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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C10F8B it is the complementary color #3EF074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C10F8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C10F8B shade: #C60F86, #D72199, #E833AC, #F945BF and #FF57D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C10F8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C10F8B shade: #C10F8B, #B00078, #9F0065, #8E0052 and #7D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C10F8B shade: #C20E8B, #C20E5B, #C20E2A and #C20E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C10F8B shade: #C20E8B, #C20EBC, #980EC2, #670EC2 and #370EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C10F8B shade matches the following richer shades: #C20E8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C10F8B shade: #C20E8B, #B11F85, #A0307E, #8F4177 and #7E5271

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C10F8B shade: #980EC2, #C20EBC, #C20E8C, #C20E5C and #C20E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C10F8B shade: #750854, #9C0B70, #C20E8B, #E811A7 and #EF33B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C10F8B shade: #C10F8B, #C2680E and #0EC2B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C10F8B shade: #C10F8B, #8CC20E and #0E8CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C10F8B shade: #C10F8B, #C2680E, #0EC244 and #0E68C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C10F8B shade: #C10F8B, #C29E0E, #0EC244 and #0E32C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 28 / 24

HEX #C10F8B

RGB 193 15 139

HSL 318.2, 0.86%, 0.41%

LAB 43.57, 71.2, -20.77

 

Complementary color

CMYK 74 / 0 / 52 / 6

HEX #3EF074

RGB 62 240 116

HSL 138.2, 0.86%, 0.59%

LAB 84.28, -69.48, 47.12

 

CMYK 0 / 92 / 32 / 22

HEX #C60F86

RGB 198 15 134

HSL 320.98, 0.86%, 0.42%

LAB 44.33, 71.7, -16.47

 

CMYK 0 / 85 / 29 / 16

HEX #D72199

RGB 215 33 153

HSL 320.44, 0.73%, 0.49%

LAB 49.29, 74.6, -20.08

 

CMYK 0 / 78 / 26 / 9

HEX #E833AC

RGB 232 51 172

HSL 319.89, 0.8%, 0.55%

LAB 54.56, 76.44, -22.97

 

CMYK 0 / 72 / 23 / 2

HEX #F945BF

RGB 249 69 191

HSL 319.33, 0.94%, 0.62%

LAB 60.03, 77.51, -25.3

 

CMYK 0 / 66 / 18 / 0

HEX #FF57D2

RGB 255 87 210

HSL 316.07, 1%, 0.67%

LAB 63.94, 75.29, -29.99

 

CMYK 0 / 92 / 28 / 24

HEX #C10F8B

RGB 193 15 139

HSL 318.2, 0.86%, 0.41%

LAB 43.57, 71.2, -20.77

 

CMYK 0 / 100 / 32 / 31

HEX #B00078

RGB 176 0 120

HSL 319.09, 1%, 0.35%

LAB 38.87, 67.15, -16.54

 

CMYK 0 / 100 / 36 / 38

HEX #9F0065

RGB 159 0 101

HSL 321.89, 1%, 0.31%

LAB 34.62, 61.55, -11.3

 

CMYK 0 / 100 / 42 / 44

HEX #8E0052

RGB 142 0 82

HSL 325.35, 1%, 0.28%

LAB 30.3, 55.89, -5.78

 

CMYK 0 / 100 / 50 / 51

HEX #7D003F

RGB 125 0 63

HSL 329.76, 1%, 0.25%

LAB 25.92, 50.17, 0.08

 

CMYK 0 / 93 / 28 / 24

HEX #C20E8B

RGB 194 14 139

HSL 318.33, 0.87%, 0.41%

LAB 43.72, 71.52, -20.52

 

CMYK 0 / 93 / 53 / 24

HEX #C20E5B

RGB 194 14 91

HSL 334.33, 0.87%, 0.41%

LAB 42.06, 67.05, 6.85

 

CMYK 0 / 93 / 78 / 24

HEX #C20E2A

RGB 194 14 42

HSL 350.67, 0.87%, 0.41%

LAB 41.14, 64.49, 36.19

 

CMYK 0 / 93 / 93 / 24

HEX #C20E0E

RGB 194 14 14

HSL 0, 0.87%, 0.41%

LAB 40.92, 63.88, 50.08

 

CMYK 0 / 93 / 28 / 24

HEX #C20E8B

RGB 194 14 139

HSL 318.33, 0.87%, 0.41%

LAB 43.72, 71.52, -20.52

 

CMYK 0 / 93 / 3 / 24

HEX #C20EBC

RGB 194 14 188

HSL 302, 0.87%, 0.41%

LAB 46.2, 77.86, -45.92

 

CMYK 22 / 93 / 0 / 24

HEX #980EC2

RGB 152 14 194

HSL 286, 0.87%, 0.41%

LAB 39.39, 72.14, -60.77

 

CMYK 47 / 93 / 0 / 24

HEX #670EC2

RGB 103 14 194

HSL 269.67, 0.87%, 0.41%

LAB 32.02, 66.13, -73.13

 

CMYK 72 / 93 / 0 / 24

HEX #370EC2

RGB 55 14 194

HSL 253.67, 0.87%, 0.41%

LAB 26.8, 62.62, -81.95

 

CMYK 0 / 93 / 28 / 24

HEX #C20E8B

RGB 194 14 139

HSL 318.33, 0.87%, 0.41%

LAB 43.72, 71.52, -20.52

 

CMYK 0 / 93 / 28 / 24

HEX #C20E8B

RGB 194 14 139

HSL 318.33, 0.87%, 0.41%

LAB 43.72, 71.52, -20.52

 

