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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16454 it is the complementary color #3E9BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16454 shade: #C6644F, #D77662, #E88875, #F99A88 and #FFAC9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16454 shade: #C16454, #B05241, #9F402E, #8E2E1B and #7D1C08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16454 shade: #C16353 and #C15353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16454 shade: #C16353, #C18053, #C19E53, #C1BC53 and #A8C153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16454 shade matches the following richer shades: #C16353, #D45540, #E7482D and #FA3B1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16454 shade: #C16353, #AE7066, #9B7E79, #888B8C and #75989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16454 shade: #C1537F, #C15361, #C16153, #C17F53 and #C19C53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16454 shade: #8E4033, #AC4E3E, #C16353, #CC7E71 and #D79A8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16454 shade: #C16454, #9CC153 and #5370C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16454 shade: #C16454, #53C161 and #6153C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16454 shade: #C16454, #9CC153, #53B2C1 and #7753C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16454 shade: #C16454, #7BC153, #53B2C1 and #9853C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 56 / 24

HEX #C16454

RGB 193 100 84

HSL 8.81, 0.47%, 0.54%

LAB 53.05, 35.66, 25.97

 

Complementary color

CMYK 64 / 9 / 0 / 33

HEX #3E9BAB

RGB 62 155 171

HSL 188.81, 0.47%, 0.46%

LAB 59.35, -22.23, -16.49

 

CMYK 0 / 49 / 60 / 22

HEX #C6644F

RGB 198 100 79

HSL 10.59, 0.51%, 0.54%

LAB 53.69, 37.21, 29.8

 

CMYK 0 / 45 / 54 / 16

HEX #D77662

RGB 215 118 98

HSL 10.26, 0.59%, 0.61%

LAB 60.15, 35.9, 27.81

 

CMYK 0 / 41 / 50 / 9

HEX #E88875

RGB 232 136 117

HSL 9.91, 0.71%, 0.68%

LAB 66.56, 34.7, 26.06

 

CMYK 0 / 38 / 45 / 2

HEX #F99A88

RGB 249 154 136

HSL 9.56, 0.9%, 0.75%

LAB 72.91, 33.59, 24.49

 

CMYK 0 / 33 / 39 / 0

HEX #FFAC9B

RGB 255 172 155

HSL 10.2, 1%, 0.8%

LAB 77.95, 28.45, 21.17

 

CMYK 0 / 48 / 56 / 24

HEX #C16454

RGB 193 100 84

HSL 8.81, 0.47%, 0.54%

LAB 53.05, 35.66, 25.97

 

CMYK 0 / 53 / 63 / 31

HEX #B05241

RGB 176 82 65

HSL 9.19, 0.46%, 0.47%

LAB 46.51, 36.99, 28.16

 

CMYK 0 / 60 / 71 / 38

HEX #9F402E

RGB 159 64 46

HSL 9.56, 0.55%, 0.4%

LAB 39.97, 38.36, 30.71

 

CMYK 0 / 68 / 81 / 44

HEX #8E2E1B

RGB 142 46 27

HSL 9.91, 0.68%, 0.33%

LAB 33.53, 39.63, 33.61

 

CMYK 0 / 78 / 94 / 51

HEX #7D1C08

RGB 125 28 8

HSL 10.26, 0.88%, 0.26%

LAB 27.32, 40.47, 36.16

 

CMYK 0 / 49 / 57 / 24

HEX #C16353

RGB 193 99 83

HSL 8.73, 0.47%, 0.54%

LAB 52.82, 36.1, 26.26

 

CMYK 0 / 57 / 57 / 24

HEX #C15353

RGB 193 83 83

HSL 0, 0.47%, 0.54%

LAB 49.68, 44.16, 22.16

 

CMYK 0 / 49 / 57 / 24

HEX #C16353

RGB 193 99 83

HSL 8.73, 0.47%, 0.54%

LAB 52.82, 36.1, 26.26

 

CMYK 0 / 34 / 57 / 24

HEX #C18053

RGB 193 128 83

HSL 24.55, 0.47%, 0.54%

LAB 59.34, 20.43, 34.48

 

CMYK 0 / 18 / 57 / 24

HEX #C19E53

RGB 193 158 83

HSL 40.91, 0.47%, 0.54%

LAB 66.84, 3.97, 43.52

 

CMYK 0 / 3 / 57 / 24

HEX #C1BC53

RGB 193 188 83

HSL 57.27, 0.47%, 0.54%

LAB 74.78, -11.86, 52.66

 

CMYK 13 / 0 / 57 / 24

HEX #A8C153

RGB 168 193 83

HSL 73.64, 0.47%, 0.54%

LAB 74.25, -24.64, 51.54

 

CMYK 0 / 49 / 57 / 24

HEX #C16353

RGB 193 99 83

HSL 8.73, 0.47%, 0.54%

LAB 52.82, 36.1, 26.26

 

CMYK 0 / 60 / 70 / 17

HEX #D45540

RGB 212 85 64

HSL 8.51, 0.63%, 0.54%

LAB 52.8, 48.82, 37.65

 

CMYK 0 / 69 / 81 / 9

HEX #E7482D

RGB 231 72 45

HSL 8.71, 0.79%, 0.54%

LAB 53.83, 59.93, 49.7

 

CMYK 0 / 76 / 90 / 2

HEX #FA3B1A

RGB 250 59 26

HSL 8.84, 0.96%, 0.54%

LAB 55.61, 69.66, 60.81

 

CMYK 0 / 49 / 57 / 24

HEX #C16353

RGB 193 99 83

HSL 8.73, 0.47%, 0.54%

LAB 52.82, 36.1, 26.26

 

