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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0DD3F it is the complementary color #3F22C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0DD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0DD3F shade: #C5DD3A, #D6EF4D, #E7FF60, #F8FF73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0DD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0DD3F shade: #C0DD3F, #AFCB2C, #9EB919, #8DA706 and #7C9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0DD3F shade: #C1DD40, #DDD040, #DDA540, #DD7B40 and #DD5140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0DD3F shade: #C1DD40, #96DD40, #6CDD40, #41DD40 and #40DD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0DD3F shade matches the following richer shades: #C1DD40 and #CCEF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0DD3F shade: #C1DD40, #B5CB52, #AAB965, #9EA777 and #939589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0DD3F shade: #DDA640, #DDD040, #C1DD40, #97DD40 and #6DDD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0DD3F shade: #93AD1E, #B0D025, #C1DD40, #CCE463 and #D7EA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0DD3F shade: #C0DD3F, #40DD7C and #BB40DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0DD3F shade: #C0DD3F, #40C1DD and #DD40C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0DD3F shade: #C0DD3F, #40DD7C, #5D40DD and #DD40A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0DD3F shade: #C0DD3F, #40DDAC, #5D40DD and #DD4072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 71 / 13

HEX #C0DD3F

RGB 192 221 63

HSL 71.01, 0.7%, 0.56%

LAB 83.59, -29.73, 69.9

 

Complementary color

CMYK 67 / 82 / 0 / 25

HEX #3F22C0

RGB 63 34 192

HSL 251.01, 0.7%, 0.44%

LAB 29.43, 55.96, -76.37

 

CMYK 11 / 0 / 74 / 13

HEX #C5DD3A

RGB 197 221 58

HSL 68.83, 0.71%, 0.55%

LAB 83.91, -27.96, 71.99

 

CMYK 10 / 0 / 68 / 6

HEX #D6EF4D

RGB 214 239 77

HSL 69.26, 0.84%, 0.62%

LAB 90.12, -28.65, 71.91

 

CMYK 9 / 0 / 62 / 0

HEX #E7FF60

RGB 231 255 96

HSL 69.06, 1%, 0.69%

LAB 95.73, -28.28, 70.86

 

CMYK 3 / 0 / 55 / 0

HEX #F8FF73

RGB 248 255 115

HSL 63, 1%, 0.73%

LAB 97.11, -20.3, 64.84

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 13 / 0 / 71 / 13

HEX #C0DD3F

RGB 192 221 63

HSL 71.01, 0.7%, 0.56%

LAB 83.59, -29.73, 69.9

 

CMYK 14 / 0 / 78 / 20

HEX #AFCB2C

RGB 175 203 44

HSL 70.57, 0.64%, 0.48%

LAB 77.29, -29, 69.59

 

CMYK 15 / 0 / 86 / 27

HEX #9EB919

RGB 158 185 25

HSL 70.13, 0.76%, 0.41%

LAB 70.9, -28.08, 68.33

 

CMYK 16 / 0 / 96 / 35

HEX #8DA706

RGB 141 167 6

HSL 69.69, 0.93%, 0.34%

LAB 64.41, -26.95, 65.65

 

CMYK 17 / 0 / 100 / 42

HEX #7C9500

RGB 124 149 0

HSL 70.07, 1%, 0.29%

LAB 57.83, -25.56, 60.96

 

CMYK 13 / 0 / 71 / 13

HEX #C1DD40

RGB 193 221 64

HSL 70.7, 0.7%, 0.56%

LAB 83.66, -29.28, 69.65

 

CMYK 0 / 6 / 71 / 13

HEX #DDD040

RGB 221 208 64

HSL 55.03, 0.7%, 0.56%

LAB 82.3, -11.39, 69.05

 

CMYK 0 / 25 / 71 / 13

HEX #DDA540

RGB 221 165 64

HSL 38.6, 0.7%, 0.56%

LAB 71.32, 11, 58.1

 

CMYK 0 / 44 / 71 / 13

HEX #DD7B40

RGB 221 123 64

HSL 22.55, 0.7%, 0.56%

LAB 61.57, 33.41, 47.84

 

CMYK 0 / 63 / 71 / 13

HEX #DD5140

RGB 221 81 64

HSL 6.5, 0.7%, 0.56%

LAB 53.63, 53.72, 38.99

 

CMYK 13 / 0 / 71 / 13

HEX #C1DD40

RGB 193 221 64

HSL 70.7, 0.7%, 0.56%

LAB 83.66, -29.28, 69.65

 

CMYK 32 / 0 / 71 / 13

HEX #96DD40

RGB 150 221 64

HSL 87.13, 0.7%, 0.56%

LAB 81.05, -45.65, 66.19

 

CMYK 51 / 0 / 71 / 13

HEX #6CDD40

RGB 108 221 64

HSL 103.18, 0.7%, 0.56%

LAB 79.2, -59.03, 63.72

 

CMYK 71 / 0 / 71 / 13

HEX #41DD40

RGB 65 221 64

HSL 119.62, 0.7%, 0.56%

LAB 78, -68.7, 62.1

 

CMYK 71 / 0 / 52 / 13

HEX #40DD69

RGB 64 221 105

HSL 135.67, 0.7%, 0.56%

LAB 78.36, -64.33, 45.07

 

CMYK 13 / 0 / 71 / 13

HEX #C1DD40

RGB 193 221 64

HSL 70.7, 0.7%, 0.56%

LAB 83.66, -29.28, 69.65

 

CMYK 15 / 0 / 81 / 6

HEX #CCEF2E

RGB 204 239 46

HSL 70.88, 0.86%, 0.56%

LAB 89.28, -33.99, 80.46

 

