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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0D3C5 it is the complementary color #3F2C3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0D3C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0D3C5 shade: #C5D3C0, #D6E5D3, #E7F7E6 and #F8FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0D3C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0D3C5 shade: #C0D3C5, #AFC1B2, #9EAF9F, #8D9D8C and #7C8B79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0D3C5 shade: #BFD3C4, #BFD3BF, #C5D3BF, #CAD3BF and #CFD3BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0D3C5 shade: #BFD3C4, #BFD3CA, #BFD3CF, #BFD1D3 and #BFCCD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0D3C5 shade matches the following richer shades: #BFD3C4, #B7DBC0, #AEE4BC, #A5EDB8 and #9DF5B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0D3C5 shade: #BFD3C4, #C8CAC8, #D1C1CD, #D9B9D1 and #E2B0D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0D3C5 shade: #C5D3BF, #C0D3BF, #BFD3C4, #BFD3C9 and #BFD3CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0D3C5 shade: #8FB198, #A7C2AE, #BFD3C4, #D8E4DB and #F0F4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0D3C5 shade: #C0D3C5, #BFCAD3 and #D3BFC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0D3C5 shade: #C0D3C5, #C4BFD3 and #D3C4BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0D3C5 shade: #C0D3C5, #BFCAD3, #D3BFCE and #D3C8BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0D3C5 shade: #C0D3C5, #BFC4D3, #D3BFCE and #D3CEBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 7 / 17

HEX #C0D3C5

RGB 192 211 197

HSL 135.79, 0.18%, 0.79%

LAB 82.82, -9.02, 4.74

 

Complementary color

CMYK 0 / 30 / 8 / 75

HEX #3F2C3A

RGB 63 44 58

HSL 315.79, 0.18%, 0.21%

LAB 20.69, 11.54, -5.47

 

CMYK 7 / 0 / 9 / 17

HEX #C5D3C0

RGB 197 211 192

HSL 104.21, 0.18%, 0.79%

LAB 83.05, -8.2, 7.78

 

CMYK 7 / 0 / 8 / 10

HEX #D6E5D3

RGB 214 229 211

HSL 110, 0.26%, 0.86%

LAB 89.41, -8.24, 7.05

HEX #D6E5D3

CMYK 6 / 0 / 7 / 3

HEX #E7F7E6

RGB 231 247 230

HSL 116.47, 0.52%, 0.94%

LAB 95.67, -8.29, 6.36

HEX #E7F7E6

CMYK 3 / 0 / 2 / 0

HEX #F8FFF9

RGB 248 255 249

HSL 128.57, 1%, 0.99%

LAB 99.35, -3.35, 2.05

HEX #F8FFF9

CMYK 9 / 0 / 7 / 17

HEX #C0D3C5

RGB 192 211 197

HSL 135.79, 0.18%, 0.79%

LAB 82.82, -9.02, 4.74

 

CMYK 9 / 0 / 8 / 24

HEX #AFC1B2

RGB 175 193 178

HSL 130, 0.13%, 0.72%

LAB 76.36, -9.01, 5.45

 

CMYK 10 / 0 / 9 / 31

HEX #9EAF9F

RGB 158 175 159

HSL 123.53, 0.1%, 0.65%

LAB 69.78, -9.01, 6.19

 

CMYK 10 / 0 / 11 / 38

HEX #8D9D8C

RGB 141 157 140

HSL 116.47, 0.08%, 0.58%

LAB 63.07, -9.02, 6.97

 

CMYK 11 / 0 / 13 / 45

HEX #7C8B79

RGB 124 139 121

HSL 110, 0.07%, 0.51%

LAB 56.22, -9.03, 7.8

 

CMYK 9 / 0 / 7 / 17

HEX #BFD3C4

RGB 191 211 196

HSL 135, 0.19%, 0.79%

LAB 82.73, -9.54, 5.13

 

CMYK 9 / 0 / 9 / 17

HEX #BFD3BF

RGB 191 211 191

HSL 120, 0.19%, 0.79%

LAB 82.61, -10.45, 7.62

 

CMYK 7 / 0 / 9 / 17

HEX #C5D3BF

RGB 197 211 191

HSL 102, 0.19%, 0.79%

LAB 83.03, -8.38, 8.28

 

