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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16447 it is the complementary color #3E9BB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16447. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16447 shade: #C66442, #D77655, #E88868, #F99A7B and #FFAC8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16447. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16447 shade: #C16447, #B05234, #9F4021, #8E2E0E and #7D1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16447 shade: #C26447 and #C24747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16447 shade: #C26447, #C28547, #C2A747, #BCC247 and #9BC247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16447 shade matches the following richer shades: #C26447, #D65A34, #E95020 and #FD450C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16447 shade: #C26447, #AE6F5B, #9A796F, #868483 and #738E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16447 shade: #C2476C, #C2474B, #C26447, #C28547 and #C2A547

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16447 shade: #89432E, #A85338, #C26447, #CC7F66 and #D69985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16447 shade: #C16447, #8DC247 and #475CC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16447 shade: #C16447, #47C264 and #6447C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16447 shade: #C16447, #8DC247, #47A5C2 and #7C47C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16447 shade: #C16447, #68C247, #47A5C2 and #A147C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 63 / 24

HEX #C16447

RGB 193 100 71

HSL 14.26, 0.5%, 0.52%

LAB 52.85, 34.69, 33.1

 

Complementary color

CMYK 66 / 16 / 0 / 28

HEX #3E9BB8

RGB 62 155 184

HSL 194.26, 0.5%, 0.48%

LAB 59.82, -18.17, -23.12

 

CMYK 0 / 49 / 67 / 22

HEX #C66442

RGB 198 100 66

HSL 15.45, 0.54%, 0.52%

LAB 53.51, 36.35, 36.82

 

CMYK 0 / 45 / 60 / 16

HEX #D77655

RGB 215 118 85

HSL 15.23, 0.62%, 0.59%

LAB 59.94, 34.9, 34.77

 

CMYK 0 / 41 / 55 / 9

HEX #E88868

RGB 232 136 104

HSL 15, 0.74%, 0.66%

LAB 66.34, 33.58, 32.91

 

CMYK 0 / 38 / 51 / 2

HEX #F99A7B

RGB 249 154 123

HSL 14.76, 0.91%, 0.73%

LAB 72.68, 32.37, 31.24

 

CMYK 0 / 33 / 44 / 0

HEX #FFAC8E

RGB 255 172 142

HSL 15.93, 1%, 0.78%

LAB 77.71, 27.08, 27.83

 

CMYK 0 / 48 / 63 / 24

HEX #C16447

RGB 193 100 71

HSL 14.26, 0.5%, 0.52%

LAB 52.85, 34.69, 33.1

 

CMYK 0 / 53 / 70 / 31

HEX #B05234

RGB 176 82 52

HSL 14.52, 0.54%, 0.45%

LAB 46.33, 36.19, 35.33

 

CMYK 0 / 60 / 79 / 38

HEX #9F4021

RGB 159 64 33

HSL 14.76, 0.66%, 0.38%

LAB 39.83, 37.76, 37.75

 

CMYK 0 / 68 / 90 / 44

HEX #8E2E0E

RGB 142 46 14

HSL 15, 0.82%, 0.31%

LAB 33.43, 39.25, 39.92

 

CMYK 0 / 78 / 100 / 51

HEX #7D1C00

RGB 125 28 0

HSL 13.44, 1%, 0.25%

LAB 27.27, 40.31, 39.38

 

CMYK 0 / 48 / 63 / 24

HEX #C26447

RGB 194 100 71

HSL 14.15, 0.5%, 0.52%

LAB 52.99, 35.09, 33.31

 

CMYK 0 / 63 / 63 / 24

HEX #C24747

RGB 194 71 71

HSL 0, 0.5%, 0.52%

LAB 47.53, 49.21, 26.55

 

CMYK 0 / 48 / 63 / 24

HEX #C26447

RGB 194 100 71

HSL 14.15, 0.5%, 0.52%

LAB 52.99, 35.09, 33.31

 

CMYK 0 / 31 / 63 / 24

HEX #C28547

RGB 194 133 71

HSL 30.24, 0.5%, 0.52%

LAB 60.52, 17.2, 42.21

 

CMYK 0 / 14 / 63 / 24

HEX #C2A747

RGB 194 167 71

HSL 46.83, 0.5%, 0.52%

LAB 69.16, -1.3, 51.91

 

CMYK 3 / 0 / 63 / 24

HEX #BCC247

RGB 188 194 71

HSL 62.93, 0.5%, 0.52%

LAB 75.9, -17.83, 59

 

CMYK 20 / 0 / 63 / 24

HEX #9BC247

RGB 155 194 71

HSL 79.02, 0.5%, 0.52%

LAB 73.55, -31.24, 55.78

 

CMYK 0 / 48 / 63 / 24

HEX #C26447

RGB 194 100 71

HSL 14.15, 0.5%, 0.52%

LAB 52.99, 35.09, 33.31

 

CMYK 0 / 58 / 76 / 16

HEX #D65A34

RGB 214 90 52

HSL 14.07, 0.66%, 0.52%

LAB 53.87, 46.68, 45.31

 

CMYK 0 / 66 / 86 / 9

HEX #E95020

RGB 233 80 32

HSL 14.33, 0.82%, 0.52%

LAB 55.24, 57.13, 56.89

 

CMYK 0 / 73 / 95 / 1

HEX #FD450C

RGB 253 69 12

HSL 14.19, 0.98%, 0.52%

LAB 57.24, 67.28, 66.17

 

CMYK 0 / 48 / 63 / 24

HEX #C26447

RGB 194 100 71

HSL 14.15, 0.5%, 0.52%

LAB 52.99, 35.09, 33.31

 

