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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16C92 it is the complementary color #3E936D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16C92 shade: #C66C8D, #D77EA0, #E890B3, #F9A2C6 and #FFB4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16C92 shade: #C16C92, #B05A7F, #9F486C, #8E3659 and #7D2446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16C92 shade: #C16C92, #C16C7B and #C16C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16C92 shade: #C16C92, #C16CA9, #C16CC0, #AB6CC1 and #946CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16C92 shade matches the following richer shades: #C16C92, #D25B90, #E34A8E and #F4398D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16C92 shade: #C16C92, #B07D94, #9F8D95, #8F9E97 and #7EAF99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16C92 shade: #C16CC0, #C16CA9, #C16C92, #C16C7B and #C1736C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16C92 shade: #9A4068, #B54E7C, #C16C92, #CD89A7 and #DAA6BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16C92 shade: #C16C92, #C1AC6C and #6CB4C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16C92 shade: #C16C92, #92C16C and #6C92C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16C92 shade: #C16C92, #C1AC6C, #6CC19B and #6C81C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16C92 shade: #C16C92, #BDC16C, #6CC19B and #706CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

Complementary color

CMYK 58 / 0 / 26 / 42

HEX #3E936D

RGB 62 147 109

HSL 153.18, 0.41%, 0.41%

LAB 55.07, -35.05, 12.55

 

CMYK 0 / 45 / 29 / 22

HEX #C66C8D

RGB 198 108 141

HSL 338, 0.44%, 0.6%

LAB 56.74, 39.52, -2.07

 

CMYK 0 / 41 / 26 / 16

HEX #D77EA0

RGB 215 126 160

HSL 337.08, 0.53%, 0.67%

LAB 63.27, 38.66, -3.17

 

CMYK 0 / 38 / 23 / 9

HEX #E890B3

RGB 232 144 179

HSL 336.14, 0.66%, 0.74%

LAB 69.72, 37.83, -4.13

 

CMYK 0 / 35 / 20 / 2

HEX #F9A2C6

RGB 249 162 198

HSL 335.17, 0.88%, 0.81%

LAB 76.1, 37.05, -4.99

 

CMYK 0 / 29 / 15 / 0

HEX #FFB4D9

RGB 255 180 217

HSL 330.4, 1%, 0.85%

LAB 81.24, 32.57, -7.64

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 49 / 28 / 31

HEX #B05A7F

RGB 176 90 127

HSL 334.19, 0.35%, 0.52%

LAB 49.59, 39.32, -4.68

 

CMYK 0 / 55 / 32 / 38

HEX #9F486C

RGB 159 72 108

HSL 335.17, 0.38%, 0.45%

LAB 42.9, 40.13, -3.32

 

CMYK 0 / 62 / 37 / 44

HEX #8E3659

RGB 142 54 89

HSL 336.14, 0.45%, 0.38%

LAB 36.2, 40.81, -1.6

 

CMYK 0 / 71 / 44 / 51

HEX #7D2446

RGB 125 36 70

HSL 337.08, 0.55%, 0.32%

LAB 29.57, 41.12, 0.7

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 44 / 36 / 24

HEX #C16C7B

RGB 193 108 123

HSL 349.41, 0.41%, 0.59%

LAB 55.58, 35.4, 6.69

 

CMYK 0 / 44 / 44 / 24

HEX #C16C6C

RGB 193 108 108

HSL 0, 0.41%, 0.59%

LAB 55.22, 33.68, 14.95

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 44 / 12 / 24

HEX #C16CA9

RGB 193 108 169

HSL 316.94, 0.41%, 0.59%

LAB 57, 42.05, -18

 

CMYK 0 / 44 / 1 / 24

HEX #C16CC0

RGB 193 108 192

HSL 300.71, 0.41%, 0.59%

LAB 57.91, 46.07, -29.81

 

CMYK 11 / 44 / 0 / 24

HEX #AB6CC1

RGB 171 108 193

HSL 284.47, 0.41%, 0.59%

LAB 55.31, 39.67, -34.63

 

CMYK 23 / 44 / 0 / 24

HEX #946CC1

RGB 148 108 193

HSL 268.24, 0.41%, 0.59%

LAB 52.81, 32.91, -38.74

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 57 / 31 / 18

HEX #D25B90

RGB 210 91 144

HSL 333.28, 0.57%, 0.59%

LAB 55.28, 52.36, -5.79

 

CMYK 0 / 67 / 37 / 11

HEX #E34A8E

RGB 227 74 142

HSL 333.33, 0.73%, 0.59%

LAB 55.26, 64.43, -4.34

 

