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Color name
HEX #C112A8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C112A8 it is the complementary color #3EED57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C112A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C112A8 shade: #C612A3, #D724B6, #E836C9, #F948DC and #FF5AEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C112A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C112A8 shade: #C112A8, #B00095, #9F0082, #8E006F and #7D005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C112A8 shade: #BF12A7, #BF1278, #BF1249, #BF121A and #BF1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C112A8 shade: #BF12A7, #A912BF, #7B12BF, #4C12BF and #1D12BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C112A8 shade matches the following richer shades: #BF12A7 and #D001B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C112A8 shade: #BF12A7, #AE239A, #9D348E, #8D4582 and #7C5576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C112A8 shade: #7A12BF, #A812BF, #BF12A8, #BF127A and #BF124C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C112A8 shade: #740B65, #9A0E86, #BF12A7, #E515C7 and #EC37D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C112A8 shade: #C112A8, #BF4C12 and #12BF91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C112A8 shade: #C112A8, #A8BF12 and #12A8BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C112A8 shade: #C112A8, #BF4C12, #12BF29 and #1285BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C112A8 shade: #C112A8, #BF8012, #12BF29 and #1251BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 13 / 24

HEX #C112A8

RGB 193 18 168

HSL 308.57, 0.83%, 0.41%

LAB 45.08, 74.41, -35.9

 

Complementary color

CMYK 74 / 0 / 63 / 7

HEX #3EED57

RGB 62 237 87

HSL 128.57, 0.83%, 0.59%

LAB 83.06, -72.09, 58.55

 

CMYK 0 / 91 / 18 / 22

HEX #C612A3

RGB 198 18 163

HSL 311.67, 0.83%, 0.42%

LAB 45.75, 74.72, -31.8

 

CMYK 0 / 83 / 15 / 16

HEX #D724B6

RGB 215 36 182

HSL 311.06, 0.71%, 0.49%

LAB 50.79, 77.53, -34.9

 

CMYK 0 / 77 / 13 / 9

HEX #E836C9

RGB 232 54 201

HSL 310.45, 0.79%, 0.56%

LAB 56.1, 79.33, -37.36

 

CMYK 0 / 71 / 12 / 2

HEX #F948DC

RGB 249 72 220

HSL 309.83, 0.94%, 0.63%

LAB 61.6, 80.39, -39.33

 

CMYK 0 / 65 / 6 / 0

HEX #FF5AEF

RGB 255 90 239

HSL 305.82, 1%, 0.68%

LAB 65.6, 78.34, -43.61

 

CMYK 0 / 91 / 13 / 24

HEX #C112A8

RGB 193 18 168

HSL 308.57, 0.83%, 0.41%

LAB 45.08, 74.41, -35.9

 

CMYK 0 / 100 / 15 / 31

HEX #B00095

RGB 176 0 149

HSL 309.2, 1%, 0.35%

LAB 40.25, 70.62, -32.3

 

CMYK 0 / 100 / 18 / 38

HEX #9F0082

RGB 159 0 130

HSL 310.94, 1%, 0.31%

LAB 35.95, 64.94, -27.59

 

CMYK 0 / 100 / 22 / 44

HEX #8E006F

RGB 142 0 111

HSL 313.1, 1%, 0.28%

LAB 31.57, 59.15, -22.7

 

CMYK 0 / 100 / 26 / 51

HEX #7D005C

RGB 125 0 92

HSL 315.84, 1%, 0.25%

LAB 27.11, 53.25, -17.59

 

CMYK 0 / 91 / 13 / 25

HEX #BF12A7

RGB 191 18 167

HSL 308.32, 0.83%, 0.41%

LAB 44.66, 73.89, -35.99

 

CMYK 0 / 91 / 37 / 25

HEX #BF1278

RGB 191 18 120

HSL 324.62, 0.83%, 0.41%

LAB 42.56, 68.34, -10.66

 

