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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C15FD7 it is the complementary color #3EA028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C15FD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C15FD7 shade: #C65FD2, #D771E5, #E883F8, #F995FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C15FD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C15FD7 shade: #C15FD7, #B04DC4, #9F3BB1, #8E299E and #7D178B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C15FD7 shade: #C15FD7, #D75FCC, #D75FAC, #D75F8C and #D75F6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C15FD7 shade: #C15FD7, #A15FD7, #805FD7, #605FD7 and #5F5FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C15FD7 shade matches the following richer shades: #C15FD7, #CB4FE7 and #D53FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C15FD7 shade: #C15FD7, #B76FC7, #AC80B7, #A290A6 and #98A096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C15FD7 shade: #815FD7, #A15FD7, #C15FD7, #D75FCD and #D75FAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C15FD7 shade: #9D2DB6, #B43ECE, #C15FD7, #CE80DF and #DAA1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C15FD7 shade: #C15FD7, #D7615F and #5FD791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C15FD7 shade: #C15FD7, #D7C15F and #5FD7C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C15FD7 shade: #C15FD7, #D7615F, #75D75F and #5FD5D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C15FD7 shade: #C15FD7, #D7855F, #75D75F and #5FB1D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

Complementary color

CMYK 61 / 0 / 75 / 37

HEX #3EA028

RGB 62 160 40

HSL 109, 0.6%, 0.39%

LAB 58.34, -50.58, 50.81

 

CMYK 6 / 55 / 0 / 18

HEX #C65FD2

RGB 198 95 210

HSL 293.74, 0.56%, 0.6%

LAB 56.92, 57.27, -41.55

 

CMYK 6 / 51 / 0 / 10

HEX #D771E5

RGB 215 113 229

HSL 292.76, 0.69%, 0.67%

LAB 63.27, 56.68, -42.09

 

CMYK 6 / 47 / 0 / 3

HEX #E883F8

RGB 232 131 248

HSL 291.79, 0.89%, 0.74%

LAB 69.59, 56.01, -42.52

 

CMYK 2 / 42 / 0 / 0

HEX #F995FF

RGB 249 149 255

HSL 296.6, 1%, 0.79%

LAB 75.36, 53.1, -37.19

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 10 / 61 / 0 / 23

HEX #B04DC4

RGB 176 77 196

HSL 289.92, 0.5%, 0.54%

LAB 50.12, 57.38, -44.49

 

CMYK 10 / 67 / 0 / 31

HEX #9F3BB1

RGB 159 59 177

HSL 290.85, 0.5%, 0.46%

LAB 43.76, 57.55, -43.68

 

CMYK 10 / 74 / 0 / 38

HEX #8E299E

RGB 142 41 158

HSL 291.79, 0.59%, 0.39%

LAB 37.49, 57.2, -42.5

 

CMYK 10 / 83 / 0 / 45

HEX #7D178B

RGB 125 23 139

HSL 292.76, 0.72%, 0.32%

LAB 31.43, 55.94, -40.75

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 0 / 56 / 5 / 16

HEX #D75FCC

RGB 215 95 204

HSL 305.5, 0.6%, 0.61%

LAB 58.97, 60.75, -34.78

 

CMYK 0 / 56 / 20 / 16

HEX #D75FAC

RGB 215 95 172

HSL 321.5, 0.6%, 0.61%

LAB 57.67, 55.8, -18.45

 

CMYK 0 / 56 / 35 / 16

HEX #D75F8C

RGB 215 95 140

HSL 337.5, 0.6%, 0.61%

LAB 56.61, 51.62, -1.39

 

CMYK 0 / 56 / 50 / 16

HEX #D75F6C

RGB 215 95 108

HSL 353.5, 0.6%, 0.61%

LAB 55.8, 48.29, 16.25

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 25 / 56 / 0 / 16

HEX #A15FD7

RGB 161 95 215

HSL 273, 0.6%, 0.61%

LAB 52.58, 48.76, -51.56

 

CMYK 40 / 56 / 0 / 16

HEX #805FD7

RGB 128 95 215

HSL 256.5, 0.6%, 0.61%

LAB 49.11, 40.84, -57.33

 

CMYK 55 / 56 / 0 / 16

HEX #605FD7

RGB 96 95 215

HSL 240.5, 0.6%, 0.61%

LAB 46.42, 34.11, -61.8

 

CMYK 56 / 56 / 0 / 16

HEX #5F5FD7

RGB 95 95 215

HSL 240, 0.6%, 0.61%

LAB 46.34, 33.92, -61.92

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 12 / 66 / 0 / 9

HEX #CB4FE7

RGB 203 79 231

HSL 288.95, 0.76%, 0.61%

LAB 56.15, 69.41, -54.59

 

