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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C14399 it is the complementary color #3EBC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C14399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C14399 shade: #C64394, #D755A7, #E867BA, #F979CD and #FF8BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C14399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C14399 shade: #C14399, #B03186, #9F1F73, #8E0D60 and #7D004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C14399 shade: #C14499, #C14477, #C14455 and #C14444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C14399 shade: #C14499, #C144BB, #A544C1, #8344C1 and #6144C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C14399 shade matches the following richer shades: #C14499, #D52FA0, #E91BA8 and #FD07AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C14399 shade: #C14499, #AC5891, #986C8A, #848083 and #70947B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C14399 shade: #A544C1, #C144BA, #C14499, #C14478 and #C14456

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C14399 shade: #852C69, #A43781, #C14499, #CB63AA and #D581BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C14399 shade: #C14399, #C18444 and #44C1B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C14399 shade: #C14399, #99C144 and #4499C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C14399 shade: #C14399, #C18444, #44C16B and #4480C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C14399 shade: #C14399, #C1AA44, #44C16B and #445AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 21 / 24

HEX #C14399

RGB 193 67 153

HSL 319.05, 0.5%, 0.51%

LAB 49.07, 59, -20.75

 

Complementary color

CMYK 67 / 0 / 46 / 26

HEX #3EBC66

RGB 62 188 102

HSL 139.05, 0.5%, 0.49%

LAB 67.98, -53.3, 33.6

 

CMYK 0 / 66 / 25 / 22

HEX #C64394

RGB 198 67 148

HSL 322.9, 0.53%, 0.52%

LAB 49.69, 59.71, -16.75

 

CMYK 0 / 60 / 22 / 16

HEX #D755A7

RGB 215 85 167

HSL 322.15, 0.62%, 0.59%

LAB 55.82, 59.57, -18.36

 

CMYK 0 / 56 / 20 / 9

HEX #E867BA

RGB 232 103 186

HSL 321.4, 0.74%, 0.66%

LAB 62, 59.16, -19.66

 

CMYK 0 / 51 / 18 / 2

HEX #F979CD

RGB 249 121 205

HSL 320.63, 0.91%, 0.73%

LAB 68.18, 58.6, -20.75

 

CMYK 0 / 45 / 12 / 0

HEX #FF8BE0

RGB 255 139 224

HSL 316.03, 1%, 0.77%

LAB 72.96, 54.62, -23.92

 

CMYK 0 / 65 / 21 / 24

HEX #C14399

RGB 193 67 153

HSL 319.05, 0.5%, 0.51%

LAB 49.07, 59, -20.75

 

CMYK 0 / 72 / 24 / 31

HEX #B03186

RGB 176 49 134

HSL 319.84, 0.56%, 0.44%

LAB 42.99, 58.71, -18.89

 

CMYK 0 / 81 / 28 / 38

HEX #9F1F73

RGB 159 31 115

HSL 320.63, 0.67%, 0.37%

LAB 37.09, 57.65, -16.42

 

CMYK 0 / 91 / 32 / 44

HEX #8E0D60

RGB 142 13 96

HSL 321.4, 0.83%, 0.3%

LAB 31.54, 55.39, -13.09

 

CMYK 0 / 100 / 38 / 51

HEX #7D004D

RGB 125 0 77

HSL 323.04, 1%, 0.25%

LAB 26.44, 51.52, -8.64

 

CMYK 0 / 65 / 21 / 24

HEX #C14499

RGB 193 68 153

HSL 319.2, 0.5%, 0.51%

LAB 49.22, 58.6, -20.52

 

CMYK 0 / 65 / 38 / 24

HEX #C14477

RGB 193 68 119

HSL 335.52, 0.5%, 0.51%

LAB 48.01, 54.34, -1.89

 

CMYK 0 / 65 / 56 / 24

HEX #C14455

RGB 193 68 85

HSL 351.84, 0.5%, 0.51%

LAB 47.14, 51.16, 17.58

 

