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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C12613 it is the complementary color #3ED9EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C12613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C12613 shade: #C6260E, #D73821, #E84A34, #F95C47 and #FF6E5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C12613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C12613 shade: #C12613, #B01400, #9F0200, #8E0000 and #7D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C12613 shade: #C32613 and #C31313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C12613 shade: #C32613, #C35613, #C38513, #C3B513 and #A2C313

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C12613 shade matches the following richer shades: #C32613 and #D41902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C12613 shade: #C32613, #B23425, #A04236, #8F4F47 and #7E5D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C12613 shade: #C3135F, #C31331, #C32513, #C35413 and #C38313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C12613 shade: #78180C, #9D1F10, #C32613, #E82E17 and #EC503D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C12613 shade: #C12613, #8EC313 and #1348C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C12613 shade: #C12613, #13C325 and #2513C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C12613 shade: #C12613, #8EC313, #13B1C3 and #4813C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C12613 shade: #C12613, #5AC313, #13B1C3 and #7D13C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 90 / 24

HEX #C12613

RGB 193 38 19

HSL 6.55, 0.82%, 0.42%

LAB 42.42, 58.89, 49.03

 

Complementary color

CMYK 74 / 8 / 0 / 7

HEX #3ED9EC

RGB 62 217 236

HSL 186.55, 0.82%, 0.58%

LAB 80.01, -33.2, -20.82

 

CMYK 0 / 81 / 93 / 22

HEX #C6260E

RGB 198 38 14

HSL 7.83, 0.87%, 0.42%

LAB 43.39, 60.29, 52.04

 

CMYK 0 / 74 / 85 / 16

HEX #D73821

RGB 215 56 33

HSL 7.58, 0.73%, 0.49%

LAB 48.74, 60.28, 49.72

 

CMYK 0 / 68 / 78 / 9

HEX #E84A34

RGB 232 74 52

HSL 7.33, 0.8%, 0.56%

LAB 54.35, 59.71, 46.74

 

CMYK 0 / 63 / 71 / 2

HEX #F95C47

RGB 249 92 71

HSL 7.08, 0.94%, 0.63%

LAB 60.11, 58.81, 43.81

 

CMYK 0 / 57 / 65 / 0

HEX #FF6E5A

RGB 255 110 90

HSL 7.27, 1%, 0.68%

LAB 64.28, 53.95, 38.67

 

CMYK 0 / 80 / 90 / 24

HEX #C12613

RGB 193 38 19

HSL 6.55, 0.82%, 0.42%

LAB 42.42, 58.89, 49.03

 

CMYK 0 / 89 / 100 / 31

HEX #B01400

RGB 176 20 0

HSL 6.82, 1%, 0.35%

LAB 37.35, 57.98, 51.23

 

CMYK 0 / 99 / 100 / 38

HEX #9F0200

RGB 159 2 0

HSL 0.75, 1%, 0.31%

LAB 32.73, 56, 46.76

 

CMYK 0 / 100 / 100 / 44

HEX #8E0000

RGB 142 0 0

HSL 0, 1%, 0.28%

LAB 28.77, 51.81, 42.14

 

CMYK 0 / 100 / 100 / 51

HEX #7D0000

RGB 125 0 0

HSL 0, 1%, 0.25%

LAB 24.83, 47.24, 37.14

 

CMYK 0 / 81 / 90 / 24

HEX #C32613

RGB 195 38 19

HSL 6.48, 0.82%, 0.42%

LAB 42.82, 59.48, 49.5

 

CMYK 0 / 90 / 90 / 24

HEX #C31313

RGB 195 19 19

HSL 0, 0.82%, 0.42%

LAB 41.4, 63.52, 48.49

 

CMYK 0 / 81 / 90 / 24

HEX #C32613

RGB 195 38 19

HSL 6.48, 0.82%, 0.42%

LAB 42.82, 59.48, 49.5

 

CMYK 0 / 56 / 90 / 24

HEX #C35613

RGB 195 86 19

HSL 22.84, 0.82%, 0.42%

LAB 49.86, 40.48, 54.66

 

CMYK 0 / 32 / 90 / 24

HEX #C38513

RGB 195 133 19

HSL 38.86, 0.82%, 0.42%

LAB 60.27, 15.46, 62.52

 

CMYK 0 / 7 / 90 / 24

HEX #C3B513

RGB 195 181 19

HSL 55.23, 0.82%, 0.42%

LAB 72.69, -10.28, 72.12

 

CMYK 17 / 0 / 90 / 24

HEX #A2C313

RGB 162 195 19

HSL 71.25, 0.82%, 0.42%

LAB 74.04, -31.3, 72.09

 

CMYK 0 / 81 / 90 / 24

HEX #C32613

RGB 195 38 19

HSL 6.48, 0.82%, 0.42%

LAB 42.82, 59.48, 49.5

 

CMYK 0 / 88 / 99 / 17

HEX #D41902

RGB 212 25 2

HSL 6.57, 0.98%, 0.42%

LAB 45.22, 66.88, 58.2

 

CMYK 0 / 81 / 90 / 24

HEX #C32613

RGB 195 38 19

HSL 6.48, 0.82%, 0.42%

LAB 42.82, 59.48, 49.5

 

CMYK 0 / 71 / 79 / 30

HEX #B23425

RGB 178 52 37

HSL 6.38, 0.66%, 0.42%

LAB 41.3, 50.01, 38.21

 