CMYK 0 / 91 / 62 / 25

HEX #BF1249

RGB 191 18 73

HSL 340.92, 0.83%, 0.41%

LAB 41.2, 64.59, 16.96

 

CMYK 0 / 91 / 86 / 25

HEX #BF121A

RGB 191 18 26

HSL 357.23, 0.83%, 0.41%

LAB 40.55, 62.74, 44.21

 

CMYK 0 / 91 / 91 / 25

HEX #BF1212

RGB 191 18 18

HSL 0, 0.83%, 0.41%

LAB 40.5, 62.6, 47.89

 

CMYK 0 / 91 / 13 / 25

HEX #BF12A7

RGB 191 18 167

HSL 308.32, 0.83%, 0.41%

LAB 44.66, 73.89, -35.99

 

CMYK 12 / 91 / 0 / 25

HEX #A912BF

RGB 169 18 191

HSL 292.37, 0.83%, 0.41%

LAB 42.2, 73.64, -54.32

 

CMYK 36 / 91 / 0 / 25

HEX #7B12BF

RGB 123 18 191

HSL 276.42, 0.83%, 0.41%

LAB 34.81, 66.98, -66.67

 

CMYK 60 / 91 / 0 / 25

HEX #4C12BF

RGB 76 18 191

HSL 260.12, 0.83%, 0.41%

LAB 28.72, 62.18, -76.92

 

CMYK 85 / 91 / 0 / 25

HEX #1D12BF

RGB 29 18 191

HSL 243.82, 0.83%, 0.41%

LAB 25.12, 59.78, -83

 

CMYK 0 / 91 / 13 / 25

HEX #BF12A7

RGB 191 18 167

HSL 308.32, 0.83%, 0.41%

LAB 44.66, 73.89, -35.99

 

CMYK 0 / 100 / 14 / 18

HEX #D001B3

RGB 208 1 179

HSL 308.41, 0.99%, 0.41%

LAB 47.86, 80.22, -37.83

 

CMYK 0 / 91 / 13 / 25

HEX #BF12A7

RGB 191 18 167

HSL 308.32, 0.83%, 0.41%

LAB 44.66, 73.89, -35.99

 

CMYK 0 / 80 / 11 / 32

HEX #AE239A

RGB 174 35 154

HSL 308.63, 0.67%, 0.41%

LAB 42.05, 65.32, -32.51

 

CMYK 0 / 67 / 10 / 38

HEX #9D348E

RGB 157 52 142

HSL 308.57, 0.5%, 0.41%

LAB 40.54, 53.78, -27.82

 

CMYK 0 / 51 / 8 / 45

HEX #8D4582

RGB 141 69 130

HSL 309.17, 0.34%, 0.41%

LAB 40.46, 39.13, -20.79

 

CMYK 0 / 31 / 5 / 51

HEX #7C5576

RGB 124 85 118

HSL 309.23, 0.19%, 0.41%

LAB 41.36, 21.94, -12.26

 

CMYK 36 / 91 / 0 / 25

HEX #7A12BF

RGB 122 18 191

HSL 276.07, 0.83%, 0.41%

LAB 34.66, 66.86, -66.92

 

CMYK 12 / 91 / 0 / 25

HEX #A812BF

RGB 168 18 191

HSL 292.02, 0.83%, 0.41%

LAB 42.03, 73.48, -54.61

 

CMYK 0 / 91 / 12 / 25

HEX #BF12A8

RGB 191 18 168

HSL 307.98, 0.83%, 0.41%

LAB 44.71, 74.03, -36.5

 

CMYK 0 / 91 / 36 / 25

HEX #BF127A

RGB 191 18 122

HSL 323.93, 0.83%, 0.41%

LAB 42.63, 68.54, -11.79

 

CMYK 0 / 91 / 60 / 25

HEX #BF124C

RGB 191 18 76

HSL 339.88, 0.83%, 0.41%

LAB 41.27, 64.78, 15.15

 

