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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0DF2B it is the complementary color #3F20D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0DF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0DF2B shade: #C5DF26, #D6F139, #E7FF4C, #F8FF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0DF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0DF2B shade: #C0DF2B, #AFCD18, #9EBB05, #8DA900 and #7C9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0DF2B shade: #C0DF2A, #DFCE2A, #DF9D2A, #DF6C2A and #DF3B2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0DF2B shade: #C0DF2A, #8FDF2A, #5EDF2A, #2DDF2A and #2ADF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0DF2B shade matches the following richer shades: #C0DF2A and #CDF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0DF2B shade: #C0DF2A, #B3CB3E, #A6B852, #99A465 and #8C9079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0DF2B shade: #DF9D2A, #DFCD2A, #C1DF2A, #91DF2A and #60DF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0DF2B shade: #889F18, #A6C31D, #C0DF2A, #CBE54E and #D5EA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0DF2B shade: #C0DF2B, #2ADF6C and #B52ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0DF2B shade: #C0DF2B, #2AC1DF and #DF2AC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0DF2B shade: #C0DF2B, #2ADF6C, #482ADF and #DF2A9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0DF2B shade: #C0DF2B, #2ADFA3, #482ADF and #DF2A66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 81 / 13

HEX #C0DF2B

RGB 192 223 43

HSL 70.33, 0.74%, 0.52%

LAB 84.05, -31.52, 76.32

 

Complementary color

CMYK 70 / 85 / 0 / 17

HEX #3F20D4

RGB 63 32 212

HSL 250.33, 0.74%, 0.48%

LAB 31.45, 62.34, -84.72

 

CMYK 12 / 0 / 83 / 13

HEX #C5DF26

RGB 197 223 38

HSL 68.43, 0.74%, 0.51%

LAB 84.37, -29.65, 77.93

 

CMYK 11 / 0 / 76 / 5

HEX #D6F139

RGB 214 241 57

HSL 68.8, 0.87%, 0.58%

LAB 90.55, -30.54, 78.9

 

CMYK 9 / 0 / 70 / 0

HEX #E7FF4C

RGB 231 255 76

HSL 68.04, 1%, 0.65%

LAB 95.59, -29.43, 78.09

 

CMYK 3 / 0 / 63 / 0

HEX #F8FF5F

RGB 248 255 95

HSL 62.63, 1%, 0.69%

LAB 96.94, -21.65, 72.9

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2B

RGB 192 223 43

HSL 70.33, 0.74%, 0.52%

LAB 84.05, -31.52, 76.32

 

CMYK 15 / 0 / 88 / 20

HEX #AFCD18

RGB 175 205 24

HSL 69.94, 0.79%, 0.45%

LAB 77.78, -30.55, 74.66

 

CMYK 16 / 0 / 97 / 27

HEX #9EBB05

RGB 158 187 5

HSL 69.56, 0.95%, 0.38%

LAB 71.43, -29.4, 71.68

 

CMYK 17 / 0 / 100 / 34

HEX #8DA900

RGB 141 169 0

HSL 69.94, 1%, 0.33%

LAB 64.99, -28.01, 66.88

 

CMYK 18 / 0 / 100 / 41

HEX #7C9700

RGB 124 151 0

HSL 70.73, 1%, 0.3%

LAB 58.43, -26.54, 61.42

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 0 / 8 / 81 / 13

HEX #DFCE2A

RGB 223 206 42

HSL 54.36, 0.74%, 0.52%

LAB 81.84, -10.37, 75.59

 

CMYK 0 / 30 / 81 / 13

HEX #DF9D2A

RGB 223 157 42

HSL 38.12, 0.74%, 0.52%

LAB 69.45, 15.25, 64.82

 

CMYK 0 / 52 / 81 / 13

HEX #DF6C2A

RGB 223 108 42

HSL 21.88, 0.74%, 0.52%

LAB 58.58, 40.99, 55.06

 

CMYK 0 / 74 / 81 / 13

HEX #DF3B2A

RGB 223 59 42

HSL 5.64, 0.74%, 0.52%

LAB 50.67, 61.97, 47.66

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 36 / 0 / 81 / 13

HEX #8FDF2A

RGB 143 223 42

HSL 86.52, 0.74%, 0.52%

LAB 81.17, -50.07, 72.93

 

CMYK 58 / 0 / 81 / 13

HEX #5EDF2A

RGB 94 223 42

HSL 102.76, 0.74%, 0.52%

LAB 79.23, -64.73, 70.44

 

CMYK 80 / 0 / 81 / 13

HEX #2DDF2A

RGB 45 223 42

HSL 119.01, 0.74%, 0.52%

LAB 78.17, -73.66, 69.08

 

CMYK 81 / 0 / 61 / 13

HEX #2ADF57

RGB 42 223 87

HSL 134.92, 0.74%, 0.52%

LAB 78.44, -70.2, 53.26

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 16 / 0 / 91 / 5

HEX #CDF316

RGB 205 243 22

HSL 70.32, 0.9%, 0.52%

LAB 90.39, -35.99, 85.9

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 12 / 0 / 69 / 20

HEX #B3CB3E

RGB 179 203 62

HSL 70.21, 0.58%, 0.52%

LAB 77.66, -26.5, 64.11

 

