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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C17999 it is the complementary color #3E8666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C17999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C17999 shade: #C67994, #D78BA7, #E89DBA, #F9AFCD and #FFC1E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C17999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C17999 shade: #C17999, #B06786, #9F5573, #8E4360 and #7D314D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C17999 shade: #C27A9A, #C27A87 and #C27A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C17999 shade: #C27A9A, #C27AAD, #C27AC1, #B07AC2 and #9C7AC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C17999 shade matches the following richer shades: #C27A9A, #D26B98, #E15B97 and #F14B95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C17999 shade: #C27A9A, #B28A9C, #A39A9E, #93A99F and #83B9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C17999 shade: #C27AC1, #C27AAE, #C27A9B, #C27A87 and #C2807A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C17999 shade: #A04A70, #B55E85, #C27A9A, #CF97B0 and #DCB3C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C17999 shade: #C17999, #C2B07A and #7AB7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C17999 shade: #C17999, #9BC27A and #7A9BC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C17999 shade: #C17999, #C2B07A, #7AC2A2 and #7A8CC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C17999 shade: #C17999, #BEC27A, #7AC2A2 and #7E7AC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 21 / 24

HEX #C17999

RGB 193 121 153

HSL 333.33, 0.37%, 0.62%

LAB 59.26, 32.54, -5.37

 

Complementary color

CMYK 54 / 0 / 24 / 47

HEX #3E8666

RGB 62 134 102

HSL 153.33, 0.37%, 0.38%

LAB 50.73, -30.6, 10.47

 

CMYK 0 / 39 / 25 / 22

HEX #C67994

RGB 198 121 148

HSL 338.96, 0.4%, 0.63%

LAB 59.72, 33.59, -1.74

 

CMYK 0 / 35 / 22 / 16

HEX #D78BA7

RGB 215 139 167

HSL 337.89, 0.49%, 0.69%

LAB 66.29, 32.76, -2.68

 

CMYK 0 / 32 / 20 / 9

HEX #E89DBA

RGB 232 157 186

HSL 336.8, 0.62%, 0.76%

LAB 72.77, 31.99, -3.53

 

CMYK 0 / 30 / 18 / 2

HEX #F9AFCD

RGB 249 175 205

HSL 335.68, 0.86%, 0.83%

LAB 79.16, 31.28, -4.3

 

CMYK 0 / 24 / 12 / 0

HEX #FFC1E0

RGB 255 193 224

HSL 330, 1%, 0.88%

LAB 84.37, 26.85, -6.77

 

CMYK 0 / 37 / 21 / 24

HEX #C17999

RGB 193 121 153

HSL 333.33, 0.37%, 0.62%

LAB 59.26, 32.54, -5.37

 

CMYK 0 / 41 / 24 / 31

HEX #B06786

RGB 176 103 134

HSL 334.52, 0.32%, 0.55%

LAB 52.57, 33.37, -4.44

 

CMYK 0 / 47 / 28 / 38

HEX #9F5573

RGB 159 85 115

HSL 335.68, 0.3%, 0.48%

LAB 45.78, 34.25, -3.35

 

CMYK 0 / 53 / 32 / 44

HEX #8E4360

RGB 142 67 96

HSL 336.8, 0.36%, 0.41%

LAB 38.92, 35.13, -2.02

 

CMYK 0 / 61 / 38 / 51

HEX #7D314D

RGB 125 49 77

HSL 337.89, 0.44%, 0.34%

LAB 32.02, 35.92, -0.33

 

CMYK 0 / 37 / 21 / 24

HEX #C27A9A

RGB 194 122 154

HSL 333.33, 0.37%, 0.62%

LAB 59.64, 32.5, -5.38

 

CMYK 0 / 37 / 30 / 24

HEX #C27A87

RGB 194 122 135

HSL 349.17, 0.37%, 0.62%

LAB 59.1, 29.76, 4.79

 

