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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C114ED it is the complementary color #3EEB12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C114ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C114ED shade: #C614E8, #D726FB, #E838FF, #F94AFF and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C114ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C114ED shade: #C114ED, #B002DA, #9F00C7, #8E00B4 and #7D00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C114ED shade: #C112ED, #ED12DE, #ED12A3, #ED1268 and #ED122D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C114ED shade: #C112ED, #8612ED, #4A12ED and #1212ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C114ED shade matches the following richer shades: #C112ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C114ED shade: #C112ED, #B426D9, #A83BC4, #9C50AF and #90649B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C114ED shade: #4912ED, #8312ED, #BE12ED, #ED12E2 and #ED12A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C114ED shade: #820CA0, #A10FC7, #C112ED, #CB38F0 and #D55FF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C114ED shade: #C114ED, #ED1216 and #12ED66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C114ED shade: #C114ED, #EDBE12 and #12EDBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C114ED shade: #C114ED, #ED1216, #41ED12 and #12EDE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C114ED shade: #C114ED, #ED5012, #41ED12 and #12AFED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 92 / 0 / 7

HEX #C114ED

RGB 193 20 237

HSL 287.83, 0.86%, 0.5%

LAB 49.44, 84.75, -68.85

 

Complementary color

CMYK 74 / 0 / 92 / 8

HEX #3EEB12

RGB 62 235 18

HSL 107.83, 0.86%, 0.5%

LAB 82.1, -75.72, 77.22

 

CMYK 15 / 91 / 0 / 9

HEX #C614E8

RGB 198 20 232

HSL 290.38, 0.84%, 0.49%

LAB 49.9, 84.64, -65.24

 

CMYK 14 / 85 / 0 / 2

HEX #D726FB

RGB 215 38 251

HSL 289.86, 0.96%, 0.57%

LAB 54.86, 87.48, -67.74

 

CMYK 9 / 78 / 0 / 0

HEX #E838FF

RGB 232 56 255

HSL 293.07, 1%, 0.61%

LAB 59.16, 86.9, -62.9

 

CMYK 2 / 71 / 0 / 0

HEX #F94AFF

RGB 249 74 255

HSL 298.01, 1%, 0.65%

LAB 63.55, 84.97, -55.74

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 19 / 92 / 0 / 7

HEX #C114ED

RGB 193 20 237

HSL 287.83, 0.86%, 0.5%

LAB 49.44, 84.75, -68.85

 

CMYK 19 / 99 / 0 / 15

HEX #B002DA

RGB 176 2 218

HSL 288.33, 0.98%, 0.43%

LAB 44.71, 80.93, -65.85

 

CMYK 20 / 100 / 0 / 22

HEX #9F00C7

RGB 159 0 199

HSL 287.94, 1%, 0.39%

LAB 40.4, 75.56, -61.99

 

CMYK 21 / 100 / 0 / 29

HEX #8E00B4

RGB 142 0 180

HSL 287.33, 1%, 0.35%

LAB 36.07, 69.91, -57.97

 

CMYK 22 / 100 / 0 / 37

HEX #7D00A1

RGB 125 0 161

HSL 286.58, 1%, 0.32%

LAB 31.65, 64.14, -53.88

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 0 / 92 / 6 / 7

HEX #ED12DE

RGB 237 18 222

HSL 304.11, 0.86%, 0.5%

LAB 55.8, 89.6, -49.75

 

CMYK 0 / 92 / 31 / 7

HEX #ED12A3

RGB 237 18 163

HSL 320.27, 0.86%, 0.5%

LAB 53.04, 82.51, -19.93

 

CMYK 0 / 92 / 56 / 7

HEX #ED1268

RGB 237 18 104

HSL 336.44, 0.86%, 0.5%

LAB 51.19, 77.55, 12.87

 

CMYK 0 / 92 / 81 / 7

HEX #ED122D

RGB 237 18 45

HSL 352.6, 0.86%, 0.5%

LAB 50.25, 74.92, 46.64

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 43 / 92 / 0 / 7

HEX #8612ED

RGB 134 18 237

HSL 271.78, 0.86%, 0.5%

LAB 40.6, 77.82, -83.66

 

CMYK 69 / 92 / 0 / 7

HEX #4A12ED

RGB 74 18 237

HSL 255.34, 0.86%, 0.5%

LAB 33.99, 73.39, -94.81

 

CMYK 92 / 92 / 0 / 7

HEX #1212ED

RGB 18 18 237

HSL 240, 0.86%, 0.5%

LAB 31.06, 71.81, -99.77

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 17 / 82 / 0 / 15

HEX #B426D9

RGB 180 38 217

HSL 287.6, 0.7%, 0.5%

LAB 47.1, 75.98, -61.37

 

CMYK 14 / 70 / 0 / 23

HEX #A83BC4

RGB 168 59 196

HSL 287.74, 0.54%, 0.5%

LAB 46.23, 63.18, -50.77

 

