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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1503E it is the complementary color #3EAFC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1503E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1503E shade: #C65039, #D7624C, #E8745F, #F98672 and #FF9885

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1503E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1503E shade: #C1503E, #B03E2B, #9F2C18, #8E1A05 and #7D0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1503E shade: #C1503E and #C13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1503E shade: #C1503E, #C1733E, #C1963E, #C1BA3E and #A4C13E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1503E shade matches the following richer shades: #C1503E, #D5412A, #EA3215 and #FE2301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1503E shade: #C1503E, #AC5F53, #976E68, #837D7C and #6E8C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1503E shade: #C13E72, #C13E50, #C1503E, #C1723E and #C1953E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1503E shade: #82362A, #A14334, #C1503E, #CB6D5E and #D5897D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1503E shade: #C1503E, #95C13E and #3E61C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1503E shade: #C1503E, #3EC150 and #503EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1503E shade: #C1503E, #95C13E, #3EAFC1 and #6A3EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1503E shade: #C1503E, #6EC13E, #3EAFC1 and #913EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

Complementary color

CMYK 68 / 9 / 0 / 24

HEX #3EAFC1

RGB 62 175 193

HSL 188.24, 0.51%, 0.5%

LAB 66.16, -25.7, -18.48

 

CMYK 0 / 60 / 71 / 22

HEX #C65039

RGB 198 80 57

HSL 9.79, 0.55%, 0.5%

LAB 49.54, 45.75, 37.17

 

CMYK 0 / 54 / 65 / 16

HEX #D7624C

RGB 215 98 76

HSL 9.5, 0.63%, 0.57%

LAB 55.79, 44.44, 34.65

 

CMYK 0 / 50 / 59 / 9

HEX #E8745F

RGB 232 116 95

HSL 9.2, 0.75%, 0.64%

LAB 62.06, 43.13, 32.42

 

CMYK 0 / 46 / 54 / 2

HEX #F98672

RGB 249 134 114

HSL 8.89, 0.92%, 0.71%

LAB 68.32, 41.87, 30.44

 

CMYK 0 / 40 / 48 / 0

HEX #FF9885

RGB 255 152 133

HSL 9.34, 1%, 0.76%

LAB 73.16, 36.6, 26.59

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 0 / 65 / 76 / 31

HEX #B03E2B

RGB 176 62 43

HSL 8.57, 0.61%, 0.43%

LAB 42.54, 45.4, 36.1

 

CMYK 0 / 72 / 85 / 38

HEX #9F2C18

RGB 159 44 24

HSL 8.89, 0.74%, 0.36%

LAB 36.44, 46.34, 39.11

 

CMYK 0 / 82 / 96 / 44

HEX #8E1A05

RGB 142 26 5

HSL 9.2, 0.93%, 0.29%

LAB 30.64, 46.63, 41.54

 

CMYK 0 / 94 / 100 / 51

HEX #7D0800

RGB 125 8 0

HSL 3.84, 1%, 0.25%

LAB 25.36, 45.7, 37.65

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 0 / 68 / 68 / 24

HEX #C13E3E

RGB 193 62 62

HSL 0, 0.51%, 0.5%

LAB 45.81, 52.14, 29.7

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 0 / 40 / 68 / 24

HEX #C1733E

RGB 193 115 62

HSL 24.27, 0.51%, 0.5%

LAB 56.03, 26.09, 41.66

 

CMYK 0 / 22 / 68 / 24

HEX #C1963E

RGB 193 150 62

HSL 40.31, 0.51%, 0.5%

LAB 64.56, 6.88, 51

 

CMYK 0 / 4 / 68 / 24

HEX #C1BA3E

RGB 193 186 62

HSL 56.79, 0.51%, 0.5%

LAB 74.06, -12.2, 60.85

 

CMYK 15 / 0 / 68 / 24

HEX #A4C13E

RGB 164 193 62

HSL 73.28, 0.51%, 0.5%

LAB 73.79, -27.8, 59.86

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 0 / 69 / 80 / 16

HEX #D5412A

RGB 213 65 42

HSL 8.07, 0.67%, 0.5%

LAB 49.61, 56.68, 46

 

CMYK 0 / 79 / 91 / 8

HEX #EA3215

RGB 234 50 21

HSL 8.17, 0.84%, 0.5%

LAB 51.64, 67.53, 58.44

 

CMYK 0 / 86 / 100 / 0

HEX #FE2301

RGB 254 35 1

HSL 8.06, 0.99%, 0.5%

LAB 54.32, 76.17, 67.25

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 0 / 45 / 52 / 33

HEX #AC5F53

RGB 172 95 83

HSL 8.09, 0.35%, 0.5%

LAB 48.98, 29.97, 20.67

 

