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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16D3B it is the complementary color #3E92C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16D3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16D3B shade: #C66D36, #D77F49, #E8915C, #F9A36F and #FFB582

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16D3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16D3B shade: #C16D3B, #B05B28, #9F4915, #8E3702 and #7D2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16D3B shade: #BF6C3B, #BF483B and #BF3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16D3B shade: #BF6C3B, #BF903B, #BFB43B, #A7BF3B and #83BF3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16D3B shade matches the following richer shades: #BF6C3B, #D36727 and #E86212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16D3B shade: #BF6C3B, #AB714F, #977663, #837C77 and #6E818C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16D3B shade: #BF3B51, #BF483B, #BF6B3B, #BF8F3B and #BFB23B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16D3B shade: #804827, #A05A31, #BF6C3B, #CC8358 and #D59A77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16D3B shade: #C16D3B, #74BF3B and #3B3FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16D3B shade: #C16D3B, #3BBF6B and #6B3BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16D3B shade: #C16D3B, #74BF3B, #3B8FBF and #863BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16D3B shade: #C16D3B, #4CBF3B, #3B8FBF and #AE3BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 69 / 24

HEX #C16D3B

RGB 193 109 59

HSL 22.39, 0.53%, 0.49%

LAB 54.65, 29.16, 41.65

 

Complementary color

CMYK 68 / 26 / 0 / 23

HEX #3E92C4

RGB 62 146 196

HSL 202.39, 0.53%, 0.51%

LAB 57.62, -9.29, -33.29

 

CMYK 0 / 45 / 73 / 22

HEX #C66D36

RGB 198 109 54

HSL 22.92, 0.57%, 0.49%

LAB 55.29, 30.96, 45.07

 

CMYK 0 / 41 / 66 / 16

HEX #D77F49

RGB 215 127 73

HSL 22.82, 0.64%, 0.56%

LAB 61.75, 29.36, 43.29

 

CMYK 0 / 38 / 60 / 9

HEX #E8915C

RGB 232 145 92

HSL 22.71, 0.75%, 0.64%

LAB 68.15, 27.94, 41.56

 

CMYK 0 / 35 / 55 / 2

HEX #F9A36F

RGB 249 163 111

HSL 22.61, 0.92%, 0.71%

LAB 74.5, 26.67, 39.92

 

CMYK 0 / 29 / 49 / 0

HEX #FFB582

RGB 255 181 130

HSL 24.48, 1%, 0.75%

LAB 79.57, 21.22, 36.6

 

CMYK 0 / 44 / 69 / 24

HEX #C16D3B

RGB 193 109 59

HSL 22.39, 0.53%, 0.49%

LAB 54.65, 29.16, 41.65

 

CMYK 0 / 48 / 77 / 31

HEX #B05B28

RGB 176 91 40

HSL 22.5, 0.63%, 0.42%

LAB 48.09, 30.88, 43.45

 

CMYK 0 / 54 / 87 / 38

HEX #9F4915

RGB 159 73 21

HSL 22.61, 0.77%, 0.35%

LAB 41.52, 32.78, 44.89

 

CMYK 0 / 61 / 99 / 44

HEX #8E3702

RGB 142 55 2

HSL 22.71, 0.97%, 0.28%

LAB 34.98, 34.76, 45.52

 

CMYK 0 / 70 / 100 / 51

HEX #7D2500

RGB 125 37 0

HSL 17.76, 1%, 0.25%

LAB 28.6, 36.66, 40.49

 

CMYK 0 / 43 / 69 / 25

HEX #BF6C3B

RGB 191 108 59

HSL 22.27, 0.53%, 0.49%

LAB 54.15, 28.88, 41.02

 

CMYK 0 / 62 / 69 / 25

HEX #BF483B

RGB 191 72 59

HSL 5.91, 0.53%, 0.49%

LAB 47.01, 47.02, 32.81

 

CMYK 0 / 69 / 69 / 25

HEX #BF3B3B

RGB 191 59 59

HSL 0, 0.53%, 0.49%

LAB 44.97, 52.52, 30.37

 

CMYK 0 / 43 / 69 / 25

HEX #BF6C3B

RGB 191 108 59

HSL 22.27, 0.53%, 0.49%

LAB 54.15, 28.88, 41.02

 

CMYK 0 / 25 / 69 / 25

HEX #BF903B

RGB 191 144 59

HSL 38.64, 0.53%, 0.49%

LAB 62.79, 9.11, 50.42

 

CMYK 0 / 6 / 69 / 25

HEX #BFB43B

RGB 191 180 59

HSL 55, 0.53%, 0.49%

LAB 72.25, -10.14, 60.14

 

CMYK 13 / 0 / 69 / 25

HEX #A7BF3B

RGB 167 191 59

HSL 70.91, 0.53%, 0.49%

LAB 73.41, -25.8, 60.69

 

CMYK 31 / 0 / 69 / 25

HEX #83BF3B

RGB 131 191 59

HSL 87.27, 0.53%, 0.49%

LAB 71.15, -39.88, 57.66

 

CMYK 0 / 43 / 69 / 25

HEX #BF6C3B

RGB 191 108 59

HSL 22.27, 0.53%, 0.49%

LAB 54.15, 28.88, 41.02

 

CMYK 0 / 51 / 82 / 17

HEX #D36727

RGB 211 103 39

HSL 22.33, 0.69%, 0.49%

LAB 55.78, 38.72, 53.1

 

CMYK 0 / 58 / 92 / 9

HEX #E86212

RGB 232 98 18

HSL 22.43, 0.86%, 0.49%

LAB 57.98, 48.69, 63.42

 

CMYK 0 / 43 / 69 / 25

HEX #BF6C3B

RGB 191 108 59

HSL 22.27, 0.53%, 0.49%

LAB 54.15, 28.88, 41.02

 

