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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16396 it is the complementary color #3E9C69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16396 shade: #C66391, #D775A4, #E887B7, #F999CA and #FFABDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16396 shade: #C16396, #B05183, #9F3F70, #8E2D5D and #7D1B4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16396 shade: #C06295, #C0627C and #C06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16396 shade: #C06295, #C062AF, #B962C0, #9F62C0 and #8662C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16396 shade matches the following richer shades: #C06295, #D25097, #E43F98 and #F62D9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16396 shade: #C06295, #AF7494, #9D8692, #8B9791 and #7AA98F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16396 shade: #B962C0, #C062AF, #C06296, #C0627D and #C06264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16396 shade: #953B6C, #B24781, #C06295, #CC80A9 and #D89DBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16396 shade: #C16396, #C09F62 and #62BCC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16396 shade: #C16396, #96C062 and #6296C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16396 shade: #C16396, #C09F62, #62C08D and #6283C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16396 shade: #C16396, #C0BC62, #62C08D and #6267C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 22 / 24

HEX #C16396

RGB 193 99 150

HSL 327.45, 0.43%, 0.57%

LAB 54.52, 43.74, -10.71

 

Complementary color

CMYK 60 / 0 / 33 / 39

HEX #3E9C69

RGB 62 156 105

HSL 147.45, 0.43%, 0.43%

LAB 57.87, -39.89, 18.65

 

CMYK 0 / 50 / 27 / 22

HEX #C66391

RGB 198 99 145

HSL 332.12, 0.46%, 0.58%

LAB 55.05, 44.7, -6.91

 

CMYK 0 / 46 / 24 / 16

HEX #D775A4

RGB 215 117 164

HSL 331.22, 0.55%, 0.65%

LAB 61.52, 43.9, -8.03

 

CMYK 0 / 42 / 21 / 9

HEX #E887B7

RGB 232 135 183

HSL 330.31, 0.68%, 0.72%

LAB 67.95, 43.09, -9

 

CMYK 0 / 39 / 19 / 2

HEX #F999CA

RGB 249 153 202

HSL 329.38, 0.89%, 0.79%

LAB 74.31, 42.31, -9.85

 

CMYK 0 / 33 / 13 / 0

HEX #FFABDD

RGB 255 171 221

HSL 324.29, 1%, 0.84%

LAB 79.39, 37.9, -12.57

 

CMYK 0 / 49 / 22 / 24

HEX #C16396

RGB 193 99 150

HSL 327.45, 0.43%, 0.57%

LAB 54.52, 43.74, -10.71

 

CMYK 0 / 54 / 26 / 31

HEX #B05183

RGB 176 81 131

HSL 328.42, 0.38%, 0.5%

LAB 47.95, 44.48, -9.53

 

CMYK 0 / 60 / 30 / 38

HEX #9F3F70

RGB 159 63 112

HSL 329.38, 0.43%, 0.44%

LAB 41.37, 45.08, -8.07

 

CMYK 0 / 68 / 35 / 44

HEX #8E2D5D

RGB 142 45 93

HSL 330.31, 0.52%, 0.37%

LAB 34.84, 45.36, -6.17

 

CMYK 0 / 78 / 41 / 51

HEX #7D1B4A

RGB 125 27 74

HSL 331.22, 0.64%, 0.3%

LAB 28.48, 44.99, -3.56

 

CMYK 0 / 49 / 22 / 25

HEX #C06295

RGB 192 98 149

HSL 327.45, 0.43%, 0.57%

LAB 54.15, 43.78, -10.69

 

CMYK 0 / 49 / 35 / 25

HEX #C0627C

RGB 192 98 124

HSL 343.4, 0.43%, 0.57%

LAB 53.38, 40.4, 2.92

 

CMYK 0 / 49 / 49 / 25

HEX #C06262

RGB 192 98 98

HSL 0, 0.43%, 0.57%

LAB 52.76, 37.56, 17.4

 

CMYK 0 / 49 / 22 / 25

HEX #C06295

RGB 192 98 149

HSL 327.45, 0.43%, 0.57%

LAB 54.15, 43.78, -10.69

 

CMYK 0 / 49 / 9 / 25

HEX #C062AF

RGB 192 98 175

HSL 310.85, 0.43%, 0.57%

LAB 55.11, 47.88, -24.38

 

CMYK 4 / 49 / 0 / 25

HEX #B962C0

RGB 185 98 192

HSL 295.53, 0.43%, 0.57%

LAB 54.92, 48.85, -34.54

 

CMYK 17 / 49 / 0 / 25

HEX #9F62C0

RGB 159 98 192

HSL 278.94, 0.43%, 0.57%

LAB 51.74, 41.43, -39.77

 

CMYK 30 / 49 / 0 / 25

HEX #8662C0

RGB 134 98 192

HSL 262.98, 0.43%, 0.57%

LAB 49.02, 34.51, -44.25

 

CMYK 0 / 49 / 22 / 25

HEX #C06295

RGB 192 98 149

HSL 327.45, 0.43%, 0.57%

LAB 54.15, 43.78, -10.69

 

CMYK 0 / 62 / 28 / 18

HEX #D25097

RGB 210 80 151

HSL 327.23, 0.59%, 0.57%

LAB 53.68, 58.16, -12.3

 

CMYK 0 / 72 / 33 / 11

HEX #E43F98

RGB 228 63 152

HSL 327.64, 0.75%, 0.57%

LAB 54.36, 69.66, -11.57

 

CMYK 0 / 82 / 37 / 4

HEX #F62D9A

RGB 246 45 154

HSL 327.46, 0.92%, 0.57%

LAB 55.89, 79.18, -10.13

 

