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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16985 it is the complementary color #3E967A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16985. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16985 shade: #C66980, #D77B93, #E88DA6, #F99FB9 and #FFB1CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16985. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16985 shade: #C16985, #B05772, #9F455F, #8E334C and #7D2139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16985 shade: #C16784, #C1676B and #C16767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16985 shade: #C16784, #C1679C, #C167B4, #B567C1 and #9D67C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16985 shade matches the following richer shades: #C16784, #D2567D, #E44477 and #F53371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16985 shade: #C16784, #B0788A, #9E8A90, #8D9B96 and #7CAC9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16985 shade: #C167B5, #C1679D, #C16785, #C1676D and #C17967

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16985 shade: #973E5A, #B54A6C, #C16784, #CD849B and #D9A2B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16985 shade: #C16985, #C1B567 and #67A9C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16985 shade: #C16985, #85C167 and #6785C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16985 shade: #C16985, #C1B567, #67C1A3 and #6773C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16985 shade: #C16985, #B2C167, #67C1A3 and #7667C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 31 / 24

HEX #C16985

RGB 193 105 133

HSL 340.91, 0.42%, 0.58%

LAB 55.21, 38.26, 0.3

 

Complementary color

CMYK 59 / 0 / 19 / 41

HEX #3E967A

RGB 62 150 122

HSL 160.91, 0.42%, 0.42%

LAB 56.33, -33.37, 6.94

 

CMYK 0 / 47 / 35 / 22

HEX #C66980

RGB 198 105 128

HSL 345.16, 0.45%, 0.59%

LAB 55.75, 39.41, 4.1

 

CMYK 0 / 43 / 32 / 16

HEX #D77B93

RGB 215 123 147

HSL 344.35, 0.53%, 0.66%

LAB 62.27, 38.49, 2.81

 

CMYK 0 / 39 / 28 / 9

HEX #E88DA6

RGB 232 141 166

HSL 343.52, 0.66%, 0.73%

LAB 68.72, 37.6, 1.67

 

CMYK 0 / 36 / 26 / 2

HEX #F99FB9

RGB 249 159 185

HSL 342.67, 0.88%, 0.8%

LAB 75.1, 36.77, 0.67

 

CMYK 0 / 31 / 20 / 0

HEX #FFB1CC

RGB 255 177 204

HSL 339.23, 1%, 0.85%

LAB 80.22, 32.16, -2.14

 

CMYK 0 / 46 / 31 / 24

HEX #C16985

RGB 193 105 133

HSL 340.91, 0.42%, 0.58%

LAB 55.21, 38.26, 0.3

 

CMYK 0 / 51 / 35 / 31

HEX #B05772

RGB 176 87 114

HSL 341.8, 0.36%, 0.52%

LAB 48.59, 39.16, 1.66

 

CMYK 0 / 57 / 40 / 38

HEX #9F455F

RGB 159 69 95

HSL 342.67, 0.39%, 0.45%

LAB 41.93, 40.03, 3.31

 

CMYK 0 / 64 / 46 / 44

HEX #8E334C

RGB 142 51 76

HSL 343.52, 0.47%, 0.38%

LAB 35.28, 40.75, 5.4

 

CMYK 0 / 74 / 54 / 51

HEX #7D2139

RGB 125 33 57

HSL 344.35, 0.58%, 0.31%

LAB 28.75, 41.07, 8.19

 

