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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19ACE it is the complementary color #3E6531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19ACE shade: #C69AC9, #D7ACDC, #E8BEEF, #F9D0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19ACE shade: #C19ACE, #B088BB, #9F76A8, #8E6495 and #7D5282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19ACE shade: #C29BCF, #CF9BCE, #CF9BC0, #CF9BB2 and #CF9BA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19ACE shade: #C29BCF, #B49BCF, #A69BCF and #9B9BCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19ACE shade matches the following richer shades: #C29BCF, #C88FDB, #CE83E7, #D477F3 and #DA6BFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19ACE shade: #C29BCF, #BCA7C3, #B6B3B7, #B0BFAB and #AACB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19ACE shade: #A69BCF, #B49BCF, #C29BCF, #CF9BCE and #CF9BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19ACE shade: #A063B4, #B17FC2, #C29BCF, #D3B7DC and #E4D3EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19ACE shade: #C19ACE, #CF9B9E and #9BCFAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19ACE shade: #C19ACE, #CFC29B and #9BCFC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19ACE shade: #C19ACE, #CF9B9E, #A8CF9B and #9BCFCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19ACE shade: #C19ACE, #CFA89B, #A8CF9B and #9BC2CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 25 / 0 / 19

HEX #C19ACE

RGB 193 154 206

HSL 285, 0.35%, 0.71%

LAB 68.68, 23.79, -21.13

 

Complementary color

CMYK 39 / 0 / 51 / 60

HEX #3E6531

RGB 62 101 49

HSL 105, 0.35%, 0.29%

LAB 38.82, -24.77, 25.04

 

CMYK 1 / 23 / 0 / 21

HEX #C69AC9

RGB 198 154 201

HSL 296.17, 0.3%, 0.7%

LAB 68.99, 24.46, -17.85

 

CMYK 2 / 22 / 0 / 14

HEX #D7ACDC

RGB 215 172 220

HSL 293.75, 0.41%, 0.77%

LAB 75.53, 23.9, -18.24

 

CMYK 3 / 21 / 0 / 6

HEX #E8BEEF

RGB 232 190 239

HSL 291.43, 0.6%, 0.84%

LAB 81.95, 23.37, -18.63

 

CMYK 2 / 18 / 0 / 0

HEX #F9D0FF

RGB 249 208 255

HSL 292.34, 1%, 0.91%

LAB 88.2, 22.32, -17.57

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 6 / 25 / 0 / 19

HEX #C19ACE

RGB 193 154 206

HSL 285, 0.35%, 0.71%

LAB 68.68, 23.79, -21.13

 

CMYK 6 / 27 / 0 / 27

HEX #B088BB

RGB 176 136 187

HSL 287.06, 0.27%, 0.63%

LAB 62.02, 24.39, -20.81

 

CMYK 5 / 30 / 0 / 34

HEX #9F76A8

RGB 159 118 168

HSL 289.2, 0.22%, 0.56%

LAB 55.23, 25.04, -20.48

 

CMYK 5 / 33 / 0 / 42

HEX #8E6495

RGB 142 100 149

HSL 291.43, 0.2%, 0.49%

LAB 48.3, 25.76, -20.15

 

CMYK 4 / 37 / 0 / 49

HEX #7D5282

RGB 125 82 130

HSL 293.75, 0.23%, 0.42%

LAB 41.23, 26.53, -19.78

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCF

RGB 194 155 207

HSL 285, 0.35%, 0.71%

LAB 69.05, 23.76, -21.12

 

CMYK 0 / 25 / 0 / 19

HEX #CF9BCE

RGB 207 155 206

HSL 301.15, 0.35%, 0.71%

LAB 70.29, 27.86, -18.56

 

CMYK 0 / 25 / 7 / 19

HEX #CF9BC0

RGB 207 155 192

HSL 317.31, 0.35%, 0.71%

LAB 69.83, 25.32, -11.5

 

CMYK 0 / 25 / 14 / 19

HEX #CF9BB2

RGB 207 155 178

HSL 333.46, 0.35%, 0.71%

LAB 69.41, 22.94, -4.34

 

CMYK 0 / 25 / 21 / 19

HEX #CF9BA4

RGB 207 155 164

HSL 349.62, 0.35%, 0.71%

LAB 69.03, 20.73, 2.89

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCF

RGB 194 155 207

HSL 285, 0.35%, 0.71%

LAB 69.05, 23.76, -21.12

 

CMYK 13 / 25 / 0 / 19

HEX #B49BCF

RGB 180 155 207

HSL 268.85, 0.35%, 0.71%

LAB 67.76, 19.21, -23.2

 

CMYK 20 / 25 / 0 / 19

HEX #A69BCF

RGB 166 155 207

HSL 252.69, 0.35%, 0.71%

LAB 66.56, 14.75, -25.14

 

CMYK 25 / 25 / 0 / 19

HEX #9B9BCF

RGB 155 155 207

HSL 240, 0.35%, 0.71%

LAB 65.68, 11.35, -26.57

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCF

RGB 194 155 207

HSL 285, 0.35%, 0.71%

LAB 69.05, 23.76, -21.12

 

CMYK 9 / 35 / 0 / 14

HEX #C88FDB

RGB 200 143 219

HSL 285, 0.51%, 0.71%

LAB 67.31, 34.7, -30.39

 

CMYK 11 / 43 / 0 / 9

HEX #CE83E7

RGB 206 131 231

HSL 285, 0.68%, 0.71%

LAB 65.85, 45.37, -39.25

 

CMYK 13 / 51 / 0 / 5

HEX #D477F3

RGB 212 119 243

HSL 285, 0.84%, 0.71%

LAB 64.69, 55.61, -47.63

 

