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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1889F it is the complementary color #3E7760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1889F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1889F shade: #C6889A, #D79AAD, #E8ACC0, #F9BED3 and #FFD0E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1889F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1889F shade: #C1889F, #B0768C, #9F6479, #8E5266 and #7D4053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1889F shade: #C18AA0, #C18A91 and #C18A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1889F shade: #C18AA0, #C18AAF, #C18ABE, #B68AC1 and #A78AC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1889F shade matches the following richer shades: #C18AA0, #D07C9E, #DE6D9B, #ED5F98 and #FB5095

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1889F shade: #C18AA0, #B399A3, #A5A7A6, #96B5A9 and #88C4AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1889F shade: #C18ABF, #C18AB0, #C18AA1, #C18A92 and #C1918A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1889F shade: #A35675, #B36F8B, #C18AA0, #D0A5B6 and #DEC0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1889F shade: #C1889F, #C1B58A and #8AB7C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1889F shade: #C1889F, #A1C18A and #8AA1C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1889F shade: #C1889F, #C1B58A, #8AC1AA and #8A96C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1889F shade: #C1889F, #BDC18A, #8AC1AA and #8F8AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 18 / 24

HEX #C1889F

RGB 193 136 159

HSL 335.79, 0.31%, 0.65%

LAB 62.88, 25.24, -3.45

 

Complementary color

CMYK 48 / 0 / 19 / 53

HEX #3E7760

RGB 62 119 96

HSL 155.79, 0.31%, 0.35%

LAB 45.72, -24.64, 6.91

 

CMYK 0 / 31 / 22 / 22

HEX #C6889A

RGB 198 136 154

HSL 342.58, 0.35%, 0.65%

LAB 63.3, 26.29, 0.06

 

CMYK 0 / 28 / 20 / 16

HEX #D79AAD

RGB 215 154 173

HSL 341.31, 0.43%, 0.72%

LAB 69.88, 25.57, -0.78

 

CMYK 0 / 26 / 17 / 9

HEX #E8ACC0

RGB 232 172 192

HSL 340, 0.57%, 0.79%

LAB 76.35, 24.91, -1.56

 

CMYK 0 / 24 / 15 / 2

HEX #F9BED3

RGB 249 190 211

HSL 338.64, 0.83%, 0.86%

LAB 82.74, 24.3, -2.28

 

CMYK 0 / 18 / 10 / 0

HEX #FFD0E6

RGB 255 208 230

HSL 331.91, 1%, 0.91%

LAB 88.01, 19.96, -4.58

 

CMYK 0 / 30 / 18 / 24

HEX #C1889F

RGB 193 136 159

HSL 335.79, 0.31%, 0.65%

LAB 62.88, 25.24, -3.45

 

CMYK 0 / 33 / 20 / 31

HEX #B0768C

RGB 176 118 140

HSL 337.24, 0.27%, 0.58%

LAB 56.17, 25.99, -2.64

 

CMYK 0 / 37 / 24 / 38

HEX #9F6479

RGB 159 100 121

HSL 338.64, 0.24%, 0.51%

LAB 49.33, 26.81, -1.73

 

CMYK 0 / 42 / 28 / 44

HEX #8E5266

RGB 142 82 102

HSL 340, 0.27%, 0.44%

LAB 42.38, 27.7, -0.67

 

CMYK 0 / 49 / 34 / 51

HEX #7D4053

RGB 125 64 83

HSL 341.31, 0.32%, 0.37%

LAB 35.3, 28.66, 0.6

 

CMYK 0 / 28 / 17 / 24

HEX #C18AA0

RGB 193 138 160

HSL 336, 0.31%, 0.65%

LAB 63.39, 24.3, -3.28

 

CMYK 0 / 28 / 25 / 24

HEX #C18A91

RGB 193 138 145

HSL 352.36, 0.31%, 0.65%

LAB 62.98, 21.99, 4.63

 

