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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0FF52 it is the complementary color #3F00AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0FF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0FF52 shade: #C5FF4D, #D6FF60, #E7FF73, #F8FF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0FF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0FF52 shade: #C0FF52, #AFED3F, #9EDB2C, #8DC919 and #7CB706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0FF52 shade: #C0FF52, #EFFF52, #FFE152, #FFB252 and #FF8352

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0FF52 shade: #C0FF52, #91FF52, #62FF52, #52FF70 and #52FF9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0FF52 shade matches the following richer shades: #C0FF52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0FF52 shade: #C0FF52, #BCF160, #B8E36E, #B4D57C and #B1C78A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0FF52 shade: #FFDF52, #F1FF52, #C2FF52, #94FF52 and #66FF52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0FF52 shade: #A2FE00, #B1FF28, #C0FF52, #CFFF7B and #DEFFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0FF52 shade: #C0FF52, #52FFB1 and #F652FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0FF52 shade: #C0FF52, #52C2FF and #FF52C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0FF52 shade: #C0FF52, #52FFB1, #8E52FF and #FF52A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0FF52 shade: #C0FF52, #52FFE5, #8E52FF and #FF526C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

Complementary color

CMYK 64 / 100 / 0 / 32

HEX #3F00AD

RGB 63 0 173

HSL 261.85, 1%, 0.34%

LAB 23.91, 60.75, -74.2

 

CMYK 23 / 0 / 70 / 0

HEX #C5FF4D

RGB 197 255 77

HSL 79.55, 1%, 0.65%

LAB 93.42, -42.41, 74.87

 

CMYK 16 / 0 / 62 / 0

HEX #D6FF60

RGB 214 255 96

HSL 75.47, 1%, 0.69%

LAB 94.59, -34.83, 69.31

 

CMYK 9 / 0 / 55 / 0

HEX #E7FF73

RGB 231 255 115

HSL 70.29, 1%, 0.73%

LAB 95.89, -26.9, 63.13

 

CMYK 3 / 0 / 47 / 0

HEX #F8FF86

RGB 248 255 134

HSL 63.47, 1%, 0.76%

LAB 97.31, -18.73, 56.56

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 26 / 0 / 73 / 7

HEX #AFED3F

RGB 175 237 63

HSL 81.38, 0.83%, 0.59%

LAB 87.02, -43.5, 72.86

 

CMYK 28 / 0 / 80 / 14

HEX #9EDB2C

RGB 158 219 44

HSL 80.91, 0.71%, 0.52%

LAB 80.8, -42.91, 72.37

 

CMYK 30 / 0 / 88 / 21

HEX #8DC919

RGB 141 201 25

HSL 80.45, 0.78%, 0.44%

LAB 74.51, -42.14, 70.91

 

CMYK 32 / 0 / 97 / 28

HEX #7CB706

RGB 124 183 6

HSL 80, 0.94%, 0.37%

LAB 68.14, -41.14, 68.1

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 6 / 0 / 68 / 0

HEX #EFFF52

RGB 239 255 82

HSL 65.55, 1%, 0.66%

LAB 96.2, -25.96, 76.79

 

CMYK 0 / 12 / 68 / 0

HEX #FFE152

RGB 255 225 82

HSL 49.6, 1%, 0.66%

LAB 89.73, -4.87, 70.68

 

CMYK 0 / 30 / 68 / 0

HEX #FFB252

RGB 255 178 82

HSL 33.29, 1%, 0.66%

LAB 78.29, 19.33, 58.69

 

CMYK 0 / 49 / 68 / 0

HEX #FF8352

RGB 255 131 82

HSL 16.99, 1%, 0.66%

LAB 68.1, 43.5, 47.39

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 43 / 0 / 68 / 0

HEX #91FF52

RGB 145 255 82

HSL 98.15, 1%, 0.66%

LAB 90.85, -59.74, 69.62

 

CMYK 62 / 0 / 68 / 0

HEX #62FF52

RGB 98 255 82

HSL 114.45, 1%, 0.66%

LAB 89.26, -71.92, 67.47

 

CMYK 68 / 0 / 56 / 0

HEX #52FF70

RGB 82 255 112

HSL 130.4, 1%, 0.66%

LAB 89.15, -71.9, 54.9

 

CMYK 68 / 0 / 38 / 0

HEX #52FF9E

RGB 82 255 158

HSL 146.36, 1%, 0.66%

LAB 89.76, -64.97, 33.83

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 22 / 0 / 60 / 5

HEX #BCF160

RGB 188 241 96

HSL 81.93, 0.84%, 0.66%

LAB 89.13, -38.26, 62.89

 

