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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C15D1B it is the complementary color #3EA2E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C15D1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C15D1B shade: #C65D16, #D76F29, #E8813C, #F9934F and #FFA562

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C15D1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C15D1B shade: #C15D1B, #B04B08, #9F3900, #8E2700 and #7D1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C15D1B shade: #C05D1B, #C0301B and #C01B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C15D1B shade: #C05D1B, #C0891B, #C0B61B, #9EC01B and #72C01B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C15D1B shade matches the following richer shades: #C05D1B and #D2590A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C15D1B shade: #C05D1B, #AE602D, #9C643F, #8B6851 and #796B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C15D1B shade: #C01B34, #C02F1B, #C05A1B, #C0861B and #C0B21B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C15D1B shade: #783A11, #9C4B16, #C05D1B, #E06F25 and #E58749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C15D1B shade: #C15D1B, #60C01B and #1B1EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C15D1B shade: #C15D1B, #1BC05A and #5A1BC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C15D1B shade: #C15D1B, #60C01B, #1B81C0 and #7B1BC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C15D1B shade: #C15D1B, #2FC01B, #1B81C0 and #AD1BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 86 / 24

HEX #C15D1B

RGB 193 93 27

HSL 23.86, 0.75%, 0.43%

LAB 50.97, 36.33, 52.64

 

Complementary color

CMYK 73 / 29 / 0 / 11

HEX #3EA2E4

RGB 62 162 228

HSL 203.86, 0.75%, 0.57%

LAB 63.73, -7.39, -41.6

 

CMYK 0 / 53 / 89 / 22

HEX #C65D16

RGB 198 93 22

HSL 24.2, 0.8%, 0.43%

LAB 51.72, 38.21, 55.31

 

CMYK 0 / 48 / 81 / 16

HEX #D76F29

RGB 215 111 41

HSL 24.14, 0.69%, 0.5%

LAB 58.01, 36.29, 54.52

 

CMYK 0 / 44 / 74 / 9

HEX #E8813C

RGB 232 129 60

HSL 24.07, 0.79%, 0.57%

LAB 64.31, 34.51, 53.09

 

CMYK 0 / 41 / 68 / 2

HEX #F9934F

RGB 249 147 79

HSL 24, 0.93%, 0.64%

LAB 70.57, 32.9, 51.45

 

CMYK 0 / 35 / 62 / 0

HEX #FFA562

RGB 255 165 98

HSL 25.61, 1%, 0.69%

LAB 75.48, 27.07, 47.92

 

CMYK 0 / 52 / 86 / 24

HEX #C15D1B

RGB 193 93 27

HSL 23.86, 0.75%, 0.43%

LAB 50.97, 36.33, 52.64

 

CMYK 0 / 57 / 95 / 31

HEX #B04B08

RGB 176 75 8

HSL 23.93, 0.91%, 0.36%

LAB 44.63, 38.34, 52.59

 

CMYK 0 / 64 / 100 / 38

HEX #9F3900

RGB 159 57 0

HSL 21.51, 1%, 0.31%

LAB 38.37, 40.34, 49.77

 

CMYK 0 / 73 / 100 / 44

HEX #8E2700

RGB 142 39 0

HSL 16.48, 1%, 0.28%

LAB 32.26, 41.97, 44.7

 

CMYK 0 / 83 / 100 / 51

HEX #7D1500

RGB 125 21 0

HSL 10.08, 1%, 0.25%

LAB 26.44, 42.64, 38.64

 

CMYK 0 / 52 / 86 / 25

HEX #C05D1B

RGB 192 93 27

HSL 24, 0.75%, 0.43%

LAB 50.82, 35.93, 52.45

 

CMYK 0 / 75 / 86 / 25

HEX #C0301B

RGB 192 48 27

HSL 7.64, 0.75%, 0.43%

LAB 43.36, 55.69, 46.18

 

CMYK 0 / 86 / 86 / 25

HEX #C01B1B

RGB 192 27 27

HSL 0, 0.75%, 0.43%

LAB 41.33, 61.42, 44.45

 

CMYK 0 / 52 / 86 / 25

HEX #C05D1B

RGB 192 93 27

HSL 24, 0.75%, 0.43%

LAB 50.82, 35.93, 52.45

 

CMYK 0 / 29 / 86 / 25

HEX #C0891B

RGB 192 137 27

HSL 40, 0.75%, 0.43%

LAB 60.94, 12.11, 60.84

 

CMYK 0 / 5 / 86 / 25

HEX #C0B61B

RGB 192 182 27

HSL 56.36, 0.75%, 0.43%

LAB 72.72, -11.94, 70.49

 

CMYK 18 / 0 / 86 / 25

HEX #9EC01B

RGB 158 192 27

HSL 72.36, 0.75%, 0.43%

LAB 72.92, -31.34, 69.6

 

CMYK 41 / 0 / 86 / 25

HEX #72C01B

RGB 114 192 27

HSL 88.36, 0.75%, 0.43%

LAB 70.42, -48, 66.48

 

CMYK 0 / 52 / 86 / 25

HEX #C05D1B

RGB 192 93 27

HSL 24, 0.75%, 0.43%

LAB 50.82, 35.93, 52.45

 

CMYK 0 / 58 / 95 / 18

HEX #D2590A

RGB 210 89 10

HSL 23.7, 0.91%, 0.43%

LAB 52.81, 44.63, 60.14

 

CMYK 0 / 52 / 86 / 25

HEX #C05D1B

RGB 192 93 27

HSL 24, 0.75%, 0.43%

LAB 50.82, 35.93, 52.45

 

