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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C14481 it is the complementary color #3EBB7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C14481. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C14481 shade: #C6447C, #D7568F, #E868A2, #F97AB5 and #FF8CC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C14481. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C14481 shade: #C14481, #B0326E, #9F205B, #8E0E48 and #7D0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C14481 shade: #C14481, #C1445F and #C14444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C14481 shade: #C14481, #C144A2, #BD44C1, #9B44C1 and #7A44C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C14481 shade matches the following richer shades: #C14481, #D52F80, #E91B80 and #FD077F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C14481 shade: #C14481, #AC5881, #986C82, #848082 and #709482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C14481 shade: #BC44C1, #C144A3, #C14482, #C14461 and #C14844

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C14481 shade: #852C58, #A4376C, #C14481, #CB6395 and #D581AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C14481 shade: #C14481, #C19B44 and #44B4C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C14481 shade: #C14481, #82C144 and #4482C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C14481 shade: #C14481, #C19B44, #44C182 and #4469C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C14481 shade: #C14481, #C1C144, #44C182 and #4444C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

Complementary color

CMYK 67 / 0 / 33 / 27

HEX #3EBB7E

RGB 62 187 126

HSL 150.72, 0.5%, 0.49%

LAB 68.07, -48.46, 21.12

 

CMYK 0 / 66 / 37 / 22

HEX #C6447C

RGB 198 68 124

HSL 334.15, 0.53%, 0.52%

LAB 49, 56.4, -3.37

 

CMYK 0 / 60 / 33 / 16

HEX #D7568F

RGB 215 86 143

HSL 333.49, 0.62%, 0.59%

LAB 55.16, 56.07, -5.29

 

CMYK 0 / 55 / 30 / 9

HEX #E868A2

RGB 232 104 162

HSL 332.81, 0.74%, 0.66%

LAB 61.36, 55.51, -6.87

 

CMYK 0 / 51 / 27 / 2

HEX #F97AB5

RGB 249 122 181

HSL 332.13, 0.91%, 0.73%

LAB 67.57, 54.83, -8.2

 

CMYK 0 / 45 / 22 / 0

HEX #FF8CC8

RGB 255 140 200

HSL 328.7, 1%, 0.77%

LAB 72.35, 50.56, -11.6

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 72 / 38 / 31

HEX #B0326E

RGB 176 50 110

HSL 331.43, 0.56%, 0.44%

LAB 42.21, 55.43, -5.26

 

CMYK 0 / 80 / 43 / 38

HEX #9F205B

RGB 159 32 91

HSL 332.13, 0.66%, 0.37%

LAB 36.29, 54.68, -2.38

 

CMYK 0 / 90 / 49 / 44

HEX #8E0E48

RGB 142 14 72

HSL 332.81, 0.82%, 0.31%

LAB 30.72, 52.77, 1.46

 

CMYK 0 / 100 / 58 / 51

HEX #7D0035

RGB 125 0 53

HSL 334.56, 1%, 0.25%

LAB 25.61, 49.37, 6.51

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 65 / 51 / 24

HEX #C1445F

RGB 193 68 95

HSL 347.04, 0.5%, 0.51%

LAB 47.36, 51.98, 11.8

 

CMYK 0 / 65 / 65 / 24

HEX #C14444

RGB 193 68 68

HSL 0, 0.5%, 0.51%

LAB 46.83, 49.98, 27.4

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 65 / 16 / 24

HEX #C144A2

RGB 193 68 162

HSL 314.88, 0.5%, 0.51%

LAB 49.59, 59.89, -25.28

 

CMYK 2 / 65 / 0 / 24

HEX #BD44C1

RGB 189 68 193

HSL 298.08, 0.5%, 0.51%

LAB 50.46, 63.83, -42.11

 

CMYK 20 / 65 / 0 / 24

HEX #9B44C1

RGB 155 68 193

HSL 281.76, 0.5%, 0.51%

LAB 45.57, 55.87, -50.19

 

CMYK 37 / 65 / 0 / 24

HEX #7A44C1

RGB 122 68 193

HSL 265.92, 0.5%, 0.51%

LAB 41.41, 48.54, -57.1

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 78 / 40 / 16

HEX #D52F80

RGB 213 47 128

HSL 330.72, 0.66%, 0.51%

LAB 49.18, 68.18, -5.24

 

CMYK 0 / 88 / 45 / 9

HEX #E91B80

RGB 233 27 128

HSL 330.58, 0.82%, 0.51%

LAB 51.46, 77.23, -1.44

 

