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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C120ED it is the complementary color #3EDF12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C120ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C120ED shade: #C620E8, #D732FB, #E844FF, #F956FF and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C120ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C120ED shade: #C120ED, #B00EDA, #9F00C7, #8E00B4 and #7D00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C120ED shade: #C121ED, #ED21E2, #ED21AB, #ED2174 and #ED213D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C120ED shade: #C121ED, #8A21ED, #5321ED and #2121ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C120ED shade matches the following richer shades: #C121ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C120ED shade: #C121ED, #B635DA, #AB48C6, #A05BB3 and #956F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C120ED shade: #5421ED, #8B21ED, #C121ED, #ED21E3 and #ED21AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C120ED shade: #8B0EAE, #AA11D4, #C121ED, #CC47F0 and #D76EF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C120ED shade: #C120ED, #ED2125 and #21ED6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C120ED shade: #C120ED, #EDC121 and #21EDC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C120ED shade: #C120ED, #ED2125, #4DED21 and #21EDEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C120ED shade: #C120ED, #ED5B21, #4DED21 and #21B3ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 86 / 0 / 7

HEX #C120ED

RGB 193 32 237

HSL 287.12, 0.85%, 0.53%

LAB 50.08, 82.86, -67.81

 

Complementary color

CMYK 72 / 0 / 92 / 13

HEX #3EDF12

RGB 62 223 18

HSL 107.12, 0.85%, 0.47%

LAB 78.37, -72.17, 74.11

 

CMYK 15 / 86 / 0 / 9

HEX #C620E8

RGB 198 32 232

HSL 289.8, 0.81%, 0.52%

LAB 50.53, 82.77, -64.22

 

CMYK 14 / 80 / 0 / 2

HEX #D732FB

RGB 215 50 251

HSL 289.25, 0.96%, 0.59%

LAB 55.78, 84.81, -66.26

 

CMYK 9 / 73 / 0 / 0

HEX #E844FF

RGB 232 68 255

HSL 292.62, 1%, 0.63%

LAB 60.35, 83.48, -61.01

 

CMYK 2 / 66 / 0 / 0

HEX #F956FF

RGB 249 86 255

HSL 297.87, 1%, 0.67%

LAB 64.97, 80.95, -53.48

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 19 / 86 / 0 / 7

HEX #C120ED

RGB 193 32 237

HSL 287.12, 0.85%, 0.53%

LAB 50.08, 82.86, -67.81

 

CMYK 19 / 94 / 0 / 15

HEX #B00EDA

RGB 176 14 218

HSL 287.65, 0.88%, 0.45%

LAB 45.09, 79.8, -65.23

 

CMYK 20 / 100 / 0 / 22

HEX #9F00C7

RGB 159 0 199

HSL 287.94, 1%, 0.39%

LAB 40.4, 75.56, -61.99

 

CMYK 21 / 100 / 0 / 29

HEX #8E00B4

RGB 142 0 180

HSL 287.33, 1%, 0.35%

LAB 36.07, 69.91, -57.97

 

CMYK 22 / 100 / 0 / 37

HEX #7D00A1

RGB 125 0 161

HSL 286.58, 1%, 0.32%

LAB 31.65, 64.14, -53.88

 

CMYK 19 / 86 / 0 / 7

HEX #C121ED

RGB 193 33 237

HSL 287.06, 0.85%, 0.53%

LAB 50.14, 82.66, -67.7

 

CMYK 0 / 86 / 5 / 7

HEX #ED21E2

RGB 237 33 226

HSL 303.24, 0.85%, 0.53%

LAB 56.67, 88.23, -50.64

 

CMYK 0 / 86 / 28 / 7

HEX #ED21AB

RGB 237 33 171

HSL 319.41, 0.85%, 0.53%

LAB 54.06, 81.31, -23.07

 

CMYK 0 / 86 / 51 / 7

HEX #ED2174

RGB 237 33 116

HSL 335.59, 0.85%, 0.53%

LAB 52.23, 76.23, 7.04

 

CMYK 0 / 86 / 74 / 7

HEX #ED213D

RGB 237 33 61

HSL 351.76, 0.85%, 0.53%

LAB 51.19, 73.21, 38.68

 

CMYK 19 / 86 / 0 / 7

HEX #C121ED

RGB 193 33 237

HSL 287.06, 0.85%, 0.53%

LAB 50.14, 82.66, -67.7

 

CMYK 42 / 86 / 0 / 7

HEX #8A21ED

RGB 138 33 237

HSL 270.88, 0.85%, 0.53%

LAB 42.16, 75.16, -81.06

 

CMYK 65 / 86 / 0 / 7

HEX #5321ED

RGB 83 33 237

HSL 254.71, 0.85%, 0.53%

LAB 36.06, 69.97, -91.34

 

CMYK 86 / 86 / 0 / 7

HEX #2121ED

RGB 33 33 237

HSL 240, 0.85%, 0.53%

LAB 32.97, 67.59, -96.56

 

CMYK 19 / 86 / 0 / 7

HEX #C121ED

RGB 193 33 237

HSL 287.06, 0.85%, 0.53%

LAB 50.14, 82.66, -67.7

 

CMYK 19 / 86 / 0 / 7

HEX #C121ED

RGB 193 33 237

HSL 287.06, 0.85%, 0.53%

LAB 50.14, 82.66, -67.7

 

