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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0EFEB it is the complementary color #3F1014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0EFEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0EFEB shade: #C5EFE6, #D6FFF9, #E7FFFF, #F8FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0EFEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0EFEB shade: #C0EFEB, #AFDDD8, #9ECBC5, #8DB9B2 and #7CA79F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0EFEB shade: #C2EFEB, #C2EFDF, #C2EFD3, #C2EFC7 and #CAEFC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0EFEB shade: #C2EFEB, #C2E7EF, #C2DBEF, #C2CFEF and #C2C2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0EFEB shade matches the following richer shades: #C2EFEB, #BCF6F1 and #B6FCF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0EFEB shade: #C2EFEB, #C8E9E6, #CFE3E1, #D5DDDC and #DBD7D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0EFEB shade: #C2EFD3, #C2EFDF, #C2EFEB, #C2E8EF and #C2DCEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0EFEB shade: #81DED6, #A1E7E1, #C2EFEB, #E3F8F6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0EFEB shade: #C0EFEB, #C7C2EF and #EFD9C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0EFEB shade: #C0EFEB, #EBC2EF and #EFEBC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0EFEB shade: #C0EFEB, #C7C2EF, #EFC2C7 and #EBEFC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0EFEB shade: #C0EFEB, #D4C2EF, #EFC2C7 and #DDEFC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 2 / 6

HEX #C0EFEB

RGB 192 239 235

HSL 174.89, 0.59%, 0.85%

LAB 91.21, -15.78, -3.05

 

Complementary color

CMYK 0 / 75 / 68 / 75

HEX #3F1014

RGB 63 16 20

HSL 354.89, 0.59%, 0.15%

LAB 12.47, 23.2, 9.73

 

CMYK 18 / 0 / 4 / 6

HEX #C5EFE6

RGB 197 239 230

HSL 167.14, 0.57%, 0.85%

LAB 91.38, -15.26, -0.16

 

CMYK 16 / 0 / 2 / 0

HEX #D6FFF9

RGB 214 255 249

HSL 171.22, 1%, 0.92%

LAB 97.09, -14.2, -1.52

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 0 / 2 / 6

HEX #C0EFEB

RGB 192 239 235

HSL 174.89, 0.59%, 0.85%

LAB 91.21, -15.78, -3.05

 

CMYK 21 / 0 / 2 / 13

HEX #AFDDD8

RGB 175 221 216

HSL 173.48, 0.4%, 0.78%

LAB 84.89, -15.86, -2.46

 

CMYK 22 / 0 / 3 / 20

HEX #9ECBC5

RGB 158 203 197

HSL 172, 0.3%, 0.71%

LAB 78.47, -15.96, -1.86

 

CMYK 24 / 0 / 4 / 27

HEX #8DB9B2

RGB 141 185 178

HSL 170.45, 0.24%, 0.64%

LAB 71.94, -16.07, -1.23

 

CMYK 26 / 0 / 5 / 35

HEX #7CA79F

RGB 124 167 159

HSL 168.84, 0.2%, 0.57%

LAB 65.3, -16.2, -0.58

 

CMYK 19 / 0 / 2 / 6

HEX #C2EFEB

RGB 194 239 235

HSL 174.67, 0.58%, 0.85%

LAB 91.32, -15.17, -2.86

 

CMYK 19 / 0 / 7 / 6

HEX #C2EFDF

RGB 194 239 223

HSL 158.67, 0.58%, 0.85%

LAB 91.02, -17.57, 2.95

 

CMYK 19 / 0 / 12 / 6

HEX #C2EFD3

RGB 194 239 211

HSL 142.67, 0.58%, 0.85%

LAB 90.74, -19.84, 8.79

 

CMYK 19 / 0 / 17 / 6

HEX #C2EFC7

RGB 194 239 199

HSL 126.67, 0.58%, 0.85%

LAB 90.47, -22, 14.64

 

CMYK 15 / 0 / 19 / 6

HEX #CAEFC2

RGB 202 239 194

HSL 109.33, 0.58%, 0.85%

LAB 90.86, -20.19, 17.85

 

CMYK 19 / 0 / 2 / 6

HEX #C2EFEB

RGB 194 239 235

HSL 174.67, 0.58%, 0.85%

LAB 91.32, -15.17, -2.86

 

CMYK 19 / 3 / 0 / 6

HEX #C2E7EF

RGB 194 231 239

HSL 190.67, 0.58%, 0.85%

LAB 89.32, -10.32, -7.9

 

CMYK 19 / 8 / 0 / 6

HEX #C2DBEF

RGB 194 219 239

HSL 206.67, 0.58%, 0.85%

LAB 86.19, -4.15, -12.57

 

CMYK 19 / 13 / 0 / 6

HEX #C2CFEF

RGB 194 207 239

HSL 222.67, 0.58%, 0.85%

LAB 83.09, 2.15, -17.22

 

CMYK 19 / 19 / 0 / 6

HEX #C2C2EF

RGB 194 194 239

HSL 240, 0.58%, 0.85%

LAB 79.78, 9.12, -22.23

 

CMYK 19 / 0 / 2 / 6

HEX #C2EFEB

RGB 194 239 235

HSL 174.67, 0.58%, 0.85%

LAB 91.32, -15.17, -2.86

 

CMYK 24 / 0 / 2 / 4

HEX #BCF6F1

RGB 188 246 241

HSL 174.83, 0.76%, 0.85%

LAB 92.99, -19.19, -3.57

 

CMYK 28 / 0 / 2 / 1

HEX #B6FCF6

RGB 182 252 246

HSL 174.86, 0.92%, 0.85%

LAB 94.41, -22.78, -4.12

 

