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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C112DF it is the complementary color #3EED20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C112DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C112DF shade: #C612DA, #D724ED, #E836FF, #F948FF and #FF5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C112DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C112DF shade: #C112DF, #B000CC, #9F00B9, #8E00A6 and #7D0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C112DF shade: #C012DE, #DE12C5, #DE128E, #DE1257 and #DE1220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C112DF shade: #C012DE, #8912DE, #5212DE, #1B12DE and #1212DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C112DF shade matches the following richer shades: #C012DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C112DF shade: #C012DE, #B225CA, #A439B7, #974CA4 and #896090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C112DF shade: #5212DE, #8912DE, #BF12DE, #DE12C6 and #DE1290

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C112DF shade: #7E0C91, #9F0FB8, #C012DE, #D12BEE and #DA51F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C112DF shade: #C112DF, #DE1C12 and #12DE6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C112DF shade: #C112DF, #DEBF12 and #12DEBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C112DF shade: #C112DF, #DE1C12, #31DE12 and #12D4DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C112DF shade: #C112DF, #DE5912, #31DE12 and #1296DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 92 / 0 / 13

HEX #C112DF

RGB 193 18 223

HSL 291.22, 0.85%, 0.47%

LAB 48.38, 82.66, -62.62

 

Complementary color

CMYK 74 / 0 / 86 / 7

HEX #3EED20

RGB 62 237 32

HSL 111.22, 0.85%, 0.53%

LAB 82.75, -75.9, 75.56

 

CMYK 9 / 92 / 0 / 15

HEX #C612DA

RGB 198 18 218

HSL 294, 0.85%, 0.46%

LAB 48.88, 82.62, -58.92

 

CMYK 9 / 85 / 0 / 7

HEX #D724ED

RGB 215 36 237

HSL 293.43, 0.85%, 0.54%

LAB 53.84, 85.59, -61.56

 

CMYK 9 / 79 / 0 / 0

HEX #E836FF

RGB 232 54 255

HSL 293.13, 1%, 0.61%

LAB 58.99, 87.41, -63.18

 

CMYK 2 / 72 / 0 / 0

HEX #F948FF

RGB 249 72 255

HSL 298.03, 1%, 0.64%

LAB 63.34, 85.59, -56.08

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 13 / 92 / 0 / 13

HEX #C112DF

RGB 193 18 223

HSL 291.22, 0.85%, 0.47%

LAB 48.38, 82.66, -62.62

 

CMYK 14 / 100 / 0 / 20

HEX #B000CC

RGB 176 0 204

HSL 291.76, 1%, 0.4%

LAB 43.64, 78.78, -59.52

 

CMYK 14 / 100 / 0 / 27

HEX #9F00B9

RGB 159 0 185

HSL 291.57, 1%, 0.36%

LAB 39.37, 73.18, -55.46

 

CMYK 14 / 100 / 0 / 35

HEX #8E00A6

RGB 142 0 166

HSL 291.33, 1%, 0.33%

LAB 35.01, 67.46, -51.32

 

CMYK 15 / 100 / 0 / 42

HEX #7D0093

RGB 125 0 147

HSL 291.02, 1%, 0.29%

LAB 30.56, 61.62, -47.1

 

CMYK 14 / 92 / 0 / 13

HEX #C012DE

RGB 192 18 222

HSL 291.18, 0.85%, 0.47%

LAB 48.15, 82.35, -62.44

 

CMYK 0 / 92 / 11 / 13

HEX #DE12C5

RGB 222 18 197

HSL 307.35, 0.85%, 0.47%

LAB 51.83, 83.63, -41.9

 

CMYK 0 / 92 / 36 / 13

HEX #DE128E

RGB 222 18 142

HSL 323.53, 0.85%, 0.47%

LAB 49.39, 77.28, -13.2

 

CMYK 0 / 92 / 61 / 13

HEX #DE1257

RGB 222 18 87

HSL 339.71, 0.85%, 0.47%

LAB 47.82, 72.98, 18.19

 

CMYK 0 / 92 / 86 / 13

HEX #DE1220

RGB 222 18 32

HSL 355.88, 0.85%, 0.47%

LAB 47.06, 70.87, 49.31

 

CMYK 14 / 92 / 0 / 13

HEX #C012DE

RGB 192 18 222

HSL 291.18, 0.85%, 0.47%

LAB 48.15, 82.35, -62.44

 

CMYK 38 / 92 / 0 / 13

HEX #8912DE

RGB 137 18 222

HSL 275, 0.85%, 0.47%

LAB 39.62, 75.03, -76.7

 

CMYK 63 / 92 / 0 / 13

HEX #5212DE

RGB 82 18 222

HSL 258.82, 0.85%, 0.47%

LAB 32.92, 70.19, -87.99

 

CMYK 88 / 92 / 0 / 13

HEX #1B12DE

RGB 27 18 222

HSL 242.65, 0.85%, 0.47%

LAB 29.26, 68.05, -94.19

 

CMYK 92 / 92 / 0 / 13

HEX #1212DE

RGB 18 18 222

HSL 240, 0.85%, 0.47%

LAB 28.99, 67.91, -94.64

 

CMYK 14 / 92 / 0 / 13

HEX #C012DE

RGB 192 18 222

HSL 291.18, 0.85%, 0.47%

LAB 48.15, 82.35, -62.44

 

CMYK 14 / 92 / 0 / 13

HEX #C012DE

RGB 192 18 222

HSL 291.18, 0.85%, 0.47%

LAB 48.15, 82.35, -62.44

 