CMYK 0 / 34 / 54 / 33

HEX #AB714F

RGB 171 113 79

HSL 22.17, 0.37%, 0.49%

LAB 52.99, 19.17, 28.15

 

CMYK 0 / 22 / 34 / 41

HEX #977663

RGB 151 118 99

HSL 21.92, 0.21%, 0.49%

LAB 52.33, 10.1, 15.4

 

CMYK 0 / 5 / 9 / 49

HEX #837C77

RGB 131 124 119

HSL 25, 0.05%, 0.49%

LAB 52.48, 1.72, 3.67

 

CMYK 21 / 8 / 0 / 45

HEX #6E818C

RGB 110 129 140

HSL 202, 0.12%, 0.49%

LAB 52.85, -4.34, -8.24

 

CMYK 0 / 69 / 58 / 25

HEX #BF3B51

RGB 191 59 81

HSL 350, 0.53%, 0.49%

LAB 45.36, 53.89, 17.56

 

CMYK 0 / 62 / 69 / 25

HEX #BF483B

RGB 191 72 59

HSL 5.91, 0.53%, 0.49%

LAB 47.01, 47.02, 32.81

 

CMYK 0 / 44 / 69 / 25

HEX #BF6B3B

RGB 191 107 59

HSL 21.82, 0.53%, 0.49%

LAB 53.93, 29.42, 40.77

 

CMYK 0 / 25 / 69 / 25

HEX #BF8F3B

RGB 191 143 59

HSL 38.18, 0.53%, 0.49%

LAB 62.54, 9.66, 50.15

 

CMYK 0 / 7 / 69 / 25

HEX #BFB23B

RGB 191 178 59

HSL 54.09, 0.53%, 0.49%

LAB 71.71, -9.1, 59.6

 

CMYK 0 / 44 / 70 / 50

HEX #804827

RGB 128 72 39

HSL 22.25, 0.53%, 0.33%

LAB 36.69, 20.81, 29.66

 

CMYK 0 / 44 / 69 / 37

HEX #A05A31

RGB 160 90 49

HSL 22.16, 0.53%, 0.41%

LAB 45.64, 25.14, 35.55

 

CMYK 0 / 43 / 69 / 25

HEX #BF6C3B

RGB 191 108 59

HSL 22.27, 0.53%, 0.49%

LAB 54.15, 28.88, 41.02

 

CMYK 0 / 36 / 57 / 20

HEX #CC8358

RGB 204 131 88

HSL 22.24, 0.53%, 0.57%

LAB 61.46, 23.75, 34.7

 

CMYK 0 / 28 / 44 / 16

HEX #D59A77

RGB 213 154 119

HSL 22.34, 0.53%, 0.65%

LAB 68.45, 17.8, 27.07

 

CMYK 0 / 44 / 69 / 24

HEX #C16D3B

RGB 193 109 59

HSL 22.39, 0.53%, 0.49%

LAB 54.65, 29.16, 41.65

 

CMYK 39 / 0 / 69 / 25

HEX #74BF3B

RGB 116 191 59

HSL 94.09, 0.53%, 0.49%

LAB 70.38, -45.18, 56.62

 

CMYK 69 / 67 / 0 / 25

HEX #3B3FBF

RGB 59 63 191

HSL 238.18, 0.53%, 0.49%

LAB 34.49, 39.88, -67.45

 

CMYK 0 / 44 / 69 / 24

HEX #C16D3B

RGB 193 109 59

HSL 22.39, 0.53%, 0.49%

LAB 54.65, 29.16, 41.65

 

CMYK 69 / 0 / 44 / 25

HEX #3BBF6B

RGB 59 191 107

HSL 141.82, 0.53%, 0.49%

LAB 68.93, -54.12, 32.24

 

CMYK 44 / 69 / 0 / 25

HEX #6B3BBF

RGB 107 59 191

HSL 261.82, 0.53%, 0.49%

LAB 37.87, 49.69, -61.76

 

CMYK 0 / 44 / 69 / 24

HEX #C16D3B

RGB 193 109 59

HSL 22.39, 0.53%, 0.49%

LAB 54.65, 29.16, 41.65

 

CMYK 39 / 0 / 69 / 25

HEX #74BF3B

RGB 116 191 59

HSL 94.09, 0.53%, 0.49%

LAB 70.38, -45.18, 56.62

 

CMYK 69 / 25 / 0 / 25

HEX #3B8FBF

RGB 59 143 191

HSL 201.82, 0.53%, 0.49%

LAB 56.42, -9.75, -32.34

 

CMYK 30 / 69 / 0 / 25

HEX #863BBF

RGB 134 59 191

HSL 274.09, 0.53%, 0.49%

LAB 41.15, 54.97, -56.28

 

CMYK 0 / 44 / 69 / 24

HEX #C16D3B

RGB 193 109 59

HSL 22.39, 0.53%, 0.49%

LAB 54.65, 29.16, 41.65

 

CMYK 60 / 0 / 69 / 25

HEX #4CBF3B

RGB 76 191 59

HSL 112.27, 0.53%, 0.49%

LAB 68.83, -56.81, 54.53

 

CMYK 69 / 25 / 0 / 25

HEX #3B8FBF

RGB 59 143 191

HSL 201.82, 0.53%, 0.49%

LAB 56.42, -9.75, -32.34

 

CMYK 9 / 69 / 0 / 25

HEX #AE3BBF

RGB 174 59 191

HSL 292.27, 0.53%, 0.49%

LAB 46.83, 63.55, -46.86

 

Description

Color code: HEX #C16D3B | qconv.com Color code: HEX #C16D3B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 109 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 109 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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