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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0F08C it is the complementary color #3F0F73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0F08C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0F08C shade: #C5F087, #D6FF9A, #E7FFAD, #F8FFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0F08C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0F08C shade: #C0F08C, #AFDE79, #9ECC66, #8DBA53 and #7CA840

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0F08C shade: #C1F08E, #DBF08E, #F0EA8E, #F0D08E and #F0B58E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0F08C shade: #C1F08E, #A6F08E, #8EF090, #8EF0AA and #8EF0C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0F08C shade matches the following richer shades: #C1F08E and #C1FA83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0F08C shade: #C1F08E, #C0E698, #C0DBA2, #BFD1AD and #BFC7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0F08C shade: #F0E98E, #DCF08E, #C2F08E, #A8F08E and #8EF08E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0F08C shade: #99E645, #ADEB69, #C1F08E, #D5F5B2 and #E9F9D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0F08C shade: #C0F08C, #8EF0CF and #F08EE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0F08C shade: #C0F08C, #8EC2F0 and #F08EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0F08C shade: #C0F08C, #8EF0CF, #BB8EF0 and #F08EAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0F08C shade: #C0F08C, #8EF0ED, #BB8EF0 and #F08E91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 42 / 6

HEX #C0F08C

RGB 192 240 140

HSL 88.8, 0.77%, 0.75%

LAB 89.59, -31.93, 43.33

 

Complementary color

CMYK 45 / 87 / 0 / 55

HEX #3F0F73

RGB 63 15 115

HSL 268.8, 0.77%, 0.25%

LAB 18.52, 42.4, -46.99

 

CMYK 18 / 0 / 44 / 6

HEX #C5F087

RGB 197 240 135

HSL 84.57, 0.78%, 0.74%

LAB 89.83, -30.71, 46.13

 

CMYK 16 / 0 / 40 / 0

HEX #D6FF9A

RGB 214 255 154

HSL 84.36, 1%, 0.8%

LAB 95.22, -29.34, 43.98

 

CMYK 9 / 0 / 32 / 0

HEX #E7FFAD

RGB 231 255 173

HSL 77.56, 1%, 0.84%

LAB 96.63, -20.85, 36.68

 

CMYK 3 / 0 / 25 / 0

HEX #F8FFC0

RGB 248 255 192

HSL 66.67, 1%, 0.88%

LAB 98.15, -12.21, 29.41

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 20 / 0 / 42 / 6

HEX #C0F08C

RGB 192 240 140

HSL 88.8, 0.77%, 0.75%

LAB 89.59, -31.93, 43.33

 

CMYK 21 / 0 / 45 / 13

HEX #AFDE79

RGB 175 222 121

HSL 87.92, 0.6%, 0.67%

LAB 83.3, -31.94, 44.47

 

CMYK 23 / 0 / 50 / 20

HEX #9ECC66

RGB 158 204 102

HSL 87.06, 0.5%, 0.6%

LAB 76.93, -31.92, 45.62

 

CMYK 24 / 0 / 55 / 27

HEX #8DBA53

RGB 141 186 83

HSL 86.21, 0.43%, 0.53%

LAB 70.46, -31.84, 46.73

 

CMYK 26 / 0 / 62 / 34

HEX #7CA840

RGB 124 168 64

HSL 85.38, 0.45%, 0.45%

LAB 63.89, -31.67, 47.71

 

CMYK 20 / 0 / 41 / 6

HEX #C1F08E

RGB 193 240 142

HSL 88.78, 0.77%, 0.75%

LAB 89.68, -31.33, 42.48

 

CMYK 9 / 0 / 41 / 6

HEX #DBF08E

RGB 219 240 142

HSL 72.86, 0.77%, 0.75%

LAB 91.38, -21.77, 45

 

CMYK 0 / 3 / 41 / 6

HEX #F0EA8E

RGB 240 234 142

HSL 56.33, 0.77%, 0.75%

LAB 91.38, -10.8, 45.32

 

CMYK 0 / 13 / 41 / 6

HEX #F0D08E

RGB 240 208 142

HSL 40.41, 0.77%, 0.75%

LAB 84.79, 2.38, 36.88

 

CMYK 0 / 25 / 41 / 6

HEX #F0B58E

RGB 240 181 142

HSL 23.88, 0.77%, 0.75%

LAB 78.18, 16.52, 28.18

 

CMYK 20 / 0 / 41 / 6

HEX #C1F08E

RGB 193 240 142

HSL 88.78, 0.77%, 0.75%

LAB 89.68, -31.33, 42.48

 

CMYK 31 / 0 / 41 / 6

HEX #A6F08E

RGB 166 240 142

HSL 105.31, 0.77%, 0.75%

LAB 88.15, -40.6, 40.22

 

CMYK 41 / 0 / 40 / 6

HEX #8EF090

RGB 142 240 144

HSL 121.22, 0.77%, 0.75%

LAB 87.04, -47.77, 37.56

 

CMYK 41 / 0 / 29 / 6

HEX #8EF0AA

RGB 142 240 170

HSL 137.14, 0.77%, 0.75%

LAB 87.47, -43.53, 25.01

 

CMYK 41 / 0 / 18 / 6

HEX #8EF0C5

RGB 142 240 197

HSL 153.67, 0.77%, 0.75%

LAB 88.02, -38.38, 11.83

 

CMYK 20 / 0 / 41 / 6

HEX #C1F08E

RGB 193 240 142

HSL 88.78, 0.77%, 0.75%

LAB 89.68, -31.33, 42.48

 

CMYK 23 / 0 / 48 / 2

HEX #C1FA83

RGB 193 250 131

HSL 88.74, 0.92%, 0.75%

LAB 92.29, -37.18, 51.02

 

