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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C12B9A it is the complementary color #3ED465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C12B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C12B9A shade: #C62B95, #D73DA8, #E84FBB, #F961CE and #FF73E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C12B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C12B9A shade: #C12B9A, #B01987, #9F0774, #8E0061 and #7D004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C12B9A shade: #C02A99, #C02A71, #C02A48 and #C02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C12B9A shade: #C02A99, #BF2AC0, #962AC0, #6E2AC0 and #452AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C12B9A shade matches the following richer shades: #C02A99, #D317A2 and #E604AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C12B9A shade: #C02A99, #AD3D90, #9A5087, #87637E and #747675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C12B9A shade: #962AC0, #BE2AC0, #C02A9B, #C02A73 and #C02A4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C12B9A shade: #7D1B63, #9F237E, #C02A99, #D53FAE and #DC61BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C12B9A shade: #C12B9A, #C06E2A and #2AC0AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C12B9A shade: #C12B9A, #9BC02A and #2A9BC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C12B9A shade: #C12B9A, #C06E2A, #2AC050 and #2A7DC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C12B9A shade: #C12B9A, #C09B2A, #2AC050 and #2A50C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 20 / 24

HEX #C12B9A

RGB 193 43 154

HSL 315.6, 0.64%, 0.46%

LAB 46.17, 67.4, -25.82

 

Complementary color

CMYK 71 / 0 / 52 / 17

HEX #3ED465

RGB 62 212 101

HSL 135.6, 0.64%, 0.54%

LAB 75.48, -62.11, 43.45

 

CMYK 0 / 78 / 25 / 22

HEX #C62B95

RGB 198 43 149

HSL 318.97, 0.64%, 0.47%

LAB 46.85, 67.93, -21.7

 

CMYK 0 / 72 / 22 / 16

HEX #D73DA8

RGB 215 61 168

HSL 318.31, 0.66%, 0.54%

LAB 52.52, 68.94, -24

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBB

RGB 232 79 187

HSL 317.65, 0.77%, 0.61%

LAB 58.35, 69.33, -25.82

 

CMYK 0 / 61 / 17 / 2

HEX #F961CE

RGB 249 97 206

HSL 316.97, 0.93%, 0.68%

LAB 64.28, 69.32, -27.29

 

CMYK 0 / 55 / 12 / 0

HEX #FF73E1

RGB 255 115 225

HSL 312.86, 1%, 0.73%

LAB 68.72, 66.02, -30.98

 

CMYK 0 / 78 / 20 / 24

HEX #C12B9A

RGB 193 43 154

HSL 315.6, 0.64%, 0.46%

LAB 46.17, 67.4, -25.82

 

CMYK 0 / 86 / 23 / 31

HEX #B01987

RGB 176 25 135

HSL 316.29, 0.75%, 0.39%

LAB 40.69, 65.5, -23.04

 

CMYK 0 / 96 / 27 / 38

HEX #9F0774

RGB 159 7 116

HSL 316.97, 0.92%, 0.33%

LAB 35.56, 62.33, -19.41

 

CMYK 0 / 100 / 32 / 44

HEX #8E0061

RGB 142 0 97

HSL 319.01, 1%, 0.28%

LAB 30.91, 57.46, -14.7

 

CMYK 0 / 100 / 38 / 51

HEX #7D004E

RGB 125 0 78

HSL 322.56, 1%, 0.25%

LAB 26.48, 51.63, -9.25

 

CMYK 0 / 78 / 20 / 25

HEX #C02A99

RGB 192 42 153

HSL 315.6, 0.64%, 0.46%

LAB 45.86, 67.32, -25.73

 

CMYK 0 / 78 / 41 / 25

HEX #C02A71

RGB 192 42 113

HSL 331.6, 0.64%, 0.46%

LAB 44.31, 62.72, -3.69

 