CMYK 13 / 0 / 71 / 13

HEX #C1DD40

RGB 193 221 64

HSL 70.7, 0.7%, 0.56%

LAB 83.66, -29.28, 69.65

 

CMYK 11 / 0 / 60 / 20

HEX #B5CB52

RGB 181 203 82

HSL 70.91, 0.54%, 0.56%

LAB 77.96, -24.36, 56.39

 

CMYK 8 / 0 / 45 / 27

HEX #AAB965

RGB 170 185 101

HSL 70.71, 0.38%, 0.56%

LAB 72.35, -18.14, 40.71

 

CMYK 5 / 0 / 29 / 35

HEX #9EA777

RGB 158 167 119

HSL 71.25, 0.21%, 0.56%

LAB 66.7, -11.38, 23.82

 

CMYK 1 / 0 / 8 / 42

HEX #939589

RGB 147 149 137

HSL 70, 0.05%, 0.56%

LAB 61.22, -2.98, 6.08

 

CMYK 0 / 25 / 71 / 13

HEX #DDA640

RGB 221 166 64

HSL 38.98, 0.7%, 0.56%

LAB 71.56, 10.47, 58.35

 

CMYK 0 / 6 / 71 / 13

HEX #DDD040

RGB 221 208 64

HSL 55.03, 0.7%, 0.56%

LAB 82.3, -11.39, 69.05

 

CMYK 13 / 0 / 71 / 13

HEX #C1DD40

RGB 193 221 64

HSL 70.7, 0.7%, 0.56%

LAB 83.66, -29.28, 69.65

 

CMYK 32 / 0 / 71 / 13

HEX #97DD40

RGB 151 221 64

HSL 86.75, 0.7%, 0.56%

LAB 81.11, -45.29, 66.26

 

CMYK 51 / 0 / 71 / 13

HEX #6DDD40

RGB 109 221 64

HSL 102.8, 0.7%, 0.56%

LAB 79.23, -58.75, 63.76

 

CMYK 15 / 0 / 83 / 32

HEX #93AD1E

RGB 147 173 30

HSL 70.91, 0.7%, 0.4%

LAB 66.66, -26.76, 63.25

 

CMYK 15 / 0 / 82 / 18

HEX #B0D025

RGB 176 208 37

HSL 71.23, 0.7%, 0.48%

LAB 78.74, -31.2, 72.76

 

CMYK 13 / 0 / 71 / 13

HEX #C1DD40

RGB 193 221 64

HSL 70.7, 0.7%, 0.56%

LAB 83.66, -29.28, 69.65

 

CMYK 11 / 0 / 57 / 11

HEX #CCE463

RGB 204 228 99

HSL 71.16, 0.7%, 0.64%

LAB 86.62, -25.91, 59.08

 

CMYK 8 / 0 / 43 / 8

HEX #D7EA86

RGB 215 234 134

HSL 71.4, 0.7%, 0.72%

LAB 89.4, -21.26, 46.33

 

CMYK 13 / 0 / 71 / 13

HEX #C0DD3F

RGB 192 221 63

HSL 71.01, 0.7%, 0.56%

LAB 83.59, -29.73, 69.9

 

CMYK 71 / 0 / 44 / 13

HEX #40DD7C

RGB 64 221 124

HSL 142.93, 0.7%, 0.56%

LAB 78.61, -61.4, 36.13

 

CMYK 15 / 71 / 0 / 13

HEX #BB40DD

RGB 187 64 221

HSL 287.01, 0.7%, 0.56%

LAB 51.21, 69.96, -56.97

 

CMYK 13 / 0 / 71 / 13

HEX #C0DD3F

RGB 192 221 63

HSL 71.01, 0.7%, 0.56%

LAB 83.59, -29.73, 69.9

 

CMYK 71 / 13 / 0 / 13

HEX #40C1DD

RGB 64 193 221

HSL 190.7, 0.7%, 0.56%

LAB 72.53, -25.83, -24.14

 

CMYK 0 / 71 / 13 / 13

HEX #DD40C1

RGB 221 64 193

HSL 310.7, 0.7%, 0.56%

LAB 54.96, 72.79, -34.68

 

CMYK 13 / 0 / 71 / 13

HEX #C0DD3F

RGB 192 221 63

HSL 71.01, 0.7%, 0.56%

LAB 83.59, -29.73, 69.9

 

CMYK 71 / 0 / 44 / 13

HEX #40DD7C

RGB 64 221 124

HSL 142.93, 0.7%, 0.56%

LAB 78.61, -61.4, 36.13

 

CMYK 58 / 71 / 0 / 13

HEX #5D40DD

RGB 93 64 221

HSL 251.08, 0.7%, 0.56%

LAB 39.94, 53.27, -75.8

 

CMYK 0 / 71 / 27 / 13

HEX #DD40A1

RGB 221 64 161

HSL 322.93, 0.7%, 0.56%

LAB 53.61, 68.56, -18.12

 

CMYK 13 / 0 / 71 / 13

HEX #C0DD3F

RGB 192 221 63

HSL 71.01, 0.7%, 0.56%

LAB 83.59, -29.73, 69.9

 

CMYK 71 / 0 / 22 / 13

HEX #40DDAC

RGB 64 221 172

HSL 161.27, 0.7%, 0.56%

LAB 79.49, -51.79, 12.5

 

CMYK 58 / 71 / 0 / 13

HEX #5D40DD

RGB 93 64 221

HSL 251.08, 0.7%, 0.56%

LAB 39.94, 53.27, -75.8

 

CMYK 0 / 71 / 48 / 13

HEX #DD4072

RGB 221 64 114

HSL 340.89, 0.7%, 0.56%

LAB 52.12, 63.69, 7.69

 

Description

Color code: HEX #C0DD3F | qconv.com Color code: HEX #C0DD3F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 221 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 221 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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