CMYK 20 / 0 / 41 / 6

HEX #C1F08E

RGB 193 240 142

HSL 88.78, 0.77%, 0.75%

LAB 89.68, -31.33, 42.48

 

CMYK 17 / 0 / 34 / 10

HEX #C0E698

RGB 192 230 152

HSL 89.23, 0.61%, 0.75%

LAB 87.03, -25.67, 34.05

 

CMYK 12 / 0 / 26 / 14

HEX #C0DBA2

RGB 192 219 162

HSL 88.42, 0.44%, 0.75%

LAB 84.21, -18.89, 25.14

 

CMYK 9 / 0 / 17 / 18

HEX #BFD1AD

RGB 191 209 173

HSL 90, 0.28%, 0.75%

LAB 81.67, -12.51, 15.84

 

CMYK 4 / 0 / 8 / 22

HEX #BFC7B7

RGB 191 199 183

HSL 90, 0.13%, 0.75%

LAB 79.24, -5.66, 7.05

 

CMYK 0 / 3 / 41 / 6

HEX #F0E98E

RGB 240 233 142

HSL 55.71, 0.77%, 0.75%

LAB 91.12, -10.3, 45

 

CMYK 8 / 0 / 41 / 6

HEX #DCF08E

RGB 220 240 142

HSL 72.24, 0.77%, 0.75%

LAB 91.46, -21.4, 45.1

 

CMYK 19 / 0 / 41 / 6

HEX #C2F08E

RGB 194 240 142

HSL 88.16, 0.77%, 0.75%

LAB 89.74, -30.97, 42.57

 

CMYK 30 / 0 / 41 / 6

HEX #A8F08E

RGB 168 240 142

HSL 104.08, 0.77%, 0.75%

LAB 88.26, -39.94, 40.37

 

CMYK 41 / 0 / 41 / 6

HEX #8EF08E

RGB 142 240 142

HSL 120, 0.77%, 0.75%

LAB 87.01, -48.06, 38.52

 

CMYK 33 / 0 / 70 / 10

HEX #99E645

RGB 153 230 69

HSL 88.7, 0.76%, 0.59%

LAB 83.86, -48.06, 67.29

 

CMYK 26 / 0 / 55 / 8

HEX #ADEB69

RGB 173 235 105

HSL 88.62, 0.76%, 0.67%

LAB 86.66, -40.26, 55.96

 

CMYK 20 / 0 / 41 / 6

HEX #C1F08E

RGB 193 240 142

HSL 88.78, 0.77%, 0.75%

LAB 89.68, -31.33, 42.48

 

CMYK 13 / 0 / 27 / 4

HEX #D5F5B2

RGB 213 245 178

HSL 88.66, 0.77%, 0.83%

LAB 92.87, -21.78, 28.92

 

CMYK 6 / 0 / 14 / 2

HEX #E9F9D7

RGB 233 249 215

HSL 88.24, 0.74%, 0.91%

LAB 95.99, -11.13, 14.55

 

CMYK 20 / 0 / 42 / 6

HEX #C0F08C

RGB 192 240 140

HSL 88.8, 0.77%, 0.75%

LAB 89.59, -31.93, 43.33

 

CMYK 41 / 0 / 14 / 6

HEX #8EF0CF

RGB 142 240 207

HSL 159.8, 0.77%, 0.75%

LAB 88.25, -36.3, 6.94

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE9

RGB 240 142 233

HSL 304.29, 0.77%, 0.75%

LAB 72.06, 50.08, -30.39

 

CMYK 20 / 0 / 42 / 6

HEX #C0F08C

RGB 192 240 140

HSL 88.8, 0.77%, 0.75%

LAB 89.59, -31.93, 43.33

 

CMYK 41 / 19 / 0 / 6

HEX #8EC2F0

RGB 142 194 240

HSL 208.16, 0.77%, 0.75%

LAB 76.45, -5.44, -28.14

 

CMYK 0 / 41 / 19 / 6

HEX #F08EC2

RGB 240 142 194

HSL 328.16, 0.77%, 0.75%

LAB 70.71, 43.78, -10.92

 

CMYK 20 / 0 / 42 / 6

HEX #C0F08C

RGB 192 240 140

HSL 88.8, 0.77%, 0.75%

LAB 89.59, -31.93, 43.33

 

CMYK 41 / 0 / 14 / 6

HEX #8EF0CF

RGB 142 240 207

HSL 159.8, 0.77%, 0.75%

LAB 88.25, -36.3, 6.94

 

CMYK 22 / 41 / 0 / 6

HEX #BB8EF0

RGB 187 142 240

HSL 267.55, 0.77%, 0.75%

LAB 66.67, 35.91, -43.05

 

CMYK 0 / 41 / 28 / 6

HEX #F08EAE

RGB 240 142 174

HSL 340.41, 0.77%, 0.75%

LAB 70.12, 40.96, -0.64

 

CMYK 20 / 0 / 42 / 6

HEX #C0F08C

RGB 192 240 140

HSL 88.8, 0.77%, 0.75%

LAB 89.59, -31.93, 43.33

 

CMYK 41 / 0 / 1 / 6

HEX #8EF0ED

RGB 142 240 237

HSL 178.16, 0.77%, 0.75%

LAB 89.01, -29.5, -7.62

 

CMYK 22 / 41 / 0 / 6

HEX #BB8EF0

RGB 187 142 240

HSL 267.55, 0.77%, 0.75%

LAB 66.67, 35.91, -43.05

 

CMYK 0 / 41 / 40 / 6

HEX #F08E91

RGB 240 142 145

HSL 358.16, 0.77%, 0.75%

LAB 69.41, 37.41, 14.54

 

Description

Color code: HEX #C0F08C | qconv.com Color code: HEX #C0F08C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 240 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 240 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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