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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C10DA8 it is the complementary color #3EF257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C10DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C10DA8 shade: #C60DA3, #D71FB6, #E831C9, #F943DC and #FF55EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C10DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C10DA8 shade: #C10DA8, #B00095, #9F0082, #8E006F and #7D005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C10DA8 shade: #BF0DA6, #BF0D76, #BF0D46, #BF0D17 and #BF0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C10DA8 shade: #BF0DA6, #A80DBF, #780DBF, #480DBF and #180DBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C10DA8 shade matches the following richer shades: #BF0DA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C10DA8 shade: #BF0DA6, #AE1E9A, #9E2E8E, #8D3F82 and #7D4F76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C10DA8 shade: #780DBF, #A70DBF, #BF0DA7, #BF0D78 and #BF0D48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C10DA8 shade: #720863, #980B85, #BF0DA6, #E510C8 and #F02ED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C10DA8 shade: #C10DA8, #BF480D and #0DBF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C10DA8 shade: #C10DA8, #A7BF0D and #0DA7BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C10DA8 shade: #C10DA8, #BF480D, #0DBF25 and #0D84BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C10DA8 shade: #C10DA8, #BF7E0D, #0DBF25 and #0D4EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 13 / 24

HEX #C10DA8

RGB 193 13 168

HSL 308.33, 0.87%, 0.4%

LAB 44.87, 75, -36.22

 

Complementary color

CMYK 74 / 0 / 64 / 5

HEX #3EF257

RGB 62 242 87

HSL 128.33, 0.87%, 0.6%

LAB 84.6, -73.66, 60.25

 

CMYK 0 / 93 / 18 / 22

HEX #C60DA3

RGB 198 13 163

HSL 311.35, 0.88%, 0.41%

LAB 45.55, 75.3, -32.11

 

CMYK 0 / 86 / 15 / 16

HEX #D71FB6

RGB 215 31 182

HSL 310.76, 0.75%, 0.48%

LAB 50.46, 78.49, -35.42

 

CMYK 0 / 79 / 13 / 9

HEX #E831C9

RGB 232 49 201

HSL 310.16, 0.8%, 0.55%

LAB 55.65, 80.61, -38.06

 

CMYK 0 / 73 / 12 / 2

HEX #F943DC

RGB 249 67 220

HSL 309.56, 0.94%, 0.62%

LAB 61.06, 81.92, -40.17

 

CMYK 0 / 67 / 6 / 0

HEX #FF55EF

RGB 255 85 239

HSL 305.65, 1%, 0.67%

LAB 64.95, 80.14, -44.62

 

CMYK 0 / 93 / 13 / 24

HEX #C10DA8

RGB 193 13 168

HSL 308.33, 0.87%, 0.4%

LAB 44.87, 75, -36.22

 

CMYK 0 / 100 / 15 / 31

HEX #B00095

RGB 176 0 149

HSL 309.2, 1%, 0.35%

LAB 40.25, 70.62, -32.3

 

CMYK 0 / 100 / 18 / 38

HEX #9F0082

RGB 159 0 130

HSL 310.94, 1%, 0.31%

LAB 35.95, 64.94, -27.59

 

CMYK 0 / 100 / 22 / 44

HEX #8E006F

RGB 142 0 111

HSL 313.1, 1%, 0.28%

LAB 31.57, 59.15, -22.7

 

CMYK 0 / 100 / 26 / 51

HEX #7D005C

RGB 125 0 92

HSL 315.84, 1%, 0.25%

LAB 27.11, 53.25, -17.59

 

CMYK 0 / 93 / 13 / 25

HEX #BF0DA6

RGB 191 13 166

HSL 308.43, 0.87%, 0.4%

LAB 44.4, 74.36, -35.8

 

CMYK 0 / 93 / 38 / 25

HEX #BF0D76

RGB 191 13 118

HSL 324.61, 0.87%, 0.4%

LAB 42.27, 68.79, -9.86

 

