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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18E3C it is the complementary color #3E71C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18E3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18E3C shade: #C68E37, #D7A04A, #E8B25D, #F9C470 and #FFD683

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18E3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18E3C shade: #C18E3C, #B07C29, #9F6A16, #8E5803 and #7D4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18E3C shade: #C38F3C, #C36B3C, #C3463C and #C33C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18E3C shade: #C38F3C, #C3B43C, #AEC33C, #8AC33C and #65C33C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18E3C shade matches the following richer shades: #C38F3C, #D89427 and #EC9913

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18E3C shade: #C38F3C, #AE8A51, #9A8665, #85817A and #717C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18E3C shade: #C3453C, #C3693C, #C38D3C, #C3B13C and #B1C33C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18E3C shade: #846129, #A47832, #C38F3C, #CDA15B and #D6B37B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18E3C shade: #C18E3C, #57C33C and #573CC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18E3C shade: #C18E3C, #3CC38D and #8D3CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18E3C shade: #C18E3C, #57C33C, #3C72C3 and #A83CC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18E3C shade: #C18E3C, #3CC349, #3C72C3 and #C33CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 69 / 24

HEX #C18E3C

RGB 193 142 60

HSL 36.99, 0.53%, 0.5%

LAB 62.52, 11.14, 49.73

 

Complementary color

CMYK 68 / 42 / 0 / 24

HEX #3E71C3

RGB 62 113 195

HSL 216.99, 0.53%, 0.5%

LAB 47.97, 10, -47.94

 

CMYK 0 / 28 / 72 / 22

HEX #C68E37

RGB 198 142 55

HSL 36.5, 0.57%, 0.5%

LAB 63.03, 13.06, 52.69

 

CMYK 0 / 26 / 66 / 16

HEX #D7A04A

RGB 215 160 74

HSL 36.6, 0.64%, 0.57%

LAB 69.53, 11.67, 51.55

 

CMYK 0 / 23 / 60 / 9

HEX #E8B25D

RGB 232 178 93

HSL 36.69, 0.75%, 0.64%

LAB 75.94, 10.48, 50.26

 

CMYK 0 / 21 / 55 / 2

HEX #F9C470

RGB 249 196 112

HSL 36.79, 0.92%, 0.71%

LAB 82.27, 9.45, 48.93

 

CMYK 0 / 16 / 49 / 0

HEX #FFD683

RGB 255 214 131

HSL 40.16, 1%, 0.76%

LAB 87.48, 4.16, 46.11

 

CMYK 0 / 26 / 69 / 24

HEX #C18E3C

RGB 193 142 60

HSL 36.99, 0.53%, 0.5%

LAB 62.52, 11.14, 49.73

 

CMYK 0 / 30 / 77 / 31

HEX #B07C29

RGB 176 124 41

HSL 36.89, 0.62%, 0.43%

LAB 55.89, 12.65, 50.71

 

CMYK 0 / 33 / 86 / 38

HEX #9F6A16

RGB 159 106 22

HSL 36.79, 0.76%, 0.35%

LAB 49.18, 14.46, 50.98

 

CMYK 0 / 38 / 98 / 44

HEX #8E5803

RGB 142 88 3

HSL 36.69, 0.96%, 0.28%

LAB 42.36, 16.58, 49.95

 

CMYK 0 / 44 / 100 / 51

HEX #7D4600

RGB 125 70 0

HSL 33.6, 1%, 0.25%

LAB 35.48, 19.14, 45.19

 

CMYK 0 / 27 / 69 / 24

HEX #C38F3C

RGB 195 143 60

HSL 36.89, 0.53%, 0.5%

LAB 62.99, 11.46, 50.3

 

CMYK 0 / 45 / 69 / 24

HEX #C36B3C

RGB 195 107 60

HSL 20.89, 0.53%, 0.5%

LAB 54.49, 31.11, 41.04

 

