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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0D8E3 it is the complementary color #3F271C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0D8E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0D8E3 shade: #C5D8DE, #D6EAF1, #E7FCFF, #F8FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0D8E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0D8E3 shade: #C0D8E3, #AFC6D0, #9EB4BD, #8DA2AA and #7C9097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0D8E3 shade: #C0D8E3, #C0CEE3, #C0C5E3, #C4C0E3 and #CDC0E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0D8E3 shade: #C0D8E3, #C0CEE3, #C0C5E3 and #C0C0E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0D8E3 shade matches the following richer shades: #C0D8E3, #B8DAEA, #B1DDF1 and #A9E0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0D8E3 shade: #C0D8E3, #C7D5DB, #CFD2D4, #D6CFCC and #DDCDC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0D8E3 shade: #C0E3DA, #C0E1E3, #C0D8E3, #C0CFE3 and #C0C5E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0D8E3 shade: #87B4C9, #A3C6D6, #C0D8E3, #DCE9EF and #F9FBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0D8E3 shade: #C0D8E3, #D1C0E3 and #E3DFC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0D8E3 shade: #C0D8E3, #E3C0D8 and #D8E3C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0D8E3 shade: #C0D8E3, #D1C0E3, #E3CAC0 and #D1E3C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0D8E3 shade: #C0D8E3, #DCC0E3, #E3CAC0 and #C7E3C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

Complementary color

CMYK 0 / 38 / 56 / 75

HEX #3F271C

RGB 63 39 28

HSL 18.86, 0.38%, 0.18%

LAB 18.33, 9.79, 11.87

 

CMYK 11 / 3 / 0 / 13

HEX #C5D8DE

RGB 197 216 222

HSL 194.4, 0.27%, 0.82%

LAB 85.13, -5.15, -5.13

HEX #C5D8DE

CMYK 11 / 3 / 0 / 5

HEX #D6EAF1

RGB 214 234 241

HSL 195.56, 0.49%, 0.89%

LAB 91.46, -5.22, -5.65

HEX #D6EAF1

CMYK 9 / 1 / 0 / 0

HEX #E7FCFF

RGB 231 252 255

HSL 187.5, 1%, 0.95%

LAB 97.56, -6.24, -3.78

HEX #E7FCFF

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

HEX #F8FFFF

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 16 / 5 / 0 / 18

HEX #AFC6D0

RGB 175 198 208

HSL 198.18, 0.26%, 0.75%

LAB 78.49, -5.68, -7.62

 

CMYK 16 / 5 / 0 / 26

HEX #9EB4BD

RGB 158 180 189

HSL 197.42, 0.19%, 0.68%

LAB 71.95, -5.63, -7.13

 

CMYK 17 / 5 / 0 / 33

HEX #8DA2AA

RGB 141 162 170

HSL 196.55, 0.15%, 0.61%

LAB 65.28, -5.59, -6.62

 

CMYK 18 / 5 / 0 / 41

HEX #7C9097

RGB 124 144 151

HSL 195.56, 0.11%, 0.54%

LAB 58.48, -5.56, -6.11

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 15 / 9 / 0 / 11

HEX #C0CEE3

RGB 192 206 227

HSL 216, 0.38%, 0.82%

LAB 82.32, -0.5, -11.99

 

CMYK 15 / 13 / 0 / 11

HEX #C0C5E3

RGB 192 197 227

HSL 231.43, 0.38%, 0.82%

LAB 80, 4.29, -15.46

 

CMYK 14 / 15 / 0 / 11

HEX #C4C0E3

RGB 196 192 227

HSL 246.86, 0.38%, 0.82%

LAB 79.03, 8.25, -16.9

 

CMYK 10 / 15 / 0 / 11

HEX #CDC0E3

RGB 205 192 227

HSL 262.29, 0.38%, 0.82%

LAB 79.74, 11.16, -15.76

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 15 / 9 / 0 / 11

HEX #C0CEE3

RGB 192 206 227

HSL 216, 0.38%, 0.82%

LAB 82.32, -0.5, -11.99

 

CMYK 15 / 13 / 0 / 11

HEX #C0C5E3

RGB 192 197 227

HSL 231.43, 0.38%, 0.82%

LAB 80, 4.29, -15.46

 

CMYK 15 / 15 / 0 / 11

HEX #C0C0E3

RGB 192 192 227

HSL 240, 0.38%, 0.82%

LAB 78.72, 6.98, -17.39

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 21 / 7 / 0 / 8

HEX #B8DAEA

RGB 184 218 234

HSL 199.2, 0.54%, 0.82%

LAB 85.14, -7.75, -11.56

 

CMYK 27 / 8 / 0 / 5

HEX #B1DDF1

RGB 177 221 241

HSL 198.75, 0.7%, 0.82%

LAB 85.71, -9.81, -14.45

 