CMYK 10 / 0 / 55 / 28

HEX #A6B852

RGB 166 184 82

HSL 70.59, 0.42%, 0.52%

LAB 71.55, -21.1, 48.89

 

CMYK 7 / 0 / 38 / 36

HEX #99A465

RGB 153 164 101

HSL 70.48, 0.26%, 0.52%

LAB 65.17, -14.19, 31.4

 

CMYK 3 / 0 / 16 / 44

HEX #8C9079

RGB 140 144 121

HSL 70.43, 0.09%, 0.52%

LAB 58.88, -5.7, 11.74

 

CMYK 0 / 30 / 81 / 13

HEX #DF9D2A

RGB 223 157 42

HSL 38.12, 0.74%, 0.52%

LAB 69.45, 15.25, 64.82

 

CMYK 0 / 8 / 81 / 13

HEX #DFCD2A

RGB 223 205 42

HSL 54.03, 0.74%, 0.52%

LAB 81.58, -9.87, 75.36

 

CMYK 13 / 0 / 81 / 13

HEX #C1DF2A

RGB 193 223 42

HSL 69.94, 0.74%, 0.52%

LAB 84.11, -31.15, 76.65

 

CMYK 35 / 0 / 81 / 13

HEX #91DF2A

RGB 145 223 42

HSL 85.86, 0.74%, 0.52%

LAB 81.27, -49.38, 73.05

 

CMYK 57 / 0 / 81 / 13

HEX #60DF2A

RGB 96 223 42

HSL 102.1, 0.74%, 0.52%

LAB 79.29, -64.24, 70.52

 

CMYK 14 / 0 / 85 / 38

HEX #889F18

RGB 136 159 24

HSL 70.22, 0.74%, 0.36%

LAB 61.74, -24.78, 60.21

 

CMYK 15 / 0 / 85 / 24

HEX #A6C31D

RGB 166 195 29

HSL 70.48, 0.74%, 0.44%

LAB 74.33, -29.42, 70.58

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 11 / 0 / 66 / 10

HEX #CBE54E

RGB 203 229 78

HSL 70.33, 0.74%, 0.6%

LAB 86.65, -28.26, 67.75

 

CMYK 9 / 0 / 51 / 8

HEX #D5EA72

RGB 213 234 114

HSL 70.5, 0.74%, 0.68%

LAB 89.02, -23.99, 55.29

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2B

RGB 192 223 43

HSL 70.33, 0.74%, 0.52%

LAB 84.05, -31.52, 76.32

 

CMYK 81 / 0 / 52 / 13

HEX #2ADF6C

RGB 42 223 108

HSL 141.88, 0.74%, 0.52%

LAB 78.67, -67.42, 43.94

 

CMYK 19 / 81 / 0 / 13

HEX #B52ADF

RGB 181 42 223

HSL 286.08, 0.74%, 0.52%

LAB 48.02, 76.21, -63.31

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2B

RGB 192 223 43

HSL 70.33, 0.74%, 0.52%

LAB 84.05, -31.52, 76.32

 

CMYK 81 / 13 / 0 / 13

HEX #2AC1DF

RGB 42 193 223

HSL 189.94, 0.74%, 0.52%

LAB 72.2, -27.54, -25.76

 

CMYK 0 / 81 / 13 / 13

HEX #DF2AC1

RGB 223 42 193

HSL 309.94, 0.74%, 0.52%

LAB 53.16, 79.33, -37.48

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2B

RGB 192 223 43

HSL 70.33, 0.74%, 0.52%

LAB 84.05, -31.52, 76.32

 

CMYK 81 / 0 / 52 / 13

HEX #2ADF6C

RGB 42 223 108

HSL 141.88, 0.74%, 0.52%

LAB 78.67, -67.42, 43.94

 

CMYK 68 / 81 / 0 / 13

HEX #482ADF

RGB 72 42 223

HSL 249.94, 0.74%, 0.52%

LAB 34.72, 62.07, -85.6

 

CMYK 0 / 81 / 30 / 13

HEX #DF2A9D

RGB 223 42 157

HSL 321.88, 0.74%, 0.52%

LAB 51.59, 74.9, -18.82

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2B

RGB 192 223 43

HSL 70.33, 0.74%, 0.52%

LAB 84.05, -31.52, 76.32

 

CMYK 81 / 0 / 27 / 13

HEX #2ADFA3

RGB 42 223 163

HSL 160.11, 0.74%, 0.52%

LAB 79.56, -57.14, 17.29

 

CMYK 68 / 81 / 0 / 13

HEX #482ADF

RGB 72 42 223

HSL 249.94, 0.74%, 0.52%

LAB 34.72, 62.07, -85.6

 

CMYK 0 / 81 / 54 / 13

HEX #DF2A66

RGB 223 42 102

HSL 340.11, 0.74%, 0.52%

LAB 49.86, 69.85, 11.82

 

Description

Color code: HEX #C0DF2B | qconv.com Color code: HEX #C0DF2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 223 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 223 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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