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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C131B7 it is the complementary color #3ECE48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C131B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C131B7 shade: #C631B2, #D743C5, #E855D8, #F967EB and #FF79FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C131B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C131B7 shade: #C131B7, #B01FA4, #9F0D91, #8E007E and #7D006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C131B7 shade: #C030B6, #C0308F, #C03068, #C03041 and #C03030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C131B7 shade: #C030B6, #A330C0, #7C30C0, #5530C0 and #3030C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C131B7 shade matches the following richer shades: #C030B6, #D31DC6 and #E709D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C131B7 shade: #C030B6, #AC43A5, #995794, #866A84 and #727E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C131B7 shade: #7D30C0, #A330C0, #C030B6, #C03090 and #C03069

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C131B7 shade: #7E1F77, #9F2896, #C030B6, #D148C8 and #D969D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C131B7 shade: #C131B7, #C05630 and #30C090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C131B7 shade: #C131B7, #B6C030 and #30B6C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C131B7 shade: #C131B7, #C05630, #30C03A and #3099C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C131B7 shade: #C131B7, #C08130, #30C03A and #306EC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 5 / 24

HEX #C131B7

RGB 193 49 183

HSL 304.17, 0.6%, 0.47%

LAB 48.2, 69.79, -39.82

 

Complementary color

CMYK 70 / 0 / 65 / 19

HEX #3ECE48

RGB 62 206 72

HSL 124.17, 0.6%, 0.53%

LAB 73.31, -63.62, 53.98

 

CMYK 0 / 75 / 10 / 22

HEX #C631B2

RGB 198 49 178

HSL 308.05, 0.6%, 0.48%

LAB 48.78, 70.13, -35.92

 

CMYK 0 / 69 / 8 / 16

HEX #D743C5

RGB 215 67 197

HSL 307.3, 0.65%, 0.55%

LAB 54.55, 70.96, -37.7

 

CMYK 0 / 63 / 7 / 9

HEX #E855D8

RGB 232 85 216

HSL 306.53, 0.76%, 0.62%

LAB 60.44, 71.24, -39.09

 

CMYK 0 / 59 / 6 / 2

HEX #F967EB

RGB 249 103 235

HSL 305.75, 0.92%, 0.69%

LAB 66.4, 71.15, -40.2

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FE

RGB 255 121 254

HSL 300.45, 1%, 0.74%

LAB 70.93, 67.98, -43.49

 

CMYK 0 / 75 / 5 / 24

HEX #C131B7

RGB 193 49 183

HSL 304.17, 0.6%, 0.47%

LAB 48.2, 69.79, -39.82

 

CMYK 0 / 82 / 7 / 31

HEX #B01FA4

RGB 176 31 164

HSL 304.97, 0.7%, 0.41%

LAB 42.6, 68.19, -37.63

 

CMYK 0 / 92 / 9 / 38

HEX #9F0D91

RGB 159 13 145

HSL 305.75, 0.85%, 0.34%

LAB 37.3, 65.4, -34.72

 

CMYK 0 / 100 / 11 / 44

HEX #8E007E

RGB 142 0 126

HSL 306.76, 1%, 0.28%

LAB 32.39, 61.17, -30.93

 

CMYK 0 / 100 / 14 / 51

HEX #7D006B

RGB 125 0 107

HSL 308.64, 1%, 0.25%

LAB 27.9, 55.24, -26.13

 

CMYK 0 / 75 / 5 / 25

HEX #C030B6

RGB 192 48 182

HSL 304.17, 0.6%, 0.47%

LAB 47.88, 69.72, -39.76

 

CMYK 0 / 75 / 26 / 25

HEX #C0308F

RGB 192 48 143

HSL 320.42, 0.6%, 0.47%

LAB 46.05, 64.27, -19.41

 

CMYK 0 / 75 / 46 / 25

HEX #C03068

RGB 192 48 104

HSL 336.67, 0.6%, 0.47%

LAB 44.69, 60.02, 2.44

 

