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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0F38B it is the complementary color #3F0C74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0F38B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0F38B shade: #C5F386, #D6FF99, #E7FFAC, #F8FFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0F38B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0F38B shade: #C0F38B, #AFE178, #9ECF65, #8DBD52 and #7CAB3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0F38B shade: #C0F38C, #DCF38C, #F3EE8C, #F3D28C and #F3B68C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0F38B shade: #C0F38C, #A4F38C, #8CF38F, #8CF3AB and #8CF3C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0F38B shade matches the following richer shades: #C0F38C and #C0FD81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0F38B shade: #C0F38C, #C0E996, #C0DEA0, #C0D4AB and #BFCAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0F38B shade: #F3EE8C, #DDF38C, #C1F38C, #A5F38C and #8CF38D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0F38B shade: #98EB41, #ACEF66, #C0F38C, #D5F7B1 and #E9FBD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0F38B shade: #C0F38B, #8CF3D2 and #F38CEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0F38B shade: #C0F38B, #8CC1F3 and #F38CC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0F38B shade: #C0F38B, #8CF3D2, #BE8CF3 and #F38CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0F38B shade: #C0F38B, #8CF3F1, #BE8CF3 and #F38C8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 43 / 5

HEX #C0F38B

RGB 192 243 139

HSL 89.42, 0.81%, 0.75%

LAB 90.4, -33.43, 44.84

 

Complementary color

CMYK 46 / 90 / 0 / 55

HEX #3F0C74

RGB 63 12 116

HSL 269.42, 0.81%, 0.25%

LAB 18.28, 43.67, -48.04

 

CMYK 19 / 0 / 45 / 5

HEX #C5F386

RGB 197 243 134

HSL 85.32, 0.82%, 0.74%

LAB 90.64, -32.22, 47.62

 

CMYK 16 / 0 / 40 / 0

HEX #D6FF99

RGB 214 255 153

HSL 84.12, 1%, 0.8%

LAB 95.21, -29.46, 44.44

 

CMYK 9 / 0 / 33 / 0

HEX #E7FFAC

RGB 231 255 172

HSL 77.35, 1%, 0.84%

LAB 96.61, -20.98, 37.15

 

CMYK 3 / 0 / 25 / 0

HEX #F8FFBF

RGB 248 255 191

HSL 66.56, 1%, 0.87%

LAB 98.13, -12.35, 29.89

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 21 / 0 / 43 / 5

HEX #C0F38B

RGB 192 243 139

HSL 89.42, 0.81%, 0.75%

LAB 90.4, -33.43, 44.84

 

CMYK 22 / 0 / 47 / 12

HEX #AFE178

RGB 175 225 120

HSL 88.57, 0.64%, 0.68%

LAB 84.13, -33.45, 45.98

 

CMYK 24 / 0 / 51 / 19

HEX #9ECF65

RGB 158 207 101

HSL 87.74, 0.52%, 0.6%

LAB 77.78, -33.42, 47.12

 

CMYK 25 / 0 / 57 / 26

HEX #8DBD52

RGB 141 189 82

HSL 86.92, 0.45%, 0.53%

LAB 71.33, -33.34, 48.2

 

CMYK 27 / 0 / 63 / 33

HEX #7CAB3F

RGB 124 171 63

HSL 86.11, 0.46%, 0.46%

LAB 64.78, -33.16, 49.14

 

CMYK 21 / 0 / 42 / 5

HEX #C0F38C

RGB 192 243 140

HSL 89.71, 0.81%, 0.75%

LAB 90.41, -33.31, 44.38

 

CMYK 9 / 0 / 42 / 5

HEX #DCF38C

RGB 220 243 140

HSL 73.4, 0.81%, 0.75%

LAB 92.23, -23.06, 47.04

 

CMYK 0 / 2 / 42 / 5

HEX #F3EE8C

RGB 243 238 140

HSL 57.09, 0.81%, 0.75%

LAB 92.62, -11.82, 47.9

 