CMYK 0 / 47 / 32 / 24

HEX #C16784

RGB 193 103 132

HSL 340.67, 0.42%, 0.58%

LAB 54.77, 39.18, 0.24

HEX #C16784

CMYK 0 / 47 / 45 / 24

HEX #C1676B

RGB 193 103 107

HSL 357.33, 0.42%, 0.58%

LAB 54.13, 36.22, 14.03

HEX #C1676B

CMYK 0 / 47 / 47 / 24

HEX #C16767

RGB 193 103 103

HSL 0, 0.42%, 0.58%

LAB 54.05, 35.81, 16.25

HEX #C16767

CMYK 0 / 47 / 32 / 24

HEX #C16784

RGB 193 103 132

HSL 340.67, 0.42%, 0.58%

LAB 54.77, 39.18, 0.24

HEX #C16784

CMYK 0 / 47 / 19 / 24

HEX #C1679C

RGB 193 103 156

HSL 324.67, 0.42%, 0.58%

LAB 55.52, 42.58, -12.7

HEX #C1679C

CMYK 0 / 47 / 7 / 24

HEX #C167B4

RGB 193 103 180

HSL 308.67, 0.42%, 0.58%

LAB 56.42, 46.5, -25.24

HEX #C167B4

CMYK 6 / 47 / 0 / 24

HEX #B567C1

RGB 181 103 193

HSL 292, 0.42%, 0.58%

LAB 55.46, 45.3, -34.32

HEX #B567C1

CMYK 19 / 47 / 0 / 24

HEX #9D67C1

RGB 157 103 193

HSL 276, 0.42%, 0.58%

LAB 52.64, 38.33, -38.94

HEX #9D67C1

CMYK 0 / 47 / 32 / 24

HEX #C16784

RGB 193 103 132

HSL 340.67, 0.42%, 0.58%

LAB 54.77, 39.18, 0.24

HEX #C16784

CMYK 0 / 59 / 40 / 18

HEX #D2567D

RGB 210 86 125

HSL 341.13, 0.58%, 0.58%

LAB 53.85, 52.47, 3.35

HEX #D2567D

CMYK 0 / 70 / 48 / 11

HEX #E44477

RGB 228 68 119

HSL 340.88, 0.75%, 0.58%

LAB 53.98, 64.71, 7.51

HEX #E44477

CMYK 0 / 79 / 54 / 4

HEX #F53371

RGB 245 51 113

HSL 340.82, 0.91%, 0.58%

LAB 55.04, 74.07, 13.02

HEX #F53371

CMYK 0 / 47 / 32 / 24

HEX #C16784

RGB 193 103 132

HSL 340.67, 0.42%, 0.58%

LAB 54.77, 39.18, 0.24

HEX #C16784

CMYK 0 / 32 / 22 / 31

HEX #B0788A

RGB 176 120 138

HSL 340.71, 0.26%, 0.58%

LAB 56.58, 24.55, -0.87

HEX #B0788A

CMYK 0 / 13 / 9 / 38

HEX #9E8A90

RGB 158 138 144

HSL 342, 0.09%, 0.58%

LAB 59.4, 8.58, -0.43

HEX #9E8A90

CMYK 9 / 0 / 3 / 39

HEX #8D9B96

RGB 141 155 150

HSL 158.57, 0.07%, 0.58%

LAB 62.77, -5.98, 0.91

HEX #8D9B96

CMYK 28 / 0 / 9 / 33

HEX #7CAC9D

RGB 124 172 157

HSL 161.25, 0.22%, 0.58%

LAB 66.69, -19.24, 2.56

HEX #7CAC9D

CMYK 0 / 47 / 6 / 24

HEX #C167B5

RGB 193 103 181

HSL 308, 0.42%, 0.58%

LAB 56.46, 46.68, -25.75

 

CMYK 0 / 47 / 19 / 24

HEX #C1679D

RGB 193 103 157

HSL 324, 0.42%, 0.58%

LAB 55.56, 42.74, -13.23

 

CMYK 0 / 47 / 31 / 24

HEX #C16785

RGB 193 103 133

HSL 340, 0.42%, 0.58%

LAB 54.79, 39.31, -0.31

 

CMYK 0 / 47 / 44 / 24

HEX #C1676D

RGB 193 103 109

HSL 356, 0.42%, 0.58%

LAB 54.18, 36.43, 12.92

 

CMYK 0 / 37 / 47 / 24

HEX #C17967

RGB 193 121 103

HSL 12, 0.42%, 0.58%

LAB 58.03, 26.11, 21.66

 