CMYK 32 / 10 / 0 / 2

HEX #A9E0F9

RGB 169 224 249

HSL 198.75, 0.87%, 0.82%

LAB 86.3, -11.75, -17.83

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 9 / 3 / 0 / 14

HEX #C7D5DB

RGB 199 213 219

HSL 198, 0.22%, 0.82%

LAB 84.4, -3.54, -4.58

 

CMYK 2 / 1 / 0 / 17

HEX #CFD2D4

RGB 207 210 212

HSL 204, 0.05%, 0.82%

LAB 84.02, -0.65, -1.35

 

CMYK 0 / 3 / 5 / 16

HEX #D6CFCC

RGB 214 207 204

HSL 18, 0.11%, 0.82%

LAB 83.59, 1.89, 2.34

 

CMYK 0 / 7 / 11 / 13

HEX #DDCDC5

RGB 221 205 197

HSL 20, 0.26%, 0.82%

LAB 83.48, 4.22, 5.97

 

CMYK 15 / 0 / 4 / 11

HEX #C0E3DA

RGB 192 227 218

HSL 164.57, 0.38%, 0.82%

LAB 87.59, -13.18, 0.55

HEX #C0E3DA

CMYK 15 / 1 / 0 / 11

HEX #C0E1E3

RGB 192 225 227

HSL 183.43, 0.38%, 0.82%

LAB 87.29, -10.36, -4.61

HEX #C0E1E3

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

HEX #C0D8E3

CMYK 15 / 9 / 0 / 11

HEX #C0CFE3

RGB 192 207 227

HSL 214.29, 0.38%, 0.82%

LAB 82.58, -1.03, -11.6

HEX #C0CFE3

CMYK 15 / 13 / 0 / 11

HEX #C0C5E3

RGB 192 197 227

HSL 231.43, 0.38%, 0.82%

LAB 80, 4.29, -15.46

HEX #C0C5E3

CMYK 33 / 10 / 0 / 21

HEX #87B4C9

RGB 135 180 201

HSL 199.09, 0.38%, 0.66%

LAB 70.88, -9.87, -15.47

 

CMYK 24 / 7 / 0 / 16

HEX #A3C6D6

RGB 163 198 214

HSL 198.82, 0.38%, 0.74%

LAB 77.89, -8.1, -11.84

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 8 / 3 / 0 / 6

HEX #DCE9EF

RGB 220 233 239

HSL 198.95, 0.37%, 0.9%

LAB 91.56, -3.17, -4.4

 

CMYK 1 / 0 / 0 / 1

HEX #F9FBFC

RGB 249 251 252

HSL 200, 0.33%, 0.98%

LAB 98.5, -0.48, -0.72

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 8 / 15 / 0 / 11

HEX #D1C0E3

RGB 209 192 227

HSL 269.14, 0.38%, 0.82%

LAB 80.07, 12.46, -15.23

 

CMYK 0 / 2 / 15 / 11

HEX #E3DFC0

RGB 227 223 192

HSL 53.14, 0.38%, 0.82%

LAB 88.41, -3.75, 15.7

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 0 / 15 / 5 / 11

HEX #E3C0D8

RGB 227 192 216

HSL 318.86, 0.38%, 0.82%

LAB 81.29, 16.44, -7.34

 

CMYK 5 / 0 / 15 / 11

HEX #D8E3C0

RGB 216 227 192

HSL 78.86, 0.38%, 0.82%

LAB 88.61, -9.71, 15.87

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 8 / 15 / 0 / 11

HEX #D1C0E3

RGB 209 192 227

HSL 269.14, 0.38%, 0.82%

LAB 80.07, 12.46, -15.23

 

CMYK 0 / 11 / 15 / 11

HEX #E3CAC0

RGB 227 202 192

HSL 17.14, 0.38%, 0.82%

LAB 83.11, 7.15, 8.18

 

CMYK 8 / 0 / 15 / 11

HEX #D1E3C0

RGB 209 227 192

HSL 90.86, 0.38%, 0.82%

LAB 88.11, -12.17, 15.09

 

CMYK 15 / 5 / 0 / 11

HEX #C0D8E3

RGB 192 216 227

HSL 198.86, 0.38%, 0.82%

LAB 84.93, -5.73, -8.11

 

CMYK 3 / 15 / 0 / 11

HEX #DCC0E3

RGB 220 192 227

HSL 288, 0.38%, 0.82%

LAB 80.99, 16.09, -13.75

 

CMYK 0 / 11 / 15 / 11

HEX #E3CAC0

RGB 227 202 192

HSL 17.14, 0.38%, 0.82%

LAB 83.11, 7.15, 8.18

 

CMYK 12 / 0 / 15 / 11

HEX #C7E3C0

RGB 199 227 192

HSL 108, 0.38%, 0.82%

LAB 87.43, -15.62, 14.03

 

Description

Color code: HEX #C0D8E3 | qconv.com Color code: HEX #C0D8E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 216 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 216 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 5 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 5% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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