CMYK 0 / 14 / 42 / 5

HEX #F3D28C

RGB 243 210 140

HSL 40.78, 0.81%, 0.75%

LAB 85.52, 2.33, 38.91

 

CMYK 0 / 25 / 42 / 5

HEX #F3B68C

RGB 243 182 140

HSL 24.47, 0.81%, 0.75%

LAB 78.7, 16.95, 29.98

 

CMYK 21 / 0 / 42 / 5

HEX #C0F38C

RGB 192 243 140

HSL 89.71, 0.81%, 0.75%

LAB 90.41, -33.31, 44.38

 

CMYK 33 / 0 / 42 / 5

HEX #A4F38C

RGB 164 243 140

HSL 106.02, 0.81%, 0.75%

LAB 88.87, -42.84, 42.1

 

CMYK 42 / 0 / 41 / 5

HEX #8CF38F

RGB 140 243 143

HSL 121.75, 0.81%, 0.75%

LAB 87.8, -49.75, 39.03

 

CMYK 42 / 0 / 30 / 5

HEX #8CF3AB

RGB 140 243 171

HSL 138.06, 0.81%, 0.75%

LAB 88.26, -45.21, 25.57

 

CMYK 42 / 0 / 19 / 5

HEX #8CF3C6

RGB 140 243 198

HSL 153.79, 0.81%, 0.75%

LAB 88.81, -40.05, 12.41

 

CMYK 21 / 0 / 42 / 5

HEX #C0F38C

RGB 192 243 140

HSL 89.71, 0.81%, 0.75%

LAB 90.41, -33.31, 44.38

 

CMYK 24 / 0 / 49 / 1

HEX #C0FD81

RGB 192 253 129

HSL 89.52, 0.97%, 0.75%

LAB 93.03, -39.09, 52.85

 

CMYK 21 / 0 / 42 / 5

HEX #C0F38C

RGB 192 243 140

HSL 89.71, 0.81%, 0.75%

LAB 90.41, -33.31, 44.38

 

CMYK 18 / 0 / 36 / 9

HEX #C0E996

RGB 192 233 150

HSL 89.64, 0.65%, 0.75%

LAB 87.82, -27.37, 36.09

 

CMYK 14 / 0 / 28 / 13

HEX #C0DEA0

RGB 192 222 160

HSL 89.03, 0.48%, 0.75%

LAB 84.99, -20.66, 27.23

 

CMYK 9 / 0 / 19 / 17

HEX #C0D4AB

RGB 192 212 171

HSL 89.27, 0.32%, 0.75%

LAB 82.5, -14, 18.07

 

CMYK 5 / 0 / 10 / 21

HEX #BFCAB5

RGB 191 202 181

HSL 91.43, 0.17%, 0.75%

LAB 79.98, -7.57, 9.19

 

CMYK 0 / 2 / 42 / 5

HEX #F3EE8C

RGB 243 238 140

HSL 57.09, 0.81%, 0.75%

LAB 92.62, -11.82, 47.9

 

CMYK 9 / 0 / 42 / 5

HEX #DDF38C

RGB 221 243 140

HSL 72.82, 0.81%, 0.75%

LAB 92.29, -22.68, 47.14

 

CMYK 21 / 0 / 42 / 5

HEX #C1F38C

RGB 193 243 140

HSL 89.13, 0.81%, 0.75%

LAB 90.47, -32.96, 44.47

 

CMYK 32 / 0 / 42 / 5

HEX #A5F38C

RGB 165 243 140

HSL 105.44, 0.81%, 0.75%

LAB 88.92, -42.51, 42.17

 

CMYK 42 / 0 / 42 / 5

HEX #8CF38D

RGB 140 243 141

HSL 120.58, 0.81%, 0.75%

LAB 87.78, -50.04, 39.98

 