CMYK 19 / 0 / 52 / 11

HEX #B8E36E

RGB 184 227 110

HSL 82.05, 0.68%, 0.66%

LAB 85.13, -32.12, 52.05

 

CMYK 15 / 0 / 42 / 16

HEX #B4D57C

RGB 180 213 124

HSL 82.25, 0.51%, 0.66%

LAB 81.15, -25.47, 40.37

 

CMYK 11 / 0 / 31 / 22

HEX #B1C78A

RGB 177 199 138

HSL 81.64, 0.35%, 0.66%

LAB 77.3, -17.89, 28.15

 

CMYK 0 / 13 / 68 / 0

HEX #FFDF52

RGB 255 223 82

HSL 48.9, 1%, 0.66%

LAB 89.23, -3.86, 70.16

 

CMYK 5 / 0 / 68 / 0

HEX #F1FF52

RGB 241 255 82

HSL 64.86, 1%, 0.66%

LAB 96.34, -25.17, 76.98

 

CMYK 24 / 0 / 68 / 0

HEX #C2FF52

RGB 194 255 82

HSL 81.16, 1%, 0.66%

LAB 93.28, -43.22, 72.89

 

CMYK 42 / 0 / 68 / 0

HEX #94FF52

RGB 148 255 82

HSL 97.11, 1%, 0.66%

LAB 90.97, -58.83, 69.79

 

CMYK 60 / 0 / 68 / 0

HEX #66FF52

RGB 102 255 82

HSL 113.06, 1%, 0.66%

LAB 89.37, -71.06, 67.61

 

CMYK 36 / 0 / 100 / 0

HEX #A2FE00

RGB 162 254 0

HSL 81.73, 1%, 0.5%

LAB 91.04, -56.82, 87.31

 

CMYK 31 / 0 / 84 / 0

HEX #B1FF28

RGB 177 255 40

HSL 81.77, 1%, 0.58%

LAB 92.14, -51.31, 83.65

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 19 / 0 / 52 / 0

HEX #CFFF7B

RGB 207 255 123

HSL 81.82, 1%, 0.74%

LAB 94.4, -35.21, 57.45

 

CMYK 13 / 0 / 36 / 0

HEX #DEFFA4

RGB 222 255 164

HSL 81.76, 1%, 0.82%

LAB 95.88, -25.24, 40.04

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 68 / 0 / 31 / 0

HEX #52FFB1

RGB 82 255 177

HSL 152.95, 1%, 0.66%

LAB 90.09, -61.39, 24.72

 

CMYK 4 / 68 / 0 / 0

HEX #F652FF

RGB 246 82 255

HSL 296.88, 1%, 0.66%

LAB 64.04, 81.71, -55

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 68 / 24 / 0 / 0

HEX #52C2FF

RGB 82 194 255

HSL 201.16, 1%, 0.66%

LAB 74.57, -13.15, -39.31

 

CMYK 0 / 68 / 24 / 0

HEX #FF52C2

RGB 255 82 194

HSL 321.16, 1%, 0.66%

LAB 62.67, 75.02, -22.88

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 68 / 0 / 31 / 0

HEX #52FFB1

RGB 82 255 177

HSL 152.95, 1%, 0.66%

LAB 90.09, -61.39, 24.72

 

CMYK 44 / 68 / 0 / 0

HEX #8E52FF

RGB 142 82 255

HSL 260.81, 1%, 0.66%

LAB 50.69, 61.17, -77.17

 

CMYK 0 / 68 / 37 / 0

HEX #FF52A0

RGB 255 82 160

HSL 332.95, 1%, 0.66%

LAB 61.51, 71.15, -5.1

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF52

RGB 192 255 82

HSL 81.85, 1%, 0.66%

LAB 93.16, -43.95, 72.73

 

CMYK 68 / 0 / 10 / 0

HEX #52FFE5

RGB 82 255 229

HSL 170.98, 1%, 0.66%

LAB 91.22, -49.63, -0.41

 

CMYK 44 / 68 / 0 / 0

HEX #8E52FF

RGB 142 82 255

HSL 260.81, 1%, 0.66%

LAB 50.69, 61.17, -77.17

 

CMYK 0 / 68 / 58 / 0

HEX #FF526C

RGB 255 82 108

HSL 350.98, 1%, 0.66%

LAB 60.23, 66.72, 23.33

 

Description

Color code: HEX #C0FF52 | qconv.com Color code: HEX #C0FF52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 255 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 255 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 68 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 68% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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