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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C129B8 it is the complementary color #3ED647. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C129B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C129B8 shade: #C629B3, #D73BC6, #E84DD9, #F95FEC and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C129B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C129B8 shade: #C129B8, #B017A5, #9F0592, #8E007F and #7D006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C129B8 shade: #C229B9, #C2298F, #C22966, #C2293D and #C22929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C129B8 shade: #C229B9, #A129C2, #7829C2, #4F29C2 and #2929C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C129B8 shade matches the following richer shades: #C229B9, #D516C9 and #E803DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C129B8 shade: #C229B9, #AF3CA8, #9C4F97, #896286 and #767576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C129B8 shade: #7829C2, #A129C2, #C229BA, #C22991 and #C22969

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C129B8 shade: #7D1B78, #A02298, #C229B9, #D63ECD and #DD60D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C129B8 shade: #C129B8, #C24F29 and #29C28C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C129B8 shade: #C129B8, #BAC229 and #29BAC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C129B8 shade: #C129B8, #C24F29, #29C231 and #299BC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C129B8 shade: #C129B8, #C27D29, #29C231 and #296EC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 5 / 24

HEX #C129B8

RGB 193 41 184

HSL 303.55, 0.65%, 0.46%

LAB 47.47, 72.19, -41.55

 

Complementary color

CMYK 71 / 0 / 67 / 16

HEX #3ED647

RGB 62 214 71

HSL 123.55, 0.65%, 0.54%

LAB 75.81, -66.34, 57.11

 

CMYK 0 / 79 / 10 / 22

HEX #C629B3

RGB 198 41 179

HSL 307.26, 0.66%, 0.47%

LAB 48.07, 72.48, -37.63

 

CMYK 0 / 73 / 8 / 16

HEX #D73BC6

RGB 215 59 198

HSL 306.54, 0.66%, 0.54%

LAB 53.66, 73.77, -39.67

 

CMYK 0 / 67 / 6 / 9

HEX #E84DD9

RGB 232 77 217

HSL 305.81, 0.77%, 0.61%

LAB 59.41, 74.39, -41.27

 

CMYK 0 / 62 / 5 / 2

HEX #F95FEC

RGB 249 95 236

HSL 305.06, 0.93%, 0.67%

LAB 65.26, 74.55, -42.53

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 79 / 5 / 24

HEX #C129B8

RGB 193 41 184

HSL 303.55, 0.65%, 0.46%

LAB 47.47, 72.19, -41.55

 

CMYK 0 / 87 / 6 / 31

HEX #B017A5

RGB 176 23 165

HSL 304.31, 0.77%, 0.39%

LAB 42.09, 69.97, -39.03

 

CMYK 0 / 97 / 8 / 38

HEX #9F0592

RGB 159 5 146

HSL 305.06, 0.94%, 0.32%

LAB 37.03, 66.52, -35.76

 

CMYK 0 / 100 / 11 / 44

HEX #8E007F

RGB 142 0 127

HSL 306.34, 1%, 0.28%

LAB 32.44, 61.31, -31.47

 

CMYK 0 / 100 / 14 / 51

HEX #7D006C

RGB 125 0 108

HSL 308.16, 1%, 0.25%

LAB 27.96, 55.38, -26.69

 

CMYK 0 / 79 / 5 / 24

HEX #C229B9

RGB 194 41 185

HSL 303.53, 0.65%, 0.46%

LAB 47.7, 72.54, -41.77

 

CMYK 0 / 79 / 26 / 24

HEX #C2298F

RGB 194 41 143

HSL 320, 0.65%, 0.46%

LAB 45.69, 66.8, -19.93

 

CMYK 0 / 79 / 47 / 24

HEX #C22966

RGB 194 41 102

HSL 336.08, 0.65%, 0.46%

LAB 44.25, 62.51, 3.1

 

CMYK 0 / 79 / 69 / 24

HEX #C2293D

RGB 194 41 61

HSL 352.16, 0.65%, 0.46%

LAB 43.35, 59.71, 27.33

 

CMYK 0 / 79 / 79 / 24

HEX #C22929

RGB 194 41 41

HSL 0, 0.65%, 0.46%

LAB 43.09, 58.88, 38.81

 

CMYK 0 / 79 / 5 / 24

HEX #C229B9

RGB 194 41 185

HSL 303.53, 0.65%, 0.46%

LAB 47.7, 72.54, -41.77

 

CMYK 17 / 79 / 0 / 24

HEX #A129C2

RGB 161 41 194

HSL 287.06, 0.65%, 0.46%

LAB 42.85, 67.67, -55.09

 

CMYK 38 / 79 / 0 / 24

HEX #7829C2

RGB 120 41 194

HSL 270.98, 0.65%, 0.46%

LAB 36.88, 60.66, -65.06

 

CMYK 59 / 79 / 0 / 24

HEX #4F29C2

RGB 79 41 194

HSL 254.9, 0.65%, 0.46%

LAB 32.13, 55.05, -73.04

 

CMYK 79 / 79 / 0 / 24

HEX #2929C2

RGB 41 41 194

HSL 240, 0.65%, 0.46%

LAB 29.29, 51.68, -77.82

 

CMYK 0 / 79 / 5 / 24

HEX #C229B9

RGB 194 41 185

HSL 303.53, 0.65%, 0.46%

LAB 47.7, 72.54, -41.77

 

CMYK 0 / 90 / 6 / 16

HEX #D516C9

RGB 213 22 201

HSL 303.77, 0.81%, 0.46%

LAB 50.61, 82.09, -46.24

 

CMYK 0 / 99 / 6 / 9

HEX #E803DA

RGB 232 3 218

HSL 303.67, 0.97%, 0.46%

LAB 54.33, 89.34, -49.88

 