CMYK 0 / 27 / 31 / 41

HEX #976E68

RGB 151 110 104

HSL 7.66, 0.18%, 0.5%

LAB 50.37, 15.41, 9.75

 

CMYK 0 / 5 / 5 / 49

HEX #837D7C

RGB 131 125 124

HSL 8.57, 0.03%, 0.5%

LAB 52.89, 2.08, 1.35

 

CMYK 24 / 3 / 0 / 43

HEX #6E8C91

RGB 110 140 145

HSL 188.57, 0.14%, 0.5%

LAB 56.2, -9.34, -6.14

 

CMYK 0 / 68 / 41 / 24

HEX #C13E72

RGB 193 62 114

HSL 336.18, 0.51%, 0.5%

LAB 46.97, 56.25, -0.37

 

CMYK 0 / 68 / 59 / 24

HEX #C13E50

RGB 193 62 80

HSL 351.76, 0.51%, 0.5%

LAB 46.13, 53.27, 19.26

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 0 / 41 / 68 / 24

HEX #C1723E

RGB 193 114 62

HSL 23.82, 0.51%, 0.5%

LAB 55.81, 26.63, 41.41

 

CMYK 0 / 23 / 68 / 24

HEX #C1953E

RGB 193 149 62

HSL 39.85, 0.51%, 0.5%

LAB 64.31, 7.42, 50.73

 

CMYK 0 / 58 / 68 / 49

HEX #82362A

RGB 130 54 42

HSL 8.18, 0.51%, 0.34%

LAB 33.03, 31.9, 23.65

 

CMYK 0 / 58 / 68 / 37

HEX #A14334

RGB 161 67 52

HSL 8.26, 0.51%, 0.42%

LAB 40.96, 37.98, 28.44

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 0 / 46 / 54 / 20

HEX #CB6D5E

RGB 203 109 94

HSL 8.26, 0.51%, 0.58%

LAB 56.53, 35.64, 25.04

 

CMYK 0 / 36 / 41 / 16

HEX #D5897D

RGB 213 137 125

HSL 8.18, 0.51%, 0.66%

LAB 64.58, 27.65, 18.52

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 23 / 0 / 68 / 24

HEX #95C13E

RGB 149 193 62

HSL 80.15, 0.51%, 0.5%

LAB 72.81, -33.77, 58.54

 

CMYK 68 / 50 / 0 / 24

HEX #3E61C1

RGB 62 97 193

HSL 223.97, 0.51%, 0.5%

LAB 43.39, 19.41, -54.13

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 68 / 0 / 59 / 24

HEX #3EC150

RGB 62 193 80

HSL 128.24, 0.51%, 0.5%

LAB 69.29, -58.29, 45.92

 

CMYK 59 / 68 / 0 / 24

HEX #503EC1

RGB 80 62 193

HSL 248.24, 0.51%, 0.5%

LAB 35.99, 44.04, -66.11

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 23 / 0 / 68 / 24

HEX #95C13E

RGB 149 193 62

HSL 80.15, 0.51%, 0.5%

LAB 72.81, -33.77, 58.54

 

CMYK 68 / 9 / 0 / 24

HEX #3EAFC1

RGB 62 175 193

HSL 188.24, 0.51%, 0.5%

LAB 66.16, -25.7, -18.48

 

CMYK 45 / 68 / 0 / 24

HEX #6A3EC1

RGB 106 62 193

HSL 260.15, 0.51%, 0.5%

LAB 38.48, 48.49, -61.94

 

CMYK 0 / 59 / 68 / 24

HEX #C1503E

RGB 193 80 62

HSL 8.24, 0.51%, 0.5%

LAB 48.79, 44.19, 33.28

 

CMYK 43 / 0 / 68 / 24

HEX #6EC13E

RGB 110 193 62

HSL 98.02, 0.51%, 0.5%

LAB 70.73, -47.75, 55.73

 

CMYK 68 / 9 / 0 / 24

HEX #3EAFC1

RGB 62 175 193

HSL 188.24, 0.51%, 0.5%

LAB 66.16, -25.7, -18.48

 

CMYK 25 / 68 / 0 / 24

HEX #913EC1

RGB 145 62 193

HSL 278.02, 0.51%, 0.5%

LAB 43.23, 56.37, -54.01

 

Description

Color code: HEX #C1503E | qconv.com Color code: HEX #C1503E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 80 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 80 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 68 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 68% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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