CMYK 4 / 0 / 9 / 17

HEX #CAD3BF

RGB 202 211 191

HSL 87, 0.19%, 0.79%

LAB 83.39, -6.64, 8.85

 

CMYK 2 / 0 / 9 / 17

HEX #CFD3BF

RGB 207 211 191

HSL 72, 0.19%, 0.79%

LAB 83.77, -4.88, 9.43

 

CMYK 9 / 0 / 7 / 17

HEX #BFD3C4

RGB 191 211 196

HSL 135, 0.19%, 0.79%

LAB 82.73, -9.54, 5.13

 

CMYK 9 / 0 / 4 / 17

HEX #BFD3CA

RGB 191 211 202

HSL 153, 0.19%, 0.79%

LAB 82.88, -8.42, 2.15

 

CMYK 9 / 0 / 2 / 17

HEX #BFD3CF

RGB 191 211 207

HSL 168, 0.19%, 0.79%

LAB 83, -7.47, -0.32

 

CMYK 9 / 1 / 0 / 17

HEX #BFD1D3

RGB 191 209 211

HSL 186, 0.19%, 0.79%

LAB 82.58, -5.65, -3.07

 

CMYK 9 / 3 / 0 / 17

HEX #BFCCD3

RGB 191 204 211

HSL 201, 0.19%, 0.79%

LAB 81.27, -3.03, -5

 

CMYK 9 / 0 / 7 / 17

HEX #BFD3C4

RGB 191 211 196

HSL 135, 0.19%, 0.79%

LAB 82.73, -9.54, 5.13

 

CMYK 16 / 0 / 12 / 14

HEX #B7DBC0

RGB 183 219 192

HSL 135, 0.33%, 0.79%

LAB 84.24, -17.02, 9.36

 

CMYK 24 / 0 / 18 / 11

HEX #AEE4BC

RGB 174 228 188

HSL 135.56, 0.5%, 0.79%

LAB 86.06, -25.11, 13.97

 

CMYK 30 / 0 / 22 / 7

HEX #A5EDB8

RGB 165 237 184

HSL 135.83, 0.67%, 0.79%

LAB 87.98, -32.93, 18.68

 

CMYK 36 / 0 / 27 / 4

HEX #9DF5B4

RGB 157 245 180

HSL 135.68, 0.81%, 0.79%

LAB 89.75, -39.69, 23.13

 

CMYK 9 / 0 / 7 / 17

HEX #BFD3C4

RGB 191 211 196

HSL 135, 0.19%, 0.79%

LAB 82.73, -9.54, 5.13

 

CMYK 1 / 0 / 1 / 21

HEX #C8CAC8

RGB 200 202 200

HSL 120, 0.02%, 0.79%

LAB 81.12, -1.05, 0.75

 

CMYK 0 / 8 / 2 / 18

HEX #D1C1CD

RGB 209 193 205

HSL 315, 0.15%, 0.79%

LAB 79.67, 7.74, -3.98

 

CMYK 0 / 15 / 4 / 15

HEX #D9B9D1

RGB 217 185 209

HSL 315, 0.3%, 0.79%

LAB 78.49, 15.51, -7.81

 

CMYK 0 / 22 / 6 / 11

HEX #E2B0D5

RGB 226 176 213

HSL 315.6, 0.46%, 0.79%

LAB 77.29, 24.15, -11.67

 

CMYK 7 / 0 / 9 / 17

HEX #C5D3BF

RGB 197 211 191

HSL 102, 0.19%, 0.79%

LAB 83.03, -8.38, 8.28

 

CMYK 9 / 0 / 9 / 17

HEX #C0D3BF

RGB 192 211 191

HSL 117, 0.19%, 0.79%

LAB 82.68, -10.1, 7.73

 

CMYK 9 / 0 / 7 / 17

HEX #BFD3C4

RGB 191 211 196

HSL 135, 0.19%, 0.79%

LAB 82.73, -9.54, 5.13

 

CMYK 9 / 0 / 5 / 17

HEX #BFD3C9

RGB 191 211 201

HSL 150, 0.19%, 0.79%

LAB 82.85, -8.61, 2.65

 

