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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0FFB5BF it is the complementary color #3F004ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0FFB5BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0FFB5BF shade: #C5FFB0BF, #D6FFC3BF, #E7FFD6BF, #F8FFE9BF and #FFFFFCBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0FFB5BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0FFB5BF shade: #C0FFB5BF, #AFEDA2BF, #9EDB8FBF, #8DC97CBF and #7CB769BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0FFB5BF shade: #BEFFB3, #D3FFB3, #E7FFB3, #FCFFB3 and #FFEEB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0FFB5BF shade: #BEFFB3, #B3FFBC, #B3FFD0, #B3FFE5 and #B3FFFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0FFB5BF shade matches the following richer shades: #BEFFB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0FFB5BF shade: #BEFFB3, #C2F9B9, #C7F3BF, #CBECC5 and #CFE6CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0FFB5BF shade: #E7FFB3, #D2FFB3, #BEFFB3, #B3FFBB and #B3FFD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0FFB5BF shade: #78FF60, #9BFF89, #BEFFB3, #E1FFDC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0FFB5BF shade: #C0FFB5, #B3FBFF and #FFB3DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0FFB5BF shade: #C0FFB5, #B3BEFF and #FFB3BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0FFB5BF shade: #C0FFB5, #B3FBFF, #F4B3FF and #FFB6B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0FFB5BF shade: #C0FFB5, #B3E4FF, #F4B3FF and #FFCDB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 22 / 0

HEX #C0FFB5BF

RGBA 192 255 181 0.75

HSLA 111.08, 1%, 0.85%, 0.75

LABA 94.34, -33.2, 29.19, 0.75

 

Complementary color

CMYK 11 / 75 / 0 / 53

HEX #3F004ABF

RGBA 63 0 74 0.75

HSLA 291.08, 1%, 0.15%, 0.75

LABA 12.93, 38.19, -28.7, 0.75

 

CMYK 17 / 0 / 23 / 0

HEX #C5FFB0BF

RGBA 197 255 176 0.75

HSLA 104.05, 1%, 0.85%, 0.75

LABA 94.54, -32.3, 32.01, 0.75

 

CMYK 12 / 0 / 18 / 0

HEX #D6FFC3BF

RGBA 214 255 195 0.75

HSLA 101, 1%, 0.88%, 0.75

LABA 95.9, -23.7, 24.44, 0.75

 

CMYK 7 / 0 / 12 / 0

HEX #E7FFD6BF

RGBA 231 255 214 0.75

HSLA 95.12, 1%, 0.92%, 0.75

LABA 97.38, -14.93, 17, 0.75

 

CMYK 2 / 0 / 6 / 0

HEX #F8FFE9BF

RGBA 248 255 233 0.75

HSLA 79.09, 1%, 0.96%, 0.75

LABA 98.97, -6.07, 9.71, 0.75

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFCBF

RGBA 255 255 252 0.75

HSLA 60, 1%, 0.99%, 0.75

LABA 99.93, -0.52, 1.42, 0.75

HEX #FFFFFCBF

CMYK 19 / 0 / 22 / 0

HEX #C0FFB5BF

RGBA 192 255 181 0.75

HSLA 111.08, 1%, 0.85%, 0.75

LABA 94.34, -33.2, 29.19, 0.75

 

CMYK 20 / 0 / 24 / 5

HEX #AFEDA2BF

RGBA 175 237 162 0.75

HSLA 109.6, 0.68%, 0.78%, 0.75

LABA 88.11, -33.39, 30.23, 0.75

 

CMYK 21 / 0 / 26 / 11

HEX #9EDB8FBF

RGBA 158 219 143 0.75

HSLA 108.16, 0.51%, 0.71%, 0.75

LABA 81.79, -33.59, 31.33, 0.75

 

CMYK 22 / 0 / 29 / 16

HEX #8DC97CBF

RGBA 141 201 124 0.75

HSLA 106.75, 0.42%, 0.64%, 0.75

LABA 75.38, -33.78, 32.48, 0.75

 

CMYK 24 / 0 / 32 / 21

HEX #7CB769BF

RGBA 124 183 105 0.75

HSLA 105.38, 0.35%, 0.56%, 0.75

LABA 68.88, -33.96, 33.68, 0.75

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB3

RGB 190 255 179

HSL 111.32, 1%, 0.85%

LAB 94.19, -34.16, 29.98

 

CMYK 17 / 0 / 30 / 0

HEX #D3FFB3

RGB 211 255 179

HSL 94.74, 1%, 0.85%

LAB 95.42, -27.11, 31.84

 

CMYK 9 / 0 / 30 / 0

HEX #E7FFB3

RGB 231 255 179

HSL 78.95, 1%, 0.85%

LAB 96.72, -20.07, 33.82

 

CMYK 1 / 0 / 30 / 0

HEX #FCFFB3

RGB 252 255 179

HSL 62.37, 1%, 0.85%

LAB 98.22, -12.43, 36.08

 

CMYK 0 / 7 / 30 / 0

HEX #FFEEB3

RGB 255 238 179

HSL 46.58, 1%, 0.85%

LAB 94.17, -2.87, 30.69

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB3

RGB 190 255 179

HSL 111.32, 1%, 0.85%

LAB 94.19, -34.16, 29.98

 

CMYK 30 / 0 / 26 / 0

HEX #B3FFBC

RGB 179 255 188

HSL 127.11, 1%, 0.85%

LAB 93.77, -36.21, 24.75

 

CMYK 30 / 0 / 18 / 0

HEX #B3FFD0

RGB 179 255 208

HSL 142.89, 1%, 0.85%

LAB 94.17, -32.68, 15.1

 