CMYK 11 / 54 / 0 / 31

HEX #9C50AF

RGB 156 80 175

HSL 288, 0.37%, 0.5%

LAB 46.84, 46.54, -37.63

 

CMYK 7 / 35 / 0 / 39

HEX #90649B

RGB 144 100 155

HSL 288, 0.22%, 0.5%

LAB 48.77, 27.69, -22.95

 

CMYK 69 / 92 / 0 / 7

HEX #4912ED

RGB 73 18 237

HSL 255.07, 0.86%, 0.5%

LAB 33.91, 73.34, -94.95

 

CMYK 45 / 92 / 0 / 7

HEX #8312ED

RGB 131 18 237

HSL 270.96, 0.86%, 0.5%

LAB 40.2, 77.53, -84.33

 

CMYK 20 / 92 / 0 / 7

HEX #BE12ED

RGB 190 18 237

HSL 287.12, 0.86%, 0.5%

LAB 48.88, 84.58, -69.78

 

CMYK 0 / 92 / 5 / 7

HEX #ED12E2

RGB 237 18 226

HSL 303.01, 0.86%, 0.5%

LAB 56.02, 90.15, -51.67

 

CMYK 0 / 92 / 29 / 7

HEX #ED12A8

RGB 237 18 168

HSL 318.9, 0.86%, 0.5%

LAB 53.24, 83.03, -22.57

 

CMYK 19 / 93 / 0 / 37

HEX #820CA0

RGB 130 12 160

HSL 287.84, 0.86%, 0.34%

LAB 33.02, 62.94, -51.02

 

CMYK 19 / 92 / 0 / 22

HEX #A10FC7

RGB 161 15 199

HSL 287.61, 0.86%, 0.42%

LAB 41.28, 74.21, -60.55

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 15 / 77 / 0 / 6

HEX #CB38F0

RGB 203 56 240

HSL 287.93, 0.86%, 0.58%

LAB 53.83, 79.15, -63.36

 

CMYK 12 / 61 / 0 / 5

HEX #D55FF3

RGB 213 95 243

HSL 287.84, 0.86%, 0.66%

LAB 60.61, 67.17, -54.1

 

CMYK 19 / 92 / 0 / 7

HEX #C114ED

RGB 193 20 237

HSL 287.83, 0.86%, 0.5%

LAB 49.44, 84.75, -68.85

 

CMYK 0 / 92 / 91 / 7

HEX #ED1216

RGB 237 18 22

HSL 358.9, 0.86%, 0.5%

LAB 50.09, 74.48, 57.34

 

CMYK 92 / 0 / 57 / 7

HEX #12ED66

RGB 18 237 102

HSL 143.01, 0.86%, 0.5%

LAB 82.73, -74.38, 51.57

 

CMYK 19 / 92 / 0 / 7

HEX #C114ED

RGB 193 20 237

HSL 287.83, 0.86%, 0.5%

LAB 49.44, 84.75, -68.85

 

CMYK 0 / 20 / 92 / 7

HEX #EDBE12

RGB 237 190 18

HSL 47.12, 0.86%, 0.5%

LAB 78.97, 3.35, 78.78

 

CMYK 92 / 0 / 20 / 7

HEX #12EDBE

RGB 18 237 190

HSL 167.12, 0.86%, 0.5%

LAB 84.18, -57.66, 9.63

 

CMYK 19 / 92 / 0 / 7

HEX #C114ED

RGB 193 20 237

HSL 287.83, 0.86%, 0.5%

LAB 49.44, 84.75, -68.85

 

CMYK 0 / 92 / 91 / 7

HEX #ED1216

RGB 237 18 22

HSL 358.9, 0.86%, 0.5%

LAB 50.09, 74.48, 57.34

 

CMYK 73 / 0 / 92 / 7

HEX #41ED12

RGB 65 237 18

HSL 107.12, 0.86%, 0.5%

LAB 82.77, -75.84, 77.8

 

CMYK 92 / 0 / 2 / 7

HEX #12EDE9

RGB 18 237 233

HSL 178.9, 0.86%, 0.5%

LAB 85.29, -46.21, -11.34

 

CMYK 19 / 92 / 0 / 7

HEX #C114ED

RGB 193 20 237

HSL 287.83, 0.86%, 0.5%

LAB 49.44, 84.75, -68.85

 

CMYK 0 / 66 / 92 / 7

HEX #ED5012

RGB 237 80 18

HSL 16.99, 0.86%, 0.5%

LAB 55.87, 58.23, 62.42

 

CMYK 73 / 0 / 92 / 7

HEX #41ED12

RGB 65 237 18

HSL 107.12, 0.86%, 0.5%

LAB 82.77, -75.84, 77.8

 

CMYK 92 / 26 / 0 / 7

HEX #12AFED

RGB 18 175 237

HSL 196.99, 0.86%, 0.5%

LAB 67.2, -14.96, -41.14

 

Description

Color code: HEX #C114ED | qconv.com Color code: HEX #C114ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 20 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 20 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 92 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 92% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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