CMYK 0 / 28 / 28 / 24

HEX #C18A8A

RGB 193 138 138

HSL 0, 0.31%, 0.65%

LAB 62.8, 20.99, 8.36

 

CMYK 0 / 28 / 17 / 24

HEX #C18AA0

RGB 193 138 160

HSL 336, 0.31%, 0.65%

LAB 63.39, 24.3, -3.28

 

CMYK 0 / 28 / 9 / 24

HEX #C18AAF

RGB 193 138 175

HSL 319.64, 0.31%, 0.65%

LAB 63.84, 26.82, -11.1

 

CMYK 0 / 28 / 2 / 24

HEX #C18ABE

RGB 193 138 190

HSL 303.27, 0.31%, 0.65%

LAB 64.35, 29.53, -18.8

 

CMYK 6 / 28 / 0 / 24

HEX #B68AC1

RGB 182 138 193

HSL 288, 0.31%, 0.65%

LAB 63.32, 26.46, -22.16

 

CMYK 13 / 28 / 0 / 24

HEX #A78AC1

RGB 167 138 193

HSL 271.64, 0.31%, 0.65%

LAB 61.86, 21.57, -24.51

 

CMYK 0 / 28 / 17 / 24

HEX #C18AA0

RGB 193 138 160

HSL 336, 0.31%, 0.65%

LAB 63.39, 24.3, -3.28

 

CMYK 0 / 40 / 24 / 18

HEX #D07C9E

RGB 208 124 158

HSL 335.71, 0.47%, 0.65%

LAB 61.91, 36.98, -4.13

 

CMYK 0 / 51 / 30 / 13

HEX #DE6D9B

RGB 222 109 155

HSL 335.58, 0.63%, 0.65%

LAB 60.63, 49.03, -4.07

 

CMYK 0 / 60 / 36 / 7

HEX #ED5F98

RGB 237 95 152

HSL 335.92, 0.8%, 0.65%

LAB 60.3, 59.91, -2.58

 

CMYK 0 / 68 / 41 / 2

HEX #FB5095

RGB 251 80 149

HSL 335.79, 0.96%, 0.65%

LAB 60.26, 69.66, -0.63

 

CMYK 0 / 28 / 17 / 24

HEX #C18AA0

RGB 193 138 160

HSL 336, 0.31%, 0.65%

LAB 63.39, 24.3, -3.28

 

CMYK 0 / 15 / 9 / 30

HEX #B399A3

RGB 179 153 163

HSL 336.92, 0.15%, 0.65%

LAB 65.76, 11.34, -1.66

 

CMYK 1 / 0 / 1 / 35

HEX #A5A7A6

RGB 165 167 166

HSL 150, 0.01%, 0.65%

LAB 68.31, -0.9, 0.26

 

CMYK 17 / 0 / 7 / 29

HEX #96B5A9

RGB 150 181 169

HSL 156.77, 0.17%, 0.65%

LAB 71.14, -12.98, 2.6

 

CMYK 31 / 0 / 12 / 23

HEX #88C4AC

RGB 136 196 172

HSL 156, 0.34%, 0.65%

LAB 74.63, -24.45, 5.9

 

CMYK 0 / 28 / 1 / 24

HEX #C18ABF

RGB 193 138 191

HSL 302.18, 0.31%, 0.65%

LAB 64.38, 29.72, -19.3

 

CMYK 0 / 28 / 9 / 24

HEX #C18AB0

RGB 193 138 176

HSL 318.55, 0.31%, 0.65%

LAB 63.88, 26.99, -11.62

 

CMYK 0 / 28 / 17 / 24

HEX #C18AA1

RGB 193 138 161

HSL 334.91, 0.31%, 0.65%

LAB 63.42, 24.46, -3.81

 

CMYK 0 / 28 / 24 / 24

HEX #C18A92

RGB 193 138 146

HSL 351.27, 0.31%, 0.65%

LAB 63, 22.14, 4.1

 

CMYK 0 / 25 / 28 / 24

HEX #C1918A

RGB 193 145 138

HSL 7.64, 0.31%, 0.65%

LAB 64.5, 17.12, 10.77

 