CMYK 19 / 0 / 2 / 6

HEX #C2EFEB

RGB 194 239 235

HSL 174.67, 0.58%, 0.85%

LAB 91.32, -15.17, -2.86

 

CMYK 14 / 0 / 1 / 9

HEX #C8E9E6

RGB 200 233 230

HSL 174.55, 0.43%, 0.85%

LAB 89.98, -11.31, -2.17

 

CMYK 9 / 0 / 1 / 11

HEX #CFE3E1

RGB 207 227 225

HSL 174, 0.26%, 0.85%

LAB 88.75, -6.99, -1.3

 

CMYK 4 / 0 / 0 / 13

HEX #D5DDDC

RGB 213 221 220

HSL 172.5, 0.11%, 0.85%

LAB 87.5, -2.87, -0.46

 

CMYK 0 / 2 / 2 / 14

HEX #DBD7D7

RGB 219 215 215

HSL 0, 0.05%, 0.85%

LAB 86.29, 1.37, 0.47

 

CMYK 19 / 0 / 12 / 6

HEX #C2EFD3

RGB 194 239 211

HSL 142.67, 0.58%, 0.85%

LAB 90.74, -19.84, 8.79

 

CMYK 19 / 0 / 7 / 6

HEX #C2EFDF

RGB 194 239 223

HSL 158.67, 0.58%, 0.85%

LAB 91.02, -17.57, 2.95

 

CMYK 19 / 0 / 2 / 6

HEX #C2EFEB

RGB 194 239 235

HSL 174.67, 0.58%, 0.85%

LAB 91.32, -15.17, -2.86

 

CMYK 19 / 3 / 0 / 6

HEX #C2E8EF

RGB 194 232 239

HSL 189.33, 0.58%, 0.85%

LAB 89.59, -10.83, -7.51

 

CMYK 19 / 8 / 0 / 6

HEX #C2DCEF

RGB 194 220 239

HSL 205.33, 0.58%, 0.85%

LAB 86.45, -4.67, -12.18

 

CMYK 42 / 0 / 4 / 13

HEX #81DED6

RGB 129 222 214

HSL 174.84, 0.58%, 0.69%

LAB 82.79, -29.55, -4.76

 

CMYK 30 / 0 / 3 / 9

HEX #A1E7E1

RGB 161 231 225

HSL 174.86, 0.59%, 0.77%

LAB 87.08, -22.99, -4.08

 

CMYK 19 / 0 / 2 / 6

HEX #C2EFEB

RGB 194 239 235

HSL 174.67, 0.58%, 0.85%

LAB 91.32, -15.17, -2.86

 

CMYK 8 / 0 / 1 / 3

HEX #E3F8F6

RGB 227 248 246

HSL 174.29, 0.6%, 0.93%

LAB 96.05, -7.2, -1.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 0 / 2 / 6

HEX #C0EFEB

RGB 192 239 235

HSL 174.89, 0.59%, 0.85%

LAB 91.21, -15.78, -3.05

 

CMYK 17 / 19 / 0 / 6

HEX #C7C2EF

RGB 199 194 239

HSL 246.67, 0.58%, 0.85%

LAB 80.16, 10.67, -21.62

 

CMYK 0 / 9 / 19 / 6

HEX #EFD9C2

RGB 239 217 194

HSL 30.67, 0.58%, 0.85%

LAB 87.91, 3.98, 14.08

 

CMYK 20 / 0 / 2 / 6

HEX #C0EFEB

RGB 192 239 235

HSL 174.89, 0.59%, 0.85%

LAB 91.21, -15.78, -3.05

 

CMYK 2 / 19 / 0 / 6

HEX #EBC2EF

RGB 235 194 239

HSL 294.67, 0.58%, 0.85%

LAB 83.17, 22.22, -16.77

 

CMYK 0 / 2 / 19 / 6

HEX #EFEBC2

RGB 239 235 194

HSL 54.67, 0.58%, 0.85%

LAB 92.43, -5.23, 20.42

 

CMYK 20 / 0 / 2 / 6

HEX #C0EFEB

RGB 192 239 235

HSL 174.89, 0.59%, 0.85%

LAB 91.21, -15.78, -3.05

 

CMYK 17 / 19 / 0 / 6

HEX #C7C2EF

RGB 199 194 239

HSL 246.67, 0.58%, 0.85%

LAB 80.16, 10.67, -21.62

 

CMYK 0 / 19 / 17 / 6

HEX #EFC2C7

RGB 239 194 199

HSL 353.33, 0.58%, 0.85%

LAB 82.41, 16.78, 3.56

 

CMYK 2 / 0 / 19 / 6

HEX #EBEFC2

RGB 235 239 194

HSL 65.33, 0.58%, 0.85%

LAB 93.14, -8.68, 21.37

 

CMYK 20 / 0 / 2 / 6

HEX #C0EFEB

RGB 192 239 235

HSL 174.89, 0.59%, 0.85%

LAB 91.21, -15.78, -3.05

 

CMYK 11 / 19 / 0 / 6

HEX #D4C2EF

RGB 212 194 239

HSL 264, 0.58%, 0.85%

LAB 81.19, 14.77, -19.95

 

CMYK 0 / 19 / 17 / 6

HEX #EFC2C7

RGB 239 194 199

HSL 353.33, 0.58%, 0.85%

LAB 82.41, 16.78, 3.56

 

CMYK 8 / 0 / 19 / 6

HEX #DDEFC2

RGB 221 239 194

HSL 84, 0.58%, 0.85%

LAB 92.13, -13.64, 19.81

 

Description

Color code: HEX #C0EFEB | qconv.com Color code: HEX #C0EFEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 239 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 239 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 2 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 2% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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