CMYK 35 / 0 / 72 / 8

HEX #98EB41

RGB 152 235 65

HSL 89.29, 0.81%, 0.59%

LAB 85.24, -50.72, 70.04

 

CMYK 28 / 0 / 57 / 6

HEX #ACEF66

RGB 172 239 102

HSL 89.34, 0.81%, 0.67%

LAB 87.71, -42.65, 58.48

 

CMYK 21 / 0 / 42 / 5

HEX #C0F38C

RGB 192 243 140

HSL 89.71, 0.81%, 0.75%

LAB 90.41, -33.31, 44.38

 

CMYK 14 / 0 / 28 / 3

HEX #D5F7B1

RGB 213 247 177

HSL 89.14, 0.81%, 0.83%

LAB 93.38, -22.89, 30.12

 

CMYK 7 / 0 / 15 / 2

HEX #E9FBD6

RGB 233 251 214

HSL 89.19, 0.82%, 0.91%

LAB 96.48, -12.28, 15.76

 

CMYK 21 / 0 / 43 / 5

HEX #C0F38B

RGB 192 243 139

HSL 89.42, 0.81%, 0.75%

LAB 90.4, -33.43, 44.84

 

CMYK 42 / 0 / 14 / 5

HEX #8CF3D2

RGB 140 243 210

HSL 160.78, 0.81%, 0.75%

LAB 89.08, -37.54, 6.57

 

CMYK 0 / 42 / 4 / 5

HEX #F38CEA

RGB 243 140 234

HSL 305.24, 0.81%, 0.75%

LAB 72.06, 52.16, -30.91

 

CMYK 21 / 0 / 43 / 5

HEX #C0F38B

RGB 192 243 139

HSL 89.42, 0.81%, 0.75%

LAB 90.4, -33.43, 44.84

 

CMYK 42 / 21 / 0 / 5

HEX #8CC1F3

RGB 140 193 243

HSL 209.13, 0.81%, 0.75%

LAB 76.18, -4.6, -30.18

 

CMYK 0 / 42 / 21 / 5

HEX #F38CC1

RGB 243 140 193

HSL 329.13, 0.81%, 0.75%

LAB 70.64, 45.65, -10.43

 

CMYK 21 / 0 / 43 / 5

HEX #C0F38B

RGB 192 243 139

HSL 89.42, 0.81%, 0.75%

LAB 90.4, -33.43, 44.84

 

CMYK 42 / 0 / 14 / 5

HEX #8CF3D2

RGB 140 243 210

HSL 160.78, 0.81%, 0.75%

LAB 89.08, -37.54, 6.57

 

CMYK 22 / 42 / 0 / 5

HEX #BE8CF3

RGB 190 140 243

HSL 269.13, 0.81%, 0.75%

LAB 66.65, 38.54, -44.71

 

CMYK 0 / 42 / 29 / 5

HEX #F38CAC

RGB 243 140 172

HSL 341.36, 0.81%, 0.75%

LAB 70.03, 42.76, 0.38

 

CMYK 21 / 0 / 43 / 5

HEX #C0F38B

RGB 192 243 139

HSL 89.42, 0.81%, 0.75%

LAB 90.4, -33.43, 44.84

 

CMYK 42 / 0 / 1 / 5

HEX #8CF3F1

RGB 140 243 241

HSL 178.83, 0.81%, 0.75%

LAB 89.87, -30.44, -8.44

 

CMYK 22 / 42 / 0 / 5

HEX #BE8CF3

RGB 190 140 243

HSL 269.13, 0.81%, 0.75%

LAB 66.65, 38.54, -44.71

 

CMYK 0 / 42 / 42 / 5

HEX #F38C8D

RGB 243 140 141

HSL 359.42, 0.81%, 0.75%

LAB 69.28, 39.11, 16.64

 

Description

Color code: HEX #C0F38B | qconv.com Color code: HEX #C0F38B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 243 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 243 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 43% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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