CMYK 0 / 91 / 13 / 55

HEX #740B65

RGB 116 11 101

HSL 308.57, 0.83%, 0.25%

LAB 26.42, 50.56, -24.69

 

CMYK 0 / 91 / 13 / 40

HEX #9A0E86

RGB 154 14 134

HSL 308.57, 0.83%, 0.33%

LAB 35.8, 62.71, -30.38

 

CMYK 0 / 91 / 13 / 25

HEX #BF12A7

RGB 191 18 167

HSL 308.32, 0.83%, 0.41%

LAB 44.66, 73.89, -35.99

 

CMYK 0 / 91 / 13 / 10

HEX #E515C7

RGB 229 21 199

HSL 308.65, 0.83%, 0.49%

LAB 53.3, 84.82, -40.66

 

CMYK 0 / 77 / 11 / 7

HEX #EC37D3

RGB 236 55 211

HSL 308.29, 0.83%, 0.57%

LAB 57.34, 81.28, -41.08

 

CMYK 0 / 91 / 13 / 24

HEX #C112A8

RGB 193 18 168

HSL 308.57, 0.83%, 0.41%

LAB 45.08, 74.41, -35.9

 

CMYK 0 / 60 / 91 / 25

HEX #BF4C12

RGB 191 76 18

HSL 20.12, 0.83%, 0.41%

LAB 47.35, 43.75, 52.83

 

CMYK 91 / 0 / 24 / 25

HEX #12BF91

RGB 18 191 145

HSL 164.05, 0.83%, 0.41%

LAB 69.06, -50.67, 12.14

 

CMYK 0 / 91 / 13 / 24

HEX #C112A8

RGB 193 18 168

HSL 308.57, 0.83%, 0.41%

LAB 45.08, 74.41, -35.9

 

CMYK 12 / 0 / 91 / 25

HEX #A8BF12

RGB 168 191 18

HSL 67.98, 0.83%, 0.41%

LAB 73.3, -26.93, 71.84

 

CMYK 91 / 12 / 0 / 25

HEX #12A8BF

RGB 18 168 191

HSL 187.98, 0.83%, 0.41%

LAB 63.26, -27.11, -21.86

 

CMYK 0 / 91 / 13 / 24

HEX #C112A8

RGB 193 18 168

HSL 308.57, 0.83%, 0.41%

LAB 45.08, 74.41, -35.9

 

CMYK 0 / 60 / 91 / 25

HEX #BF4C12

RGB 191 76 18

HSL 20.12, 0.83%, 0.41%

LAB 47.35, 43.75, 52.83

 

CMYK 91 / 0 / 79 / 25

HEX #12BF29

RGB 18 191 41

HSL 127.98, 0.83%, 0.41%

LAB 67.69, -66.94, 59.39

 

CMYK 91 / 30 / 0 / 25

HEX #1285BF

RGB 18 133 191

HSL 200.12, 0.83%, 0.41%

LAB 52.58, -8.26, -38.42

 

CMYK 0 / 91 / 13 / 24

HEX #C112A8

RGB 193 18 168

HSL 308.57, 0.83%, 0.41%

LAB 45.08, 74.41, -35.9

 

CMYK 0 / 33 / 91 / 25

HEX #BF8012

RGB 191 128 18

HSL 38.15, 0.83%, 0.41%

LAB 58.56, 16.42, 61.23

 

CMYK 91 / 0 / 79 / 25

HEX #12BF29

RGB 18 191 41

HSL 127.98, 0.83%, 0.41%

LAB 67.69, -66.94, 59.39

 

CMYK 91 / 58 / 0 / 25

HEX #1251BF

RGB 18 81 191

HSL 218.15, 0.83%, 0.41%

LAB 37.44, 24.59, -62.7

 

Description

Color code: HEX #C112A8 | qconv.com Color code: HEX #C112A8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 18 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 18 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 13 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 13% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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