CMYK 0 / 37 / 37 / 24

HEX #C27A7A

RGB 194 122 122

HSL 0, 0.37%, 0.62%

LAB 58.78, 28.09, 11.83

 

CMYK 0 / 37 / 21 / 24

HEX #C27A9A

RGB 194 122 154

HSL 333.33, 0.37%, 0.62%

LAB 59.64, 32.5, -5.38

 

CMYK 0 / 37 / 11 / 24

HEX #C27AAD

RGB 194 122 173

HSL 317.5, 0.37%, 0.62%

LAB 60.25, 35.58, -15.36

 

CMYK 0 / 37 / 1 / 24

HEX #C27AC1

RGB 194 122 193

HSL 300.83, 0.37%, 0.62%

LAB 60.99, 39.15, -25.61

 

CMYK 9 / 37 / 0 / 24

HEX #B07AC2

RGB 176 122 194

HSL 285, 0.37%, 0.62%

LAB 59.02, 33.68, -29.4

 

CMYK 20 / 37 / 0 / 24

HEX #9C7AC2

RGB 156 122 194

HSL 268.33, 0.37%, 0.62%

LAB 56.96, 27.48, -32.75

 

CMYK 0 / 37 / 21 / 24

HEX #C27A9A

RGB 194 122 154

HSL 333.33, 0.37%, 0.62%

LAB 59.64, 32.5, -5.38

 

CMYK 0 / 49 / 28 / 18

HEX #D26B98

RGB 210 107 152

HSL 333.79, 0.53%, 0.62%

LAB 58.49, 45.64, -5.69

 

CMYK 0 / 60 / 33 / 12

HEX #E15B97

RGB 225 91 151

HSL 333.13, 0.69%, 0.62%

LAB 57.77, 57.88, -5.93

 

CMYK 0 / 69 / 38 / 5

HEX #F14B95

RGB 241 75 149

HSL 333.25, 0.86%, 0.62%

LAB 57.94, 68.7, -4.23

 

CMYK 0 / 37 / 21 / 24

HEX #C27A9A

RGB 194 122 154

HSL 333.33, 0.37%, 0.62%

LAB 59.64, 32.5, -5.38

 

CMYK 0 / 22 / 12 / 30

HEX #B28A9C

RGB 178 138 156

HSL 333, 0.21%, 0.62%

LAB 61.69, 18.14, -3.69

 

CMYK 0 / 6 / 3 / 36

HEX #A39A9E

RGB 163 154 158

HSL 333.33, 0.05%, 0.62%

LAB 64.46, 4.03, -0.92

 

CMYK 13 / 0 / 6 / 34

HEX #93A99F

RGB 147 169 159

HSL 152.73, 0.11%, 0.62%

LAB 67.34, -9.66, 2.57

 

CMYK 29 / 0 / 13 / 27

HEX #83B9A1

RGB 131 185 161

HSL 153.33, 0.28%, 0.62%

LAB 70.94, -22.8, 6.54

 

CMYK 0 / 37 / 1 / 24

HEX #C27AC1

RGB 194 122 193

HSL 300.83, 0.37%, 0.62%

LAB 60.99, 39.15, -25.61

 

CMYK 0 / 37 / 10 / 24

HEX #C27AAE

RGB 194 122 174

HSL 316.67, 0.37%, 0.62%

LAB 60.29, 35.75, -15.87

 

CMYK 0 / 37 / 20 / 24

HEX #C27A9B

RGB 194 122 155

HSL 332.5, 0.37%, 0.62%

LAB 59.67, 32.66, -5.91

 

CMYK 0 / 37 / 30 / 24

HEX #C27A87

RGB 194 122 135

HSL 349.17, 0.37%, 0.62%

LAB 59.1, 29.76, 4.79

 

CMYK 0 / 34 / 37 / 24

HEX #C2807A

RGB 194 128 122

HSL 5, 0.37%, 0.62%

LAB 60.17, 24.8, 13.77

 