CMYK 9 / 0 / 2 / 17

HEX #BFD3CE

RGB 191 211 206

HSL 165, 0.19%, 0.79%

LAB 82.98, -7.66, 0.17

 

CMYK 19 / 0 / 14 / 31

HEX #8FB198

RGB 143 177 152

HSL 135.88, 0.18%, 0.63%

LAB 69.15, -16.6, 9.01

 

CMYK 14 / 0 / 10 / 24

HEX #A7C2AE

RGB 167 194 174

HSL 135.56, 0.18%, 0.71%

LAB 75.98, -13.02, 7

 

CMYK 9 / 0 / 7 / 17

HEX #BFD3C4

RGB 191 211 196

HSL 135, 0.19%, 0.79%

LAB 82.73, -9.54, 5.13

 

CMYK 5 / 0 / 4 / 11

HEX #D8E4DB

RGB 216 228 219

HSL 135, 0.18%, 0.87%

LAB 89.49, -5.64, 2.99

 

CMYK 2 / 0 / 1 / 4

HEX #F0F4F1

RGB 240 244 241

HSL 135, 0.15%, 0.95%

LAB 95.82, -1.85, 0.97

 

CMYK 9 / 0 / 7 / 17

HEX #C0D3C5

RGB 192 211 197

HSL 135.79, 0.18%, 0.79%

LAB 82.82, -9.02, 4.74

 

CMYK 9 / 4 / 0 / 17

HEX #BFCAD3

RGB 191 202 211

HSL 207, 0.19%, 0.79%

LAB 80.75, -1.98, -5.77

 

CMYK 0 / 9 / 8 / 17

HEX #D3BFC2

RGB 211 191 194

HSL 351, 0.19%, 0.79%

LAB 79.04, 7.57, 1.05

 

CMYK 9 / 0 / 7 / 17

HEX #C0D3C5

RGB 192 211 197

HSL 135.79, 0.18%, 0.79%

LAB 82.82, -9.02, 4.74

 

CMYK 7 / 9 / 0 / 17

HEX #C4BFD3

RGB 196 191 211

HSL 255, 0.19%, 0.79%

LAB 78.29, 5.53, -9.38

 

CMYK 0 / 7 / 9 / 17

HEX #D3C4BF

RGB 211 196 191

HSL 15, 0.19%, 0.79%

LAB 80.23, 4.4, 4.39

 

CMYK 9 / 0 / 7 / 17

HEX #C0D3C5

RGB 192 211 197

HSL 135.79, 0.18%, 0.79%

LAB 82.82, -9.02, 4.74

 

CMYK 9 / 4 / 0 / 17

HEX #BFCAD3

RGB 191 202 211

HSL 207, 0.19%, 0.79%

LAB 80.75, -1.98, -5.77

 

CMYK 0 / 9 / 2 / 17

HEX #D3BFCE

RGB 211 191 206

HSL 315, 0.19%, 0.79%

LAB 79.37, 9.68, -4.95

 

CMYK 0 / 5 / 9 / 17

HEX #D3C8BF

RGB 211 200 191

HSL 27, 0.19%, 0.79%

LAB 81.25, 2.29, 5.86

 

CMYK 9 / 0 / 7 / 17

HEX #C0D3C5

RGB 192 211 197

HSL 135.79, 0.18%, 0.79%

LAB 82.82, -9.02, 4.74

 

CMYK 9 / 7 / 0 / 17

HEX #BFC4D3

RGB 191 196 211

HSL 225, 0.19%, 0.79%

LAB 79.19, 1.2, -8.08

 

CMYK 0 / 9 / 2 / 17

HEX #D3BFCE

RGB 211 191 206

HSL 315, 0.19%, 0.79%

LAB 79.37, 9.68, -4.95

 

CMYK 0 / 2 / 9 / 17

HEX #D3CEBF

RGB 211 206 191

HSL 45, 0.19%, 0.79%

LAB 82.78, -0.86, 8.06

 

Description

Color code: HEX #C0D3C5 | qconv.com Color code: HEX #C0D3C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 211 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 211 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 7 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 7% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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