CMYK 0 / 65 / 65 / 24

HEX #C14444

RGB 193 68 68

HSL 0, 0.5%, 0.51%

LAB 46.83, 49.98, 27.4

 

CMYK 0 / 65 / 21 / 24

HEX #C14499

RGB 193 68 153

HSL 319.2, 0.5%, 0.51%

LAB 49.22, 58.6, -20.52

 

CMYK 0 / 65 / 3 / 24

HEX #C144BB

RGB 193 68 187

HSL 302.88, 0.5%, 0.51%

LAB 50.76, 63.78, -38.12

 

CMYK 15 / 65 / 0 / 24

HEX #A544C1

RGB 165 68 193

HSL 286.56, 0.5%, 0.51%

LAB 46.95, 58.18, -47.89

 

CMYK 32 / 65 / 0 / 24

HEX #8344C1

RGB 131 68 193

HSL 270.24, 0.5%, 0.51%

LAB 42.48, 50.48, -55.33

 

CMYK 50 / 65 / 0 / 24

HEX #6144C1

RGB 97 68 193

HSL 253.92, 0.5%, 0.51%

LAB 38.77, 43.53, -61.51

 

CMYK 0 / 65 / 21 / 24

HEX #C14499

RGB 193 68 153

HSL 319.2, 0.5%, 0.51%

LAB 49.22, 58.6, -20.52

 

CMYK 0 / 78 / 25 / 16

HEX #D52FA0

RGB 213 47 160

HSL 319.16, 0.66%, 0.51%

LAB 50.35, 71.69, -22.65

 

CMYK 0 / 88 / 28 / 9

HEX #E91BA8

RGB 233 27 168

HSL 318.93, 0.82%, 0.51%

LAB 52.88, 81.1, -23.19

 

CMYK 0 / 97 / 31 / 1

HEX #FD07AF

RGB 253 7 175

HSL 319.02, 0.98%, 0.51%

LAB 56.22, 87.78, -21.84

 

CMYK 0 / 65 / 21 / 24

HEX #C14499

RGB 193 68 153

HSL 319.2, 0.5%, 0.51%

LAB 49.22, 58.6, -20.52

 

CMYK 0 / 49 / 16 / 33

HEX #AC5891

RGB 172 88 145

HSL 319.29, 0.34%, 0.51%

LAB 49.25, 41.73, -16

 

CMYK 0 / 29 / 9 / 40

HEX #986C8A

RGB 152 108 138

HSL 319.09, 0.18%, 0.51%

LAB 50.96, 22.49, -9.5

 

CMYK 0 / 3 / 1 / 48

HEX #848083

RGB 132 128 131

HSL 315, 0.02%, 0.51%

LAB 54.01, 2.09, -1.09

 

CMYK 24 / 0 / 17 / 42

HEX #70947B

RGB 112 148 123

HSL 138.33, 0.14%, 0.51%

LAB 58.09, -17.81, 9.2

 

CMYK 15 / 65 / 0 / 24

HEX #A544C1

RGB 165 68 193

HSL 286.56, 0.5%, 0.51%

LAB 46.95, 58.18, -47.89

 

CMYK 0 / 65 / 4 / 24

HEX #C144BA

RGB 193 68 186

HSL 303.36, 0.5%, 0.51%

LAB 50.71, 63.62, -37.61

 

CMYK 0 / 65 / 21 / 24

HEX #C14499

RGB 193 68 153

HSL 319.2, 0.5%, 0.51%

LAB 49.22, 58.6, -20.52

 

CMYK 0 / 65 / 38 / 24

HEX #C14478

RGB 193 68 120

HSL 335.04, 0.5%, 0.51%

LAB 48.04, 54.45, -2.45

 

CMYK 0 / 65 / 55 / 24

HEX #C14456

RGB 193 68 86

HSL 351.36, 0.5%, 0.51%

LAB 47.16, 51.23, 17

 