CMYK 0 / 64 / 69 / 24

HEX #C3463C

RGB 195 70 60

HSL 4.44, 0.53%, 0.5%

LAB 47.38, 49.35, 32.83

 

CMYK 0 / 69 / 69 / 24

HEX #C33C3C

RGB 195 60 60

HSL 0, 0.53%, 0.5%

LAB 45.85, 53.48, 31.02

 

CMYK 0 / 27 / 69 / 24

HEX #C38F3C

RGB 195 143 60

HSL 36.89, 0.53%, 0.5%

LAB 62.99, 11.46, 50.3

 

CMYK 0 / 8 / 69 / 24

HEX #C3B43C

RGB 195 180 60

HSL 53.33, 0.53%, 0.5%

LAB 72.61, -8.36, 60.23

 

CMYK 11 / 0 / 69 / 24

HEX #AEC33C

RGB 174 195 60

HSL 69.33, 0.53%, 0.5%

LAB 75.05, -24.8, 62.12

 

CMYK 29 / 0 / 69 / 24

HEX #8AC33C

RGB 138 195 60

HSL 85.33, 0.53%, 0.5%

LAB 72.73, -39, 59.03

 

CMYK 48 / 0 / 69 / 24

HEX #65C33C

RGB 101 195 60

HSL 101.78, 0.53%, 0.5%

LAB 70.96, -51.5, 56.63

 

CMYK 0 / 27 / 69 / 24

HEX #C38F3C

RGB 195 143 60

HSL 36.89, 0.53%, 0.5%

LAB 62.99, 11.46, 50.3

 

CMYK 0 / 31 / 82 / 15

HEX #D89427

RGB 216 148 39

HSL 36.95, 0.69%, 0.5%

LAB 66.46, 16.97, 62.89

 

CMYK 0 / 35 / 92 / 7

HEX #EC9913

RGB 236 153 19

HSL 37.05, 0.85%, 0.5%

LAB 69.94, 22.42, 71.92

 

CMYK 0 / 27 / 69 / 24

HEX #C38F3C

RGB 195 143 60

HSL 36.89, 0.53%, 0.5%

LAB 62.99, 11.46, 50.3

 

CMYK 0 / 21 / 53 / 32

HEX #AE8A51

RGB 174 138 81

HSL 36.77, 0.36%, 0.5%

LAB 59.68, 6.6, 35.49

 

CMYK 0 / 13 / 34 / 40

HEX #9A8665

RGB 154 134 101

HSL 37.36, 0.21%, 0.5%

LAB 56.94, 2.52, 20.58

 

CMYK 0 / 3 / 8 / 48

HEX #85817A

RGB 133 129 122

HSL 38.18, 0.04%, 0.5%

LAB 54.12, 0.18, 4.32

 

CMYK 20 / 13 / 0 / 44

HEX #717C8E

RGB 113 124 142

HSL 217.24, 0.11%, 0.5%

LAB 51.7, 0.03, -11.11

 

CMYK 0 / 65 / 69 / 24

HEX #C3453C

RGB 195 69 60

HSL 4, 0.53%, 0.5%

LAB 47.22, 49.79, 32.64

 

CMYK 0 / 46 / 69 / 24

HEX #C3693C

RGB 195 105 60

HSL 20, 0.53%, 0.5%

LAB 54.06, 32.18, 40.55

 

CMYK 0 / 28 / 69 / 24

HEX #C38D3C

RGB 195 141 60

HSL 36, 0.53%, 0.5%

LAB 62.49, 12.56, 49.77

 

CMYK 0 / 9 / 69 / 24

HEX #C3B13C

RGB 195 177 60

HSL 52, 0.53%, 0.5%

LAB 71.81, -6.8, 59.42

 

CMYK 9 / 0 / 69 / 24

HEX #B1C33C

RGB 177 195 60

HSL 68, 0.53%, 0.5%

LAB 75.27, -23.56, 62.41

 