CMYK 15 / 58 / 0 / 0

HEX #DA6BFF

RGB 218 107 255

HSL 285, 1%, 0.71%

LAB 63.87, 65.25, -55.5

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCF

RGB 194 155 207

HSL 285, 0.35%, 0.71%

LAB 69.05, 23.76, -21.12

 

CMYK 4 / 14 / 0 / 24

HEX #BCA7C3

RGB 188 167 195

HSL 285, 0.19%, 0.71%

LAB 71.06, 12.74, -11.51

 

CMYK 1 / 2 / 0 / 28

HEX #B6B3B7

RGB 182 179 183

HSL 285, 0.03%, 0.71%

LAB 73.29, 1.81, -1.67

 

CMYK 8 / 0 / 10 / 25

HEX #B0BFAB

RGB 176 191 171

HSL 105, 0.14%, 0.71%

LAB 75.72, -8.89, 8.33

 

CMYK 16 / 0 / 22 / 20

HEX #AACB9F

RGB 170 203 159

HSL 105, 0.3%, 0.71%

LAB 78.32, -19.21, 18.38

 

CMYK 20 / 25 / 0 / 19

HEX #A69BCF

RGB 166 155 207

HSL 252.69, 0.35%, 0.71%

LAB 66.56, 14.75, -25.14

 

CMYK 13 / 25 / 0 / 19

HEX #B49BCF

RGB 180 155 207

HSL 268.85, 0.35%, 0.71%

LAB 67.76, 19.21, -23.2

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCF

RGB 194 155 207

HSL 285, 0.35%, 0.71%

LAB 69.05, 23.76, -21.12

 

CMYK 0 / 25 / 0 / 19

HEX #CF9BCE

RGB 207 155 206

HSL 301.15, 0.35%, 0.71%

LAB 70.29, 27.86, -18.56

 

CMYK 0 / 25 / 7 / 19

HEX #CF9BC0

RGB 207 155 192

HSL 317.31, 0.35%, 0.71%

LAB 69.83, 25.32, -11.5

 

CMYK 11 / 45 / 0 / 29

HEX #A063B4

RGB 160 99 180

HSL 285.19, 0.35%, 0.55%

LAB 51.49, 38.59, -33.22

 

CMYK 9 / 35 / 0 / 24

HEX #B17FC2

RGB 177 127 194

HSL 284.78, 0.35%, 0.63%

LAB 60.27, 31.2, -27.45

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCF

RGB 194 155 207

HSL 285, 0.35%, 0.71%

LAB 69.05, 23.76, -21.12

 

CMYK 4 / 17 / 0 / 14

HEX #D3B7DC

RGB 211 183 220

HSL 285.41, 0.35%, 0.79%

LAB 77.81, 16.61, -14.84

 

CMYK 3 / 10 / 0 / 8

HEX #E4D3EA

RGB 228 211 234

HSL 284.35, 0.35%, 0.87%

LAB 86.52, 9.96, -9.17

 

CMYK 6 / 25 / 0 / 19

HEX #C19ACE

RGB 193 154 206

HSL 285, 0.35%, 0.71%

LAB 68.68, 23.79, -21.13

 

CMYK 0 / 25 / 24 / 19

HEX #CF9B9E

RGB 207 155 158

HSL 356.54, 0.35%, 0.71%

LAB 68.88, 19.83, 6.01

 

CMYK 25 / 0 / 16 / 19

HEX #9BCFAD

RGB 155 207 173

HSL 140.77, 0.35%, 0.71%

LAB 78.82, -23.75, 11.48

 

CMYK 6 / 25 / 0 / 19

HEX #C19ACE

RGB 193 154 206

HSL 285, 0.35%, 0.71%

LAB 68.68, 23.79, -21.13

 

CMYK 0 / 6 / 25 / 19

HEX #CFC29B

RGB 207 194 155

HSL 45, 0.35%, 0.71%

LAB 78.59, -1.56, 21.3

 

CMYK 25 / 0 / 6 / 19

HEX #9BCFC2

RGB 155 207 194

HSL 165, 0.35%, 0.71%

LAB 79.32, -19.54, 0.98

 

CMYK 6 / 25 / 0 / 19

HEX #C19ACE

RGB 193 154 206

HSL 285, 0.35%, 0.71%

LAB 68.68, 23.79, -21.13

 

CMYK 0 / 25 / 24 / 19

HEX #CF9B9E

RGB 207 155 158

HSL 356.54, 0.35%, 0.71%

LAB 68.88, 19.83, 6.01

 

CMYK 19 / 0 / 25 / 19

HEX #A8CF9B

RGB 168 207 155

HSL 105, 0.35%, 0.71%

LAB 79.22, -22.55, 21.72

 

CMYK 25 / 0 / 1 / 19

HEX #9BCFCC

RGB 155 207 204

HSL 176.54, 0.35%, 0.71%

LAB 79.59, -17.39, -4

 

CMYK 6 / 25 / 0 / 19

HEX #C19ACE

RGB 193 154 206

HSL 285, 0.35%, 0.71%

LAB 68.68, 23.79, -21.13

 

CMYK 0 / 19 / 25 / 19

HEX #CFA89B

RGB 207 168 155

HSL 15, 0.35%, 0.71%

LAB 71.99, 12.32, 12.1

 

CMYK 19 / 0 / 25 / 19

HEX #A8CF9B

RGB 168 207 155

HSL 105, 0.35%, 0.71%

LAB 79.22, -22.55, 21.72

 

CMYK 25 / 6 / 0 / 19

HEX #9BC2CF

RGB 155 194 207

HSL 195, 0.35%, 0.71%

LAB 76.1, -10, -10.78

 

Description

Color code: HEX #C19ACE | qconv.com Color code: HEX #C19ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 154 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 154 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 25 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 25% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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