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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0EC3C it is the complementary color #3F13C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0EC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0EC3C shade: #C5EC37, #D6FE4A, #E7FF5D, #F8FF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0EC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0EC3C shade: #C0EC3C, #AFDA29, #9EC816, #8DB603 and #7CA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0EC3C shade: #C0EC3C, #ECE83C, #ECB93C, #EC8A3C and #EC5A3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0EC3C shade: #C0EC3C, #90EC3C, #61EC3C, #3CEC46 and #3CEC76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0EC3C shade matches the following richer shades: #C0EC3C and #C8FD2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0EC3C shade: #C0EC3C, #B7DA4D, #AEC95F, #A6B870 and #9DA681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0EC3C shade: #ECBA3C, #ECE93C, #C0EC3C, #91EC3C and #62EC3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0EC3C shade: #96C213, #B3E817, #C0EC3C, #CCEF62 and #D8F387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0EC3C shade: #C0EC3C, #3CEC8B and #D13CEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0EC3C shade: #C0EC3C, #3CC0EC and #EC3CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0EC3C shade: #C0EC3C, #3CEC8B, #683CEC and #EC3C9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0EC3C shade: #C0EC3C, #3CECC0, #683CEC and #EC3C68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

Complementary color

CMYK 68 / 90 / 0 / 24

HEX #3F13C3

RGB 63 19 195

HSL 255, 0.82%, 0.42%

LAB 28.01, 62.04, -80.49

 

CMYK 17 / 0 / 77 / 7

HEX #C5EC37

RGB 197 236 55

HSL 72.93, 0.83%, 0.57%

LAB 88.03, -35.05, 76.75

 

CMYK 16 / 0 / 71 / 0

HEX #D6FE4A

RGB 214 254 74

HSL 73.33, 0.99%, 0.64%

LAB 94.17, -35.71, 76.99

 

CMYK 9 / 0 / 64 / 0

HEX #E7FF5D

RGB 231 255 93

HSL 68.89, 1%, 0.68%

LAB 95.71, -28.47, 72.01

 

CMYK 3 / 0 / 56 / 0

HEX #F8FF70

RGB 248 255 112

HSL 62.94, 1%, 0.72%

LAB 97.08, -20.52, 66.1

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 20 / 0 / 81 / 15

HEX #AFDA29

RGB 175 218 41

HSL 74.58, 0.71%, 0.51%

LAB 81.52, -36.06, 74.17

 

CMYK 21 / 0 / 89 / 22

HEX #9EC816

RGB 158 200 22

HSL 74.16, 0.8%, 0.44%

LAB 75.22, -35.17, 72.46

 

CMYK 23 / 0 / 98 / 29

HEX #8DB603

RGB 141 182 3

HSL 73.74, 0.97%, 0.36%

LAB 68.84, -34.08, 69.43

 

CMYK 24 / 0 / 100 / 36

HEX #7CA400

RGB 124 164 0

HSL 74.63, 1%, 0.32%

LAB 62.37, -32.73, 64.4

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 0 / 2 / 75 / 7

HEX #ECE83C

RGB 236 232 60

HSL 58.64, 0.82%, 0.58%

LAB 89.8, -17.19, 77.91

 

CMYK 0 / 22 / 75 / 7

HEX #ECB93C

RGB 236 185 60

HSL 42.61, 0.82%, 0.58%

LAB 77.79, 6.64, 66.63

 

CMYK 0 / 42 / 75 / 7

HEX #EC8A3C

RGB 236 138 60

HSL 26.59, 0.82%, 0.58%

LAB 66.78, 31.45, 55.78

 

CMYK 0 / 62 / 75 / 7

HEX #EC5A3C

RGB 236 90 60

HSL 10.23, 0.82%, 0.58%

LAB 57.53, 54.8, 46.16

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 39 / 0 / 75 / 7

HEX #90EC3C

RGB 144 236 60

HSL 91.36, 0.82%, 0.58%

LAB 85.12, -54.09, 71.44

 

CMYK 59 / 0 / 75 / 7

HEX #61EC3C

RGB 97 236 60

HSL 107.39, 0.82%, 0.58%

LAB 83.37, -67.42, 69.13

 

CMYK 75 / 0 / 70 / 7

HEX #3CEC46

RGB 60 236 70

HSL 123.41, 0.82%, 0.58%

LAB 82.59, -73.66, 64.65

 