CMYK 0 / 79 / 5 / 24

HEX #C229B9

RGB 194 41 185

HSL 303.53, 0.65%, 0.46%

LAB 47.7, 72.54, -41.77

 

CMYK 0 / 66 / 4 / 31

HEX #AF3CA8

RGB 175 60 168

HSL 303.65, 0.49%, 0.46%

LAB 45.87, 59.4, -34.86

 

CMYK 0 / 49 / 3 / 39

HEX #9C4F97

RGB 156 79 151

HSL 303.9, 0.33%, 0.46%

LAB 45.49, 42.38, -25.54

 

CMYK 0 / 28 / 2 / 46

HEX #896286

RGB 137 98 134

HSL 304.62, 0.17%, 0.46%

LAB 46.68, 22.13, -13.74

 

CMYK 0 / 1 / 0 / 54

HEX #767576

RGB 118 117 118

HSL 300, 0%, 0.46%

LAB 49.35, 0.58, -0.42

 

CMYK 38 / 79 / 0 / 24

HEX #7829C2

RGB 120 41 194

HSL 270.98, 0.65%, 0.46%

LAB 36.88, 60.66, -65.06

 

CMYK 17 / 79 / 0 / 24

HEX #A129C2

RGB 161 41 194

HSL 287.06, 0.65%, 0.46%

LAB 42.85, 67.67, -55.09

 

CMYK 0 / 79 / 4 / 24

HEX #C229BA

RGB 194 41 186

HSL 303.14, 0.65%, 0.46%

LAB 47.75, 72.69, -42.27

 

CMYK 0 / 79 / 25 / 24

HEX #C22991

RGB 194 41 145

HSL 319.22, 0.65%, 0.46%

LAB 45.77, 67.04, -21.01

 

CMYK 0 / 79 / 46 / 24

HEX #C22969

RGB 194 41 105

HSL 334.9, 0.65%, 0.46%

LAB 44.34, 62.78, 1.36

 

CMYK 0 / 78 / 4 / 51

HEX #7D1B78

RGB 125 27 120

HSL 303.06, 0.64%, 0.3%

LAB 30.64, 51.46, -30.12

 

CMYK 0 / 79 / 5 / 37

HEX #A02298

RGB 160 34 152

HSL 303.81, 0.65%, 0.38%

LAB 39.39, 62.27, -35.67

 

CMYK 0 / 79 / 5 / 24

HEX #C229B9

RGB 194 41 185

HSL 303.53, 0.65%, 0.46%

LAB 47.7, 72.54, -41.77

 

CMYK 0 / 71 / 4 / 16

HEX #D63ECD

RGB 214 62 205

HSL 303.55, 0.65%, 0.54%

LAB 54.18, 73.65, -42.87

 

CMYK 0 / 57 / 3 / 13

HEX #DD60D6

RGB 221 96 214

HSL 303.36, 0.65%, 0.62%

LAB 60.42, 63.56, -38.1

 

CMYK 0 / 79 / 5 / 24

HEX #C129B8

RGB 193 41 184

HSL 303.55, 0.65%, 0.46%

LAB 47.47, 72.19, -41.55

 

CMYK 0 / 59 / 79 / 24

HEX #C24F29

RGB 194 79 41

HSL 14.9, 0.65%, 0.46%

LAB 48.54, 44.07, 44.34

 

CMYK 79 / 0 / 28 / 24

HEX #29C28C

RGB 41 194 140

HSL 158.82, 0.65%, 0.46%

LAB 70.14, -51.19, 16.38

 

CMYK 0 / 79 / 5 / 24

HEX #C129B8

RGB 193 41 184

HSL 303.55, 0.65%, 0.46%

LAB 47.47, 72.19, -41.55

 

CMYK 4 / 0 / 79 / 24

HEX #BAC229

RGB 186 194 41

HSL 63.14, 0.65%, 0.46%

LAB 75.56, -20.16, 69.21

 

CMYK 79 / 4 / 0 / 24

HEX #29BAC2

RGB 41 186 194

HSL 183.14, 0.65%, 0.46%

LAB 69.1, -33.29, -14.63

 

CMYK 0 / 79 / 5 / 24

HEX #C129B8

RGB 193 41 184

HSL 303.55, 0.65%, 0.46%

LAB 47.47, 72.19, -41.55

 

CMYK 0 / 59 / 79 / 24

HEX #C24F29

RGB 194 79 41

HSL 14.9, 0.65%, 0.46%

LAB 48.54, 44.07, 44.34

 

CMYK 79 / 0 / 75 / 24

HEX #29C231

RGB 41 194 49

HSL 123.14, 0.65%, 0.46%

LAB 68.95, -65.05, 58.1

 

CMYK 79 / 20 / 0 / 24

HEX #299BC2

RGB 41 155 194

HSL 195.29, 0.65%, 0.46%

LAB 59.72, -17.64, -28.96

 

CMYK 0 / 79 / 5 / 24

HEX #C129B8

RGB 193 41 184

HSL 303.55, 0.65%, 0.46%

LAB 47.47, 72.19, -41.55

 

CMYK 0 / 36 / 79 / 24

HEX #C27D29

RGB 194 125 41

HSL 32.94, 0.65%, 0.46%

LAB 58.32, 20.03, 53.79

 

CMYK 79 / 0 / 75 / 24

HEX #29C231

RGB 41 194 49

HSL 123.14, 0.65%, 0.46%

LAB 68.95, -65.05, 58.1

 

CMYK 79 / 43 / 0 / 24

HEX #296EC2

RGB 41 110 194

HSL 212.94, 0.65%, 0.46%

LAB 46.34, 8.69, -50.03

 

Description

Color code: HEX #C129B8 | qconv.com Color code: HEX #C129B8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 41 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 41 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 5 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 5% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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