CMYK 0 / 27 / 69 / 48

HEX #846129

RGB 132 97 41

HSL 36.92, 0.53%, 0.34%

LAB 43.68, 8.03, 36.53

 

CMYK 0 / 27 / 70 / 36

HEX #A47832

RGB 164 120 50

HSL 36.84, 0.53%, 0.42%

LAB 53.55, 9.98, 43.87

 

CMYK 0 / 27 / 69 / 24

HEX #C38F3C

RGB 195 143 60

HSL 36.89, 0.53%, 0.5%

LAB 62.99, 11.46, 50.3

 

CMYK 0 / 21 / 56 / 20

HEX #CDA15B

RGB 205 161 91

HSL 36.84, 0.53%, 0.58%

LAB 68.91, 8.09, 42.27

 

CMYK 0 / 16 / 43 / 16

HEX #D6B37B

RGB 214 179 123

HSL 36.92, 0.53%, 0.66%

LAB 74.8, 5.19, 33.28

 

CMYK 0 / 26 / 69 / 24

HEX #C18E3C

RGB 193 142 60

HSL 36.99, 0.53%, 0.5%

LAB 62.52, 11.14, 49.73

 

CMYK 55 / 0 / 69 / 24

HEX #57C33C

RGB 87 195 60

HSL 108, 0.53%, 0.5%

LAB 70.44, -55.43, 55.94

 

CMYK 55 / 69 / 0 / 24

HEX #573CC3

RGB 87 60 195

HSL 252, 0.53%, 0.5%

LAB 36.36, 46.86, -66.64

 

CMYK 0 / 26 / 69 / 24

HEX #C18E3C

RGB 193 142 60

HSL 36.99, 0.53%, 0.5%

LAB 62.52, 11.14, 49.73

 

CMYK 69 / 0 / 28 / 24

HEX #3CC38D

RGB 60 195 141

HSL 156, 0.53%, 0.5%

LAB 70.81, -48.84, 16.83

 

CMYK 28 / 69 / 0 / 24

HEX #8D3CC3

RGB 141 60 195

HSL 276, 0.53%, 0.5%

LAB 42.51, 56.87, -56.37

 

CMYK 0 / 26 / 69 / 24

HEX #C18E3C

RGB 193 142 60

HSL 36.99, 0.53%, 0.5%

LAB 62.52, 11.14, 49.73

 

CMYK 55 / 0 / 69 / 24

HEX #57C33C

RGB 87 195 60

HSL 108, 0.53%, 0.5%

LAB 70.44, -55.43, 55.94

 

CMYK 69 / 42 / 0 / 24

HEX #3C72C3

RGB 60 114 195

HSL 216, 0.53%, 0.5%

LAB 48.18, 9.06, -47.62

 

CMYK 14 / 69 / 0 / 24

HEX #A83CC3

RGB 168 60 195

HSL 288, 0.53%, 0.5%

LAB 46.31, 62.59, -50.06

 

CMYK 0 / 26 / 69 / 24

HEX #C18E3C

RGB 193 142 60

HSL 36.99, 0.53%, 0.5%

LAB 62.52, 11.14, 49.73

 

CMYK 69 / 0 / 63 / 24

HEX #3CC349

RGB 60 195 73

HSL 125.78, 0.53%, 0.5%

LAB 69.8, -60.17, 49.65

 

CMYK 69 / 42 / 0 / 24

HEX #3C72C3

RGB 60 114 195

HSL 216, 0.53%, 0.5%

LAB 48.18, 9.06, -47.62

 

CMYK 0 / 69 / 7 / 24

HEX #C33CB6

RGB 195 60 182

HSL 305.78, 0.53%, 0.5%

LAB 49.75, 66.46, -36.77

 

Description

Color code: HEX #C18E3C | qconv.com Color code: HEX #C18E3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 142 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 142 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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