CMYK 0 / 93 / 63 / 25

HEX #BF0D46

RGB 191 13 70

HSL 340.79, 0.87%, 0.4%

LAB 40.91, 65.09, 18.47

 

CMYK 0 / 93 / 88 / 25

HEX #BF0D17

RGB 191 13 23

HSL 356.63, 0.87%, 0.4%

LAB 40.29, 63.36, 45.47

 

CMYK 0 / 93 / 93 / 25

HEX #BF0D0D

RGB 191 13 13

HSL 0, 0.87%, 0.4%

LAB 40.24, 63.21, 49.7

 

CMYK 0 / 93 / 13 / 25

HEX #BF0DA6

RGB 191 13 166

HSL 308.43, 0.87%, 0.4%

LAB 44.4, 74.36, -35.8

 

CMYK 12 / 93 / 0 / 25

HEX #A80DBF

RGB 168 13 191

HSL 292.25, 0.87%, 0.4%

LAB 41.8, 74.15, -54.97

 

CMYK 37 / 93 / 0 / 25

HEX #780DBF

RGB 120 13 191

HSL 276.07, 0.87%, 0.4%

LAB 34.07, 67.5, -67.9

 

CMYK 62 / 93 / 0 / 25

HEX #480DBF

RGB 72 13 191

HSL 259.89, 0.87%, 0.4%

LAB 27.92, 63.05, -78.26

 

CMYK 87 / 93 / 0 / 25

HEX #180DBF

RGB 24 13 191

HSL 243.71, 0.87%, 0.4%

LAB 24.46, 61.05, -84.11

 

CMYK 0 / 93 / 13 / 25

HEX #BF0DA6

RGB 191 13 166

HSL 308.43, 0.87%, 0.4%

LAB 44.4, 74.36, -35.8

 

CMYK 0 / 93 / 13 / 25

HEX #BF0DA6

RGB 191 13 166

HSL 308.43, 0.87%, 0.4%

LAB 44.4, 74.36, -35.8

 

CMYK 0 / 83 / 11 / 32

HEX #AE1E9A

RGB 174 30 154

HSL 308.33, 0.71%, 0.4%

LAB 41.63, 66.55, -33.18

 

CMYK 0 / 71 / 10 / 38

HEX #9E2E8E

RGB 158 46 142

HSL 308.57, 0.55%, 0.4%

LAB 39.88, 56.35, -28.84

 

CMYK 0 / 55 / 8 / 45

HEX #8D3F82

RGB 141 63 130

HSL 308.46, 0.38%, 0.4%

LAB 39.29, 42.23, -22.6

 

CMYK 0 / 37 / 6 / 51

HEX #7D4F76

RGB 125 79 118

HSL 309.13, 0.23%, 0.4%

LAB 40.01, 25.87, -14.29

 

CMYK 37 / 93 / 0 / 25

HEX #780DBF

RGB 120 13 191

HSL 276.07, 0.87%, 0.4%

LAB 34.07, 67.5, -67.9

 

CMYK 13 / 93 / 0 / 25

HEX #A70DBF

RGB 167 13 191

HSL 291.91, 0.87%, 0.4%

LAB 41.63, 73.99, -55.25

 

CMYK 0 / 93 / 13 / 25

HEX #BF0DA7

RGB 191 13 167

HSL 308.09, 0.87%, 0.4%

LAB 44.45, 74.5, -36.31

 

CMYK 0 / 93 / 37 / 25

HEX #BF0D78

RGB 191 13 120

HSL 323.93, 0.87%, 0.4%

LAB 42.34, 68.98, -10.99

 

CMYK 0 / 93 / 62 / 25

HEX #BF0D48

RGB 191 13 72

HSL 340.11, 0.87%, 0.4%

LAB 40.95, 65.2, 17.26

 

