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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0E5FD7F it is the complementary color #3F1A027F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0E5FD7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0E5FD7F shade: #C5E5F87F, #D6F7FF7F, #E7FFFF7F, #F8FFFF7F and #FFFFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0E5FD7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0E5FD7F shade: #C0E5FD7F, #AFD3EA7F, #9EC1D77F, #8DAFC47F and #7C9DB17F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0E5FD7F shade: #BFE4FD, #BFD4FD, #BFC3FD, #CBBFFD and #DCBFFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0E5FD7F shade: #BFE4FD, #BFD4FD, #BFC3FD and #BFBFFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0E5FD7F shade matches the following richer shades: #BFE4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0E5FD7F shade: #BFE4FD, #C4E3F8, #C9E2F2, #CFE1ED and #D4E0E8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0E5FD7F shade: #BFFDF4, #BFF6FD, #BFE5FD, #BFD5FD and #BFC4FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0E5FD7F shade: #6FC3FB, #97D4FC, #BFE4FD, #E7F5FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0E5FD7F shade: #C0E5FD, #E3BFFD and #FDFCBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0E5FD7F shade: #C0E5FD, #FDBFE5 and #E5FDBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0E5FD7F shade: #C0E5FD, #E3BFFD, #FDD7BF and #D9FDBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0E5FD7F shade: #C0E5FD, #F6BFFD, #FDD7BF and #C6FDBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 5 / 0 / 0

HEX #C0E5FD7F

RGBA 192 229 253 0.5

HSLA 203.61, 0.94%, 0.87%, 0.5

LABA 89.08, -6.87, -15.61, 0.5

 

Complementary color

CMYK 0 / 29 / 48 / 38

HEX #3F1A027F

RGBA 63 26 2 0.5

HSLA 23.61, 0.94%, 0.13%, 0.5

LABA 14.4, 16.27, 20.87, 0.5

 

CMYK 10 / 4 / 0 / 1

HEX #C5E5F87F

RGBA 197 229 248 0.5

HSLA 202.35, 0.78%, 0.87%, 0.5

LABA 89.25, -6.48, -12.71, 0.5

 

CMYK 8 / 2 / 0 / 0

HEX #D6F7FF7F

RGBA 214 247 255 0.5

HSLA 191.71, 1%, 0.92%, 0.5

LABA 95.18, -9.02, -7.43, 0.5

 

CMYK 5 / 0 / 0 / 0

HEX #E7FFFF7F

RGBA 231 255 255 0.5

HSLA 180, 1%, 0.95%, 0.5

LABA 98.32, -7.74, -2.66, 0.5

 

CMYK 1 / 0 / 0 / 0

HEX #F8FFFF7F

RGBA 248 255 255 0.5

HSLA 180, 1%, 0.99%, 0.5

LABA 99.49, -2.29, -0.81, 0.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF7F

RGBA 255 255 255 0.5

HSLA 0, 0%, 1%, 0.5

LABA 100, 0.01, -0.01, 0.5

 

CMYK 12 / 5 / 0 / 0

HEX #C0E5FD7F

RGBA 192 229 253 0.5

HSLA 203.61, 0.94%, 0.87%, 0.5

LABA 89.08, -6.87, -15.61, 0.5

 

CMYK 13 / 5 / 0 / 4

HEX #AFD3EA7F

RGBA 175 211 234 0.5

HSLA 203.39, 0.58%, 0.8%, 0.5

LABA 82.72, -6.8, -15.23, 0.5

 

CMYK 13 / 5 / 0 / 8

HEX #9EC1D77F

RGBA 158 193 215 0.5

HSLA 203.16, 0.42%, 0.73%, 0.5

LABA 76.26, -6.73, -14.85, 0.5

 

CMYK 14 / 5 / 0 / 12

HEX #8DAFC47F

RGBA 141 175 196 0.5

HSLA 202.91, 0.32%, 0.66%, 0.5

LABA 69.69, -6.65, -14.47, 0.5

 