CMYK 17 / 76 / 0 / 15

HEX #B635DA

RGB 182 53 218

HSL 286.91, 0.69%, 0.53%

LAB 48.95, 72.24, -58.94

 

CMYK 14 / 64 / 0 / 22

HEX #AB48C6

RGB 171 72 198

HSL 287.14, 0.53%, 0.53%

LAB 48.72, 58.81, -47.92

 

CMYK 11 / 49 / 0 / 30

HEX #A05BB3

RGB 160 91 179

HSL 287.05, 0.37%, 0.53%

LAB 49.75, 42.72, -35.36

 

CMYK 6 / 30 / 0 / 38

HEX #956F9F

RGB 149 111 159

HSL 287.5, 0.2%, 0.53%

LAB 52.13, 23.83, -20.09

 

CMYK 65 / 86 / 0 / 7

HEX #5421ED

RGB 84 33 237

HSL 255, 0.85%, 0.53%

LAB 36.15, 70.04, -91.19

 

CMYK 41 / 86 / 0 / 7

HEX #8B21ED

RGB 139 33 237

HSL 271.18, 0.85%, 0.53%

LAB 42.29, 75.28, -80.84

 

CMYK 19 / 86 / 0 / 7

HEX #C121ED

RGB 193 33 237

HSL 287.06, 0.85%, 0.53%

LAB 50.14, 82.66, -67.7

 

CMYK 0 / 86 / 4 / 7

HEX #ED21E3

RGB 237 33 227

HSL 302.94, 0.85%, 0.53%

LAB 56.72, 88.37, -51.11

 

CMYK 0 / 86 / 27 / 7

HEX #ED21AD

RGB 237 33 173

HSL 318.82, 0.85%, 0.53%

LAB 54.14, 81.53, -24.11

 

CMYK 20 / 92 / 0 / 32

HEX #8B0EAE

RGB 139 14 174

HSL 286.88, 0.85%, 0.37%

LAB 35.71, 66.58, -55.01

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 19 / 86 / 0 / 7

HEX #C121ED

RGB 193 33 237

HSL 287.06, 0.85%, 0.53%

LAB 50.14, 82.66, -67.7

 

CMYK 15 / 70 / 0 / 6

HEX #CC47F0

RGB 204 71 240

HSL 287.22, 0.85%, 0.61%

LAB 55.72, 74.35, -60.31

 

CMYK 12 / 55 / 0 / 5

HEX #D76EF3

RGB 215 110 243

HSL 287.37, 0.85%, 0.69%

LAB 63.4, 60.78, -49.65

 

CMYK 19 / 86 / 0 / 7

HEX #C120ED

RGB 193 32 237

HSL 287.12, 0.85%, 0.53%

LAB 50.08, 82.86, -67.81

 

CMYK 0 / 86 / 84 / 7

HEX #ED2125

RGB 237 33 37

HSL 358.82, 0.85%, 0.53%

LAB 50.95, 72.52, 51.39

 

CMYK 86 / 0 / 53 / 7

HEX #21ED6F

RGB 33 237 111

HSL 142.94, 0.85%, 0.53%

LAB 82.93, -72.27, 47.73

 

CMYK 19 / 86 / 0 / 7

HEX #C120ED

RGB 193 32 237

HSL 287.12, 0.85%, 0.53%

LAB 50.08, 82.86, -67.81

 

CMYK 0 / 19 / 86 / 7

HEX #EDC121

RGB 237 193 33

HSL 47.06, 0.85%, 0.53%

LAB 79.76, 2.05, 76.59

 

CMYK 86 / 0 / 19 / 7

HEX #21EDC1

RGB 33 237 193

HSL 167.06, 0.85%, 0.53%

LAB 84.35, -56.18, 8.31

 

CMYK 19 / 86 / 0 / 7

HEX #C120ED

RGB 193 32 237

HSL 287.12, 0.85%, 0.53%

LAB 50.08, 82.86, -67.81

 

CMYK 0 / 86 / 84 / 7

HEX #ED2125

RGB 237 33 37

HSL 358.82, 0.85%, 0.53%

LAB 50.95, 72.52, 51.39

 

CMYK 68 / 0 / 86 / 7

HEX #4DED21

RGB 77 237 33

HSL 107.06, 0.85%, 0.53%

LAB 83.05, -73.33, 75.74

 

CMYK 86 / 0 / 1 / 7

HEX #21EDEA

RGB 33 237 234

HSL 179.12, 0.85%, 0.53%

LAB 85.42, -45.26, -11.67

 

CMYK 19 / 86 / 0 / 7

HEX #C120ED

RGB 193 32 237

HSL 287.12, 0.85%, 0.53%

LAB 50.08, 82.86, -67.81

 

CMYK 0 / 62 / 86 / 7

HEX #ED5B21

RGB 237 91 33

HSL 17.06, 0.85%, 0.53%

LAB 57.65, 53.89, 58.74

 

CMYK 68 / 0 / 86 / 7

HEX #4DED21

RGB 77 237 33

HSL 107.06, 0.85%, 0.53%

LAB 83.05, -73.33, 75.74

 

CMYK 86 / 24 / 0 / 7

HEX #21B3ED

RGB 33 179 237

HSL 197.06, 0.85%, 0.53%

LAB 68.52, -16.34, -39.08

 

Description

Color code: HEX #C120ED | qconv.com Color code: HEX #C120ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 32 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 32 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 86 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 86% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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