CMYK 0 / 67 / 21 / 48

HEX #852C69

RGB 133 44 105

HSL 318.88, 0.5%, 0.35%

LAB 33.58, 44.72, -15.89

 

CMYK 0 / 66 / 21 / 36

HEX #A43781

RGB 164 55 129

HSL 319.27, 0.5%, 0.43%

LAB 41.55, 52.48, -18.21

 

CMYK 0 / 65 / 21 / 24

HEX #C14499

RGB 193 68 153

HSL 319.2, 0.5%, 0.51%

LAB 49.22, 58.6, -20.52

 

CMYK 0 / 51 / 16 / 20

HEX #CB63AA

RGB 203 99 170

HSL 319.04, 0.5%, 0.59%

LAB 56.61, 49.96, -19.06

 

CMYK 0 / 39 / 12 / 16

HEX #D581BB

RGB 213 129 187

HSL 318.57, 0.5%, 0.67%

LAB 64.51, 40.52, -16.65

 

CMYK 0 / 65 / 21 / 24

HEX #C14399

RGB 193 67 153

HSL 319.05, 0.5%, 0.51%

LAB 49.07, 59, -20.75

 

CMYK 0 / 32 / 65 / 24

HEX #C18444

RGB 193 132 68

HSL 30.72, 0.5%, 0.51%

LAB 60.12, 17.13, 43.25

 

CMYK 65 / 0 / 6 / 24

HEX #44C1B6

RGB 68 193 182

HSL 174.72, 0.5%, 0.51%

LAB 71.38, -36.6, -4.59

 

CMYK 0 / 65 / 21 / 24

HEX #C14399

RGB 193 67 153

HSL 319.05, 0.5%, 0.51%

LAB 49.07, 59, -20.75

 

CMYK 21 / 0 / 65 / 24

HEX #99C144

RGB 153 193 68

HSL 79.2, 0.5%, 0.51%

LAB 73.11, -31.78, 56.52

 

CMYK 65 / 21 / 0 / 24

HEX #4499C1

RGB 68 153 193

HSL 199.2, 0.5%, 0.51%

LAB 59.76, -13.19, -28.26

 

CMYK 0 / 65 / 21 / 24

HEX #C14399

RGB 193 67 153

HSL 319.05, 0.5%, 0.51%

LAB 49.07, 59, -20.75

 

CMYK 0 / 32 / 65 / 24

HEX #C18444

RGB 193 132 68

HSL 30.72, 0.5%, 0.51%

LAB 60.12, 17.13, 43.25

 

CMYK 65 / 0 / 45 / 24

HEX #44C16B

RGB 68 193 107

HSL 138.72, 0.5%, 0.51%

LAB 69.77, -53.22, 33.36

 

CMYK 65 / 34 / 0 / 24

HEX #4480C1

RGB 68 128 193

HSL 211.2, 0.5%, 0.51%

LAB 52.42, 1.14, -39.73

 

CMYK 0 / 65 / 21 / 24

HEX #C14399

RGB 193 67 153

HSL 319.05, 0.5%, 0.51%

LAB 49.07, 59, -20.75

 

CMYK 0 / 12 / 65 / 24

HEX #C1AA44

RGB 193 170 68

HSL 48.96, 0.5%, 0.51%

LAB 69.83, -3.52, 53.95

 

CMYK 65 / 0 / 45 / 24

HEX #44C16B

RGB 68 193 107

HSL 138.72, 0.5%, 0.51%

LAB 69.77, -53.22, 33.36

 

CMYK 65 / 53 / 0 / 24

HEX #445AC1

RGB 68 90 193

HSL 229.44, 0.5%, 0.51%

LAB 41.83, 24.87, -56.64

 

Description

Color code: HEX #C14399 | qconv.com Color code: HEX #C14399 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 67 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 67 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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