661E, #A18126, #C29C2E, #D3AF45 and #DBBD67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19B2D shade: #C19B2D, #37C22E and #5F2EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19B2D shade: #C19B2D, #2EC29B and #9B2EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19B2D shade: #C19B2D, #37C22E, #2E55C2 and #B82EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19B2D shade: #C19B2D, #2EC250, #2E55C2 and #C22E9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 77 / 24

HEX #C19B2D

RGB 193 155 45

HSL 44.59, 0.62%, 0.47%

LAB 65.72, 3.32, 59.17

 

Complementary color

CMYK 70 / 52 / 0 / 18

HEX #3E64D2

RGB 62 100 210

HSL 224.59, 0.62%, 0.53%

LAB 45.35, 23.64, -60.77

 

CMYK 0 / 22 / 80 / 22

HEX #C69B28

RGB 198 155 40

HSL 43.67, 0.66%, 0.47%

LAB 66.21, 5.35, 61.58

 

CMYK 0 / 20 / 73 / 16

HEX #D7AD3B

RGB 215 173 59

HSL 43.85, 0.66%, 0.54%

LAB 72.66, 3.92, 61.3

 

CMYK 0 / 18 / 66 / 9

HEX #E8BF4E

RGB 232 191 78

HSL 44.03, 0.77%, 0.61%

LAB 79.02, 2.7, 60.52

 

CMYK 0 / 16 / 61 / 2

HEX #F9D161

RGB 249 209 97

HSL 44.21, 0.93%, 0.68%

LAB 85.3, 1.65, 59.49

 

CMYK 0 / 11 / 55 / 0

HEX #FFE374

RGB 255 227 116

HSL 47.91, 1%, 0.73%

LAB 90.53, -3.69, 56.97

 

CMYK 0 / 20 / 77 / 24

HEX #C19B2D

RGB 193 155 45

HSL 44.59, 0.62%, 0.47%

LAB 65.72, 3.32, 59.17

 

CMYK 0 / 22 / 85 / 31

HEX #B0891A

RGB 176 137 26

HSL 44.4, 0.74%, 0.4%

LAB 59.16, 4.89, 58.92

 

CMYK 0 / 25 / 96 / 38

HEX #9F7707

RGB 159 119 7

HSL 44.21, 0.92%, 0.33%

LAB 52.49, 6.75, 57.21

 

CMYK 0 / 29 / 100 / 44

HEX #8E6500

RGB 142 101 0

HSL 42.68, 1%, 0.28%

LAB 45.71, 8.97, 53

 

CMYK 0 / 34 / 100 / 51

HEX #7D5300

RGB 125 83 0

HSL 39.84, 1%, 0.25%

LAB 38.81, 11.43, 47.34

 

CMYK 0 / 20 / 76 / 24

HEX #C29C2E

RGB 194 156 46

HSL 44.59, 0.62%, 0.47%

LAB 66.09, 3.27, 59.19

 

CMYK 0 / 40 / 76 / 24

HEX #C2742E

RGB 194 116 46

HSL 28.38, 0.62%, 0.47%

LAB 56.25, 25.15, 49.66

 

CMYK 0 / 61 / 76 / 24

HEX #C24C2E

RGB 194 76 46

HSL 12.16, 0.62%, 0.47%

LAB 48.05, 45.66, 41.29

 

CMYK 0 / 76 / 76 / 24

HEX #C22E2E

RGB 194 46 46

HSL 0, 0.62%, 0.47%

LAB 43.68, 57.53, 36.62

 

CMYK 0 / 20 / 76 / 24

HEX #C29C2E

RGB 194 156 46

HSL 44.59, 0.62%, 0.47%

LAB 66.09, 3.27, 59.19

 

CMYK 1 / 0 / 76 / 24

HEX #C0C22E

RGB 192 194 46

HSL 60.81, 0.62%, 0.47%

LAB 76.06, -17.43, 68.36

 

CMYK 22 / 0 / 76 / 24

HEX #98C22E

RGB 152 194 46

HSL 77.03, 0.62%, 0.47%

LAB 73.19, -33.97, 64.66

 

CMYK 42 / 0 / 76 / 24

HEX #70C22E

RGB 112 194 46

HSL 93.24, 0.62%, 0.47%

LAB 71.03, -48.61, 61.84

 

CMYK 63 / 0 / 76 / 24

HEX #48C22E

RGB 72 194 46

HSL 109.46, 0.62%, 0.47%

LAB 69.58, -59.78, 59.95

 

CMYK 0 / 20 / 76 / 24

HEX #C29C2E

RGB 194 156 46

HSL 44.59, 0.62%, 0.47%

LAB 66.09, 3.27, 59.19

 

CMYK 0 / 23 / 88 / 16

HEX #D6A51A

RGB 214 165 26

HSL 44.36, 0.78%, 0.47%

LAB 70.37, 6.64, 69.71

 

CMYK 0 / 25 / 97 / 9

HEX #E9AF07

RGB 233 175 7

HSL 44.6, 0.94%, 0.47%

LAB 74.82, 9.36, 76.92

 

CMYK 0 / 20 / 76 / 24

HEX #C29C2E

RGB 194 156 46

HSL 44.59, 0.62%, 0.47%

LAB 66.09, 3.27, 59.19

 

CMYK 0 / 16 / 63 / 31

HEX #AF9341

RGB 175 147 65

HSL 44.73, 0.46%, 0.47%

LAB 61.97, 0.8, 46.25

 