CMYK 0 / 59 / 40 / 41

HEX #973E5A

RGB 151 62 90

HSL 341.12, 0.42%, 0.42%

LAB 39.18, 40.13, 2.3

 

CMYK 0 / 59 / 40 / 29

HEX #B54A6C

RGB 181 74 108

HSL 340.93, 0.42%, 0.5%

LAB 46.72, 46.63, 2.68

 

CMYK 0 / 47 / 32 / 24

HEX #C16784

RGB 193 103 132

HSL 340.67, 0.42%, 0.58%

LAB 54.77, 39.18, 0.24

HEX #C16784

CMYK 0 / 36 / 24 / 20

HEX #CD849B

RGB 205 132 155

HSL 341.1, 0.42%, 0.66%

LAB 63.22, 31.18, -0.53

HEX #CD849B

CMYK 0 / 25 / 18 / 15

HEX #D9A2B3

RGB 217 162 179

HSL 341.45, 0.42%, 0.74%

LAB 72.13, 22.89, -0.79

HEX #D9A2B3

CMYK 0 / 46 / 31 / 24

HEX #C16985

RGB 193 105 133

HSL 340.91, 0.42%, 0.58%

LAB 55.21, 38.26, 0.3

 

CMYK 0 / 6 / 47 / 24

HEX #C1B567

RGB 193 181 103

HSL 52, 0.42%, 0.58%

LAB 73.13, -6.5, 41.08

 

CMYK 47 / 12 / 0 / 24

HEX #67A9C1

RGB 103 169 193

HSL 196, 0.42%, 0.58%

LAB 65.83, -14.56, -18.84

 

CMYK 0 / 46 / 31 / 24

HEX #C16985

RGB 193 105 133

HSL 340.91, 0.42%, 0.58%

LAB 55.21, 38.26, 0.3

 

CMYK 31 / 0 / 47 / 24

HEX #85C167

RGB 133 193 103

HSL 100, 0.42%, 0.58%

LAB 72.3, -35.72, 39.12

 

CMYK 47 / 31 / 0 / 24

HEX #6785C1

RGB 103 133 193

HSL 220, 0.42%, 0.58%

LAB 55.59, 5.7, -34.63

 

CMYK 0 / 46 / 31 / 24

HEX #C16985

RGB 193 105 133

HSL 340.91, 0.42%, 0.58%

LAB 55.21, 38.26, 0.3

 

CMYK 0 / 6 / 47 / 24

HEX #C1B567

RGB 193 181 103

HSL 52, 0.42%, 0.58%

LAB 73.13, -6.5, 41.08

 

CMYK 47 / 0 / 16 / 24

HEX #67C1A3

RGB 103 193 163

HSL 160, 0.42%, 0.58%

LAB 72.01, -34.15, 6.81

 

CMYK 47 / 40 / 0 / 24

HEX #6773C1

RGB 103 115 193

HSL 232, 0.42%, 0.58%

LAB 50.68, 16.52, -42.35

 

CMYK 0 / 46 / 31 / 24

HEX #C16985

RGB 193 105 133

HSL 340.91, 0.42%, 0.58%

LAB 55.21, 38.26, 0.3

 

CMYK 8 / 0 / 47 / 24

HEX #B2C167

RGB 178 193 103

HSL 70, 0.42%, 0.58%

LAB 75.19, -18.75, 43.33

 

CMYK 47 / 0 / 16 / 24

HEX #67C1A3

RGB 103 193 163

HSL 160, 0.42%, 0.58%

LAB 72.01, -34.15, 6.81

 

CMYK 39 / 47 / 0 / 24

HEX #7667C1

RGB 118 103 193

HSL 250, 0.42%, 0.58%

LAB 48.76, 27.6, -45.32

 

Description

Color code: HEX #C16985 | qconv.com Color code: HEX #C16985 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 105 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 105 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 31 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 31% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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