CMYK 0 / 49 / 22 / 25

HEX #C06295

RGB 192 98 149

HSL 327.45, 0.43%, 0.57%

LAB 54.15, 43.78, -10.69

 

CMYK 0 / 34 / 15 / 31

HEX #AF7494

RGB 175 116 148

HSL 327.46, 0.27%, 0.57%

LAB 55.83, 28.04, -7.81

 

CMYK 0 / 15 / 7 / 38

HEX #9D8692

RGB 157 134 146

HSL 328.7, 0.11%, 0.57%

LAB 58.31, 10.85, -3.18

HEX #9D8692

CMYK 8 / 0 / 4 / 41

HEX #8B9791

RGB 139 151 145

HSL 150, 0.05%, 0.57%

LAB 61.37, -5.5, 1.67

HEX #8B9791

CMYK 28 / 0 / 15 / 34

HEX #7AA98F

RGB 122 169 143

HSL 146.81, 0.21%, 0.57%

LAB 65.35, -21.29, 8.39

HEX #7AA98F

CMYK 4 / 49 / 0 / 25

HEX #B962C0

RGB 185 98 192

HSL 295.53, 0.43%, 0.57%

LAB 54.92, 48.85, -34.54

 

CMYK 0 / 49 / 9 / 25

HEX #C062AF

RGB 192 98 175

HSL 310.85, 0.43%, 0.57%

LAB 55.11, 47.88, -24.38

 

CMYK 0 / 49 / 22 / 25

HEX #C06296

RGB 192 98 150

HSL 326.81, 0.43%, 0.57%

LAB 54.18, 43.92, -11.22

 

CMYK 0 / 49 / 35 / 25

HEX #C0627D

RGB 192 98 125

HSL 342.77, 0.43%, 0.57%

LAB 53.41, 40.53, 2.37

 

CMYK 0 / 49 / 48 / 25

HEX #C06264

RGB 192 98 100

HSL 358.72, 0.43%, 0.57%

LAB 52.8, 37.75, 16.28

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 60 / 28 / 30

HEX #B24781

RGB 178 71 129

HSL 327.48, 0.43%, 0.49%

LAB 46.39, 49.63, -10.64

 

CMYK 0 / 49 / 22 / 25

HEX #C06295

RGB 192 98 149

HSL 327.45, 0.43%, 0.57%

LAB 54.15, 43.78, -10.69

 

CMYK 0 / 37 / 17 / 20

HEX #CC80A9

RGB 204 128 169

HSL 327.63, 0.43%, 0.65%

LAB 62.63, 35.11, -9.39

 

CMYK 0 / 27 / 13 / 15

HEX #D89DBD

RGB 216 157 189

HSL 327.46, 0.43%, 0.73%

LAB 71.14, 26.85, -7.79

 

CMYK 0 / 49 / 22 / 24

HEX #C16396

RGB 193 99 150

HSL 327.45, 0.43%, 0.57%

LAB 54.52, 43.74, -10.71

 

CMYK 0 / 17 / 49 / 25

HEX #C09F62

RGB 192 159 98

HSL 38.94, 0.43%, 0.57%

LAB 67.19, 4.32, 36.25

 

CMYK 49 / 2 / 0 / 25

HEX #62BCC0

RGB 98 188 192

HSL 182.55, 0.43%, 0.57%

LAB 71.12, -25.77, -10.34

 

CMYK 0 / 49 / 22 / 24

HEX #C16396

RGB 193 99 150

HSL 327.45, 0.43%, 0.57%

LAB 54.52, 43.74, -10.71

 

CMYK 22 / 0 / 49 / 25

HEX #96C062

RGB 150 192 98

HSL 86.81, 0.43%, 0.57%

LAB 72.93, -29.69, 42.6

 

CMYK 49 / 22 / 0 / 25

HEX #6296C0

RGB 98 150 192

HSL 206.81, 0.43%, 0.57%

LAB 60.08, -5.64, -27.11

 

CMYK 0 / 49 / 22 / 24

HEX #C16396

RGB 193 99 150

HSL 327.45, 0.43%, 0.57%

LAB 54.52, 43.74, -10.71

 

CMYK 0 / 17 / 49 / 25

HEX #C09F62

RGB 192 159 98

HSL 38.94, 0.43%, 0.57%

LAB 67.19, 4.32, 36.25

 

CMYK 49 / 0 / 27 / 25

HEX #62C08D

RGB 98 192 141

HSL 147.45, 0.43%, 0.57%

LAB 71.02, -39.67, 17.29

 

CMYK 49 / 32 / 0 / 25

HEX #6283C0

RGB 98 131 192

HSL 218.94, 0.43%, 0.57%

LAB 54.69, 5.35, -35.48

 

CMYK 0 / 49 / 22 / 24

HEX #C16396

RGB 193 99 150

HSL 327.45, 0.43%, 0.57%

LAB 54.52, 43.74, -10.71

 

CMYK 0 / 2 / 49 / 25

HEX #C0BC62

RGB 192 188 98

HSL 57.45, 0.43%, 0.57%

LAB 74.86, -11.02, 45.64

 

CMYK 49 / 0 / 27 / 25

HEX #62C08D

RGB 98 192 141

HSL 147.45, 0.43%, 0.57%

LAB 71.02, -39.67, 17.29

 

CMYK 49 / 46 / 0 / 25

HEX #6267C0

RGB 98 103 192

HSL 236.81, 0.43%, 0.57%

LAB 47.11, 22.38, -47.48

 

Description

Color code: HEX #C16396 | qconv.com Color code: HEX #C16396 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 99 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 99 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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