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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C14199 it is the complementary color #3EBE66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C14199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C14199 shade: #C64194, #D753A7, #E865BA, #F977CD and #FF89E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C14199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C14199 shade: #C14199, #B02F86, #9F1D73, #8E0B60 and #7D004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C14199 shade: #C2429A, #C24278, #C24255 and #C24242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C14199 shade: #C2429A, #C242BC, #A542C2, #8242C2 and #6042C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C14199 shade matches the following richer shades: #C2429A, #D62EA2, #EA1AA9 and #FE06B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C14199 shade: #C2429A, #AE5792, #996B8B, #857F83 and #71937C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C14199 shade: #A442C2, #C242BE, #C2429C, #C2427A and #C24258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C14199 shade: #862C6A, #A53682, #C2429A, #CC61AB and #D681BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C14199 shade: #C14199, #C28242 and #42C2B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C14199 shade: #C14199, #9CC242 and #429CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C14199 shade: #C14199, #C28242, #42C269 and #4282C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C14199 shade: #C14199, #C2A842, #42C269 and #425CC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 21 / 24

HEX #C14199

RGB 193 65 153

HSL 318.75, 0.51%, 0.51%

LAB 48.78, 59.8, -21.19

 

Complementary color

CMYK 67 / 0 / 46 / 25

HEX #3EBE66

RGB 62 190 102

HSL 138.75, 0.51%, 0.49%

LAB 68.61, -54.05, 34.4

 

CMYK 0 / 67 / 25 / 22

HEX #C64194

RGB 198 65 148

HSL 322.56, 0.54%, 0.52%

LAB 49.4, 60.49, -17.18

 

CMYK 0 / 61 / 22 / 16

HEX #D753A7

RGB 215 83 167

HSL 321.82, 0.62%, 0.58%

LAB 55.51, 60.43, -18.84

 

CMYK 0 / 56 / 20 / 9

HEX #E865BA

RGB 232 101 186

HSL 321.07, 0.74%, 0.65%

LAB 61.66, 60.07, -20.17

 

CMYK 0 / 52 / 18 / 2

HEX #F977CD

RGB 249 119 205

HSL 320.31, 0.92%, 0.72%

LAB 67.83, 59.53, -21.29

 

CMYK 0 / 46 / 12 / 0

HEX #FF89E0

RGB 255 137 224

HSL 315.76, 1%, 0.77%

LAB 72.58, 55.6, -24.5

 

CMYK 0 / 66 / 21 / 24

HEX #C14199

RGB 193 65 153

HSL 318.75, 0.51%, 0.51%

LAB 48.78, 59.8, -21.19

 

CMYK 0 / 73 / 24 / 31

HEX #B02F86

RGB 176 47 134

HSL 319.53, 0.58%, 0.44%

LAB 42.74, 59.4, -19.26

 

CMYK 0 / 82 / 28 / 38

HEX #9F1D73

RGB 159 29 115

HSL 320.31, 0.69%, 0.37%

LAB 36.91, 58.19, -16.71

 

CMYK 0 / 92 / 32 / 44

HEX #8E0B60

RGB 142 11 96

HSL 321.07, 0.86%, 0.3%

LAB 31.43, 55.71, -13.26

 

CMYK 0 / 100 / 38 / 51

HEX #7D004D

RGB 125 0 77

HSL 323.04, 1%, 0.25%

LAB 26.44, 51.52, -8.64

 

CMYK 0 / 66 / 21 / 24

HEX #C2429A

RGB 194 66 154

HSL 318.75, 0.51%, 0.51%

LAB 49.13, 59.81, -21.24

 

CMYK 0 / 66 / 38 / 24

HEX #C24278

RGB 194 66 120

HSL 334.69, 0.51%, 0.51%

LAB 47.91, 55.58, -2.63

 

CMYK 0 / 66 / 56 / 24

HEX #C24255

RGB 194 66 85

HSL 351.09, 0.51%, 0.51%

LAB 47, 52.33, 17.42

 