CMYK 0 / 45 / 74 / 32

HEX #AE602D

RGB 174 96 45

HSL 23.72, 0.59%, 0.43%

LAB 48.95, 27.56, 41.8

 

CMYK 0 / 36 / 60 / 39

HEX #9C643F

RGB 156 100 63

HSL 23.87, 0.42%, 0.43%

LAB 47.68, 18.73, 30.11

 

CMYK 0 / 25 / 42 / 45

HEX #8B6851

RGB 139 104 81

HSL 23.79, 0.26%, 0.43%

LAB 46.95, 10.82, 18.4

 

CMYK 0 / 12 / 19 / 53

HEX #796B62

RGB 121 107 98

HSL 23.48, 0.11%, 0.43%

LAB 46.26, 3.91, 7.05

 

CMYK 0 / 86 / 73 / 25

HEX #C01B34

RGB 192 27 52

HSL 350.91, 0.75%, 0.43%

LAB 41.59, 62.2, 30.6

 

CMYK 0 / 76 / 86 / 25

HEX #C02F1B

RGB 192 47 27

HSL 7.27, 0.75%, 0.43%

LAB 43.24, 56.02, 46.08

 

CMYK 0 / 53 / 86 / 25

HEX #C05A1B

RGB 192 90 27

HSL 22.91, 0.75%, 0.43%

LAB 50.21, 37.47, 51.94

 

CMYK 0 / 30 / 86 / 25

HEX #C0861B

RGB 192 134 27

HSL 38.91, 0.75%, 0.43%

LAB 60.19, 13.76, 60.22

 

CMYK 0 / 7 / 86 / 25

HEX #C0B21B

RGB 192 178 27

HSL 54.91, 0.75%, 0.43%

LAB 71.64, -9.88, 69.61

 

CMYK 0 / 52 / 86 / 53

HEX #783A11

RGB 120 58 17

HSL 23.88, 0.75%, 0.27%

LAB 31.94, 24.25, 35.81

 

CMYK 0 / 52 / 86 / 39

HEX #9C4B16

RGB 156 75 22

HSL 23.73, 0.75%, 0.35%

LAB 41.47, 30.5, 44.25

 

CMYK 0 / 52 / 86 / 25

HEX #C05D1B

RGB 192 93 27

HSL 24, 0.75%, 0.43%

LAB 50.82, 35.93, 52.45

 

CMYK 0 / 50 / 83 / 12

HEX #E06F25

RGB 224 111 37

HSL 23.74, 0.75%, 0.51%

LAB 59.3, 39.73, 57.77

 

CMYK 0 / 41 / 68 / 10

HEX #E58749

RGB 229 135 73

HSL 23.85, 0.75%, 0.59%

LAB 65.33, 30.81, 47.84

 

CMYK 0 / 52 / 86 / 24

HEX #C15D1B

RGB 193 93 27

HSL 23.86, 0.75%, 0.43%

LAB 50.97, 36.33, 52.64

 

CMYK 50 / 0 / 86 / 25

HEX #60C01B

RGB 96 192 27

HSL 94.91, 0.75%, 0.43%

LAB 69.66, -53.75, 65.52

 

CMYK 86 / 84 / 0 / 25

HEX #1B1EC0

RGB 27 30 192

HSL 238.91, 0.75%, 0.43%

LAB 26.64, 55.58, -81.07

 

CMYK 0 / 52 / 86 / 24

HEX #C15D1B

RGB 193 93 27

HSL 23.86, 0.75%, 0.43%

LAB 50.97, 36.33, 52.64

 

CMYK 86 / 0 / 53 / 25

HEX #1BC05A

RGB 27 192 90

HSL 142.91, 0.75%, 0.43%

LAB 68.51, -61.3, 40.12

 

CMYK 53 / 86 / 0 / 25

HEX #5A1BC0

RGB 90 27 192

HSL 262.91, 0.75%, 0.43%

LAB 31.26, 61.11, -73.26

 

CMYK 0 / 52 / 86 / 24

HEX #C15D1B

RGB 193 93 27

HSL 23.86, 0.75%, 0.43%

LAB 50.97, 36.33, 52.64

 

CMYK 50 / 0 / 86 / 25

HEX #60C01B

RGB 96 192 27

HSL 94.91, 0.75%, 0.43%

LAB 69.66, -53.75, 65.52

 

CMYK 86 / 33 / 0 / 25

HEX #1B81C0

RGB 27 129 192

HSL 202.91, 0.75%, 0.43%

LAB 51.54, -4.97, -40.62

 

CMYK 36 / 86 / 0 / 25

HEX #7B1BC0

RGB 123 27 192

HSL 274.91, 0.75%, 0.43%

LAB 35.6, 65.13, -65.97

 

CMYK 0 / 52 / 86 / 24

HEX #C15D1B

RGB 193 93 27

HSL 23.86, 0.75%, 0.43%

LAB 50.97, 36.33, 52.64

 

CMYK 76 / 0 / 86 / 25

HEX #2FC01B

RGB 47 192 27

HSL 112.73, 0.75%, 0.43%

LAB 68.3, -64.89, 63.8

 

CMYK 86 / 33 / 0 / 25

HEX #1B81C0

RGB 27 129 192

HSL 202.91, 0.75%, 0.43%

LAB 51.54, -4.97, -40.62

 

CMYK 10 / 86 / 0 / 25

HEX #AD1BC0

RGB 173 27 192

HSL 293.09, 0.75%, 0.43%

LAB 43.47, 72.92, -52.83

 

Description

Color code: HEX #C15D1B | qconv.com Color code: HEX #C15D1B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 93 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 93 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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