CMYK 15 / 6 / 0 / 15

HEX #7C9DB17F

RGBA 124 157 177 0.5

HSLA 202.64, 0.25%, 0.59%, 0.5

LABA 62.99, -6.57, -14.1, 0.5

 

CMYK 25 / 10 / 0 / 1

HEX #BFE4FD

RGB 191 228 253

HSL 204.19, 0.94%, 0.87%

LAB 88.76, -6.65, -16.1

 

CMYK 25 / 16 / 0 / 1

HEX #BFD4FD

RGB 191 212 253

HSL 219.68, 0.94%, 0.87%

LAB 84.62, 1.71, -22.36

 

CMYK 25 / 23 / 0 / 1

HEX #BFC3FD

RGB 191 195 253

HSL 236.13, 0.94%, 0.87%

LAB 80.29, 10.82, -28.95

 

CMYK 20 / 25 / 0 / 1

HEX #CBBFFD

RGB 203 191 253

HSL 251.61, 0.94%, 0.87%

LAB 80.21, 16.57, -29

 

CMYK 13 / 25 / 0 / 1

HEX #DCBFFD

RGB 220 191 253

HSL 268.06, 0.94%, 0.87%

LAB 81.6, 21.78, -26.74

 

CMYK 25 / 10 / 0 / 1

HEX #BFE4FD

RGB 191 228 253

HSL 204.19, 0.94%, 0.87%

LAB 88.76, -6.65, -16.1

 

CMYK 25 / 16 / 0 / 1

HEX #BFD4FD

RGB 191 212 253

HSL 219.68, 0.94%, 0.87%

LAB 84.62, 1.71, -22.36

 

CMYK 25 / 23 / 0 / 1

HEX #BFC3FD

RGB 191 195 253

HSL 236.13, 0.94%, 0.87%

LAB 80.29, 10.82, -28.95

 

CMYK 25 / 25 / 0 / 1

HEX #BFBFFD

RGB 191 191 253

HSL 240, 0.94%, 0.87%

LAB 79.29, 13, -30.49

 

CMYK 25 / 10 / 0 / 1

HEX #BFE4FD

RGB 191 228 253

HSL 204.19, 0.94%, 0.87%

LAB 88.76, -6.65, -16.1

 

CMYK 25 / 10 / 0 / 1

HEX #BFE4FD

RGB 191 228 253

HSL 204.19, 0.94%, 0.87%

LAB 88.76, -6.65, -16.1

 

CMYK 21 / 8 / 0 / 3

HEX #C4E3F8

RGB 196 227 248

HSL 204.23, 0.79%, 0.87%

LAB 88.66, -5.75, -13.59

 

CMYK 17 / 7 / 0 / 5

HEX #C9E2F2

RGB 201 226 242

HSL 203.41, 0.61%, 0.87%

LAB 88.55, -4.98, -10.57

 

CMYK 13 / 5 / 0 / 7

HEX #CFE1ED

RGB 207 225 237

HSL 204, 0.45%, 0.87%

LAB 88.56, -3.61, -7.89

 

CMYK 9 / 3 / 0 / 9

HEX #D4E0E8

RGB 212 224 232

HSL 204, 0.3%, 0.87%

LAB 88.51, -2.48, -5.29

 

CMYK 25 / 0 / 4 / 1

HEX #BFFDF4

RGB 191 253 244

HSL 171.29, 0.94%, 0.87%

LAB 95.1, -21.12, -2.01

 

CMYK 25 / 3 / 0 / 1

HEX #BFF6FD

RGB 191 246 253

HSL 186.77, 0.94%, 0.87%

LAB 93.49, -15.76, -9.05

 

CMYK 25 / 9 / 0 / 1

HEX #BFE5FD

RGB 191 229 253

HSL 203.23, 0.94%, 0.87%

LAB 89.02, -7.17, -15.71

 

CMYK 25 / 16 / 0 / 1

HEX #BFD5FD

RGB 191 213 253

HSL 218.71, 0.94%, 0.87%

LAB 84.87, 1.18, -21.97

 