CMYK 0 / 75 / 66 / 25

HEX #C03041

RGB 192 48 65

HSL 352.92, 0.6%, 0.47%

LAB 43.8, 57.16, 25.37

 

CMYK 0 / 75 / 75 / 25

HEX #C03030

RGB 192 48 48

HSL 0, 0.6%, 0.47%

LAB 43.56, 56.34, 35.22

 

CMYK 0 / 75 / 5 / 25

HEX #C030B6

RGB 192 48 182

HSL 304.17, 0.6%, 0.47%

LAB 47.88, 69.72, -39.76

 

CMYK 15 / 75 / 0 / 25

HEX #A330C0

RGB 163 48 192

HSL 287.92, 0.6%, 0.47%

LAB 43.81, 65.42, -52.37

 

CMYK 35 / 75 / 0 / 25

HEX #7C30C0

RGB 124 48 192

HSL 271.67, 0.6%, 0.47%

LAB 38.21, 58.1, -61.7

 

CMYK 56 / 75 / 0 / 25

HEX #5530C0

RGB 85 48 192

HSL 255.42, 0.6%, 0.47%

LAB 33.67, 51.94, -69.31

 

CMYK 75 / 75 / 0 / 25

HEX #3030C0

RGB 48 48 192

HSL 240, 0.6%, 0.47%

LAB 30.76, 47.83, -74.21

 

CMYK 0 / 75 / 5 / 25

HEX #C030B6

RGB 192 48 182

HSL 304.17, 0.6%, 0.47%

LAB 47.88, 69.72, -39.76

 

CMYK 0 / 86 / 6 / 17

HEX #D31DC6

RGB 211 29 198

HSL 304.29, 0.76%, 0.47%

LAB 50.46, 80.25, -44.77

 

CMYK 0 / 96 / 7 / 9

HEX #E709D7

RGB 231 9 215

HSL 304.32, 0.93%, 0.47%

LAB 54.12, 88.36, -48.5

 

CMYK 0 / 75 / 5 / 25

HEX #C030B6

RGB 192 48 182

HSL 304.17, 0.6%, 0.47%

LAB 47.88, 69.72, -39.76

 

CMYK 0 / 61 / 4 / 33

HEX #AC43A5

RGB 172 67 165

HSL 304, 0.44%, 0.47%

LAB 46.31, 55.2, -32.42

 

CMYK 0 / 43 / 3 / 40

HEX #995794

RGB 153 87 148

HSL 304.55, 0.28%, 0.47%

LAB 46.61, 36.6, -22.04

 

CMYK 0 / 21 / 1 / 47

HEX #866A84

RGB 134 106 132

HSL 304.29, 0.12%, 0.47%

LAB 48.31, 15.91, -10.11

 

CMYK 10 / 0 / 9 / 51

HEX #727E73

RGB 114 126 115

HSL 125, 0.05%, 0.47%

LAB 51.54, -6.69, 4.47

 

CMYK 35 / 75 / 0 / 25

HEX #7D30C0

RGB 125 48 192

HSL 272.08, 0.6%, 0.47%

LAB 38.34, 58.28, -61.48

 

CMYK 15 / 75 / 0 / 25

HEX #A330C0

RGB 163 48 192

HSL 287.92, 0.6%, 0.47%

LAB 43.81, 65.42, -52.37

 

CMYK 0 / 75 / 5 / 25

HEX #C030B6

RGB 192 48 182

HSL 304.17, 0.6%, 0.47%

LAB 47.88, 69.72, -39.76

 

CMYK 0 / 75 / 25 / 25

HEX #C03090

RGB 192 48 144

HSL 320, 0.6%, 0.47%

LAB 46.09, 64.39, -19.95

 

CMYK 0 / 75 / 45 / 25

HEX #C03069

RGB 192 48 105

HSL 336.25, 0.6%, 0.47%

LAB 44.72, 60.11, 1.86

 