CMYK 14 / 74 / 0 / 3

HEX #D53FF7

RGB 213 63 247

HSL 288.91, 0.92%, 0.61%

LAB 56.5, 80.07, -62.89

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 8 / 44 / 0 / 22

HEX #B76FC7

RGB 183 111 199

HSL 289.09, 0.44%, 0.61%

LAB 57.62, 42.84, -34.35

 

CMYK 6 / 30 / 0 / 28

HEX #AC80B7

RGB 172 128 183

HSL 288, 0.28%, 0.61%

LAB 59.55, 26.76, -22.35

 

CMYK 2 / 13 / 0 / 35

HEX #A290A6

RGB 162 144 166

HSL 289.09, 0.11%, 0.61%

LAB 61.98, 10.82, -9.11

 

CMYK 5 / 0 / 6 / 37

HEX #98A096

RGB 152 160 150

HSL 108, 0.05%, 0.61%

LAB 64.98, -4.78, 4.22

 

CMYK 40 / 56 / 0 / 16

HEX #815FD7

RGB 129 95 215

HSL 257, 0.6%, 0.61%

LAB 49.2, 41.07, -57.17

 

CMYK 25 / 56 / 0 / 16

HEX #A15FD7

RGB 161 95 215

HSL 273, 0.6%, 0.61%

LAB 52.58, 48.76, -51.56

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 0 / 56 / 5 / 16

HEX #D75FCD

RGB 215 95 205

HSL 305, 0.6%, 0.61%

LAB 59.01, 60.92, -35.28

 

CMYK 0 / 56 / 20 / 16

HEX #D75FAD

RGB 215 95 173

HSL 321, 0.6%, 0.61%

LAB 57.7, 55.95, -18.97

 

CMYK 14 / 75 / 0 / 29

HEX #9D2DB6

RGB 157 45 182

HSL 289.05, 0.6%, 0.45%

LAB 41.88, 63.39, -49.65

 

CMYK 13 / 70 / 0 / 19

HEX #B43ECE

RGB 180 62 206

HSL 289.17, 0.6%, 0.53%

LAB 49.01, 66.46, -51.99

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 8 / 43 / 0 / 13

HEX #CE80DF

RGB 206 128 223

HSL 289.26, 0.6%, 0.69%

LAB 64.87, 45.37, -36.33

 

CMYK 6 / 30 / 0 / 9

HEX #DAA1E7

RGB 218 161 231

HSL 288.86, 0.59%, 0.77%

LAB 73.65, 32.94, -27.06

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 0 / 55 / 56 / 16

HEX #D7615F

RGB 215 97 95

HSL 1, 0.6%, 0.61%

LAB 55.91, 46.24, 23.97

 

CMYK 56 / 0 / 33 / 16

HEX #5FD791

RGB 95 215 145

HSL 145, 0.6%, 0.61%

LAB 77.92, -49.44, 24.62

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 0 / 10 / 56 / 16

HEX #D7C15F

RGB 215 193 95

HSL 49, 0.6%, 0.61%

LAB 78.12, -4.33, 51.41

 

CMYK 56 / 0 / 10 / 16

HEX #5FD7C1

RGB 95 215 193

HSL 169, 0.6%, 0.61%

LAB 78.97, -38.96, 0.69

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 0 / 55 / 56 / 16

HEX #D7615F

RGB 215 97 95

HSL 1, 0.6%, 0.61%

LAB 55.91, 46.24, 23.97

 

CMYK 46 / 0 / 56 / 16

HEX #75D75F

RGB 117 215 95

HSL 109, 0.6%, 0.61%

LAB 78, -51.27, 49.68

 

CMYK 56 / 1 / 0 / 16

HEX #5FD5D7

RGB 95 213 215

HSL 181, 0.6%, 0.61%

LAB 79, -32.37, -11.05

 

CMYK 10 / 56 / 0 / 16

HEX #C15FD7

RGB 193 95 215

HSL 289, 0.6%, 0.61%

LAB 56.51, 56.91, -45.07

 

CMYK 0 / 38 / 56 / 16

HEX #D7855F

RGB 215 133 95

HSL 19, 0.6%, 0.61%

LAB 63.38, 27.71, 33.61

 

CMYK 46 / 0 / 56 / 16

HEX #75D75F

RGB 117 215 95

HSL 109, 0.6%, 0.61%

LAB 78, -51.27, 49.68

 

CMYK 56 / 18 / 0 / 16

HEX #5FB1D7

RGB 95 177 215

HSL 199, 0.6%, 0.61%

LAB 68.59, -14.25, -26.8

 

Description

Color code: HEX #C15FD7 | qconv.com Color code: HEX #C15FD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 95 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 95 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 56 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 56% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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