CMYK 0 / 66 / 66 / 24

HEX #C24242

RGB 194 66 66

HSL 0, 0.51%, 0.51%

LAB 46.66, 51.05, 28.41

 

CMYK 0 / 66 / 21 / 24

HEX #C2429A

RGB 194 66 154

HSL 318.75, 0.51%, 0.51%

LAB 49.13, 59.81, -21.24

 

CMYK 0 / 66 / 3 / 24

HEX #C242BC

RGB 194 66 188

HSL 302.81, 0.51%, 0.51%

LAB 50.68, 64.96, -38.8

 

CMYK 15 / 66 / 0 / 24

HEX #A542C2

RGB 165 66 194

HSL 286.41, 0.51%, 0.51%

LAB 46.7, 59.25, -48.88

 

CMYK 33 / 66 / 0 / 24

HEX #8242C2

RGB 130 66 194

HSL 270, 0.51%, 0.51%

LAB 42.06, 51.5, -56.59

 

CMYK 51 / 66 / 0 / 24

HEX #6042C2

RGB 96 66 194

HSL 254.06, 0.51%, 0.51%

LAB 38.34, 44.77, -62.8

 

CMYK 0 / 66 / 21 / 24

HEX #C2429A

RGB 194 66 154

HSL 318.75, 0.51%, 0.51%

LAB 49.13, 59.81, -21.24

 

CMYK 0 / 79 / 24 / 16

HEX #D62EA2

RGB 214 46 162

HSL 318.57, 0.67%, 0.51%

LAB 50.52, 72.44, -23.56

 

CMYK 0 / 89 / 28 / 8

HEX #EA1AA9

RGB 234 26 169

HSL 318.75, 0.83%, 0.51%

LAB 53.05, 81.56, -23.49

 

CMYK 0 / 98 / 30 / 0

HEX #FE06B1

RGB 254 6 177

HSL 318.63, 0.99%, 0.51%

LAB 56.46, 88.24, -22.62

 

CMYK 0 / 66 / 21 / 24

HEX #C2429A

RGB 194 66 154

HSL 318.75, 0.51%, 0.51%

LAB 49.13, 59.81, -21.24

 

CMYK 0 / 50 / 16 / 32

HEX #AE5792

RGB 174 87 146

HSL 319.31, 0.35%, 0.51%

LAB 49.36, 43.05, -16.39

 

CMYK 0 / 30 / 9 / 40

HEX #996B8B

RGB 153 107 139

HSL 318.26, 0.18%, 0.51%

LAB 50.86, 23.62, -10.22

 

CMYK 0 / 5 / 2 / 48

HEX #857F83

RGB 133 127 131

HSL 320, 0.02%, 0.51%

LAB 53.82, 3.04, -1.36

 

CMYK 23 / 0 / 16 / 42

HEX #71937C

RGB 113 147 124

HSL 139.41, 0.14%, 0.51%

LAB 57.88, -16.74, 8.34

 

CMYK 15 / 66 / 0 / 24

HEX #A442C2

RGB 164 66 194

HSL 285.94, 0.51%, 0.51%

LAB 46.56, 59.02, -49.12

 

CMYK 0 / 66 / 2 / 24

HEX #C242BE

RGB 194 66 190

HSL 301.88, 0.51%, 0.51%

LAB 50.78, 65.29, -39.8

 

CMYK 0 / 66 / 20 / 24

HEX #C2429C

RGB 194 66 156

HSL 317.81, 0.51%, 0.51%

LAB 49.21, 60.09, -22.3

 

CMYK 0 / 66 / 37 / 24

HEX #C2427A

RGB 194 66 122

HSL 333.75, 0.51%, 0.51%

LAB 47.97, 55.8, -3.75

 

CMYK 0 / 66 / 55 / 24

HEX #C24258

RGB 194 66 88

HSL 349.69, 0.51%, 0.51%

LAB 47.07, 52.56, 15.68

 