CMYK 0 / 12 / 46 / 39

HEX #9B8954

RGB 155 137 84

HSL 44.79, 0.3%, 0.47%

LAB 57.56, -0.76, 30.83

 

CMYK 0 / 6 / 24 / 47

HEX #888068

RGB 136 128 104

HSL 45, 0.13%, 0.47%

LAB 53.68, -1.11, 14.14

 

CMYK 5 / 4 / 0 / 52

HEX #75767B

RGB 117 118 123

HSL 230, 0.03%, 0.47%

LAB 49.7, 0.66, -2.88

 

CMYK 0 / 61 / 76 / 24

HEX #C24B2E

RGB 194 75 46

HSL 11.76, 0.62%, 0.47%

LAB 47.88, 46.12, 41.11

 

CMYK 0 / 41 / 76 / 24

HEX #C2732E

RGB 194 115 46

HSL 27.97, 0.62%, 0.47%

LAB 56.02, 25.7, 49.43

 

CMYK 0 / 20 / 76 / 24

HEX #C29B2E

RGB 194 155 46

HSL 44.19, 0.62%, 0.47%

LAB 65.83, 3.81, 58.94

 

CMYK 0 / 0 / 76 / 24

HEX #C2C22E

RGB 194 194 46

HSL 60, 0.62%, 0.47%

LAB 76.22, -16.57, 68.56

 

CMYK 20 / 0 / 76 / 24

HEX #9BC22E

RGB 155 194 46

HSL 75.81, 0.62%, 0.47%

LAB 73.38, -32.78, 64.91

 

CMYK 0 / 20 / 76 / 50

HEX #7F661E

RGB 127 102 30

HSL 44.54, 0.62%, 0.31%

LAB 44.39, 2.11, 42.22

 

CMYK 0 / 20 / 76 / 37

HEX #A18126

RGB 161 129 38

HSL 44.39, 0.62%, 0.39%

LAB 55.5, 2.93, 50.96

 

CMYK 0 / 20 / 76 / 24

HEX #C29C2E

RGB 194 156 46

HSL 44.59, 0.62%, 0.47%

LAB 66.09, 3.27, 59.19

 

CMYK 0 / 17 / 67 / 17

HEX #D3AF45

RGB 211 175 69

HSL 44.79, 0.62%, 0.55%

LAB 72.85, 1.65, 57.24

 

CMYK 0 / 14 / 53 / 14

HEX #DBBD67

RGB 219 189 103

HSL 44.48, 0.62%, 0.63%

LAB 77.54, 0.06, 46.97

 

CMYK 0 / 20 / 77 / 24

HEX #C19B2D

RGB 193 155 45

HSL 44.59, 0.62%, 0.47%

LAB 65.72, 3.32, 59.17

 

CMYK 72 / 0 / 76 / 24

HEX #37C22E

RGB 55 194 46

HSL 116.35, 0.62%, 0.47%

LAB 69.18, -63.16, 59.41

 

CMYK 51 / 76 / 0 / 24

HEX #5F2EC2

RGB 95 46 194

HSL 259.86, 0.62%, 0.47%

LAB 34.56, 54.84, -68.98

 

CMYK 0 / 20 / 77 / 24

HEX #C19B2D

RGB 193 155 45

HSL 44.59, 0.62%, 0.47%

LAB 65.72, 3.32, 59.17

 

CMYK 76 / 0 / 20 / 24

HEX #2EC29B

RGB 46 194 155

HSL 164.19, 0.62%, 0.47%

LAB 70.55, -47.08, 8.85

 

CMYK 20 / 76 / 0 / 24

HEX #9B2EC2

RGB 155 46 194

HSL 284.19, 0.62%, 0.47%

LAB 42.49, 64.95, -55.73

 

CMYK 0 / 20 / 77 / 24

HEX #C19B2D

RGB 193 155 45

HSL 44.59, 0.62%, 0.47%

LAB 65.72, 3.32, 59.17

 

CMYK 72 / 0 / 76 / 24

HEX #37C22E

RGB 55 194 46

HSL 116.35, 0.62%, 0.47%

LAB 69.18, -63.16, 59.41

 

CMYK 76 / 56 / 0 / 24

HEX #2E55C2

RGB 46 85 194

HSL 224.19, 0.62%, 0.47%

LAB 39.53, 25.39, -60.99

 

CMYK 5 / 76 / 0 / 24

HEX #B82EC2

RGB 184 46 194

HSL 295.95, 0.62%, 0.47%

LAB 47.03, 70.58, -48.19

 

CMYK 0 / 20 / 77 / 24

HEX #C19B2D

RGB 193 155 45

HSL 44.59, 0.62%, 0.47%

LAB 65.72, 3.32, 59.17

 

CMYK 76 / 0 / 59 / 24

HEX #2EC250

RGB 46 194 80

HSL 133.78, 0.62%, 0.47%

LAB 69.29, -61.24, 45.84

 

CMYK 76 / 56 / 0 / 24

HEX #2E55C2

RGB 46 85 194

HSL 224.19, 0.62%, 0.47%

LAB 39.53, 25.39, -60.99

 

CMYK 0 / 76 / 18 / 24

HEX #C22E9F

RGB 194 46 159

HSL 314.19, 0.62%, 0.47%

LAB 46.88, 67.44, -27.7

 

Description

Color code: HEX #C19B2D | qconv.com Color code: HEX #C19B2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 155 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 155 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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