CMYK 0 / 36 / 41 / 32

HEX #AE7066

RGB 174 112 102

HSL 8.33, 0.31%, 0.54%

LAB 53.54, 23.35, 15.75

 

CMYK 0 / 19 / 22 / 39

HEX #9B7E79

RGB 155 126 121

HSL 8.82, 0.15%, 0.54%

LAB 55.35, 10.36, 6.93

 

CMYK 3 / 1 / 0 / 45

HEX #888B8C

RGB 136 139 140

HSL 195, 0.02%, 0.54%

LAB 57.65, -0.9, -0.92

 

CMYK 26 / 4 / 0 / 38

HEX #75989E

RGB 117 152 158

HSL 188.78, 0.17%, 0.54%

LAB 60.52, -10.61, -7.11

 

CMYK 0 / 57 / 34 / 24

HEX #C1537F

RGB 193 83 127

HSL 336, 0.47%, 0.54%

LAB 50.75, 48.55, -2.68

 

CMYK 0 / 57 / 50 / 24

HEX #C15361

RGB 193 83 97

HSL 352.36, 0.47%, 0.54%

LAB 49.96, 45.35, 14.19

 

CMYK 0 / 50 / 57 / 24

HEX #C16153

RGB 193 97 83

HSL 7.64, 0.47%, 0.54%

LAB 52.41, 37.14, 25.72

 

CMYK 0 / 34 / 57 / 24

HEX #C17F53

RGB 193 127 83

HSL 24, 0.47%, 0.54%

LAB 59.1, 20.98, 34.19

 

CMYK 0 / 19 / 57 / 24

HEX #C19C53

RGB 193 156 83

HSL 39.82, 0.47%, 0.54%

LAB 66.32, 5.06, 42.91

 

CMYK 0 / 55 / 64 / 44

HEX #8E4033

RGB 142 64 51

HSL 8.57, 0.47%, 0.38%

LAB 37.22, 32.04, 23.76

 

CMYK 0 / 55 / 64 / 33

HEX #AC4E3E

RGB 172 78 62

HSL 8.73, 0.47%, 0.46%

LAB 45.04, 37.29, 27.95

 

CMYK 0 / 49 / 57 / 24

HEX #C16353

RGB 193 99 83

HSL 8.73, 0.47%, 0.54%

LAB 52.82, 36.1, 26.26

 

CMYK 0 / 38 / 45 / 20

HEX #CC7E71

RGB 204 126 113

HSL 8.57, 0.47%, 0.62%

LAB 60.74, 28.78, 19.87

 

CMYK 0 / 28 / 33 / 16

HEX #D79A8F

RGB 215 154 143

HSL 9.17, 0.47%, 0.7%

LAB 69.14, 21.37, 14.84

 

CMYK 0 / 48 / 56 / 24

HEX #C16454

RGB 193 100 84

HSL 8.81, 0.47%, 0.54%

LAB 53.05, 35.66, 25.97

 

CMYK 19 / 0 / 57 / 24

HEX #9CC153

RGB 156 193 83

HSL 80.18, 0.47%, 0.54%

LAB 73.44, -29.38, 50.4

 

CMYK 57 / 42 / 0 / 24

HEX #5370C1

RGB 83 112 193

HSL 224.18, 0.47%, 0.54%

LAB 48.61, 13.8, -45.72

 

CMYK 0 / 48 / 56 / 24

HEX #C16454

RGB 193 100 84

HSL 8.81, 0.47%, 0.54%

LAB 53.05, 35.66, 25.97

 

CMYK 57 / 0 / 50 / 24

HEX #53C161

RGB 83 193 97

HSL 127.64, 0.47%, 0.54%

LAB 70.07, -51.49, 38.85

 

CMYK 50 / 57 / 0 / 24

HEX #6153C1

RGB 97 83 193

HSL 247.64, 0.47%, 0.54%

LAB 42.12, 34.73, -56.07

 

CMYK 0 / 48 / 56 / 24

HEX #C16454

RGB 193 100 84

HSL 8.81, 0.47%, 0.54%

LAB 53.05, 35.66, 25.97

 

CMYK 19 / 0 / 57 / 24

HEX #9CC153

RGB 156 193 83

HSL 80.18, 0.47%, 0.54%

LAB 73.44, -29.38, 50.4

 

CMYK 57 / 8 / 0 / 24

HEX #53B2C1

RGB 83 178 193

HSL 188.18, 0.47%, 0.54%

LAB 67.67, -23.61, -16.13

 

CMYK 38 / 57 / 0 / 24

HEX #7753C1

RGB 119 83 193

HSL 259.64, 0.47%, 0.54%

LAB 44.17, 39.64, -52.66

 

CMYK 0 / 48 / 56 / 24

HEX #C16454

RGB 193 100 84

HSL 8.81, 0.47%, 0.54%

LAB 53.05, 35.66, 25.97

 

CMYK 36 / 0 / 57 / 24

HEX #7BC153

RGB 123 193 83

HSL 98.18, 0.47%, 0.54%

LAB 71.54, -41.49, 47.72

 

CMYK 57 / 8 / 0 / 24

HEX #53B2C1

RGB 83 178 193

HSL 188.18, 0.47%, 0.54%

LAB 67.67, -23.61, -16.13

 

CMYK 21 / 57 / 0 / 24

HEX #9853C1

RGB 152 83 193

HSL 277.64, 0.47%, 0.54%

LAB 47.9, 47.78, -46.49

 

Description

Color code: HEX #C16454 | qconv.com Color code: HEX #C16454 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 100 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 100 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 56 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 56% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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