CMYK 0 / 78 / 63 / 25

HEX #C02A48

RGB 192 42 72

HSL 348, 0.64%, 0.46%

LAB 43.26, 59.45, 20.35

 

CMYK 0 / 78 / 78 / 25

HEX #C02A2A

RGB 192 42 42

HSL 0, 0.64%, 0.46%

LAB 42.81, 58.02, 37.84

 

CMYK 0 / 78 / 20 / 25

HEX #C02A99

RGB 192 42 153

HSL 315.6, 0.64%, 0.46%

LAB 45.86, 67.32, -25.73

 

CMYK 1 / 78 / 0 / 25

HEX #BF2AC0

RGB 191 42 192

HSL 299.6, 0.64%, 0.46%

LAB 47.67, 72.76, -45.93

 

CMYK 22 / 78 / 0 / 25

HEX #962AC0

RGB 150 42 192

HSL 283.2, 0.64%, 0.46%

LAB 41.13, 64.97, -56.79

 

CMYK 43 / 78 / 0 / 25

HEX #6E2AC0

RGB 110 42 192

HSL 267.2, 0.64%, 0.46%

LAB 35.55, 58.25, -66.12

 

CMYK 64 / 78 / 0 / 25

HEX #452AC0

RGB 69 42 192

HSL 250.8, 0.64%, 0.46%

LAB 31.18, 52.92, -73.47

 

CMYK 0 / 78 / 20 / 25

HEX #C02A99

RGB 192 42 153

HSL 315.6, 0.64%, 0.46%

LAB 45.86, 67.32, -25.73

 

CMYK 0 / 89 / 23 / 17

HEX #D317A2

RGB 211 23 162

HSL 315.64, 0.8%, 0.46%

LAB 48.35, 76.5, -26.97

 

CMYK 0 / 98 / 25 / 10

HEX #E604AC

RGB 230 4 172

HSL 315.4, 0.97%, 0.46%

LAB 51.71, 83.22, -27.39

 

CMYK 0 / 78 / 20 / 25

HEX #C02A99

RGB 192 42 153

HSL 315.6, 0.64%, 0.46%

LAB 45.86, 67.32, -25.73

 

CMYK 0 / 65 / 17 / 32

HEX #AD3D90

RGB 173 61 144

HSL 315.54, 0.48%, 0.46%

LAB 44.57, 54.68, -22.56

 

CMYK 0 / 48 / 12 / 40

HEX #9A5087

RGB 154 80 135

HSL 315.41, 0.32%, 0.46%

LAB 44.74, 38.37, -17.1

 

CMYK 0 / 27 / 7 / 47

HEX #87637E

RGB 135 99 126

HSL 315, 0.15%, 0.46%

LAB 46.42, 19.24, -9.36

 

CMYK 2 / 0 / 1 / 54

HEX #747675

RGB 116 118 117

HSL 150, 0.01%, 0.46%

LAB 49.44, -0.96, 0.28

 

CMYK 22 / 78 / 0 / 25

HEX #962AC0

RGB 150 42 192

HSL 283.2, 0.64%, 0.46%

LAB 41.13, 64.97, -56.79

 

CMYK 1 / 78 / 0 / 25

HEX #BE2AC0

RGB 190 42 192

HSL 299.2, 0.64%, 0.46%

LAB 47.51, 72.56, -46.21

 

CMYK 0 / 78 / 19 / 25

HEX #C02A9B

RGB 192 42 155

HSL 314.8, 0.64%, 0.46%

LAB 45.95, 67.58, -26.79

 

CMYK 0 / 78 / 40 / 25

HEX #C02A73

RGB 192 42 115

HSL 330.8, 0.64%, 0.46%

LAB 44.38, 62.91, -4.83

 

CMYK 0 / 78 / 61 / 25

HEX #C02A4B

RGB 192 42 75

HSL 346.8, 0.64%, 0.46%

LAB 43.32, 59.64, 18.57

 

