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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C171024C it is the complementary color #3E8EFD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C171024C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C171024C shade: #C671004C, #D783104C, #E895234C, #F9A7364C and #FFB9494C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C171024C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C171024C shade: #C171024C, #B05F004C, #9F4D004C, #8E3B004C and #7D29004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C171024C shade: #C07002, #C03D02, #C00A02 and #C00202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C171024C shade: #C07002, #C0A402, #A9C002, #76C002 and #43C002

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C171024C shade matches the following richer shades: #C07002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C171024C shade: #C07002, #B06E12, #A16B21, #916931 and #816641

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C171024C shade: #C00802, #C03B02, #C06E02, #C0A002 and #ADC002

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C171024C shade: #6E4001, #975802, #C07002, #E98802 and #FD9D18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C171024C shade: #C17102, #2EC002 and #2202C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C171024C shade: #C17102, #02C06E and #6E02C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C171024C shade: #C17102, #2EC002, #0254C0 and #9402C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C171024C shade: #C17102, #02C00F, #0254C0 and #C002B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 30 / 7

HEX #C171024C

RGBA 193 113 2 0.3

HSLA 34.87, 0.98%, 0.38%, 0.3

LABA 55.23, 25.31, 62.03, 0.3

 

Complementary color

CMYK 23 / 13 / 0 / 0

HEX #3E8EFD4C

RGBA 62 142 253 0.3

HSLA 214.87, 0.98%, 0.62%, 0.3

LABA 59.4, 13.11, -62.23, 0.3

 

CMYK 0 / 13 / 30 / 7

HEX #C671004C

RGBA 198 113 0 0.3

HSLA 34.24, 1%, 0.39%, 0.3

LABA 55.9, 27.43, 63.18, 0.3

 

CMYK 0 / 12 / 28 / 5

HEX #D783104C

RGBA 215 131 16 0.3

HSLA 34.67, 0.86%, 0.45%, 0.3

LABA 62.27, 25.18, 65.75, 0.3

 

CMYK 0 / 11 / 25 / 3

HEX #E895234C

RGBA 232 149 35 0.3

HSLA 34.72, 0.81%, 0.52%, 0.3

LABA 68.59, 23.16, 66.73, 0.3

 

CMYK 0 / 10 / 23 / 1

HEX #F9A7364C

RGBA 249 167 54 0.3

HSLA 34.77, 0.94%, 0.59%, 0.3

LABA 74.85, 21.36, 66.58, 0.3

 

CMYK 0 / 8 / 21 / 0

HEX #FFB9494C

RGBA 255 185 73 0.3

HSLA 36.92, 1%, 0.64%, 0.3

LABA 79.86, 15.22, 64.23, 0.3

 

CMYK 0 / 12 / 30 / 7

HEX #C171024C

RGBA 193 113 2 0.3

HSLA 34.87, 0.98%, 0.38%, 0.3

LABA 55.23, 25.31, 62.03, 0.3

 

CMYK 0 / 14 / 30 / 9

HEX #B05F004C

RGBA 176 95 0 0.3

HSLA 32.39, 1%, 0.35%, 0.3

LABA 48.78, 27.76, 57.2, 0.3

 

CMYK 0 / 15 / 30 / 11

HEX #9F4D004C

RGBA 159 77 0 0.3

HSLA 29.06, 1%, 0.31%, 0.3

LABA 42.28, 30.26, 51.96, 0.3

 

CMYK 0 / 18 / 30 / 13

HEX #8E3B004C

RGBA 142 59 0 0.3

HSLA 24.93, 1%, 0.28%, 0.3

LABA 35.75, 32.69, 46.74, 0.3

 

CMYK 0 / 20 / 30 / 15

HEX #7D29004C

RGBA 125 41 0 0.3

HSLA 19.68, 1%, 0.25%, 0.3

LABA 29.28, 34.84, 41.03, 0.3

 

CMYK 0 / 42 / 99 / 25

HEX #C07002

RGB 192 112 2

HSL 34.74, 0.98%, 0.38%

LAB 54.86, 25.42, 61.73

 

CMYK 0 / 68 / 99 / 25

HEX #C03D02

RGB 192 61 2

HSL 18.63, 0.98%, 0.38%

LAB 45.01, 50.48, 55.88

 

CMYK 0 / 95 / 99 / 25

HEX #C00A02

RGB 192 10 2

HSL 2.53, 0.98%, 0.38%

LAB 40.29, 63.69, 53.67

 

CMYK 0 / 99 / 99 / 25

HEX #C00202

RGB 192 2 2

HSL 0, 0.98%, 0.38%

LAB 40.01, 64.52, 53.56

 

CMYK 0 / 42 / 99 / 25

HEX #C07002

RGB 192 112 2

HSL 34.74, 0.98%, 0.38%

LAB 54.86, 25.42, 61.73

 

CMYK 0 / 15 / 99 / 25

HEX #C0A402

RGB 192 164 2

HSL 51.16, 0.98%, 0.38%

LAB 67.84, -2.93, 70.63

 

CMYK 12 / 0 / 99 / 25

HEX #A9C002

RGB 169 192 2

HSL 67.26, 0.98%, 0.38%

LAB 73.64, -27.22, 74.02

 

CMYK 39 / 0 / 99 / 25

HEX #76C002

RGB 118 192 2

HSL 83.37, 0.98%, 0.38%

LAB 70.56, -47.17, 70.32

 

CMYK 65 / 0 / 99 / 25

HEX #43C002

RGB 67 192 2

HSL 99.47, 0.98%, 0.38%

LAB 68.68, -61.87, 68.03

 

CMYK 0 / 42 / 99 / 25

HEX #C07002

RGB 192 112 2

HSL 34.74, 0.98%, 0.38%

LAB 54.86, 25.42, 61.73

 