CMYK 12 / 82 / 0 / 21

HEX #B225CA

RGB 178 37 202

HSL 291.27, 0.69%, 0.47%

LAB 45.71, 73.25, -55

 

CMYK 10 / 69 / 0 / 28

HEX #A439B7

RGB 164 57 183

HSL 290.95, 0.53%, 0.47%

LAB 44.57, 60.64, -45.87

 

CMYK 8 / 54 / 0 / 36

HEX #974CA4

RGB 151 76 164

HSL 291.14, 0.37%, 0.47%

LAB 44.84, 44.97, -34.34

 

CMYK 5 / 33 / 0 / 44

HEX #896090

RGB 137 96 144

HSL 291.25, 0.2%, 0.47%

LAB 46.58, 25.34, -19.88

 

CMYK 63 / 92 / 0 / 13

HEX #5212DE

RGB 82 18 222

HSL 258.82, 0.85%, 0.47%

LAB 32.92, 70.19, -87.99

 

CMYK 38 / 92 / 0 / 13

HEX #8912DE

RGB 137 18 222

HSL 275, 0.85%, 0.47%

LAB 39.62, 75.03, -76.7

 

CMYK 14 / 92 / 0 / 13

HEX #BF12DE

RGB 191 18 222

HSL 290.88, 0.85%, 0.47%

LAB 47.99, 82.2, -62.71

 

CMYK 0 / 92 / 11 / 13

HEX #DE12C6

RGB 222 18 198

HSL 307.06, 0.85%, 0.47%

LAB 51.88, 83.76, -42.4

 

CMYK 0 / 92 / 35 / 13

HEX #DE1290

RGB 222 18 144

HSL 322.94, 0.85%, 0.47%

LAB 49.47, 77.47, -14.3

 

CMYK 13 / 92 / 0 / 43

HEX #7E0C91

RGB 126 12 145

HSL 291.43, 0.85%, 0.31%

LAB 31.21, 59.58, -44.8

 

CMYK 14 / 92 / 0 / 28

HEX #9F0FB8

RGB 159 15 184

HSL 291.12, 0.85%, 0.39%

LAB 39.87, 71.3, -54.05

 

CMYK 14 / 92 / 0 / 13

HEX #C012DE

RGB 192 18 222

HSL 291.18, 0.85%, 0.47%

LAB 48.15, 82.35, -62.44

 

CMYK 12 / 82 / 0 / 7

HEX #D12BEE

RGB 209 43 238

HSL 291.08, 0.85%, 0.55%

LAB 53.45, 83.28, -62.81

 

CMYK 10 / 66 / 0 / 5

HEX #DA51F1

RGB 218 81 241

HSL 291.38, 0.85%, 0.63%

LAB 59.1, 73.71, -55.34

 

CMYK 13 / 92 / 0 / 13

HEX #C112DF

RGB 193 18 223

HSL 291.22, 0.85%, 0.47%

LAB 48.38, 82.66, -62.62

 

CMYK 0 / 87 / 92 / 13

HEX #DE1C12

RGB 222 28 18

HSL 2.94, 0.85%, 0.47%

LAB 47.5, 69.16, 55.65

 

CMYK 92 / 0 / 50 / 13

HEX #12DE6E

RGB 18 222 110

HSL 147.06, 0.85%, 0.47%

LAB 78.17, -68.57, 42.32

 

CMYK 13 / 92 / 0 / 13

HEX #C112DF

RGB 193 18 223

HSL 291.22, 0.85%, 0.47%

LAB 48.38, 82.66, -62.62

 

CMYK 0 / 14 / 92 / 13

HEX #DEBF12

RGB 222 191 18

HSL 50.88, 0.85%, 0.47%

LAB 77.78, -3.67, 77.24

 

CMYK 92 / 0 / 14 / 13

HEX #12DEBF

RGB 18 222 191

HSL 170.88, 0.85%, 0.47%

LAB 79.69, -51.45, 2.63

 

CMYK 13 / 92 / 0 / 13

HEX #C112DF

RGB 193 18 223

HSL 291.22, 0.85%, 0.47%

LAB 48.38, 82.66, -62.62

 

CMYK 0 / 87 / 92 / 13

HEX #DE1C12

RGB 222 28 18

HSL 2.94, 0.85%, 0.47%

LAB 47.5, 69.16, 55.65

 

CMYK 78 / 0 / 92 / 13

HEX #31DE12

RGB 49 222 18

HSL 110.88, 0.85%, 0.47%

LAB 77.84, -73.79, 73.58

 

CMYK 92 / 5 / 0 / 13

HEX #12D4DE

RGB 18 212 222

HSL 182.94, 0.85%, 0.47%

LAB 77.57, -38.32, -17.08

 

CMYK 13 / 92 / 0 / 13

HEX #C112DF

RGB 193 18 223

HSL 291.22, 0.85%, 0.47%

LAB 48.38, 82.66, -62.62

 

CMYK 0 / 60 / 92 / 13

HEX #DE5912

RGB 222 89 18

HSL 20.88, 0.85%, 0.47%

LAB 54.78, 49.17, 60.47

 

CMYK 78 / 0 / 92 / 13

HEX #31DE12

RGB 49 222 18

HSL 110.88, 0.85%, 0.47%

LAB 77.84, -73.79, 73.58

 

CMYK 92 / 32 / 0 / 13

HEX #1296DE

RGB 18 150 222

HSL 201.18, 0.85%, 0.47%

LAB 59.17, -6.5, -45.5

 

Description

Color code: HEX #C112DF | qconv.com Color code: HEX #C112DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 18 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 18 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 92 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 92% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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