CMYK 30 / 0 / 10 / 0

HEX #B3FFE5

RGB 179 255 229

HSL 159.47, 1%, 0.85%

LAB 94.64, -28.61, 4.98

 

CMYK 30 / 0 / 2 / 0

HEX #B3FFFA

RGB 179 255 250

HSL 176.05, 1%, 0.85%

LAB 95.16, -24.19, -5.09

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB3

RGB 190 255 179

HSL 111.32, 1%, 0.85%

LAB 94.19, -34.16, 29.98

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB3

RGB 190 255 179

HSL 111.32, 1%, 0.85%

LAB 94.19, -34.16, 29.98

 

CMYK 22 / 0 / 26 / 2

HEX #C2F9B9

RGB 194 249 185

HSL 111.56, 0.84%, 0.85%

LAB 92.89, -29.12, 25.21

 

CMYK 18 / 0 / 21 / 5

HEX #C7F3BF

RGB 199 243 191

HSL 110.77, 0.68%, 0.85%

LAB 91.69, -23.63, 20.52

 

CMYK 14 / 0 / 17 / 7

HEX #CBECC5

RGB 203 236 197

HSL 110.77, 0.51%, 0.85%

LAB 90.19, -17.88, 15.36

 

CMYK 10 / 0 / 12 / 10

HEX #CFE6CB

RGB 207 230 203

HSL 111.11, 0.35%, 0.85%

LAB 89, -12.52, 10.59

 

CMYK 9 / 0 / 30 / 0

HEX #E7FFB3

RGB 231 255 179

HSL 78.95, 1%, 0.85%

LAB 96.72, -20.07, 33.82

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB3

RGB 210 255 179

HSL 95.53, 1%, 0.85%

LAB 95.36, -27.45, 31.75

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB3

RGB 190 255 179

HSL 111.32, 1%, 0.85%

LAB 94.19, -34.16, 29.98

 

CMYK 30 / 0 / 27 / 0

HEX #B3FFBB

RGB 179 255 187

HSL 126.32, 1%, 0.85%

LAB 93.75, -36.37, 25.23

 

CMYK 30 / 0 / 18 / 0

HEX #B3FFD0

RGB 179 255 208

HSL 142.89, 1%, 0.85%

LAB 94.17, -32.68, 15.1

 

CMYK 53 / 0 / 62 / 0

HEX #78FF60

RGB 120 255 96

HSL 110.94, 1%, 0.69%

LAB 90.03, -65.53, 63

 

CMYK 39 / 0 / 46 / 0

HEX #9BFF89

RGB 155 255 137

HSL 110.85, 1%, 0.77%

LAB 91.82, -51.14, 47.17

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB3

RGB 190 255 179

HSL 111.32, 1%, 0.85%

LAB 94.19, -34.16, 29.98

 

CMYK 12 / 0 / 14 / 0

HEX #E1FFDC

RGB 225 255 220

HSL 111.43, 1%, 0.93%

LAB 97.1, -15.96, 13.49

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 29 / 0

HEX #C0FFB5

RGB 192 255 181

HSL 111.08, 1%, 0.85%

LAB 94.34, -33.2, 29.19

 

CMYK 30 / 2 / 0 / 0

HEX #B3FBFF

RGB 179 251 255

HSL 183.16, 1%, 0.85%

LAB 94.23, -21.15, -9.05

 

CMYK 0 / 30 / 13 / 0

HEX #FFB3DD

RGB 255 179 221

HSL 326.84, 1%, 0.85%

LAB 81.14, 33.72, -9.96

 

CMYK 25 / 0 / 29 / 0

HEX #C0FFB5

RGB 192 255 181

HSL 111.08, 1%, 0.85%

LAB 94.34, -33.2, 29.19

 

CMYK 30 / 25 / 0 / 0

HEX #B3BEFF

RGB 179 190 255

HSL 231.32, 1%, 0.85%

LAB 78.25, 10.56, -33.24

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3BE

RGB 255 179 190

HSL 351.32, 1%, 0.85%

LAB 80.3, 29.13, 5.56

 

CMYK 25 / 0 / 29 / 0

HEX #C0FFB5

RGB 192 255 181

HSL 111.08, 1%, 0.85%

LAB 94.34, -33.2, 29.19

 

CMYK 30 / 2 / 0 / 0

HEX #B3FBFF

RGB 179 251 255

HSL 183.16, 1%, 0.85%

LAB 94.23, -21.15, -9.05

 

CMYK 4 / 30 / 0 / 0

HEX #F4B3FF

RGB 244 179 255

HSL 291.32, 1%, 0.85%

LAB 81.12, 36.06, -28.35

 

CMYK 0 / 29 / 30 / 0

HEX #FFB6B3

RGB 255 182 179

HSL 2.37, 1%, 0.85%

LAB 80.72, 26.09, 12.1

 

CMYK 25 / 0 / 29 / 0

HEX #C0FFB5

RGB 192 255 181

HSL 111.08, 1%, 0.85%

LAB 94.34, -33.2, 29.19

 

CMYK 30 / 11 / 0 / 0

HEX #B3E4FF

RGB 179 228 255

HSL 201.32, 1%, 0.85%

LAB 88.11, -9.62, -18.2

 

CMYK 4 / 30 / 0 / 0

HEX #F4B3FF

RGB 244 179 255

HSL 291.32, 1%, 0.85%

LAB 81.12, 36.06, -28.35

 

CMYK 0 / 20 / 30 / 0

HEX #FFCDB3

RGB 255 205 179

HSL 20.53, 1%, 0.85%

LAB 86.1, 14.05, 19.64

 

Description

Color code: HEX #C0FFB5BF | qconv.com Color code: HEX #C0FFB5BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 255 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 255 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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