CMYK 0 / 59 / 66 / 37

HEX #A04236

RGB 160 66 54

HSL 6.79, 0.5%, 0.42%

LAB 40.63, 38.22, 26.82

 

CMYK 0 / 45 / 50 / 44

HEX #8F4F47

RGB 143 79 71

HSL 6.67, 0.34%, 0.42%

LAB 41.04, 25.92, 16.53

 

CMYK 0 / 26 / 29 / 51

HEX #7E5D59

RGB 126 93 89

HSL 6.49, 0.17%, 0.42%

LAB 42.74, 12.87, 7.56

 

CMYK 0 / 90 / 51 / 24

HEX #C3135F

RGB 195 19 95

HSL 334.09, 0.82%, 0.42%

LAB 42.6, 66.92, 5.13

 

CMYK 0 / 90 / 75 / 24

HEX #C31331

RGB 195 19 49

HSL 349.77, 0.82%, 0.42%

LAB 41.67, 64.31, 32.67

 

CMYK 0 / 81 / 90 / 24

HEX #C32513

RGB 195 37 19

HSL 6.14, 0.82%, 0.42%

LAB 42.72, 59.75, 49.43

 

CMYK 0 / 57 / 90 / 24

HEX #C35413

RGB 195 84 19

HSL 22.16, 0.82%, 0.42%

LAB 49.48, 41.46, 54.37

 

CMYK 0 / 33 / 90 / 24

HEX #C38313

RGB 195 131 19

HSL 38.18, 0.82%, 0.42%

LAB 59.78, 16.56, 62.14

 

CMYK 0 / 80 / 90 / 53

HEX #78180C

RGB 120 24 12

HSL 6.67, 0.82%, 0.26%

LAB 25.78, 40.29, 32.71

 

CMYK 0 / 80 / 90 / 38

HEX #9D1F10

RGB 157 31 16

HSL 6.38, 0.82%, 0.34%

LAB 34.37, 50, 41.05

 

CMYK 0 / 81 / 90 / 24

HEX #C32613

RGB 195 38 19

HSL 6.48, 0.82%, 0.42%

LAB 42.82, 59.48, 49.5

 

CMYK 0 / 80 / 90 / 9

HEX #E82E17

RGB 232 46 23

HSL 6.6, 0.82%, 0.5%

LAB 50.89, 68.05, 57.02

 

CMYK 0 / 66 / 74 / 7

HEX #EC503D

RGB 236 80 61

HSL 6.51, 0.82%, 0.58%

LAB 55.99, 59, 43.97

 

CMYK 0 / 80 / 90 / 24

HEX #C12613

RGB 193 38 19

HSL 6.55, 0.82%, 0.42%

LAB 42.42, 58.89, 49.03

 

CMYK 27 / 0 / 90 / 24

HEX #8EC313

RGB 142 195 19

HSL 78.07, 0.82%, 0.42%

LAB 72.78, -39.28, 70.55

 

CMYK 90 / 63 / 0 / 24

HEX #1348C3

RGB 19 72 195

HSL 221.93, 0.82%, 0.42%

LAB 35.43, 32.17, -68.32

 

CMYK 0 / 80 / 90 / 24

HEX #C12613

RGB 193 38 19

HSL 6.55, 0.82%, 0.42%

LAB 42.42, 58.89, 49.03

 

CMYK 90 / 0 / 81 / 24

HEX #13C325

RGB 19 195 37

HSL 126.14, 0.82%, 0.42%

LAB 68.97, -68.27, 61.78

 

CMYK 81 / 90 / 0 / 24

HEX #2513C3

RGB 37 19 195

HSL 246.14, 0.82%, 0.42%

LAB 26.15, 60.82, -83.63

 

CMYK 0 / 80 / 90 / 24

HEX #C12613

RGB 193 38 19

HSL 6.55, 0.82%, 0.42%

LAB 42.42, 58.89, 49.03

 

CMYK 27 / 0 / 90 / 24

HEX #8EC313

RGB 142 195 19

HSL 78.07, 0.82%, 0.42%

LAB 72.78, -39.28, 70.55

 

CMYK 90 / 9 / 0 / 24

HEX #13B1C3

RGB 19 177 195

HSL 186.14, 0.82%, 0.42%

LAB 66.15, -30.2, -19.66

 

CMYK 63 / 90 / 0 / 24

HEX #4813C3

RGB 72 19 195

HSL 258.07, 0.82%, 0.42%

LAB 28.86, 62.63, -79.06

 

CMYK 0 / 80 / 90 / 24

HEX #C12613

RGB 193 38 19

HSL 6.55, 0.82%, 0.42%

LAB 42.42, 58.89, 49.03

 

CMYK 54 / 0 / 90 / 24

HEX #5AC313

RGB 90 195 19

HSL 95.8, 0.82%, 0.42%

LAB 70.35, -56.84, 67.55

 

CMYK 90 / 9 / 0 / 24

HEX #13B1C3

RGB 19 177 195

HSL 186.14, 0.82%, 0.42%

LAB 66.15, -30.2, -19.66

 

CMYK 36 / 90 / 0 / 24

HEX #7D13C3

RGB 125 19 195

HSL 276.14, 0.82%, 0.42%

LAB 35.53, 67.87, -67.83

 

Description

Color code: HEX #C12613 | qconv.com Color code: HEX #C12613 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 38 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 38 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 90 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 90% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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