CMYK 0 / 47 / 28 / 36

HEX #A35675

RGB 163 86 117

HSL 335.84, 0.31%, 0.49%

LAB 46.61, 35.44, -3.26

 

CMYK 0 / 38 / 22 / 30

HEX #B36F8B

RGB 179 111 139

HSL 335.29, 0.31%, 0.57%

LAB 54.88, 30.83, -3.91

 

CMYK 0 / 28 / 17 / 24

HEX #C18AA0

RGB 193 138 160

HSL 336, 0.31%, 0.65%

LAB 63.39, 24.3, -3.28

 

CMYK 0 / 21 / 13 / 18

HEX #D0A5B6

RGB 208 165 182

HSL 336.28, 0.31%, 0.73%

LAB 72.03, 18.5, -2.7

 

CMYK 0 / 14 / 8 / 13

HEX #DEC0CC

RGB 222 192 204

HSL 336, 0.31%, 0.81%

LAB 80.51, 12.63, -2.08

 

CMYK 0 / 30 / 18 / 24

HEX #C1889F

RGB 193 136 159

HSL 335.79, 0.31%, 0.65%

LAB 62.88, 25.24, -3.45

 

CMYK 0 / 6 / 28 / 24

HEX #C1B58A

RGB 193 181 138

HSL 46.91, 0.31%, 0.65%

LAB 73.69, -2.44, 23.5

 

CMYK 28 / 5 / 0 / 24

HEX #8AB7C1

RGB 138 183 193

HSL 190.91, 0.31%, 0.65%

LAB 71.64, -12.53, -9.92

 

CMYK 0 / 30 / 18 / 24

HEX #C1889F

RGB 193 136 159

HSL 335.79, 0.31%, 0.65%

LAB 62.88, 25.24, -3.45

 

CMYK 17 / 0 / 28 / 24

HEX #A1C18A

RGB 161 193 138

HSL 94.91, 0.31%, 0.65%

LAB 74.54, -20.78, 24.25

 

CMYK 28 / 17 / 0 / 24

HEX #8AA1C1

RGB 138 161 193

HSL 214.91, 0.31%, 0.65%

LAB 65.55, -0.61, -19.09

 

CMYK 0 / 30 / 18 / 24

HEX #C1889F

RGB 193 136 159

HSL 335.79, 0.31%, 0.65%

LAB 62.88, 25.24, -3.45

 

CMYK 0 / 6 / 28 / 24

HEX #C1B58A

RGB 193 181 138

HSL 46.91, 0.31%, 0.65%

LAB 73.69, -2.44, 23.5

 

CMYK 28 / 0 / 12 / 24

HEX #8AC1AA

RGB 138 193 170

HSL 154.91, 0.31%, 0.65%

LAB 73.83, -22.77, 5.85

 

CMYK 28 / 22 / 0 / 24

HEX #8A96C1

RGB 138 150 193

HSL 226.91, 0.31%, 0.65%

LAB 62.56, 5.59, -23.65

 

CMYK 0 / 30 / 18 / 24

HEX #C1889F

RGB 193 136 159

HSL 335.79, 0.31%, 0.65%

LAB 62.88, 25.24, -3.45

 

CMYK 2 / 0 / 28 / 24

HEX #BDC18A

RGB 189 193 138

HSL 64.36, 0.31%, 0.65%

LAB 76.55, -10.27, 27.31

 

CMYK 28 / 0 / 12 / 24

HEX #8AC1AA

RGB 138 193 170

HSL 154.91, 0.31%, 0.65%

LAB 73.83, -22.77, 5.85

 

CMYK 26 / 28 / 0 / 24

HEX #8F8AC1

RGB 143 138 193

HSL 245.45, 0.31%, 0.65%

LAB 59.77, 14, -27.92

 

Description

Color code: HEX #C1889F | qconv.com Color code: HEX #C1889F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 136 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 136 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 18 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 18% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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