CMYK 0 / 97 / 50 / 1

HEX #FD077F

RGB 253 7 127

HSL 330.73, 0.98%, 0.51%

LAB 54.62, 83.59, 4.24

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 49 / 25 / 33

HEX #AC5881

RGB 172 88 129

HSL 330.71, 0.34%, 0.51%

LAB 48.68, 39.27, -7.29

 

CMYK 0 / 29 / 14 / 40

HEX #986C82

RGB 152 108 130

HSL 330, 0.18%, 0.51%

LAB 50.7, 21.07, -5.15

 

CMYK 0 / 3 / 2 / 48

HEX #848082

RGB 132 128 130

HSL 330, 0.02%, 0.51%

LAB 53.98, 1.9, -0.55

 

CMYK 24 / 0 / 12 / 42

HEX #709482

RGB 112 148 130

HSL 150, 0.14%, 0.51%

LAB 58.26, -16.38, 5.47

 

CMYK 3 / 65 / 0 / 24

HEX #BC44C1

RGB 188 68 193

HSL 297.6, 0.5%, 0.51%

LAB 50.31, 63.59, -42.36

 

CMYK 0 / 65 / 16 / 24

HEX #C144A3

RGB 193 68 163

HSL 314.4, 0.5%, 0.51%

LAB 49.64, 60.03, -25.81

 

CMYK 0 / 65 / 33 / 24

HEX #C14482

RGB 193 68 130

HSL 330.24, 0.5%, 0.51%

LAB 48.36, 55.61, -8.03

 

CMYK 0 / 65 / 50 / 24

HEX #C14461

RGB 193 68 97

HSL 346.08, 0.5%, 0.51%

LAB 47.41, 52.15, 10.64

 

CMYK 0 / 63 / 65 / 24

HEX #C14844

RGB 193 72 68

HSL 1.92, 0.5%, 0.51%

LAB 47.48, 48.23, 28.22

 

CMYK 0 / 67 / 34 / 48

HEX #852C58

RGB 133 44 88

HSL 330.34, 0.5%, 0.35%

LAB 32.9, 42.36, -6.01

 

CMYK 0 / 66 / 34 / 36

HEX #A4376C

RGB 164 55 108

HSL 330.83, 0.5%, 0.43%

LAB 40.75, 49.7, -6.42

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 51 / 27 / 20

HEX #CB6395

RGB 203 99 149

HSL 331.15, 0.5%, 0.59%

LAB 55.88, 46.91, -7.94

 

CMYK 0 / 39 / 20 / 16

HEX #D581AA

RGB 213 129 170

HSL 330.71, 0.5%, 0.67%

LAB 63.96, 37.84, -7.86

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 20 / 65 / 24

HEX #C19B44

RGB 193 155 68

HSL 41.76, 0.5%, 0.51%

LAB 65.9, 4.52, 49.7

 

CMYK 65 / 7 / 0 / 24

HEX #44B4C1

RGB 68 180 193

HSL 186.24, 0.5%, 0.51%

LAB 67.82, -27.27, -15.96

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 33 / 0 / 65 / 24

HEX #82C144

RGB 130 193 68

HSL 90.24, 0.5%, 0.51%

LAB 71.76, -40.44, 54.68

 

CMYK 65 / 33 / 0 / 24

HEX #4482C1

RGB 68 130 193

HSL 210.24, 0.5%, 0.51%

LAB 53, -0.05, -38.82

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 20 / 65 / 24

HEX #C19B44

RGB 193 155 68

HSL 41.76, 0.5%, 0.51%

LAB 65.9, 4.52, 49.7

 

CMYK 65 / 0 / 33 / 24

HEX #44C182

RGB 68 193 130

HSL 149.76, 0.5%, 0.51%

LAB 70.16, -48.98, 21.85

 

CMYK 65 / 46 / 0 / 24

HEX #4469C1

RGB 68 105 193

HSL 222.24, 0.5%, 0.51%

LAB 45.88, 15.31, -50.12

 

CMYK 0 / 65 / 33 / 24

HEX #C14481

RGB 193 68 129

HSL 330.72, 0.5%, 0.51%

LAB 48.33, 55.49, -7.47

 

CMYK 0 / 0 / 65 / 24

HEX #C1C144

RGB 193 193 68

HSL 60, 0.5%, 0.51%

LAB 76, -15.41, 60.45

 

CMYK 65 / 0 / 33 / 24

HEX #44C182

RGB 68 193 130

HSL 149.76, 0.5%, 0.51%

LAB 70.16, -48.98, 21.85

 

CMYK 65 / 65 / 0 / 24

HEX #4444C1

RGB 68 68 193

HSL 240, 0.5%, 0.51%

LAB 36.39, 38.71, -65.49

 

Description

Color code: HEX #C14481 | qconv.com Color code: HEX #C14481 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 68 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 68 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 33 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 33% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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