CMYK 75 / 0 / 50 / 7

HEX #3CEC76

RGB 60 236 118

HSL 139.77, 0.82%, 0.58%

LAB 83.05, -68.12, 44.66

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 21 / 0 / 83 / 1

HEX #C8FD2B

RGB 200 253 43

HSL 75.14, 0.98%, 0.58%

LAB 92.88, -41.89, 84.17

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 16 / 0 / 65 / 15

HEX #B7DA4D

RGB 183 218 77

HSL 74.89, 0.66%, 0.58%

LAB 82.24, -31.07, 63.13

 

CMYK 13 / 0 / 53 / 21

HEX #AEC95F

RGB 174 201 95

HSL 75.28, 0.5%, 0.58%

LAB 77.04, -25.07, 49.33

 

CMYK 10 / 0 / 39 / 28

HEX #A6B870

RGB 166 184 112

HSL 75, 0.34%, 0.58%

LAB 71.93, -17.95, 34.51

 

CMYK 5 / 0 / 22 / 35

HEX #9DA681

RGB 157 166 129

HSL 74.59, 0.17%, 0.58%

LAB 66.54, -9.75, 18.13

 

CMYK 0 / 21 / 75 / 7

HEX #ECBA3C

RGB 236 186 60

HSL 42.95, 0.82%, 0.58%

LAB 78.04, 6.12, 66.87

 

CMYK 0 / 1 / 75 / 7

HEX #ECE93C

RGB 236 233 60

HSL 58.98, 0.82%, 0.58%

LAB 90.06, -17.67, 78.15

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 39 / 0 / 75 / 7

HEX #91EC3C

RGB 145 236 60

HSL 91.02, 0.82%, 0.58%

LAB 85.17, -53.76, 71.5

 

CMYK 58 / 0 / 75 / 7

HEX #62EC3C

RGB 98 236 60

HSL 107.05, 0.82%, 0.58%

LAB 83.4, -67.18, 69.17

 

CMYK 23 / 0 / 90 / 24

HEX #96C213

RGB 150 194 19

HSL 75.09, 0.82%, 0.42%

LAB 72.97, -35.69, 70.91

 

CMYK 23 / 0 / 90 / 9

HEX #B3E817

RGB 179 232 23

HSL 75.22, 0.82%, 0.5%

LAB 85.68, -41.23, 81.32

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 15 / 0 / 59 / 6

HEX #CCEF62

RGB 204 239 98

HSL 74.89, 0.82%, 0.66%

LAB 89.6, -31.16, 62.86

 

CMYK 11 / 0 / 44 / 5

HEX #D8F387

RGB 216 243 135

HSL 75, 0.82%, 0.74%

LAB 91.89, -25.09, 48.96

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 75 / 0 / 41 / 7

HEX #3CEC8B

RGB 60 236 139

HSL 146.93, 0.82%, 0.58%

LAB 83.35, -64.72, 34.77

 

CMYK 11 / 75 / 0 / 7

HEX #D13CEC

RGB 209 60 236

HSL 290.8, 0.82%, 0.58%

LAB 54.91, 78.34, -59.33

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 75 / 19 / 0 / 7

HEX #3CC0EC

RGB 60 192 236

HSL 195, 0.82%, 0.58%

LAB 72.7, -21.08, -32.01

 

CMYK 0 / 75 / 19 / 7

HEX #EC3CC0

RGB 236 60 192

HSL 315, 0.82%, 0.58%

LAB 56.95, 77.34, -30.82

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 75 / 0 / 41 / 7

HEX #3CEC8B

RGB 60 236 139

HSL 146.93, 0.82%, 0.58%

LAB 83.35, -64.72, 34.77

 

CMYK 56 / 75 / 0 / 7

HEX #683CEC

RGB 104 60 236

HSL 255, 0.82%, 0.58%

LAB 41.58, 60.95, -81.59

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9D

RGB 236 60 157

HSL 326.93, 0.82%, 0.58%

LAB 55.58, 73.18, -12.54

 

CMYK 19 / 0 / 75 / 7

HEX #C0EC3C

RGB 192 236 60

HSL 75, 0.82%, 0.58%

LAB 87.74, -36.78, 74.86

 

CMYK 75 / 0 / 19 / 7

HEX #3CECC0

RGB 60 236 192

HSL 165, 0.82%, 0.58%

LAB 84.36, -53.65, 8.89

 

CMYK 56 / 75 / 0 / 7

HEX #683CEC

RGB 104 60 236

HSL 255, 0.82%, 0.58%

LAB 41.58, 60.95, -81.59

 

CMYK 0 / 75 / 56 / 7

HEX #EC3C68

RGB 236 60 104

HSL 345, 0.82%, 0.58%

LAB 54.09, 68.48, 16.84

 

Description

Color code: HEX #C0EC3C | qconv.com Color code: HEX #C0EC3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 236 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 236 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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