CMYK 0 / 82 / 25 / 31

HEX #B11F85

RGB 177 31 133

HSL 318.08, 0.7%, 0.41%

LAB 41.25, 64.16, -20.93

 

CMYK 0 / 70 / 21 / 37

HEX #A0307E

RGB 160 48 126

HSL 318.21, 0.54%, 0.41%

LAB 39.74, 53.74, -19.2

 

CMYK 0 / 55 / 17 / 44

HEX #8F4177

RGB 143 65 119

HSL 318.46, 0.38%, 0.41%

LAB 39.5, 39.97, -15.47

 

CMYK 0 / 35 / 10 / 51

HEX #7E5271

RGB 126 82 113

HSL 317.73, 0.21%, 0.41%

LAB 40.67, 23.5, -10.2

 

CMYK 22 / 93 / 0 / 24

HEX #980EC2

RGB 152 14 194

HSL 286, 0.87%, 0.41%

LAB 39.39, 72.14, -60.77

 

CMYK 0 / 93 / 3 / 24

HEX #C20EBC

RGB 194 14 188

HSL 302, 0.87%, 0.41%

LAB 46.2, 77.86, -45.92

 

CMYK 0 / 93 / 28 / 24

HEX #C20E8C

RGB 194 14 140

HSL 318, 0.87%, 0.41%

LAB 43.77, 71.63, -21.07

 

CMYK 0 / 93 / 53 / 24

HEX #C20E5C

RGB 194 14 92

HSL 334, 0.87%, 0.41%

LAB 42.09, 67.13, 6.26

 

CMYK 0 / 93 / 77 / 24

HEX #C20E2C

RGB 194 14 44

HSL 350, 0.87%, 0.41%

LAB 41.16, 64.56, 35.04

 

CMYK 0 / 93 / 28 / 54

HEX #750854

RGB 117 8 84

HSL 318.17, 0.87%, 0.25%

LAB 25.55, 49, -14.83

 

CMYK 0 / 93 / 28 / 39

HEX #9C0B70

RGB 156 11 112

HSL 318.21, 0.87%, 0.33%

LAB 34.96, 60.71, -17.86

 

CMYK 0 / 93 / 28 / 24

HEX #C20E8B

RGB 194 14 139

HSL 318.33, 0.87%, 0.41%

LAB 43.72, 71.52, -20.52

 

CMYK 0 / 93 / 28 / 9

HEX #E811A7

RGB 232 17 167

HSL 318.14, 0.86%, 0.49%

LAB 52.23, 82.03, -23.62

 

CMYK 0 / 79 / 24 / 6

HEX #EF33B6

RGB 239 51 182

HSL 318.19, 0.85%, 0.57%

LAB 56.18, 79.21, -26.18

 

CMYK 0 / 92 / 28 / 24

HEX #C10F8B

RGB 193 15 139

HSL 318.2, 0.86%, 0.41%

LAB 43.57, 71.2, -20.77

 

CMYK 0 / 46 / 93 / 24

HEX #C2680E

RGB 194 104 14

HSL 30, 0.87%, 0.41%

LAB 53.39, 30.73, 58.5

 

CMYK 93 / 0 / 9 / 24

HEX #0EC2B0

RGB 14 194 176

HSL 174, 0.87%, 0.41%

LAB 70.74, -43.95, -2.35

 

CMYK 0 / 92 / 28 / 24

HEX #C10F8B

RGB 193 15 139

HSL 318.2, 0.86%, 0.41%

LAB 43.57, 71.2, -20.77

 

CMYK 28 / 0 / 93 / 24

HEX #8CC20E

RGB 140 194 14

HSL 78, 0.87%, 0.41%

LAB 72.36, -39.71, 70.89

 

CMYK 93 / 28 / 0 / 24

HEX #0E8CC2

RGB 14 140 194

HSL 198, 0.87%, 0.41%

LAB 54.81, -11.34, -36.63

 

CMYK 0 / 92 / 28 / 24

HEX #C10F8B

RGB 193 15 139

HSL 318.2, 0.86%, 0.41%

LAB 43.57, 71.2, -20.77

 

CMYK 0 / 46 / 93 / 24

HEX #C2680E

RGB 194 104 14

HSL 30, 0.87%, 0.41%

LAB 53.39, 30.73, 58.5

 

CMYK 93 / 0 / 65 / 24

HEX #0EC244

RGB 14 194 68

HSL 138, 0.87%, 0.41%

LAB 68.82, -65.67, 50.53

 

CMYK 93 / 46 / 0 / 24

HEX #0E68C2

RGB 14 104 194

HSL 210, 0.87%, 0.41%

LAB 44.07, 10.48, -53.69

 

CMYK 0 / 92 / 28 / 24

HEX #C10F8B

RGB 193 15 139

HSL 318.2, 0.86%, 0.41%

LAB 43.57, 71.2, -20.77

 

CMYK 0 / 19 / 93 / 24

HEX #C29E0E

RGB 194 158 14

HSL 48, 0.87%, 0.41%

LAB 66.49, 1.31, 68.13

 

CMYK 93 / 0 / 65 / 24

HEX #0EC244

RGB 14 194 68

HSL 138, 0.87%, 0.41%

LAB 68.82, -65.67, 50.53

 

CMYK 93 / 74 / 0 / 24

HEX #0E32C2

RGB 14 50 194

HSL 228, 0.87%, 0.41%

LAB 30.08, 45.47, -76.54

 

Description

Color code: HEX #C10F8B | qconv.com Color code: HEX #C10F8B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 15 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 15 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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