CMYK 0 / 78 / 21 / 51

HEX #7D1B63

RGB 125 27 99

HSL 315.92, 0.64%, 0.3%

LAB 29.52, 48.18, -18.42

 

CMYK 0 / 78 / 21 / 38

HEX #9F237E

RGB 159 35 126

HSL 315.97, 0.64%, 0.38%

LAB 37.98, 57.93, -21.92

 

CMYK 0 / 78 / 20 / 25

HEX #C02A99

RGB 192 42 153

HSL 315.6, 0.64%, 0.46%

LAB 45.86, 67.32, -25.73

 

CMYK 0 / 70 / 18 / 16

HEX #D53FAE

RGB 213 63 174

HSL 315.6, 0.64%, 0.54%

LAB 52.68, 68.57, -27.29

 

CMYK 0 / 56 / 15 / 14

HEX #DC61BC

RGB 220 97 188

HSL 315.61, 0.64%, 0.62%

LAB 59.34, 58.7, -25.03

 

CMYK 0 / 78 / 20 / 24

HEX #C12B9A

RGB 193 43 154

HSL 315.6, 0.64%, 0.46%

LAB 46.17, 67.4, -25.82

 

CMYK 0 / 43 / 78 / 25

HEX #C06E2A

RGB 192 110 42

HSL 27.2, 0.64%, 0.46%

LAB 54.58, 27.4, 49.71

 

CMYK 78 / 0 / 11 / 25

HEX #2AC0AA

RGB 42 192 170

HSL 171.2, 0.64%, 0.46%

LAB 70.24, -42.8, 0.23

 

CMYK 0 / 78 / 20 / 24

HEX #C12B9A

RGB 193 43 154

HSL 315.6, 0.64%, 0.46%

LAB 46.17, 67.4, -25.82

 

CMYK 19 / 0 / 78 / 25

HEX #9BC02A

RGB 155 192 42

HSL 74.8, 0.64%, 0.46%

LAB 72.78, -32.03, 65.58

 

CMYK 78 / 19 / 0 / 25

HEX #2A9BC0

RGB 42 155 192

HSL 194.8, 0.64%, 0.46%

LAB 59.65, -18.21, -27.93

 

CMYK 0 / 78 / 20 / 24

HEX #C12B9A

RGB 193 43 154

HSL 315.6, 0.64%, 0.46%

LAB 46.17, 67.4, -25.82

 

CMYK 0 / 43 / 78 / 25

HEX #C06E2A

RGB 192 110 42

HSL 27.2, 0.64%, 0.46%

LAB 54.58, 27.4, 49.71

 

CMYK 78 / 0 / 58 / 25

HEX #2AC050

RGB 42 192 80

HSL 135.2, 0.64%, 0.46%

LAB 68.58, -61.11, 45

 

CMYK 78 / 35 / 0 / 25

HEX #2A7DC0

RGB 42 125 192

HSL 206.8, 0.64%, 0.46%

LAB 50.65, -1.19, -42.01

 

CMYK 0 / 78 / 20 / 24

HEX #C12B9A

RGB 193 43 154

HSL 315.6, 0.64%, 0.46%

LAB 46.17, 67.4, -25.82

 

CMYK 0 / 19 / 78 / 25

HEX #C09B2A

RGB 192 155 42

HSL 45.2, 0.64%, 0.46%

LAB 65.61, 2.76, 60.1

 

CMYK 78 / 0 / 58 / 25

HEX #2AC050

RGB 42 192 80

HSL 135.2, 0.64%, 0.46%

LAB 68.58, -61.11, 45

 

CMYK 78 / 58 / 0 / 25

HEX #2A50C0

RGB 42 80 192

HSL 224.8, 0.64%, 0.46%

LAB 37.91, 27.48, -62.49

 

Description

Color code: HEX #C12B9A | qconv.com Color code: HEX #C12B9A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 43 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 43 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 20 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 20% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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