CMYK 25 / 23 / 0 / 1

HEX #BFC4FD

RGB 191 196 253

HSL 235.16, 0.94%, 0.87%

LAB 80.54, 10.28, -28.57

 

CMYK 56 / 22 / 0 / 2

HEX #6FC3FB

RGB 111 195 251

HSL 204, 0.95%, 0.71%

LAB 75.68, -9.92, -35.36

 

CMYK 40 / 16 / 0 / 1

HEX #97D4FC

RGB 151 212 252

HSL 203.76, 0.94%, 0.79%

LAB 82.21, -9.54, -25.7

 

CMYK 25 / 10 / 0 / 1

HEX #BFE4FD

RGB 191 228 253

HSL 204.19, 0.94%, 0.87%

LAB 88.76, -6.65, -16.1

 

CMYK 9 / 4 / 0 / 0

HEX #E7F5FE

RGB 231 245 254

HSL 203.48, 0.92%, 0.95%

LAB 95.77, -2.89, -5.91

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 24 / 9 / 0 / 1

HEX #C0E5FD

RGB 192 229 253

HSL 203.61, 0.94%, 0.87%

LAB 89.08, -6.87, -15.61

 

CMYK 10 / 25 / 0 / 1

HEX #E3BFFD

RGB 227 191 253

HSL 274.84, 0.94%, 0.87%

LAB 82.21, 23.96, -25.76

 

CMYK 0 / 0 / 25 / 1

HEX #FDFCBF

RGB 253 252 191

HSL 59.03, 0.94%, 0.87%

LAB 97.74, -9.06, 29.43

 

CMYK 24 / 9 / 0 / 1

HEX #C0E5FD

RGB 192 229 253

HSL 203.61, 0.94%, 0.87%

LAB 89.08, -6.87, -15.61

 

CMYK 0 / 25 / 9 / 1

HEX #FDBFE5

RGB 253 191 229

HSL 323.23, 0.94%, 0.87%

LAB 83.86, 28.04, -10.21

 

CMYK 9 / 0 / 25 / 1

HEX #E5FDBF

RGB 229 253 191

HSL 83.23, 0.94%, 0.87%

LAB 96.27, -18.15, 27.15

 

CMYK 24 / 9 / 0 / 1

HEX #C0E5FD

RGB 192 229 253

HSL 203.61, 0.94%, 0.87%

LAB 89.08, -6.87, -15.61

 

CMYK 10 / 25 / 0 / 1

HEX #E3BFFD

RGB 227 191 253

HSL 274.84, 0.94%, 0.87%

LAB 82.21, 23.96, -25.76

 

CMYK 0 / 15 / 25 / 1

HEX #FDD7BF

RGB 253 215 191

HSL 23.23, 0.94%, 0.87%

LAB 88.56, 9.71, 16.76

 

CMYK 14 / 0 / 25 / 1

HEX #D9FDBF

RGB 217 253 191

HSL 94.84, 0.94%, 0.87%

LAB 95.48, -22.33, 25.93

 

CMYK 24 / 9 / 0 / 1

HEX #C0E5FD

RGB 192 229 253

HSL 203.61, 0.94%, 0.87%

LAB 89.08, -6.87, -15.61

 

CMYK 3 / 25 / 0 / 1

HEX #F6BFFD

RGB 246 191 253

HSL 293.23, 0.94%, 0.87%

LAB 83.94, 29.97, -22.97

 

CMYK 0 / 15 / 25 / 1

HEX #FDD7BF

RGB 253 215 191

HSL 23.23, 0.94%, 0.87%

LAB 88.56, 9.71, 16.76

 

CMYK 22 / 0 / 25 / 1

HEX #C6FDBF

RGB 198 253 191

HSL 113.23, 0.94%, 0.87%

LAB 94.32, -28.73, 24.15

 

Description

Color code: HEX #C0E5FD7F | qconv.com Color code: HEX #C0E5FD7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 229 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 229 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 5 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 5% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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