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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0DF01 it is the complementary color #3F20FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0DF01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0DF01 shade: #C5DF00, #D6F10F, #E7FF22, #F8FF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0DF01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0DF01 shade: #C0DF01, #AFCD00, #9EBB00, #8DA900 and #7C9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0DF01 shade: #C0DF01, #DFC201, #DF8601, #DF4B01 and #DF0F01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0DF01 shade: #C0DF01, #84DF01, #48DF01, #0DDF01 and #01DF32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0DF01 shade matches the following richer shades: #C0DF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0DF01 shade: #C0DF01, #B3CD13, #A6BB25, #99A938 and #8C974A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0DF01 shade: #DF8601, #DFC201, #C2DF01, #86DF01 and #4BDF01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0DF01 shade: #7A8D01, #9DB601, #C0DF01, #DCFE0C and #E2FE35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0DF01 shade: #C0DF01, #01DF4B and #A401DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0DF01 shade: #C0DF01, #01C2DF and #DF01C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0DF01 shade: #C0DF01, #01DF4B, #1F01DF and #DF0195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0DF01 shade: #C0DF01, #01DF8E, #1F01DF and #DF0153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

Complementary color

CMYK 75 / 87 / 0 / 0

HEX #3F20FE

RGB 63 32 254

HSL 248.38, 0.99%, 0.56%

LAB 36.45, 73.55, -100.32

 

CMYK 12 / 0 / 100 / 13

HEX #C5DF00

RGB 197 223 0

HSL 67, 1%, 0.44%

LAB 84.3, -30.29, 83.08

 

CMYK 11 / 0 / 94 / 5

HEX #D6F10F

RGB 214 241 15

HSL 67.17, 0.89%, 0.5%

LAB 90.43, -31.58, 86.99

 

CMYK 9 / 0 / 87 / 0

HEX #E7FF22

RGB 231 255 34

HSL 66.52, 1%, 0.57%

LAB 95.42, -30.89, 88.86

 

CMYK 3 / 0 / 79 / 0

HEX #F8FF35

RGB 248 255 53

HSL 62.08, 1%, 0.6%

LAB 96.71, -23.55, 86.39

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 15 / 0 / 100 / 20

HEX #AFCD00

RGB 175 205 0

HSL 68.78, 1%, 0.4%

LAB 77.74, -30.9, 77.5

 

CMYK 16 / 0 / 100 / 27

HEX #9EBB00

RGB 158 187 0

HSL 69.3, 1%, 0.37%

LAB 71.43, -29.47, 72.24

 

CMYK 17 / 0 / 100 / 34

HEX #8DA900

RGB 141 169 0

HSL 69.94, 1%, 0.33%

LAB 64.99, -28.01, 66.88

 

CMYK 18 / 0 / 100 / 41

HEX #7C9700

RGB 124 151 0

HSL 70.73, 1%, 0.3%

LAB 58.43, -26.54, 61.42

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 0 / 13 / 100 / 13

HEX #DFC201

RGB 223 194 1

HSL 52.16, 0.99%, 0.44%

LAB 78.62, -4.95, 79.78

 

CMYK 0 / 40 / 100 / 13

HEX #DF8601

RGB 223 134 1

HSL 35.95, 0.99%, 0.44%

LAB 63.95, 26.81, 69.76

 

CMYK 0 / 66 / 100 / 13

HEX #DF4B01

RGB 223 75 1

HSL 20, 0.99%, 0.44%

LAB 52.64, 55.37, 63.13

 

CMYK 0 / 93 / 100 / 13

HEX #DF0F01

RGB 223 15 1

HSL 3.78, 0.99%, 0.44%

LAB 47.02, 71.09, 60.6

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 41 / 0 / 100 / 13

HEX #84DF01

RGB 132 223 1

HSL 84.59, 0.99%, 0.44%

LAB 80.56, -54.76, 78.5

 

CMYK 68 / 0 / 100 / 13

HEX #48DF01

RGB 72 223 1

HSL 100.81, 0.99%, 0.44%

LAB 78.55, -70.69, 76.06

 

CMYK 94 / 0 / 100 / 13

HEX #0DDF01

RGB 13 223 1

HSL 116.76, 0.99%, 0.44%

LAB 77.79, -77.4, 75.14

 

CMYK 100 / 0 / 78 / 13

HEX #01DF32

RGB 1 223 50

HSL 133.24, 0.99%, 0.44%

LAB 77.88, -76.08, 66.44

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 13 / 0 / 91 / 20

HEX #B3CD13

RGB 179 205 19

HSL 68.39, 0.83%, 0.44%

LAB 78.05, -29.01, 75.79

 