CMYK 0 / 75 / 6 / 51

HEX #7E1F77

RGB 126 31 119

HSL 304.42, 0.61%, 0.31%

LAB 31.23, 50.2, -28.55

 

CMYK 0 / 75 / 6 / 38

HEX #9F2896

RGB 159 40 150

HSL 304.54, 0.6%, 0.39%

LAB 39.73, 59.93, -33.92

 

CMYK 0 / 75 / 5 / 25

HEX #C030B6

RGB 192 48 182

HSL 304.17, 0.6%, 0.47%

LAB 47.88, 69.72, -39.76

 

CMYK 0 / 66 / 4 / 18

HEX #D148C8

RGB 209 72 200

HSL 303.94, 0.6%, 0.55%

LAB 54.41, 68.18, -39.7

 

CMYK 0 / 52 / 3 / 15

HEX #D969D2

RGB 217 105 210

HSL 303.75, 0.6%, 0.63%

LAB 61.23, 57.68, -34.63

 

CMYK 0 / 75 / 5 / 24

HEX #C131B7

RGB 193 49 183

HSL 304.17, 0.6%, 0.47%

LAB 48.2, 69.79, -39.82

 

CMYK 0 / 55 / 75 / 25

HEX #C05630

RGB 192 86 48

HSL 15.83, 0.6%, 0.47%

LAB 49.59, 40.2, 41.77

 

CMYK 75 / 0 / 25 / 25

HEX #30C090

RGB 48 192 144

HSL 160, 0.6%, 0.47%

LAB 69.71, -48.65, 13.64

 

CMYK 0 / 75 / 5 / 24

HEX #C131B7

RGB 193 49 183

HSL 304.17, 0.6%, 0.47%

LAB 48.2, 69.79, -39.82

 

CMYK 5 / 0 / 75 / 25

HEX #B6C030

RGB 182 192 48

HSL 64.17, 0.6%, 0.47%

LAB 74.74, -20.59, 66.22

 

CMYK 75 / 5 / 0 / 25

HEX #30B6C0

RGB 48 182 192

HSL 184.17, 0.6%, 0.47%

LAB 67.94, -31.26, -15.26

 

CMYK 0 / 75 / 5 / 24

HEX #C131B7

RGB 193 49 183

HSL 304.17, 0.6%, 0.47%

LAB 48.2, 69.79, -39.82

 

CMYK 0 / 55 / 75 / 25

HEX #C05630

RGB 192 86 48

HSL 15.83, 0.6%, 0.47%

LAB 49.59, 40.2, 41.77

 

CMYK 75 / 0 / 70 / 25

HEX #30C03A

RGB 48 192 58

HSL 124.17, 0.6%, 0.47%

LAB 68.48, -62.69, 54.35

 

CMYK 75 / 20 / 0 / 25

HEX #3099C0

RGB 48 153 192

HSL 196.25, 0.6%, 0.47%

LAB 59.17, -16.45, -28.66

 

CMYK 0 / 75 / 5 / 24

HEX #C131B7

RGB 193 49 183

HSL 304.17, 0.6%, 0.47%

LAB 48.2, 69.79, -39.82

 

CMYK 0 / 33 / 75 / 25

HEX #C08130

RGB 192 129 48

HSL 33.75, 0.6%, 0.47%

LAB 59.09, 17.25, 51.52

 

CMYK 75 / 0 / 70 / 25

HEX #30C03A

RGB 48 192 58

HSL 124.17, 0.6%, 0.47%

LAB 68.48, -62.69, 54.35

 

CMYK 75 / 43 / 0 / 25

HEX #306EC0

RGB 48 110 192

HSL 214.17, 0.6%, 0.47%

LAB 46.43, 8.76, -48.72

 

Description

Color code: HEX #C131B7 | qconv.com Color code: HEX #C131B7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 49 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 49 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 5 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 5% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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