CMYK 0 / 67 / 21 / 47

HEX #862C6A

RGB 134 44 106

HSL 318.67, 0.51%, 0.35%

LAB 33.8, 45.17, -16.18

 

CMYK 0 / 67 / 21 / 35

HEX #A53682

RGB 165 54 130

HSL 318.92, 0.51%, 0.43%

LAB 41.61, 53.31, -18.71

 

CMYK 0 / 66 / 21 / 24

HEX #C2429A

RGB 194 66 154

HSL 318.75, 0.51%, 0.51%

LAB 49.13, 59.81, -21.24

 

CMYK 0 / 52 / 16 / 20

HEX #CC61AB

RGB 204 97 171

HSL 318.5, 0.51%, 0.59%

LAB 56.41, 51.39, -19.92

 

CMYK 0 / 40 / 13 / 16

HEX #D681BB

RGB 214 129 187

HSL 319.06, 0.51%, 0.67%

LAB 64.63, 40.85, -16.45

 

CMYK 0 / 66 / 21 / 24

HEX #C14199

RGB 193 65 153

HSL 318.75, 0.51%, 0.51%

LAB 48.78, 59.8, -21.19

 

CMYK 0 / 33 / 66 / 24

HEX #C28242

RGB 194 130 66

HSL 30, 0.51%, 0.51%

LAB 59.73, 18.53, 43.84

 

CMYK 66 / 0 / 7 / 24

HEX #42C2B5

RGB 66 194 181

HSL 173.91, 0.51%, 0.51%

LAB 71.61, -37.65, -3.72

 

CMYK 0 / 66 / 21 / 24

HEX #C14199

RGB 193 65 153

HSL 318.75, 0.51%, 0.51%

LAB 48.78, 59.8, -21.19

 

CMYK 20 / 0 / 66 / 24

HEX #9CC242

RGB 156 194 66

HSL 77.81, 0.51%, 0.51%

LAB 73.57, -31.21, 57.89

 

CMYK 66 / 20 / 0 / 24

HEX #429CC2

RGB 66 156 194

HSL 197.81, 0.51%, 0.51%

LAB 60.63, -14.84, -27.49

 

CMYK 0 / 66 / 21 / 24

HEX #C14199

RGB 193 65 153

HSL 318.75, 0.51%, 0.51%

LAB 48.78, 59.8, -21.19

 

CMYK 0 / 33 / 66 / 24

HEX #C28242

RGB 194 130 66

HSL 30, 0.51%, 0.51%

LAB 59.73, 18.53, 43.84

 

CMYK 66 / 0 / 46 / 24

HEX #42C269

RGB 66 194 105

HSL 138.28, 0.51%, 0.51%

LAB 70.01, -54.31, 34.67

 

CMYK 66 / 33 / 0 / 24

HEX #4282C2

RGB 66 130 194

HSL 210, 0.51%, 0.51%

LAB 52.97, -0.05, -39.44

 

CMYK 0 / 66 / 21 / 24

HEX #C14199

RGB 193 65 153

HSL 318.75, 0.51%, 0.51%

LAB 48.78, 59.8, -21.19

 

CMYK 0 / 13 / 66 / 24

HEX #C2A842

RGB 194 168 66

HSL 47.81, 0.51%, 0.51%

LAB 69.38, -2.15, 54.37

 

CMYK 66 / 0 / 46 / 24

HEX #42C269

RGB 66 194 105

HSL 138.28, 0.51%, 0.51%

LAB 70.01, -54.31, 34.67

 

CMYK 66 / 53 / 0 / 24

HEX #425CC2

RGB 66 92 194

HSL 227.81, 0.51%, 0.51%

LAB 42.32, 23.61, -56.44

 

Description

Color code: HEX #C14199 | qconv.com Color code: HEX #C14199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 65 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 65 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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