CMYK 11 / 0 / 80 / 27

HEX #A6BB25

RGB 166 187 37

HSL 68.4, 0.67%, 0.44%

LAB 72.08, -25.32, 66.66

 

CMYK 9 / 0 / 67 / 34

HEX #99A938

RGB 153 169 56

HSL 68.5, 0.5%, 0.44%

LAB 66.08, -20.97, 54.07

 

CMYK 7 / 0 / 51 / 41

HEX #8C974A

RGB 140 151 74

HSL 68.57, 0.34%, 0.44%

LAB 60.07, -15.79, 38.85

 

CMYK 0 / 40 / 100 / 13

HEX #DF8601

RGB 223 134 1

HSL 35.95, 0.99%, 0.44%

LAB 63.95, 26.81, 69.76

 

CMYK 0 / 13 / 100 / 13

HEX #DFC201

RGB 223 194 1

HSL 52.16, 0.99%, 0.44%

LAB 78.62, -4.95, 79.78

 

CMYK 13 / 0 / 100 / 13

HEX #C2DF01

RGB 194 223 1

HSL 67.84, 0.99%, 0.44%

LAB 84.09, -31.5, 82.75

 

CMYK 40 / 0 / 100 / 13

HEX #86DF01

RGB 134 223 1

HSL 84.05, 0.99%, 0.44%

LAB 80.65, -54.09, 78.61

 

CMYK 66 / 0 / 100 / 13

HEX #4BDF01

RGB 75 223 1

HSL 100, 0.99%, 0.44%

LAB 78.62, -70.1, 76.15

 

CMYK 13 / 0 / 99 / 45

HEX #7A8D01

RGB 122 141 1

HSL 68.14, 0.99%, 0.28%

LAB 55.27, -22.43, 58.81

 

CMYK 14 / 0 / 99 / 29

HEX #9DB601

RGB 157 182 1

HSL 68.29, 0.99%, 0.36%

LAB 69.91, -27.49, 70.95

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 13 / 0 / 95 / 0

HEX #DCFE0C

RGB 220 254 12

HSL 68.43, 0.99%, 0.52%

LAB 94.37, -35.15, 90.45

 

CMYK 11 / 0 / 79 / 0

HEX #E2FE35

RGB 226 254 53

HSL 68.36, 0.99%, 0.6%

LAB 94.87, -31.91, 84.17

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 100 / 0 / 66 / 13

HEX #01DF4B

RGB 1 223 75

HSL 140, 0.99%, 0.44%

LAB 78.05, -73.99, 57.75

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 100 / 13 / 0 / 13

HEX #01C2DF

RGB 1 194 223

HSL 187.84, 0.99%, 0.44%

LAB 72.17, -29.98, -25.83

 

CMYK 0 / 100 / 13 / 13

HEX #DF01C2

RGB 223 1 194

HSL 307.84, 0.99%, 0.44%

LAB 51.39, 84.79, -40.85

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 100 / 0 / 66 / 13

HEX #01DF4B

RGB 1 223 75

HSL 140, 0.99%, 0.44%

LAB 78.05, -73.99, 57.75

 

CMYK 86 / 100 / 0 / 13

HEX #1F01DF

RGB 31 1 223

HSL 248.11, 0.99%, 0.44%

LAB 28.49, 71.64, -96.05

 

CMYK 0 / 100 / 33 / 13

HEX #DF0195

RGB 223 1 149

HSL 320, 0.99%, 0.44%

LAB 49.35, 79.64, -17.46

 

CMYK 14 / 0 / 100 / 13

HEX #C0DF01

RGB 192 223 1

HSL 68.38, 0.99%, 0.44%

LAB 83.96, -32.32, 82.58

 

CMYK 100 / 0 / 36 / 13

HEX #01DF8E

RGB 1 223 142

HSL 158.11, 0.99%, 0.44%

LAB 78.89, -63.78, 27.24

 

CMYK 86 / 100 / 0 / 13

HEX #1F01DF

RGB 31 1 223

HSL 248.11, 0.99%, 0.44%

LAB 28.49, 71.64, -96.05

 

CMYK 0 / 100 / 63 / 13

HEX #DF0153

RGB 223 1 83

HSL 337.84, 0.99%, 0.44%

LAB 47.41, 74.53, 20.16

 

Description

Color code: HEX #C0DF01 | qconv.com Color code: HEX #C0DF01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 223 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 223 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 100 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 100% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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