CMYK 0 / 77 / 42 / 4

HEX #F4398D

RGB 244 57 141

HSL 333.05, 0.89%, 0.59%

LAB 56.17, 74.47, -2.07

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 29 / 16 / 31

HEX #B07D94

RGB 176 125 148

HSL 332.94, 0.24%, 0.59%

LAB 58.07, 23.35, -4.47

 

CMYK 0 / 11 / 6 / 38

HEX #9F8D95

RGB 159 141 149

HSL 333.33, 0.09%, 0.59%

LAB 60.42, 8.17, -1.78

 

CMYK 9 / 0 / 4 / 38

HEX #8F9E97

RGB 143 158 151

HSL 152, 0.07%, 0.59%

LAB 63.78, -6.72, 1.83

 

CMYK 28 / 0 / 13 / 31

HEX #7EAF99

RGB 126 175 153

HSL 153.06, 0.23%, 0.59%

LAB 67.57, -20.99, 6.06

 

CMYK 0 / 44 / 1 / 24

HEX #C16CC0

RGB 193 108 192

HSL 300.71, 0.41%, 0.59%

LAB 57.91, 46.07, -29.81

 

CMYK 0 / 44 / 12 / 24

HEX #C16CA9

RGB 193 108 169

HSL 316.94, 0.41%, 0.59%

LAB 57, 42.05, -18

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 44 / 36 / 24

HEX #C16C7B

RGB 193 108 123

HSL 349.41, 0.41%, 0.59%

LAB 55.58, 35.4, 6.69

 

CMYK 0 / 40 / 44 / 24

HEX #C1736C

RGB 193 115 108

HSL 4.94, 0.41%, 0.59%

LAB 56.76, 29.91, 17.08

 

CMYK 0 / 58 / 32 / 40

HEX #9A4068

RGB 154 64 104

HSL 333.33, 0.41%, 0.43%

LAB 40.47, 41.9, -4.52

 

CMYK 0 / 57 / 31 / 29

HEX #B54E7C

RGB 181 78 124

HSL 333.2, 0.41%, 0.51%

LAB 47.92, 46.64, -5.28

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 33 / 19 / 20

HEX #CD89A7

RGB 205 137 167

HSL 333.53, 0.4%, 0.67%

LAB 64.69, 30.28, -5.17

 

CMYK 0 / 24 / 13 / 15

HEX #DAA6BD

RGB 218 166 189

HSL 333.46, 0.41%, 0.75%

LAB 73.45, 22.69, -4.35

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 11 / 44 / 24

HEX #C1AC6C

RGB 193 172 108

HSL 45.18, 0.41%, 0.59%

LAB 70.82, -1.25, 35.62

 

CMYK 44 / 7 / 0 / 24

HEX #6CB4C1

RGB 108 180 193

HSL 189.18, 0.41%, 0.59%

LAB 69.24, -19.11, -13.67

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 24 / 0 / 44 / 24

HEX #92C16C

RGB 146 193 108

HSL 93.18, 0.41%, 0.59%

LAB 73.11, -30.45, 37.78

 

CMYK 44 / 24 / 0 / 24

HEX #6C92C1

RGB 108 146 193

HSL 213.18, 0.41%, 0.59%

LAB 59.52, -0.58, -28.49

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 0 / 11 / 44 / 24

HEX #C1AC6C

RGB 193 172 108

HSL 45.18, 0.41%, 0.59%

LAB 70.82, -1.25, 35.62

 

CMYK 44 / 0 / 20 / 24

HEX #6CC19B

RGB 108 193 155

HSL 153.18, 0.41%, 0.59%

LAB 72.02, -34.61, 11.2

 

CMYK 44 / 33 / 0 / 24

HEX #6C81C1

RGB 108 129 193

HSL 225.18, 0.41%, 0.59%

LAB 54.8, 9.35, -35.84

 

CMYK 0 / 44 / 24 / 24

HEX #C16C92

RGB 193 108 146

HSL 333.18, 0.41%, 0.59%

LAB 56.23, 38.48, -5.81

 

CMYK 2 / 0 / 44 / 24

HEX #BDC16C

RGB 189 193 108

HSL 62.82, 0.41%, 0.59%

LAB 76.09, -13.83, 42.15

 

CMYK 44 / 0 / 20 / 24

HEX #6CC19B

RGB 108 193 155

HSL 153.18, 0.41%, 0.59%

LAB 72.02, -34.61, 11.2

 

CMYK 42 / 44 / 0 / 24

HEX #706CC1

RGB 112 108 193

HSL 242.82, 0.41%, 0.59%

LAB 49.52, 23.04, -44.15

 

Description

Color code: HEX #C16C92 | qconv.com Color code: HEX #C16C92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 108 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 108 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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