CMYK 0 / 54 / 30 / 37

HEX #A04A70

RGB 160 74 112

HSL 333.49, 0.37%, 0.46%

LAB 43.57, 40, -4.77

 

CMYK 0 / 48 / 27 / 29

HEX #B55E85

RGB 181 94 133

HSL 333.1, 0.37%, 0.54%

LAB 51.29, 39.81, -5.66

 

CMYK 0 / 37 / 21 / 24

HEX #C27A9A

RGB 194 122 154

HSL 333.33, 0.37%, 0.62%

LAB 59.64, 32.5, -5.38

 

CMYK 0 / 27 / 15 / 19

HEX #CF97B0

RGB 207 151 176

HSL 333.21, 0.37%, 0.7%

LAB 68.41, 24.8, -4.71

 

CMYK 0 / 19 / 10 / 14

HEX #DCB3C5

RGB 220 179 197

HSL 333.66, 0.37%, 0.78%

LAB 76.97, 17.7, -3.51

 

CMYK 0 / 37 / 21 / 24

HEX #C17999

RGB 193 121 153

HSL 333.33, 0.37%, 0.62%

LAB 59.26, 32.54, -5.37

 

CMYK 0 / 9 / 37 / 24

HEX #C2B07A

RGB 194 176 122

HSL 45, 0.37%, 0.62%

LAB 72.18, -1.41, 30.03

 

CMYK 37 / 6 / 0 / 24

HEX #7AB7C2

RGB 122 183 194

HSL 189.17, 0.37%, 0.62%

LAB 70.8, -16.8, -11.81

 

CMYK 0 / 37 / 21 / 24

HEX #C17999

RGB 193 121 153

HSL 333.33, 0.37%, 0.62%

LAB 59.26, 32.54, -5.37

 

CMYK 20 / 0 / 37 / 24

HEX #9BC27A

RGB 155 194 122

HSL 92.5, 0.37%, 0.62%

LAB 74.16, -25.79, 32.07

 

CMYK 37 / 20 / 0 / 24

HEX #7A9BC2

RGB 122 155 194

HSL 212.5, 0.37%, 0.62%

LAB 62.91, -1.64, -23.77

 

CMYK 0 / 37 / 21 / 24

HEX #C17999

RGB 193 121 153

HSL 333.33, 0.37%, 0.62%

LAB 59.26, 32.54, -5.37

 

CMYK 0 / 9 / 37 / 24

HEX #C2B07A

RGB 194 176 122

HSL 45, 0.37%, 0.62%

LAB 72.18, -1.41, 30.03

 

CMYK 37 / 0 / 16 / 24

HEX #7AC2A2

RGB 122 194 162

HSL 153.33, 0.37%, 0.62%

LAB 73.11, -29.71, 9.04

 

CMYK 37 / 28 / 0 / 24

HEX #7A8CC2

RGB 122 140 194

HSL 225, 0.37%, 0.62%

LAB 58.78, 6.94, -30.14

 

CMYK 0 / 37 / 21 / 24

HEX #C17999

RGB 193 121 153

HSL 333.33, 0.37%, 0.62%

LAB 59.26, 32.54, -5.37

 

CMYK 2 / 0 / 37 / 24

HEX #BEC27A

RGB 190 194 122

HSL 63.33, 0.37%, 0.62%

LAB 76.64, -12.4, 35.77

 

CMYK 37 / 0 / 16 / 24

HEX #7AC2A2

RGB 122 194 162

HSL 153.33, 0.37%, 0.62%

LAB 73.11, -29.71, 9.04

 

CMYK 35 / 37 / 0 / 24

HEX #7E7AC2

RGB 126 122 194

HSL 243.33, 0.37%, 0.62%

LAB 54.29, 18.66, -37.12

 

Description

Color code: HEX #C17999 | qconv.com Color code: HEX #C17999 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 121 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 121 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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