CMYK 0 / 93 / 13 / 55

HEX #720863

RGB 114 8 99

HSL 308.49, 0.87%, 0.24%

LAB 25.72, 50.4, -24.52

 

CMYK 0 / 93 / 13 / 40

HEX #980B85

RGB 152 11 133

HSL 308.09, 0.87%, 0.32%

LAB 35.22, 62.6, -30.7

 

CMYK 0 / 93 / 13 / 25

HEX #BF0DA6

RGB 191 13 166

HSL 308.43, 0.87%, 0.4%

LAB 44.4, 74.36, -35.8

 

CMYK 0 / 93 / 13 / 10

HEX #E510C8

RGB 229 16 200

HSL 308.17, 0.87%, 0.48%

LAB 53.17, 85.48, -41.44

 

CMYK 0 / 81 / 11 / 6

HEX #F02ED5

RGB 240 46 213

HSL 308.35, 0.87%, 0.56%

LAB 57.35, 84.54, -42.15

 

CMYK 0 / 93 / 13 / 24

HEX #C10DA8

RGB 193 13 168

HSL 308.33, 0.87%, 0.4%

LAB 44.87, 75, -36.22

 

CMYK 0 / 62 / 93 / 25

HEX #BF480D

RGB 191 72 13

HSL 19.89, 0.87%, 0.4%

LAB 46.63, 45.52, 53.84

 

CMYK 93 / 0 / 25 / 25

HEX #0DBF8F

RGB 13 191 143

HSL 163.82, 0.87%, 0.4%

LAB 68.99, -51.39, 13.11

 

CMYK 0 / 93 / 13 / 24

HEX #C10DA8

RGB 193 13 168

HSL 308.33, 0.87%, 0.4%

LAB 44.87, 75, -36.22

 

CMYK 13 / 0 / 93 / 25

HEX #A7BF0D

RGB 167 191 13

HSL 68.09, 0.87%, 0.4%

LAB 73.22, -27.44, 72.44

 

CMYK 93 / 13 / 0 / 25

HEX #0DA7BF

RGB 13 167 191

HSL 188.09, 0.87%, 0.4%

LAB 62.91, -26.83, -22.38

 

CMYK 0 / 93 / 13 / 24

HEX #C10DA8

RGB 193 13 168

HSL 308.33, 0.87%, 0.4%

LAB 44.87, 75, -36.22

 

CMYK 0 / 62 / 93 / 25

HEX #BF480D

RGB 191 72 13

HSL 19.89, 0.87%, 0.4%

LAB 46.63, 45.52, 53.84

 

CMYK 93 / 0 / 81 / 25

HEX #0DBF25

RGB 13 191 37

HSL 128.09, 0.87%, 0.4%

LAB 67.64, -67.48, 60.52

 

CMYK 93 / 31 / 0 / 25

HEX #0D84BF

RGB 13 132 191

HSL 199.89, 0.87%, 0.4%

LAB 52.23, -7.92, -38.97

 

CMYK 0 / 93 / 13 / 24

HEX #C10DA8

RGB 193 13 168

HSL 308.33, 0.87%, 0.4%

LAB 44.87, 75, -36.22

 

CMYK 0 / 34 / 93 / 25

HEX #BF7E0D

RGB 191 126 13

HSL 38.09, 0.87%, 0.4%

LAB 58.06, 17.45, 61.91

 

CMYK 93 / 0 / 81 / 25

HEX #0DBF25

RGB 13 191 37

HSL 128.09, 0.87%, 0.4%

LAB 67.64, -67.48, 60.52

 

CMYK 93 / 59 / 0 / 25

HEX #0D4EBF

RGB 13 78 191

HSL 218.09, 0.87%, 0.4%

LAB 36.55, 26.37, -64.15

 

Description

Color code: HEX #C10DA8 | qconv.com Color code: HEX #C10DA8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 13 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 13 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 13 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 13% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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