CMYK 0 / 36 / 48 / 32

HEX #AE6F5B

RGB 174 111 91

HSL 14.46, 0.34%, 0.52%

LAB 53.08, 22.71, 21.51

 

CMYK 0 / 21 / 28 / 40

HEX #9A796F

RGB 154 121 111

HSL 13.95, 0.18%, 0.52%

LAB 53.7, 11.3, 10.38

 

CMYK 0 / 1 / 2 / 47

HEX #868483

RGB 134 132 131

HSL 20, 0.01%, 0.52%

LAB 55.29, 0.55, 0.8

 

CMYK 24 / 6 / 0 / 41

HEX #738E97

RGB 115 142 151

HSL 195, 0.15%, 0.52%

LAB 57.29, -7.4, -7.93

 

CMYK 0 / 63 / 44 / 24

HEX #C2476C

RGB 194 71 108

HSL 341.95, 0.5%, 0.52%

LAB 48.33, 52.23, 5.28

 

CMYK 0 / 63 / 61 / 24

HEX #C2474B

RGB 194 71 75

HSL 358.05, 0.5%, 0.52%

LAB 47.6, 49.47, 24.25

 

CMYK 0 / 48 / 63 / 24

HEX #C26447

RGB 194 100 71

HSL 14.15, 0.5%, 0.52%

LAB 52.99, 35.09, 33.31

 

CMYK 0 / 31 / 63 / 24

HEX #C28547

RGB 194 133 71

HSL 30.24, 0.5%, 0.52%

LAB 60.52, 17.2, 42.21

 

CMYK 0 / 15 / 63 / 24

HEX #C2A547

RGB 194 165 71

HSL 45.85, 0.5%, 0.52%

LAB 68.63, -0.23, 51.34

 

CMYK 0 / 51 / 66 / 46

HEX #89432E

RGB 137 67 46

HSL 13.85, 0.5%, 0.36%

LAB 36.99, 28.02, 26.29

 

CMYK 0 / 51 / 67 / 34

HEX #A85338

RGB 168 83 56

HSL 14.46, 0.5%, 0.44%

LAB 45.35, 32.71, 31.65

 

CMYK 0 / 48 / 63 / 24

HEX #C26447

RGB 194 100 71

HSL 14.15, 0.5%, 0.52%

LAB 52.99, 35.09, 33.31

 

CMYK 0 / 38 / 50 / 20

HEX #CC7F66

RGB 204 127 102

HSL 14.71, 0.5%, 0.6%

LAB 60.76, 27.14, 26.1

 

CMYK 0 / 29 / 38 / 16

HEX #D69985

RGB 214 153 133

HSL 14.81, 0.5%, 0.68%

LAB 68.59, 20.3, 19.59

 

CMYK 0 / 48 / 63 / 24

HEX #C16447

RGB 193 100 71

HSL 14.26, 0.5%, 0.52%

LAB 52.85, 34.69, 33.1

 

CMYK 27 / 0 / 63 / 24

HEX #8DC247

RGB 141 194 71

HSL 85.85, 0.5%, 0.52%

LAB 72.69, -36.61, 54.61

 

CMYK 63 / 53 / 0 / 24

HEX #475CC2

RGB 71 92 194

HSL 229.76, 0.5%, 0.52%

LAB 42.6, 24.45, -55.98

 

CMYK 0 / 48 / 63 / 24

HEX #C16447

RGB 193 100 71

HSL 14.26, 0.5%, 0.52%

LAB 52.85, 34.69, 33.1

 

CMYK 63 / 0 / 48 / 24

HEX #47C264

RGB 71 194 100

HSL 134.15, 0.5%, 0.52%

LAB 70.07, -54.11, 37.29

 

CMYK 48 / 63 / 0 / 24

HEX #6447C2

RGB 100 71 194

HSL 254.15, 0.5%, 0.52%

LAB 39.77, 42.69, -60.46

 

CMYK 0 / 48 / 63 / 24

HEX #C16447

RGB 193 100 71

HSL 14.26, 0.5%, 0.52%

LAB 52.85, 34.69, 33.1

 

CMYK 27 / 0 / 63 / 24

HEX #8DC247

RGB 141 194 71

HSL 85.85, 0.5%, 0.52%

LAB 72.69, -36.61, 54.61

 

CMYK 63 / 15 / 0 / 24

HEX #47A5C2

RGB 71 165 194

HSL 194.15, 0.5%, 0.52%

LAB 63.46, -18.81, -23.13

 

CMYK 36 / 63 / 0 / 24

HEX #7C47C2

RGB 124 71 194

HSL 265.85, 0.5%, 0.52%

LAB 42.29, 47.65, -56.25

 

CMYK 0 / 48 / 63 / 24

HEX #C16447

RGB 193 100 71

HSL 14.26, 0.5%, 0.52%

LAB 52.85, 34.69, 33.1

 

CMYK 46 / 0 / 63 / 24

HEX #68C247

RGB 104 194 71

HSL 103.9, 0.5%, 0.52%

LAB 70.86, -49.24, 52.07

 

CMYK 63 / 15 / 0 / 24

HEX #47A5C2

RGB 71 165 194

HSL 194.15, 0.5%, 0.52%

LAB 63.46, -18.81, -23.13

 

CMYK 17 / 63 / 0 / 24

HEX #A147C2

RGB 161 71 194

HSL 283.9, 0.5%, 0.52%

LAB 46.95, 56.1, -48.52

 

Description

Color code: HEX #C16447 | qconv.com Color code: HEX #C16447 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 100 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 100 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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