CMYK 0 / 42 / 99 / 25

HEX #C07002

RGB 192 112 2

HSL 34.74, 0.98%, 0.38%

LAB 54.86, 25.42, 61.73

 

CMYK 0 / 38 / 90 / 31

HEX #B06E12

RGB 176 110 18

HSL 34.94, 0.81%, 0.38%

LAB 52.32, 19.76, 55.61

 

CMYK 0 / 34 / 80 / 37

HEX #A16B21

RGB 161 107 33

HSL 34.69, 0.66%, 0.38%

LAB 49.74, 15.17, 47.5

 

CMYK 0 / 28 / 66 / 43

HEX #916931

RGB 145 105 49

HSL 35, 0.49%, 0.38%

LAB 47.42, 9.89, 37.02

 

CMYK 0 / 21 / 50 / 49

HEX #816641

RGB 129 102 65

HSL 34.69, 0.33%, 0.38%

LAB 45.01, 5.75, 24.95

 

CMYK 0 / 96 / 99 / 25

HEX #C00802

RGB 192 8 2

HSL 1.89, 0.98%, 0.38%

LAB 40.22, 63.9, 53.64

 

CMYK 0 / 69 / 99 / 25

HEX #C03B02

RGB 192 59 2

HSL 18, 0.98%, 0.38%

LAB 44.71, 51.28, 55.73

 

CMYK 0 / 43 / 99 / 25

HEX #C06E02

RGB 192 110 2

HSL 34.11, 0.98%, 0.38%

LAB 54.41, 26.51, 61.44

 

CMYK 0 / 17 / 99 / 25

HEX #C0A002

RGB 192 160 2

HSL 49.89, 0.98%, 0.38%

LAB 66.79, -0.8, 69.87

 

CMYK 10 / 0 / 99 / 25

HEX #ADC002

RGB 173 192 2

HSL 66, 0.98%, 0.38%

LAB 73.93, -25.53, 74.36

 

CMYK 0 / 42 / 99 / 57

HEX #6E4001

RGB 110 64 1

HSL 34.68, 0.98%, 0.22%

LAB 31.77, 15.65, 41.32

 

CMYK 0 / 42 / 99 / 41

HEX #975802

RGB 151 88 2

HSL 34.63, 0.97%, 0.3%

LAB 43.6, 20.69, 51.64

 

CMYK 0 / 42 / 99 / 25

HEX #C07002

RGB 192 112 2

HSL 34.74, 0.98%, 0.38%

LAB 54.86, 25.42, 61.73

 

CMYK 0 / 42 / 99 / 9

HEX #E98802

RGB 233 136 2

HSL 34.81, 0.98%, 0.46%

LAB 65.7, 29.95, 71.38

 

CMYK 0 / 38 / 91 / 1

HEX #FD9D18

RGB 253 157 24

HSL 34.85, 0.98%, 0.54%

LAB 72.93, 27.51, 74.05

 

CMYK 0 / 41 / 99 / 24

HEX #C17102

RGB 193 113 2

HSL 34.87, 0.98%, 0.38%

LAB 55.23, 25.31, 62.03

 

CMYK 76 / 0 / 99 / 25

HEX #2EC002

RGB 46 192 2

HSL 106.11, 0.98%, 0.38%

LAB 68.23, -65.73, 67.49

 

CMYK 82 / 99 / 0 / 25

HEX #2202C0

RGB 34 2 192

HSL 250.11, 0.98%, 0.38%

LAB 24.29, 63.92, -84.98

 

CMYK 0 / 41 / 99 / 24

HEX #C17102

RGB 193 113 2

HSL 34.87, 0.98%, 0.38%

LAB 55.23, 25.31, 62.03

 

CMYK 99 / 0 / 43 / 25

HEX #02C06E

RGB 2 192 110

HSL 154.11, 0.98%, 0.38%

LAB 68.63, -59.26, 30.17

 

CMYK 43 / 99 / 0 / 25

HEX #6E02C0

RGB 110 2 192

HSL 274.11, 0.98%, 0.38%

LAB 32.18, 68.22, -71.66

 

CMYK 0 / 41 / 99 / 24

HEX #C17102

RGB 193 113 2

HSL 34.87, 0.98%, 0.38%

LAB 55.23, 25.31, 62.03

 

CMYK 76 / 0 / 99 / 25

HEX #2EC002

RGB 46 192 2

HSL 106.11, 0.98%, 0.38%

LAB 68.23, -65.73, 67.49

 

CMYK 99 / 56 / 0 / 25

HEX #0254C0

RGB 2 84 192

HSL 214.11, 0.98%, 0.38%

LAB 38.13, 22.38, -62.16

 

CMYK 23 / 99 / 0 / 25

HEX #9402C0

RGB 148 2 192

HSL 286.11, 0.98%, 0.38%

LAB 38.1, 72.63, -61.72

 

CMYK 0 / 41 / 99 / 24

HEX #C17102

RGB 193 113 2

HSL 34.87, 0.98%, 0.38%

LAB 55.23, 25.31, 62.03

 

CMYK 99 / 0 / 92 / 25

HEX #02C00F

RGB 2 192 15

HSL 124.11, 0.98%, 0.38%

LAB 67.83, -69.2, 65.43

 

CMYK 99 / 56 / 0 / 25

HEX #0254C0

RGB 2 84 192

HSL 214.11, 0.98%, 0.38%

LAB 38.13, 22.38, -62.16

 

CMYK 0 / 99 / 7 / 25

HEX #C002B3

RGB 192 2 179

HSL 304.11, 0.98%, 0.38%

LAB 44.95, 77.33, -42.64

 

Description

Color code: HEX #C171024C | qconv.com Color code: HEX #C171024C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 113 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 113 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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